O corpo e a gravura como campos poéticos

• Autor(a) principal: Lacerda, Luciene Alves de
• Data de Publicação: 2016
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Repositório Institucional da UFG
• dARK ID: ark:/38995/0013000009gj4
• Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/6096
• topic: Gravura; Litografia a seco; Corpo; Temporalidades; Printmaking; Waterless lithograph; Body; Temporalities; LINGUISTICA, LETRAS E ARTES::ARTES

This dissertation aims to think the picture and the body as a way to build a poetics that speaks to the dual concept of matrix, which is a possibility of establishing time frames coming from the direction of the imager body and expressive spaces perceptions of the subject / object artist and researcher, senses builder. From the body of ideas as poetic space we draw a path of trials with the titled dry lithography technique, alternative printing technique that refers to the subversion of traditional techniques, because it seeks to establish dialogues between the technique and its materialities bringing to the body element, questioning him in clippings and paths that overlap from one image to another, such as leather, fabrics film, an intimate walk towards the time and the place called body, which permeate the "speeches" and "truths" of society and culture . The materials used for this research were materials discarded by consumer society and information, such as offset plates, which in the recent past were a generating surface images now reused to generate new images; skins; films; tissues; voile; paraffins; stone; instruments for drawing; papers of varying textures, with the intention to provoke, evoke bodily surfaces memories. The weights on the use of diverse materials such as propellants contemporary and relevant reflections to the immense universe of images producer; sensitive body concept understood in its phenomenological relation between subject and object; reflection on the research methodology in visual poetics; and poetic concepts in physical space and the folds, which put us in an opportunity to make connections with dry lithography technique called, were the main theoretical framework that guided the construction of this research.