The exposition of a singular whatever body:: performativity and discursitivity in the dance performance SOB Medida
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Arte da Cena |
Texto Completo: | https://revistas.ufg.br/artce/article/view/66581 |
Resumo: | Parting from a phenomenological description of the performance SOB Medida, which exposes on stage two heavy female bodies, this paper discusses how in this choreography its performative and discursive dimensions intersect each other in the defense of the existence of a heavy female body. It asks to what extent the directing of the spectators’ attention now to its physical dimension, now to its social dimension destabilizes and denaturalizes the relation between both. It affirms that this criss-crossing of focus in SOB Medida forms a critically festive celebration of the human body as an any-body, but also a singular body, a being-such, in a movement that can be read as a defense of a political identity as action, but emptying it as a substantial category. Finally, parting from the reflection of Italian philosopher Giorgio Agamben on the existence of a radical hospitality written into this singular being-such, the paper reads the alternation between performative and discursive aspects in the bodies’ interactions on stage as a metaphor able to evoke, materialize and explore the potentials of a coming community that Agamben’s thinking points at. Keywords: Cacomorphobia – Performative Corporality – Discursive Corporality – Community – Agamben |
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The exposition of a singular whatever body:: performativity and discursitivity in the dance performance SOB Medida A exposição de um corpo qualquer singular: : performatividade e discursividade na performance em dança SOB MedidaParting from a phenomenological description of the performance SOB Medida, which exposes on stage two heavy female bodies, this paper discusses how in this choreography its performative and discursive dimensions intersect each other in the defense of the existence of a heavy female body. It asks to what extent the directing of the spectators’ attention now to its physical dimension, now to its social dimension destabilizes and denaturalizes the relation between both. It affirms that this criss-crossing of focus in SOB Medida forms a critically festive celebration of the human body as an any-body, but also a singular body, a being-such, in a movement that can be read as a defense of a political identity as action, but emptying it as a substantial category. Finally, parting from the reflection of Italian philosopher Giorgio Agamben on the existence of a radical hospitality written into this singular being-such, the paper reads the alternation between performative and discursive aspects in the bodies’ interactions on stage as a metaphor able to evoke, materialize and explore the potentials of a coming community that Agamben’s thinking points at. Keywords: Cacomorphobia – Performative Corporality – Discursive Corporality – Community – AgambenA partir de uma descrição fenomenológica da performance em dança SOB Medida, um trabalho que expõe dois corpos femininos gordos em cena, o presente ensaio discute como nessa coreografia se cruzam dimensões performativas e discursivas na defesa da existência de um corpo feminino gordo, e pergunta até que ponto o direcionamento da atenção dos espectadores ora para a dimensão física ora para a dimensão social desestabiliza e desnaturaliza a relação entre ambos. Afirma que esse cruzamento em SOB Medida configura uma defesa criticamente festiva do corpo humano como um corpo qualquer, mas singular, num movimento que pode ser lido como defesa de uma política identitária enquanto ação, mas esvaziando ela enquanto categoria substancial. Finalmente, a partir da reflexão do filósofo italiano Giorgio Agamben sobre a existência de uma hospitalidade radical inscrita nessa qualqueridade singular, o texto lê a alternância entre traços performativos e discursivos na interação dos corpos em cena como metáfora capaz de evocar, de materializar e de explorar as potencialidades de uma comunidade por vir à qual alude Agamben. Palavras-Chave: Gordofobia – Corporeidade Performativa – Corporeidade Discursiva – Comunidade – Agamben Universidade Federal de Goiás2021-07-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://revistas.ufg.br/artce/article/view/6658110.5216/ac.v7i1.66581Art on Stage Journal; Vol. 7 No. 1 (2021): Decentering Dance Research (Part II); 54-74Arte da Cena (Art on Stage); v. 7 n. 1 (2021): Descentrar as Pesquisas em Dança (Parte II); 54-742358-6060reponame:Arte da Cenainstname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/artce/article/view/66581/36993Copyright (c) 2021 Stephan Baumgartelhttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessBaumgartel, Stephan2021-07-29T15:19:46Zoai:ojs.revistas.ufg.br:article/66581Revistahttps://www.revistas.ufg.br/artce/PUBhttps://www.revistas.ufg.br/artce/oaiartedacena@gmail.com||2358-60602358-6060opendoar:2021-07-29T15:19:46Arte da Cena - Universidade Federal de Goiás (UFG)false |
dc.title.none.fl_str_mv |
The exposition of a singular whatever body:: performativity and discursitivity in the dance performance SOB Medida A exposição de um corpo qualquer singular: : performatividade e discursividade na performance em dança SOB Medida |
title |
The exposition of a singular whatever body:: performativity and discursitivity in the dance performance SOB Medida |
spellingShingle |
The exposition of a singular whatever body:: performativity and discursitivity in the dance performance SOB Medida Baumgartel, Stephan |
title_short |
The exposition of a singular whatever body:: performativity and discursitivity in the dance performance SOB Medida |
title_full |
The exposition of a singular whatever body:: performativity and discursitivity in the dance performance SOB Medida |
title_fullStr |
The exposition of a singular whatever body:: performativity and discursitivity in the dance performance SOB Medida |
title_full_unstemmed |
The exposition of a singular whatever body:: performativity and discursitivity in the dance performance SOB Medida |
title_sort |
The exposition of a singular whatever body:: performativity and discursitivity in the dance performance SOB Medida |
author |
Baumgartel, Stephan |
author_facet |
Baumgartel, Stephan |
author_role |
author |
dc.contributor.author.fl_str_mv |
Baumgartel, Stephan |
description |
Parting from a phenomenological description of the performance SOB Medida, which exposes on stage two heavy female bodies, this paper discusses how in this choreography its performative and discursive dimensions intersect each other in the defense of the existence of a heavy female body. It asks to what extent the directing of the spectators’ attention now to its physical dimension, now to its social dimension destabilizes and denaturalizes the relation between both. It affirms that this criss-crossing of focus in SOB Medida forms a critically festive celebration of the human body as an any-body, but also a singular body, a being-such, in a movement that can be read as a defense of a political identity as action, but emptying it as a substantial category. Finally, parting from the reflection of Italian philosopher Giorgio Agamben on the existence of a radical hospitality written into this singular being-such, the paper reads the alternation between performative and discursive aspects in the bodies’ interactions on stage as a metaphor able to evoke, materialize and explore the potentials of a coming community that Agamben’s thinking points at. Keywords: Cacomorphobia – Performative Corporality – Discursive Corporality – Community – Agamben |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-07-29 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.ufg.br/artce/article/view/66581 10.5216/ac.v7i1.66581 |
url |
https://revistas.ufg.br/artce/article/view/66581 |
identifier_str_mv |
10.5216/ac.v7i1.66581 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.ufg.br/artce/article/view/66581/36993 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Stephan Baumgartel https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Stephan Baumgartel https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.source.none.fl_str_mv |
Art on Stage Journal; Vol. 7 No. 1 (2021): Decentering Dance Research (Part II); 54-74 Arte da Cena (Art on Stage); v. 7 n. 1 (2021): Descentrar as Pesquisas em Dança (Parte II); 54-74 2358-6060 reponame:Arte da Cena instname:Universidade Federal de Goiás (UFG) instacron:UFG |
instname_str |
Universidade Federal de Goiás (UFG) |
instacron_str |
UFG |
institution |
UFG |
reponame_str |
Arte da Cena |
collection |
Arte da Cena |
repository.name.fl_str_mv |
Arte da Cena - Universidade Federal de Goiás (UFG) |
repository.mail.fl_str_mv |
artedacena@gmail.com|| |
_version_ |
1797068726085877760 |