WILD COEXISTENCES: Unforenseen and Skullmancy in Performative Creation
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Arte da Cena |
Texto Completo: | https://revistas.ufg.br/artce/article/view/76144 |
Resumo: | In this essay, we seek to articulate problems specific to the cosmic (collective) politics of the scene and performance in the face of the presence of non-hegemonic subjects in the discourses of the living arts – the animals. For this, we start from the reflection on the unforeseen during the making of the videoperformance Carcaça (2020) at XXXXXXXX Beach (XXXXXXXX, XX) to rescue peripheral aspects of human-animal relationships such as the absence of relational protocols and the way in which this absence operates under conditions of cooperation in the constitution of an artistic work. In this sense, our writing seeks to emphasize the generalities against which artistic practices are turned and which constitute most of the interspecific relationships – human-animal wild coexistence. The absence of relational protocols introduces other times and other asymmetrical ways of being among bodies, landscapes and unforeseen events into the artistic and pedagogical practice of performance. |
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Arte da Cena |
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WILD COEXISTENCES: Unforenseen and Skullmancy in Performative CreationCOEXISTÊNCIAS SELVAGENS: Imprevisto e Craniomancia na Criação PerformativaIn this essay, we seek to articulate problems specific to the cosmic (collective) politics of the scene and performance in the face of the presence of non-hegemonic subjects in the discourses of the living arts – the animals. For this, we start from the reflection on the unforeseen during the making of the videoperformance Carcaça (2020) at XXXXXXXX Beach (XXXXXXXX, XX) to rescue peripheral aspects of human-animal relationships such as the absence of relational protocols and the way in which this absence operates under conditions of cooperation in the constitution of an artistic work. In this sense, our writing seeks to emphasize the generalities against which artistic practices are turned and which constitute most of the interspecific relationships – human-animal wild coexistence. The absence of relational protocols introduces other times and other asymmetrical ways of being among bodies, landscapes and unforeseen events into the artistic and pedagogical practice of performance.Neste ensaio procuramos articular problemas próprios da política cósmica (coletiva) da cena e da performance frente a presença de sujeitos não hegemônicos nos discursos das artes vivas – os animais. Para isso, partimos da reflexão sobre o imprevisto durante a realização da videoperformance Carcaça (2020) na Praia XXXXX (XXXXXX, XX) para resgatar aspectos periféricos das relações humano-animais como a ausência de protocolos de relacionalidade e a maneira como tal ausência opera em condições de cooperação na constituição de uma obra artística. Neste sentido, nosso escrito procura dar ênfase às generalidades contra as quais as práticas artísticas se voltam e que constituem a maior parte das relações interespecíficas – as coexistências humano-animais selvagens. A ausência de protocolos de relacionalidade introduzem na prática artística e pedagógica da performance outros tempos e outras maneiras assimétricas de estar entre corpos, paisagens e acontecimentos imprevistos.Universidade Federal de Goiás2023-12-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufg.br/artce/article/view/7614410.5216/ac.v9i1.76144Art on Stage Journal; Vol. 9 No. 1 (2023): Ecoperformance and Ecopolitics of the Scene; 089-116Arte de la Escena; Vol. 9 Núm. 1 (2023): Ecoperformance y Ecopolíticas de la Escena; 089-116Arte da Cena (Art on Stage); v. 9 n. 1 (2023): Ecoperformance e Ecopolíticas da Cena; 089-1162358-6060reponame:Arte da Cenainstname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/artce/article/view/76144/40495Copyright (c) 2023 Mateus Scota, Bianca Scliar Cabral Mancinihttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessScota, MateusScliar Cabral Mancini, Bianca2023-12-13T02:59:02Zoai:ojs.revistas.ufg.br:article/76144Revistahttps://www.revistas.ufg.br/artce/PUBhttps://www.revistas.ufg.br/artce/oaiartedacena@gmail.com||2358-60602358-6060opendoar:2023-12-13T02:59:02Arte da Cena - Universidade Federal de Goiás (UFG)false |
dc.title.none.fl_str_mv |
WILD COEXISTENCES: Unforenseen and Skullmancy in Performative Creation COEXISTÊNCIAS SELVAGENS: Imprevisto e Craniomancia na Criação Performativa |
title |
WILD COEXISTENCES: Unforenseen and Skullmancy in Performative Creation |
spellingShingle |
WILD COEXISTENCES: Unforenseen and Skullmancy in Performative Creation Scota, Mateus |
title_short |
WILD COEXISTENCES: Unforenseen and Skullmancy in Performative Creation |
title_full |
WILD COEXISTENCES: Unforenseen and Skullmancy in Performative Creation |
title_fullStr |
WILD COEXISTENCES: Unforenseen and Skullmancy in Performative Creation |
title_full_unstemmed |
WILD COEXISTENCES: Unforenseen and Skullmancy in Performative Creation |
title_sort |
WILD COEXISTENCES: Unforenseen and Skullmancy in Performative Creation |
author |
Scota, Mateus |
author_facet |
Scota, Mateus Scliar Cabral Mancini, Bianca |
author_role |
author |
author2 |
Scliar Cabral Mancini, Bianca |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Scota, Mateus Scliar Cabral Mancini, Bianca |
description |
In this essay, we seek to articulate problems specific to the cosmic (collective) politics of the scene and performance in the face of the presence of non-hegemonic subjects in the discourses of the living arts – the animals. For this, we start from the reflection on the unforeseen during the making of the videoperformance Carcaça (2020) at XXXXXXXX Beach (XXXXXXXX, XX) to rescue peripheral aspects of human-animal relationships such as the absence of relational protocols and the way in which this absence operates under conditions of cooperation in the constitution of an artistic work. In this sense, our writing seeks to emphasize the generalities against which artistic practices are turned and which constitute most of the interspecific relationships – human-animal wild coexistence. The absence of relational protocols introduces other times and other asymmetrical ways of being among bodies, landscapes and unforeseen events into the artistic and pedagogical practice of performance. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-12-10 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.ufg.br/artce/article/view/76144 10.5216/ac.v9i1.76144 |
url |
https://revistas.ufg.br/artce/article/view/76144 |
identifier_str_mv |
10.5216/ac.v9i1.76144 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.ufg.br/artce/article/view/76144/40495 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Mateus Scota, Bianca Scliar Cabral Mancini https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Mateus Scota, Bianca Scliar Cabral Mancini https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.source.none.fl_str_mv |
Art on Stage Journal; Vol. 9 No. 1 (2023): Ecoperformance and Ecopolitics of the Scene; 089-116 Arte de la Escena; Vol. 9 Núm. 1 (2023): Ecoperformance y Ecopolíticas de la Escena; 089-116 Arte da Cena (Art on Stage); v. 9 n. 1 (2023): Ecoperformance e Ecopolíticas da Cena; 089-116 2358-6060 reponame:Arte da Cena instname:Universidade Federal de Goiás (UFG) instacron:UFG |
instname_str |
Universidade Federal de Goiás (UFG) |
instacron_str |
UFG |
institution |
UFG |
reponame_str |
Arte da Cena |
collection |
Arte da Cena |
repository.name.fl_str_mv |
Arte da Cena - Universidade Federal de Goiás (UFG) |
repository.mail.fl_str_mv |
artedacena@gmail.com|| |
_version_ |
1797068725261697024 |