O Entrelugar em Borges: fragmentos de uma poética

Detalhes bibliográficos
Autor(a) principal: OLIVEIRA, Gustavo Ponciano Cunha de
Data de Publicação: 2011
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UFG
dARK ID: ark:/38995/0013000003xbq
Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tde/2416
Resumo: This study, presented as an essay, starts from the indeterminacy of meaning as a critical assumption in an attempt to seize possible fragments of a poetics in the work of Jorge Luis Borges. Thus, its outcome is not the definition of the poet and his creation, but a possible critical reading. The study connects specific fragments of Borges work with different support texts, critical and philosophical ones, by Joseph Hillis Miller, Antoine Compagnon, Jacques Derrida, Paul de Man, Gilles Deleuze. This contact enables the perception of the author s dissatisfaction before a couple of binary or polar oppositions (metaphysical paradigms inheritance), and consequent imposition of order favoring one of the words: literature/criticism, reading/writing, poetic/antipoetic, self/ one another, totality/suggestion. Such dissatisfaction is expressed in the borgesian creation through a metaphor which I call in-between. Its fundamental characteristic is the refutation of discourses that present themselves as having a fixed and unshakable truth through a reversion of the hierarchy which establishes them. Borges is, therefore, understood here as an inquirer who employs the language, testing its limits and strength. The inquiring feature assigned to his texts, his inflection, is reflected in this essay. Starting from a quotation from El Aleph and from the fissured reading of such fragment, always highlighting the partiality of the study accomplished here, this essay presents the defense that Borges lies in an in-between when discussing fundamental questions like authorship, text, authenticity and self.
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spelling CAMARGO, Goiandira de Fatima Ortiz dehttp://lattes.cnpq.br/3029764057965151http://lattes.cnpq.br/8347942422845132OLIVEIRA, Gustavo Ponciano Cunha de2014-07-29T16:19:06Z2012-11-272011-02-18OLIVEIRA, Gustavo Ponciano Cunha de. The in-between in Broges: fragments of a poetics. 2011. 133 f. Dissertação (Mestrado em Lingüística, Letras e Artes) - Universidade Federal de Goiás, Goiânia, 2011.http://repositorio.bc.ufg.br/tede/handle/tde/2416ark:/38995/0013000003xbqThis study, presented as an essay, starts from the indeterminacy of meaning as a critical assumption in an attempt to seize possible fragments of a poetics in the work of Jorge Luis Borges. Thus, its outcome is not the definition of the poet and his creation, but a possible critical reading. The study connects specific fragments of Borges work with different support texts, critical and philosophical ones, by Joseph Hillis Miller, Antoine Compagnon, Jacques Derrida, Paul de Man, Gilles Deleuze. This contact enables the perception of the author s dissatisfaction before a couple of binary or polar oppositions (metaphysical paradigms inheritance), and consequent imposition of order favoring one of the words: literature/criticism, reading/writing, poetic/antipoetic, self/ one another, totality/suggestion. Such dissatisfaction is expressed in the borgesian creation through a metaphor which I call in-between. Its fundamental characteristic is the refutation of discourses that present themselves as having a fixed and unshakable truth through a reversion of the hierarchy which establishes them. Borges is, therefore, understood here as an inquirer who employs the language, testing its limits and strength. The inquiring feature assigned to his texts, his inflection, is reflected in this essay. Starting from a quotation from El Aleph and from the fissured reading of such fragment, always highlighting the partiality of the study accomplished here, this essay presents the defense that Borges lies in an in-between when discussing fundamental questions like authorship, text, authenticity and self.Este estudo, apresentado na forma de ensaio, parte da indeterminância de sentido enquanto pressuposto crítico na tentativa de apreender possíveis fragmentos de uma poética na obra de Jorge Luis Borges. Assim, seu resultado é uma possível leitura crítica, não a definição do poeta e de sua criação. O estudo toma específicos fragmentos da obra de Borges e os relaciona a textos de apoio diversos, críticos e filosóficos, de Joseph Hillis Miller, Antoine Compagnon, Jacques Derrida, Paul de Man, Gilles Deleuze. Este encontro possibilita a percepção da insatisfação do autor diante de algumas oposições binárias ou polares (herança de paradigmas metafísicos), e com a consequente imposição de ordem que privilegia um dos termos: literatura/crítica, escrita/leitura, poética/antipoética, eu mesmo/um outro, totalidade/sugestão. Esta insatisfação é expressa na criação borgiana por meio de uma metáfora que chamo de entrelugar. Sua característica fundamental é a refutação de discursos que se apresentam como portadores da verdade, fixa e inabalável, por meio de uma reversão da hierarquia que os institui. Borges é, portanto, entendido aqui como um questionador que emprega a linguagem, testando seus limites e potências. O caráter investigativo atribuído aos seus textos, sua inflexão, reflete-se neste ensaio. Partindo de uma citação de El Aleph e da leitura fendida deste fragmento, sempre destacando a parcialidade do estudo que aqui se realiza, apresento a defesa de que Borges situa-se em um entrelugar ao discutir questões fundamentais como autoria, texto, autenticidade e eu.Made available in DSpace on 2014-07-29T16:19:06Z (GMT). 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dc.title.por.fl_str_mv O Entrelugar em Borges: fragmentos de uma poética
dc.title.alternative.eng.fl_str_mv The in-between in Broges: fragments of a poetics
title O Entrelugar em Borges: fragmentos de uma poética
spellingShingle O Entrelugar em Borges: fragmentos de uma poética
OLIVEIRA, Gustavo Ponciano Cunha de
Borges
crítica literária
leitura
metáfora
entrelugar.
Borges
literary criticism
reading
metaphor
in-between.
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
title_short O Entrelugar em Borges: fragmentos de uma poética
title_full O Entrelugar em Borges: fragmentos de uma poética
title_fullStr O Entrelugar em Borges: fragmentos de uma poética
title_full_unstemmed O Entrelugar em Borges: fragmentos de uma poética
title_sort O Entrelugar em Borges: fragmentos de uma poética
author OLIVEIRA, Gustavo Ponciano Cunha de
author_facet OLIVEIRA, Gustavo Ponciano Cunha de
author_role author
dc.contributor.advisor1.fl_str_mv CAMARGO, Goiandira de Fatima Ortiz de
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/3029764057965151
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/8347942422845132
dc.contributor.author.fl_str_mv OLIVEIRA, Gustavo Ponciano Cunha de
contributor_str_mv CAMARGO, Goiandira de Fatima Ortiz de
dc.subject.por.fl_str_mv Borges
crítica literária
leitura
metáfora
entrelugar.
topic Borges
crítica literária
leitura
metáfora
entrelugar.
Borges
literary criticism
reading
metaphor
in-between.
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
dc.subject.eng.fl_str_mv Borges
literary criticism
reading
metaphor
in-between.
dc.subject.cnpq.fl_str_mv CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
description This study, presented as an essay, starts from the indeterminacy of meaning as a critical assumption in an attempt to seize possible fragments of a poetics in the work of Jorge Luis Borges. Thus, its outcome is not the definition of the poet and his creation, but a possible critical reading. The study connects specific fragments of Borges work with different support texts, critical and philosophical ones, by Joseph Hillis Miller, Antoine Compagnon, Jacques Derrida, Paul de Man, Gilles Deleuze. This contact enables the perception of the author s dissatisfaction before a couple of binary or polar oppositions (metaphysical paradigms inheritance), and consequent imposition of order favoring one of the words: literature/criticism, reading/writing, poetic/antipoetic, self/ one another, totality/suggestion. Such dissatisfaction is expressed in the borgesian creation through a metaphor which I call in-between. Its fundamental characteristic is the refutation of discourses that present themselves as having a fixed and unshakable truth through a reversion of the hierarchy which establishes them. Borges is, therefore, understood here as an inquirer who employs the language, testing its limits and strength. The inquiring feature assigned to his texts, his inflection, is reflected in this essay. Starting from a quotation from El Aleph and from the fissured reading of such fragment, always highlighting the partiality of the study accomplished here, this essay presents the defense that Borges lies in an in-between when discussing fundamental questions like authorship, text, authenticity and self.
publishDate 2011
dc.date.issued.fl_str_mv 2011-02-18
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