O menestrel maldito no caminho da censura: a trajetória política de Juca Chaves entre a sátira musical e o show solo de humor (1960 - 1979)

Detalhes bibliográficos
Autor(a) principal: Gonçalves, Matheus Alves Silva
Data de Publicação: 2020
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UFG
Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/11736
Resumo: This dissertation seeks to analyze part of the public life and comical production of Juca Chaves, a Brazilian artist who maintained a conflicting relationship with the Federal Censorship in the 1960s and 1970s. Our purpose is to understand the reasons that led to the repression and boycott of his artistic practice. First, in a period when the Censorship was decentralized and had a reduced power; then, at the moment when the Agency underwent reorganizations that centralized and intensified its operation. This thematic permeates the hegemonic processes of the complex democracy in the early 1960s and the political tension during the Military Dictatorship in Brazil. Juca Chaves' artistic work took shape in two comical languages: musical satire and the humor solo show. His satire contributed to the promotion of a genre of humorous and individual spectacle through which many Brazilian comedians of the time passed. Through the exam of newspapers, autobiographies and, above all, phonographic materials, we hold that Chaves underwent state and market restrictions due to both the sociocultural and political criticism worked out in his oeuvre, and his insubordinate behavior, mainly in the media, notable during his career.
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spelling Langaro, Jiani Fernandohttp://lattes.cnpq.br/9918372985460845Langaro, Jiani FernandoVieira, Thaís LeãoBrites, Olgahttp://lattes.cnpq.br/7495848482992603Gonçalves, Matheus Alves Silva2021-11-09T11:54:53Z2021-11-09T11:54:53Z2020-12-21GONÇALVES, M. A. S. O menestrel maldito no caminho da censura: a trajetória política de Juca Chaves entre a sátira musical e o show solo de humor (1960 - 1979). 2020. 223 f. Dissertação (Mestrado em História) - Universidade Federal de Goiás, Goiânia, 2020.http://repositorio.bc.ufg.br/tede/handle/tede/11736ark:/38995/0013000005t8tThis dissertation seeks to analyze part of the public life and comical production of Juca Chaves, a Brazilian artist who maintained a conflicting relationship with the Federal Censorship in the 1960s and 1970s. Our purpose is to understand the reasons that led to the repression and boycott of his artistic practice. First, in a period when the Censorship was decentralized and had a reduced power; then, at the moment when the Agency underwent reorganizations that centralized and intensified its operation. This thematic permeates the hegemonic processes of the complex democracy in the early 1960s and the political tension during the Military Dictatorship in Brazil. Juca Chaves' artistic work took shape in two comical languages: musical satire and the humor solo show. His satire contributed to the promotion of a genre of humorous and individual spectacle through which many Brazilian comedians of the time passed. Through the exam of newspapers, autobiographies and, above all, phonographic materials, we hold that Chaves underwent state and market restrictions due to both the sociocultural and political criticism worked out in his oeuvre, and his insubordinate behavior, mainly in the media, notable during his career.Este trabalho busca analisar parte da vida pública e da produção cômica de Juca Chaves, artista brasileiro que desenvolveu relações conflituosas com a Censura Federal nas décadas de 1960 e 1970. O nosso objetivo é entender as razões que levaram a prática artística do compositor carioca a ser reprimida e boicotada. Primeiro, em período de descentralização da Censura - quando esta tinha força reduzida; depois, na fase em que o órgão passou por reorganizações centralizadoras que intensificaram a sua atuação. A temática atravessa os processos hegemônicos da complexa democracia do início dos anos 1960 e os tensionamentos políticos na Ditadura Militar do Brasil. A obra artística foi materializada em duas linguagens cômicas: a sátira musical e o show solo de humor. A sátira de Juca Chaves contribuiu para o fomento de um gênero de espetáculo humorístico e individual pelo qual transitaram muitos humoristas brasileiros da época. Através da análise de jornais, autobiografias e, sobretudo, materiais fonográficos, defendemos que Chaves sofreu restrições estatais e mercadológicas devido às críticas socioculturais e políticas operadas em seus trabalhos e ao comportamento insubordinado, especialmente nos meios de comunicação, notável durante sua carreira.Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2021-11-08T11:58:15Z No. of bitstreams: 2 Dissertação - Matheus Alves Silva Gonçalves - 2020.pdf: 5466693 bytes, checksum: 477d566e48ed59df0cebd0f8f27fdd33 (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2021-11-09T11:54:53Z (GMT) No. of bitstreams: 2 Dissertação - Matheus Alves Silva Gonçalves - 2020.pdf: 5466693 bytes, checksum: 477d566e48ed59df0cebd0f8f27fdd33 (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5)Made available in DSpace on 2021-11-09T11:54:53Z (GMT). No. of bitstreams: 2 Dissertação - Matheus Alves Silva Gonçalves - 2020.pdf: 5466693 bytes, checksum: 477d566e48ed59df0cebd0f8f27fdd33 (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5) Previous issue date: 2020-12-21Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESporUniversidade Federal de GoiásPrograma de Pós-graduação em História (FH)UFGBrasilFaculdade de História - FH (RG)Attribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessCensuraJuca ChavesSátira musicalShow soloSátira políticaCensorshipJuca ChavesMusical satireSolo showPolitical satireCIENCIAS HUMANAS::HISTORIA::HISTORIA DO BRASILO menestrel maldito no caminho da censura: a trajetória política de Juca Chaves entre a sátira musical e o show solo de humor (1960 - 1979)The damned minstrel in the way of censorship: Juca Chaves' political trajectory between musical satire and the humor solo show (1960-1979)info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis64500500500500167331reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.bc.ufg.br/tede/bitstreams/565d67ab-40aa-456e-8c85-1682c49f0674/download8a4605be74aa9ea9d79846c1fba20a33MD51CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8805http://repositorio.bc.ufg.br/tede/bitstreams/a10d8c4e-1728-426c-aa3b-c5e14acb96ee/download4460e5956bc1d1639be9ae6146a50347MD52ORIGINALDissertação - Matheus Alves Silva Gonçalves - 2020.pdfDissertação - Matheus Alves Silva Gonçalves - 2020.pdfapplication/pdf5466693http://repositorio.bc.ufg.br/tede/bitstreams/256d2691-38c4-438f-9a81-6d9adce1031a/download477d566e48ed59df0cebd0f8f27fdd33MD53tede/117362021-11-09 08:54:53.969http://creativecommons.org/licenses/by-nc-nd/4.0/Attribution-NonCommercial-NoDerivatives 4.0 Internationalopen.accessoai:repositorio.bc.ufg.br:tede/11736http://repositorio.bc.ufg.br/tedeRepositório InstitucionalPUBhttp://repositorio.bc.ufg.br/oai/requesttasesdissertacoes.bc@ufg.bropendoar:2021-11-09T11:54:53Repositório Institucional da UFG - Universidade Federal de Goiás (UFG)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
dc.title.pt_BR.fl_str_mv O menestrel maldito no caminho da censura: a trajetória política de Juca Chaves entre a sátira musical e o show solo de humor (1960 - 1979)
dc.title.alternative.eng.fl_str_mv The damned minstrel in the way of censorship: Juca Chaves' political trajectory between musical satire and the humor solo show (1960-1979)
title O menestrel maldito no caminho da censura: a trajetória política de Juca Chaves entre a sátira musical e o show solo de humor (1960 - 1979)
spellingShingle O menestrel maldito no caminho da censura: a trajetória política de Juca Chaves entre a sátira musical e o show solo de humor (1960 - 1979)
Gonçalves, Matheus Alves Silva
Censura
Juca Chaves
Sátira musical
Show solo
Sátira política
Censorship
Juca Chaves
Musical satire
Solo show
Political satire
CIENCIAS HUMANAS::HISTORIA::HISTORIA DO BRASIL
title_short O menestrel maldito no caminho da censura: a trajetória política de Juca Chaves entre a sátira musical e o show solo de humor (1960 - 1979)
title_full O menestrel maldito no caminho da censura: a trajetória política de Juca Chaves entre a sátira musical e o show solo de humor (1960 - 1979)
title_fullStr O menestrel maldito no caminho da censura: a trajetória política de Juca Chaves entre a sátira musical e o show solo de humor (1960 - 1979)
title_full_unstemmed O menestrel maldito no caminho da censura: a trajetória política de Juca Chaves entre a sátira musical e o show solo de humor (1960 - 1979)
title_sort O menestrel maldito no caminho da censura: a trajetória política de Juca Chaves entre a sátira musical e o show solo de humor (1960 - 1979)
author Gonçalves, Matheus Alves Silva
author_facet Gonçalves, Matheus Alves Silva
author_role author
dc.contributor.advisor1.fl_str_mv Langaro, Jiani Fernando
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/9918372985460845
dc.contributor.referee1.fl_str_mv Langaro, Jiani Fernando
dc.contributor.referee2.fl_str_mv Vieira, Thaís Leão
dc.contributor.referee3.fl_str_mv Brites, Olga
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/7495848482992603
dc.contributor.author.fl_str_mv Gonçalves, Matheus Alves Silva
contributor_str_mv Langaro, Jiani Fernando
Langaro, Jiani Fernando
Vieira, Thaís Leão
Brites, Olga
dc.subject.por.fl_str_mv Censura
Juca Chaves
Sátira musical
Show solo
Sátira política
topic Censura
Juca Chaves
Sátira musical
Show solo
Sátira política
Censorship
Juca Chaves
Musical satire
Solo show
Political satire
CIENCIAS HUMANAS::HISTORIA::HISTORIA DO BRASIL
dc.subject.eng.fl_str_mv Censorship
Juca Chaves
Musical satire
Solo show
Political satire
dc.subject.cnpq.fl_str_mv CIENCIAS HUMANAS::HISTORIA::HISTORIA DO BRASIL
description This dissertation seeks to analyze part of the public life and comical production of Juca Chaves, a Brazilian artist who maintained a conflicting relationship with the Federal Censorship in the 1960s and 1970s. Our purpose is to understand the reasons that led to the repression and boycott of his artistic practice. First, in a period when the Censorship was decentralized and had a reduced power; then, at the moment when the Agency underwent reorganizations that centralized and intensified its operation. This thematic permeates the hegemonic processes of the complex democracy in the early 1960s and the political tension during the Military Dictatorship in Brazil. Juca Chaves' artistic work took shape in two comical languages: musical satire and the humor solo show. His satire contributed to the promotion of a genre of humorous and individual spectacle through which many Brazilian comedians of the time passed. Through the exam of newspapers, autobiographies and, above all, phonographic materials, we hold that Chaves underwent state and market restrictions due to both the sociocultural and political criticism worked out in his oeuvre, and his insubordinate behavior, mainly in the media, notable during his career.
publishDate 2020
dc.date.issued.fl_str_mv 2020-12-21
dc.date.accessioned.fl_str_mv 2021-11-09T11:54:53Z
dc.date.available.fl_str_mv 2021-11-09T11:54:53Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
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status_str publishedVersion
dc.identifier.citation.fl_str_mv GONÇALVES, M. A. S. O menestrel maldito no caminho da censura: a trajetória política de Juca Chaves entre a sátira musical e o show solo de humor (1960 - 1979). 2020. 223 f. Dissertação (Mestrado em História) - Universidade Federal de Goiás, Goiânia, 2020.
dc.identifier.uri.fl_str_mv http://repositorio.bc.ufg.br/tede/handle/tede/11736
dc.identifier.dark.fl_str_mv ark:/38995/0013000005t8t
identifier_str_mv GONÇALVES, M. A. S. O menestrel maldito no caminho da censura: a trajetória política de Juca Chaves entre a sátira musical e o show solo de humor (1960 - 1979). 2020. 223 f. Dissertação (Mestrado em História) - Universidade Federal de Goiás, Goiânia, 2020.
ark:/38995/0013000005t8t
url http://repositorio.bc.ufg.br/tede/handle/tede/11736
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language por
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dc.relation.confidence.fl_str_mv 500
500
500
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dc.relation.department.fl_str_mv 16
dc.relation.cnpq.fl_str_mv 733
dc.relation.sponsorship.fl_str_mv 1
dc.rights.driver.fl_str_mv Attribution-NonCommercial-NoDerivatives 4.0 International
http://creativecommons.org/licenses/by-nc-nd/4.0/
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Attribution-NonCommercial-NoDerivatives 4.0 International
http://creativecommons.org/licenses/by-nc-nd/4.0/
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal de Goiás
dc.publisher.program.fl_str_mv Programa de Pós-graduação em História (FH)
dc.publisher.initials.fl_str_mv UFG
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Faculdade de História - FH (RG)
publisher.none.fl_str_mv Universidade Federal de Goiás
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collection Repositório Institucional da UFG
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