Entre cegos e perdidos: apropriações e hibridizações na “Via Sacra” de Konstantin Christoff
Autor(a) principal: | |
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Data de Publicação: | 2014 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/4362 |
Resumo: | The aim of this dissertation is to discuss the visual construction of the social through the artistic practices of Konstantin Christoff (1923-2011), as a postmodern artist, that created by the serie Via Sacra. It is an strategy to operate in his art, a vision about meaningful cultural expression in the city of Montes Claros. The Via Crucis of Christoff is a singular work and stands out from the others both in quantity and content of the paintings. Through this study, we will try to expand our analysis and reflections, because the upgrade of his Via Sacra reveals us the reading that the artist has of the world around him, by the mobilization and transformation of the senses. In the first chapter, we will approach relevant questions about the subject “Via Sacra”, in order to investigate how some senses were operated, updated and transformed through the representation of the Path of Christ’s Passion, by a completely new and singular Via Sacra, where the artist theatricalizes the history of humanity. In the second chapter, we’ll seek to understand how Konstantin Christoff appropriated, hybridized and transformed the senses, through the metaphorical appropriation of consecrated paintings, as “The Parable of the Blind” by Pieter Brueguel, and the use of characters such as the blindfolded soldier, to operate, mobilize and transform the meanings, revealing the spiritual blindness and the power relations in today’s society. In the third chapter, we think about the society seen through the Via Sacra of Christoff, and how the artist made a severe critique of pastoral, military and media power, as quell as the socioeconomic power relations and issues of class, even that the artist had involuntarily sustained himself on the sacred scriptures. |
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Silva, Thiago Fernando Sant’Anna ehttp://lattes.cnpq.br/9735682996647548Christoff, Maria Elvira Curty RomeroSilva, Thiago Fernando Sant’Anna eChristoff, Maria Elvira Curty RomeroMorais, Itelvides Jose deMendonça, Miriam da Costa Manso Moreira dehttp://lattes.cnpq.br/9380627247184940Dumont, Heloisa de Lourdes Veloso2015-03-26T19:21:40Z2014-08-13DUMONT, H. L. V. Entre cegos e perdidos: apropriações e hibridizações na “Via Sacra” de Konstantin Christoff. 2014. 254 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2014.http://repositorio.bc.ufg.br/tede/handle/tede/4362ark:/38995/001300000607pThe aim of this dissertation is to discuss the visual construction of the social through the artistic practices of Konstantin Christoff (1923-2011), as a postmodern artist, that created by the serie Via Sacra. It is an strategy to operate in his art, a vision about meaningful cultural expression in the city of Montes Claros. The Via Crucis of Christoff is a singular work and stands out from the others both in quantity and content of the paintings. Through this study, we will try to expand our analysis and reflections, because the upgrade of his Via Sacra reveals us the reading that the artist has of the world around him, by the mobilization and transformation of the senses. In the first chapter, we will approach relevant questions about the subject “Via Sacra”, in order to investigate how some senses were operated, updated and transformed through the representation of the Path of Christ’s Passion, by a completely new and singular Via Sacra, where the artist theatricalizes the history of humanity. In the second chapter, we’ll seek to understand how Konstantin Christoff appropriated, hybridized and transformed the senses, through the metaphorical appropriation of consecrated paintings, as “The Parable of the Blind” by Pieter Brueguel, and the use of characters such as the blindfolded soldier, to operate, mobilize and transform the meanings, revealing the spiritual blindness and the power relations in today’s society. In the third chapter, we think about the society seen through the Via Sacra of Christoff, and how the artist made a severe critique of pastoral, military and media power, as quell as the socioeconomic power relations and issues of class, even that the artist had involuntarily sustained himself on the sacred scriptures.A proposta desta dissertação é abordar a construção visual do social, através da prática artística de Konstantin Christoff (1923-2011), como um artista pós-moderno, que urdiu por meio da série "Via Sacra" uma estratégia para operar em sua arte uma visão sobre expressões culturais significativas na cidade de Montes Claros. A "Via Crucis" de Christoff é uma obra singular e se destaca das demais tanto em quantidade como em conteúdo das pinturas. Por meio deste estudo, buscaremos expandir nossas análises e reflexões, pois a atualização dessa série pictórica nos revela a leitura que o artista faz do mundo a sua volta, mediante a mobilização e transformação dos sentidos. No primeiro capítulo, abordaremos questões relevantes a respeito do tema “Via Sacra”, a fim de investigarmos como alguns sentidos foram operados, atualizados e transformados pelo viés da representação do Caminho da Paixão de Cristo, através de uma Via Sacra completamente nova e singular, na qual o artista teatraliza a história da humanidade. No segundo capítulo, buscaremos compreender como Konstantin Christoff se apropriou, hibridizou e transformou os sentidos, através da apropriação metafórica de pinturas consagradas, tal qual a “A Parábola dos Cegos” de Pieter Brueghel, além da utilização de personagens, como o soldado vendado, para operar, mobilizar e transformar os significados, revelando a cegueira espiritual e as relações de poder na sociedade hodierna. No terceiro capítulo, pensamos a sociedade vista pela ótica da Via Sacra de Christoff, revelando como o artista fez uma crítica severa aos poderes pastoral, militar e midiático, assim como às relações de poder sócioeconômico e às questões de classe, mesmo que, involuntariamente, o artista tenha se sustentado nas Sagradas Escrituras.Submitted by Erika Demachki (erikademachki@gmail.com) on 2015-03-26T17:35:46Z No. of bitstreams: 3 Dissertação - Heloisa de Lourdes Veloso Dumont - 2014 - Parte 01.pdf: 19181897 bytes, checksum: 6c77e176a8c77d1204bba723fa76f172 (MD5) Dissertação - Heloisa de Lourdes Veloso Dumont - 2014 - Parte 02.pdf: 10186318 bytes, checksum: 3eff505e5e1c1fe71eb5a6c16eacc53b (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)Approved for entry into archive by Erika Demachki (erikademachki@gmail.com) on 2015-03-26T19:21:40Z (GMT) No. of bitstreams: 3 Dissertação - Heloisa de Lourdes Veloso Dumont - 2014 - Parte 01.pdf: 19181897 bytes, checksum: 6c77e176a8c77d1204bba723fa76f172 (MD5) Dissertação - Heloisa de Lourdes Veloso Dumont - 2014 - Parte 02.pdf: 10186318 bytes, checksum: 3eff505e5e1c1fe71eb5a6c16eacc53b (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)Made available in DSpace on 2015-03-26T19:21:40Z (GMT). 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dc.title.por.fl_str_mv |
Entre cegos e perdidos: apropriações e hibridizações na “Via Sacra” de Konstantin Christoff |
dc.title.alternative.eng.fl_str_mv |
Between the blind and lost: hybridity and appropriations the " Via Sacra " the Konstantin Christoff (1923-2011) |
title |
Entre cegos e perdidos: apropriações e hibridizações na “Via Sacra” de Konstantin Christoff |
spellingShingle |
Entre cegos e perdidos: apropriações e hibridizações na “Via Sacra” de Konstantin Christoff Dumont, Heloisa de Lourdes Veloso Via Sacra Konstantin Christoff Construção visual do social Relações de poder Poder pastoral Apropriação e hibridização Visual construction of the social Relations of power Pastoral power Appropriation and hybridization ARTES PLASTICAS::PINTURA |
title_short |
Entre cegos e perdidos: apropriações e hibridizações na “Via Sacra” de Konstantin Christoff |
title_full |
Entre cegos e perdidos: apropriações e hibridizações na “Via Sacra” de Konstantin Christoff |
title_fullStr |
Entre cegos e perdidos: apropriações e hibridizações na “Via Sacra” de Konstantin Christoff |
title_full_unstemmed |
Entre cegos e perdidos: apropriações e hibridizações na “Via Sacra” de Konstantin Christoff |
title_sort |
Entre cegos e perdidos: apropriações e hibridizações na “Via Sacra” de Konstantin Christoff |
author |
Dumont, Heloisa de Lourdes Veloso |
author_facet |
Dumont, Heloisa de Lourdes Veloso |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Silva, Thiago Fernando Sant’Anna e |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/9735682996647548 |
dc.contributor.advisor-co1.fl_str_mv |
Christoff, Maria Elvira Curty Romero |
dc.contributor.referee1.fl_str_mv |
Silva, Thiago Fernando Sant’Anna e |
dc.contributor.referee2.fl_str_mv |
Christoff, Maria Elvira Curty Romero |
dc.contributor.referee3.fl_str_mv |
Morais, Itelvides Jose de |
dc.contributor.referee4.fl_str_mv |
Mendonça, Miriam da Costa Manso Moreira de |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/9380627247184940 |
dc.contributor.author.fl_str_mv |
Dumont, Heloisa de Lourdes Veloso |
contributor_str_mv |
Silva, Thiago Fernando Sant’Anna e Christoff, Maria Elvira Curty Romero Silva, Thiago Fernando Sant’Anna e Christoff, Maria Elvira Curty Romero Morais, Itelvides Jose de Mendonça, Miriam da Costa Manso Moreira de |
dc.subject.por.fl_str_mv |
Via Sacra Konstantin Christoff Construção visual do social Relações de poder Poder pastoral Apropriação e hibridização |
topic |
Via Sacra Konstantin Christoff Construção visual do social Relações de poder Poder pastoral Apropriação e hibridização Visual construction of the social Relations of power Pastoral power Appropriation and hybridization ARTES PLASTICAS::PINTURA |
dc.subject.eng.fl_str_mv |
Visual construction of the social Relations of power Pastoral power Appropriation and hybridization |
dc.subject.cnpq.fl_str_mv |
ARTES PLASTICAS::PINTURA |
description |
The aim of this dissertation is to discuss the visual construction of the social through the artistic practices of Konstantin Christoff (1923-2011), as a postmodern artist, that created by the serie Via Sacra. It is an strategy to operate in his art, a vision about meaningful cultural expression in the city of Montes Claros. The Via Crucis of Christoff is a singular work and stands out from the others both in quantity and content of the paintings. Through this study, we will try to expand our analysis and reflections, because the upgrade of his Via Sacra reveals us the reading that the artist has of the world around him, by the mobilization and transformation of the senses. In the first chapter, we will approach relevant questions about the subject “Via Sacra”, in order to investigate how some senses were operated, updated and transformed through the representation of the Path of Christ’s Passion, by a completely new and singular Via Sacra, where the artist theatricalizes the history of humanity. In the second chapter, we’ll seek to understand how Konstantin Christoff appropriated, hybridized and transformed the senses, through the metaphorical appropriation of consecrated paintings, as “The Parable of the Blind” by Pieter Brueguel, and the use of characters such as the blindfolded soldier, to operate, mobilize and transform the meanings, revealing the spiritual blindness and the power relations in today’s society. In the third chapter, we think about the society seen through the Via Sacra of Christoff, and how the artist made a severe critique of pastoral, military and media power, as quell as the socioeconomic power relations and issues of class, even that the artist had involuntarily sustained himself on the sacred scriptures. |
publishDate |
2014 |
dc.date.issued.fl_str_mv |
2014-08-13 |
dc.date.accessioned.fl_str_mv |
2015-03-26T19:21:40Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
DUMONT, H. L. V. Entre cegos e perdidos: apropriações e hibridizações na “Via Sacra” de Konstantin Christoff. 2014. 254 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2014. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/4362 |
dc.identifier.dark.fl_str_mv |
ark:/38995/001300000607p |
identifier_str_mv |
DUMONT, H. L. V. Entre cegos e perdidos: apropriações e hibridizações na “Via Sacra” de Konstantin Christoff. 2014. 254 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2014. ark:/38995/001300000607p |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/4362 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.program.fl_str_mv |
5419363139851951878 |
dc.relation.confidence.fl_str_mv |
600 600 600 |
dc.relation.department.fl_str_mv |
-5849096158746369096 |
dc.relation.cnpq.fl_str_mv |
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