DESTINY DIED SUDDENLY: FUN AND RESISTANCE IN ALVES REDOL
Autor(a) principal: | |
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Data de Publicação: | 2014 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Arte da Cena |
Texto Completo: | https://revistas.ufg.br/artce/article/view/31060 |
Resumo: | It is the goal of the present article to study the play Fate has died suddenly by Alves Redol, with the following two aspects as starting points: its entertaining character as understood in its scenic language and its theme of resistance. In the referred work, the author tries to aim both at his spectator’s senses and at his intelligence, joining entertainment and the denunciation of social injustice of his time. Based on these notions, the ingredients of the play as a piece of entertainment and the maladjustments which it reflects, being written under the Salazar regime, will be examined simultaneously. The theoretical reference adopted consists basically of Bertolt Brecht’s conceptions, which consider the theatre a fairground, combined with a critical attitude towards reality. |
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DESTINY DIED SUDDENLY: FUN AND RESISTANCE IN ALVES REDOLO DESTINO MORREU DE REPENTE: DIVERTIMENTO E RESISTÊNCIA EM ALVES REDOLEntertainmentresistanceAlves Redol.DivertimentoresistênciaAlves Redol.It is the goal of the present article to study the play Fate has died suddenly by Alves Redol, with the following two aspects as starting points: its entertaining character as understood in its scenic language and its theme of resistance. In the referred work, the author tries to aim both at his spectator’s senses and at his intelligence, joining entertainment and the denunciation of social injustice of his time. Based on these notions, the ingredients of the play as a piece of entertainment and the maladjustments which it reflects, being written under the Salazar regime, will be examined simultaneously. The theoretical reference adopted consists basically of Bertolt Brecht’s conceptions, which consider the theatre a fairground, combined with a critical attitude towards reality.O presente artigo tem como objetivo estudar a peça O destino morreu de repente, de Alves Redol, a partir de dois aspectos: o seu caráter de divertimento, compreendido na linguagem cênica, e a sua temática de resistência. Na referida obra, o autor buscou dirigir-se tanto aos sentidos quanto à inteligência de seu espectador, conjugando entretenimento e denúncia às injustiças sociais de seu tempo. Baseando-se nessas noções, serão examinados simultaneamente os ingredientes do espetáculo como divertimento e os desajustamentos que a peça espelha, escrita sob o regime do Estado salazarista. O referencial teórico adotado consiste basicamente nas concepções de Bertolt Brecht, que consideram o teatro um recinto de diversão, aliada a uma atitude crítica diante da realidade. Universidade Federal de Goiás2014-09-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufg.br/artce/article/view/31060Art on Stage Journal; Vol. 1 No. 1 (2014): Revista Arte da Cena; 49-60Arte de la Escena; Vol. 1 Núm. 1 (2014): Revista Arte da Cena; 49-60Arte da Cena (Art on Stage); v. 1 n. 1 (2014): Revista Arte da Cena; 49-602358-6060reponame:Arte da Cenainstname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/artce/article/view/31060/18373Copyright (c) 2023 Walquiria Pereira Batistahttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessBatista, Walquiria Pereira2023-08-21T14:22:48Zoai:ojs.revistas.ufg.br:article/31060Revistahttps://www.revistas.ufg.br/artce/PUBhttps://www.revistas.ufg.br/artce/oaiartedacena@gmail.com||2358-60602358-6060opendoar:2023-08-21T14:22:48Arte da Cena - Universidade Federal de Goiás (UFG)false |
dc.title.none.fl_str_mv |
DESTINY DIED SUDDENLY: FUN AND RESISTANCE IN ALVES REDOL O DESTINO MORREU DE REPENTE: DIVERTIMENTO E RESISTÊNCIA EM ALVES REDOL |
title |
DESTINY DIED SUDDENLY: FUN AND RESISTANCE IN ALVES REDOL |
spellingShingle |
DESTINY DIED SUDDENLY: FUN AND RESISTANCE IN ALVES REDOL Batista, Walquiria Pereira Entertainment resistance Alves Redol. Divertimento resistência Alves Redol. |
title_short |
DESTINY DIED SUDDENLY: FUN AND RESISTANCE IN ALVES REDOL |
title_full |
DESTINY DIED SUDDENLY: FUN AND RESISTANCE IN ALVES REDOL |
title_fullStr |
DESTINY DIED SUDDENLY: FUN AND RESISTANCE IN ALVES REDOL |
title_full_unstemmed |
DESTINY DIED SUDDENLY: FUN AND RESISTANCE IN ALVES REDOL |
title_sort |
DESTINY DIED SUDDENLY: FUN AND RESISTANCE IN ALVES REDOL |
author |
Batista, Walquiria Pereira |
author_facet |
Batista, Walquiria Pereira |
author_role |
author |
dc.contributor.author.fl_str_mv |
Batista, Walquiria Pereira |
dc.subject.por.fl_str_mv |
Entertainment resistance Alves Redol. Divertimento resistência Alves Redol. |
topic |
Entertainment resistance Alves Redol. Divertimento resistência Alves Redol. |
description |
It is the goal of the present article to study the play Fate has died suddenly by Alves Redol, with the following two aspects as starting points: its entertaining character as understood in its scenic language and its theme of resistance. In the referred work, the author tries to aim both at his spectator’s senses and at his intelligence, joining entertainment and the denunciation of social injustice of his time. Based on these notions, the ingredients of the play as a piece of entertainment and the maladjustments which it reflects, being written under the Salazar regime, will be examined simultaneously. The theoretical reference adopted consists basically of Bertolt Brecht’s conceptions, which consider the theatre a fairground, combined with a critical attitude towards reality. |
publishDate |
2014 |
dc.date.none.fl_str_mv |
2014-09-05 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.ufg.br/artce/article/view/31060 |
url |
https://revistas.ufg.br/artce/article/view/31060 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.ufg.br/artce/article/view/31060/18373 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Walquiria Pereira Batista https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Walquiria Pereira Batista https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.source.none.fl_str_mv |
Art on Stage Journal; Vol. 1 No. 1 (2014): Revista Arte da Cena; 49-60 Arte de la Escena; Vol. 1 Núm. 1 (2014): Revista Arte da Cena; 49-60 Arte da Cena (Art on Stage); v. 1 n. 1 (2014): Revista Arte da Cena; 49-60 2358-6060 reponame:Arte da Cena instname:Universidade Federal de Goiás (UFG) instacron:UFG |
instname_str |
Universidade Federal de Goiás (UFG) |
instacron_str |
UFG |
institution |
UFG |
reponame_str |
Arte da Cena |
collection |
Arte da Cena |
repository.name.fl_str_mv |
Arte da Cena - Universidade Federal de Goiás (UFG) |
repository.mail.fl_str_mv |
artedacena@gmail.com|| |
_version_ |
1797068725201928192 |