BERTOLT BRECHT AND THE POPULAR COMMIT KARL VALENTIN - PRINCIPLES OF BUFFONARIA FOR A CRITICAL PERFORMANCE

Detalhes bibliográficos
Autor(a) principal: Bordin, Vanessa Benites
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
Título da fonte: Arte da Cena
Texto Completo: https://revistas.ufg.br/artce/article/view/43346
Resumo: In this article we analyze how Bertolt Brecht appropriates the characteristic elements of buffoonery, from their practical experience alongside the popular comic Karl Valentin, to think about techniques for the actor of his theater, a theater that aims at social transformation. This analysis arises from reflections within a research that develops from the graduation in Theater and today gains greater dimensions in the doctorate and teaching, permeate studies and practices with the buffoon, whose axis the relationship between artistic practice and actor policy that seeks the mood a creative possibility in an attempt to achieve social criticism, or even open a discussion course on policy issues believes relevant reflection. Therefore, it seeks references from comic actors, who are believed to use elements of buffoonery and humor in their scenic practices to carry out social criticism, trying to understand how to operate in practice this comic game that aims to denounce.
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spelling BERTOLT BRECHT AND THE POPULAR COMMIT KARL VALENTIN - PRINCIPLES OF BUFFONARIA FOR A CRITICAL PERFORMANCEBERTOLT BRECHT E O CÔMICO POPULAR KARL VALENTIN – PRINCÍPIOS DA BUFONARIA PARA UMA ATUAÇÃO CRÍTICAbuffoonerysocial criticismactor's workKarl Valentin.bufonariacrítica socialtrabalho do atorKarl ValentinIn this article we analyze how Bertolt Brecht appropriates the characteristic elements of buffoonery, from their practical experience alongside the popular comic Karl Valentin, to think about techniques for the actor of his theater, a theater that aims at social transformation. This analysis arises from reflections within a research that develops from the graduation in Theater and today gains greater dimensions in the doctorate and teaching, permeate studies and practices with the buffoon, whose axis the relationship between artistic practice and actor policy that seeks the mood a creative possibility in an attempt to achieve social criticism, or even open a discussion course on policy issues believes relevant reflection. Therefore, it seeks references from comic actors, who are believed to use elements of buffoonery and humor in their scenic practices to carry out social criticism, trying to understand how to operate in practice this comic game that aims to denounce.Neste artigo analisa-se como Bertolt Brecht se apropria dos elementos característicos da bufonaria a partir de sua vivência prática ao lado do cômico popular Karl Valentin para pensar técnicas para o ator de seu teatro, um teatro que almeja a transformação social. Essa análise surge a partir de reflexões dentro de uma pesquisa que se desenvolve desde a graduação em Teatro, e que, atualmente, vem ganhando maiores dimensões no doutorado e docência, permeando os estudos e práticas com o bufão que tem como eixo a relação entre a prática artística e política do ator que busca no humor uma possibilidade criativa na tentativa de realizar a crítica social, ou ainda, abrir espaço de debate sobre questões políticas que acredita pertinentes de reflexão. Para tanto, busca-se referências de atores cômicos, que utilizam elementos da bufonaria e do humor em suas práticas cênicas para realizarem a crítica social, tentando compreender como se opera na prática esse jogo cômico que visa a denúncia.Universidade Federal de Goiás2017-07-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufg.br/artce/article/view/4334610.5216/ac.v3i1.43346Art on Stage Journal; Vol. 3 No. 1 (2017): v. 3, n. 1 - MOTIM - Mito, Rito e Cartografias Femininas nas Artes da Cena; 163-179Arte da Cena (Art on Stage); v. 3 n. 1 (2017): v. 3, n. 1 - MOTIM - Mito, Rito e Cartografias Femininas nas Artes da Cena; 163-1792358-6060reponame:Arte da Cenainstname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/artce/article/view/43346/23852Copyright (c) 2017 Arte da Cena (Art on Stage)info:eu-repo/semantics/openAccessBordin, Vanessa Benites2021-02-20T19:56:07Zoai:ojs.revistas.ufg.br:article/43346Revistahttps://www.revistas.ufg.br/artce/PUBhttps://www.revistas.ufg.br/artce/oaiartedacena@gmail.com||2358-60602358-6060opendoar:2021-02-20T19:56:07Arte da Cena - Universidade Federal de Goiás (UFG)false
dc.title.none.fl_str_mv BERTOLT BRECHT AND THE POPULAR COMMIT KARL VALENTIN - PRINCIPLES OF BUFFONARIA FOR A CRITICAL PERFORMANCE
BERTOLT BRECHT E O CÔMICO POPULAR KARL VALENTIN – PRINCÍPIOS DA BUFONARIA PARA UMA ATUAÇÃO CRÍTICA
title BERTOLT BRECHT AND THE POPULAR COMMIT KARL VALENTIN - PRINCIPLES OF BUFFONARIA FOR A CRITICAL PERFORMANCE
spellingShingle BERTOLT BRECHT AND THE POPULAR COMMIT KARL VALENTIN - PRINCIPLES OF BUFFONARIA FOR A CRITICAL PERFORMANCE
Bordin, Vanessa Benites
buffoonery
social criticism
actor's work
Karl Valentin.
bufonaria
crítica social
trabalho do ator
Karl Valentin
title_short BERTOLT BRECHT AND THE POPULAR COMMIT KARL VALENTIN - PRINCIPLES OF BUFFONARIA FOR A CRITICAL PERFORMANCE
title_full BERTOLT BRECHT AND THE POPULAR COMMIT KARL VALENTIN - PRINCIPLES OF BUFFONARIA FOR A CRITICAL PERFORMANCE
title_fullStr BERTOLT BRECHT AND THE POPULAR COMMIT KARL VALENTIN - PRINCIPLES OF BUFFONARIA FOR A CRITICAL PERFORMANCE
title_full_unstemmed BERTOLT BRECHT AND THE POPULAR COMMIT KARL VALENTIN - PRINCIPLES OF BUFFONARIA FOR A CRITICAL PERFORMANCE
title_sort BERTOLT BRECHT AND THE POPULAR COMMIT KARL VALENTIN - PRINCIPLES OF BUFFONARIA FOR A CRITICAL PERFORMANCE
author Bordin, Vanessa Benites
author_facet Bordin, Vanessa Benites
author_role author
dc.contributor.author.fl_str_mv Bordin, Vanessa Benites
dc.subject.por.fl_str_mv buffoonery
social criticism
actor's work
Karl Valentin.
bufonaria
crítica social
trabalho do ator
Karl Valentin
topic buffoonery
social criticism
actor's work
Karl Valentin.
bufonaria
crítica social
trabalho do ator
Karl Valentin
description In this article we analyze how Bertolt Brecht appropriates the characteristic elements of buffoonery, from their practical experience alongside the popular comic Karl Valentin, to think about techniques for the actor of his theater, a theater that aims at social transformation. This analysis arises from reflections within a research that develops from the graduation in Theater and today gains greater dimensions in the doctorate and teaching, permeate studies and practices with the buffoon, whose axis the relationship between artistic practice and actor policy that seeks the mood a creative possibility in an attempt to achieve social criticism, or even open a discussion course on policy issues believes relevant reflection. Therefore, it seeks references from comic actors, who are believed to use elements of buffoonery and humor in their scenic practices to carry out social criticism, trying to understand how to operate in practice this comic game that aims to denounce.
publishDate 2017
dc.date.none.fl_str_mv 2017-07-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.ufg.br/artce/article/view/43346
10.5216/ac.v3i1.43346
url https://revistas.ufg.br/artce/article/view/43346
identifier_str_mv 10.5216/ac.v3i1.43346
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.ufg.br/artce/article/view/43346/23852
dc.rights.driver.fl_str_mv Copyright (c) 2017 Arte da Cena (Art on Stage)
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Arte da Cena (Art on Stage)
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Goiás
publisher.none.fl_str_mv Universidade Federal de Goiás
dc.source.none.fl_str_mv Art on Stage Journal; Vol. 3 No. 1 (2017): v. 3, n. 1 - MOTIM - Mito, Rito e Cartografias Femininas nas Artes da Cena; 163-179
Arte da Cena (Art on Stage); v. 3 n. 1 (2017): v. 3, n. 1 - MOTIM - Mito, Rito e Cartografias Femininas nas Artes da Cena; 163-179
2358-6060
reponame:Arte da Cena
instname:Universidade Federal de Goiás (UFG)
instacron:UFG
instname_str Universidade Federal de Goiás (UFG)
instacron_str UFG
institution UFG
reponame_str Arte da Cena
collection Arte da Cena
repository.name.fl_str_mv Arte da Cena - Universidade Federal de Goiás (UFG)
repository.mail.fl_str_mv artedacena@gmail.com||
_version_ 1797068725682176000

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