O périplo do espanto: as manifestações do sujeito lírico na poesia de Ferreira Gullar
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/12765 |
Resumo: | The purpose of this dissertation is to investigate the manifestations of the lyrical subject in Ferreira Gullar's poetry. The general hypothesis is that the multiplicity of expressions of the poet stems from a conception of poetic creation as an ontological-aesthetic exercise, in a quest to invent himself in the world through writing. Thus, to follow the expressive directions of this lyrical voice is to decipher how it conceives, throughout the books, the process of constitution of its identity in the world. To this end, we divide the work into five chapters: in the first, we elucidate basic questions of modern poetry in order to investigate the lyric subject; then, in the remaining four chapters, we trace a chronological path through Gullar's poetry by analyzing a diversity of poems, either whole or in excerpts, aiming to understand the process of constitution of the lyric voice in each phase of the work. In the second chapter, we trace the first steps taken by the subject, afflicted by frustration with the impossibility of transcendence through poetry and, therefore, constituted by a desolate consciousness and a split identity. In the next chapter, we elucidate the paradigmatic turn in Gullar's poetry, which reconfigures the subject in a concrete and social setting, giving him his status as a common man, muddy and dirty. Then, in the third chapter, we follow the subject's expressive maturation into an autobiographical feature that purifies colloquialism into a concise and contained diction, characterizing the art of translation. Finally, we investigate the last phase of the poet's work - which, for being recent, has a smaller critical fortune, which encouraged us to broaden the analysis - where we find the constant concern with death acquiring less rapture, and the subject,despite being rooted in a deep colloquial and autobiographical root, consolidates a firm and acute reflection on his end, which works as an empirical/aesthetic knot in his work/life. The methodology of the research is bibliographic, and consists, fundamentally, in reading the complete poetic work of Ferreira Gullar, present in Toda poesia (2015), which brings together all the books of the author: A luta corporal (1954), O vil metal (1960), Dentro da noite veloz (1974), Poema sujo (1976), Na vertigem do dia (1980), Barulhos (1987), Muitas vozes (1999), and Em algum parte alguma parte (2010). In addition, we also read other texts by Gullar (essays, memoirs, interviews), part of the robust critical fortune produced about him – notably, João Luiz Lafetá (2004), Alcides Villaça (2017), Alfredo Bosi (2016), Eleonora Camenietzki (2006) and Viviana Bosi (2017) – and some fundamental texts on modern poetry, especially on lyric subject – Kate Hamburger (2013), Dominique Combe (2010) and Michel Collot (2013) |
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Paula, Marcelo Ferraz dehttp://lattes.cnpq.br/0511967639373534Paula, Marcelo Ferraz deSouza, Jamesson Buarque deBarbosa, Rodrigo Garciahttp://lattes.cnpq.br/2271522834917397Giani, Guilherme Bruno2023-04-20T11:24:49Z2023-04-20T11:24:49Z2023-02-07GIANI, G. B. O périplo do espanto: as manifestações do sujeito lírico na poesia de Ferreira Gullar. 2023. 197 f. Dissertação (Mestrado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2023.http://repositorio.bc.ufg.br/tede/handle/tede/12765The purpose of this dissertation is to investigate the manifestations of the lyrical subject in Ferreira Gullar's poetry. The general hypothesis is that the multiplicity of expressions of the poet stems from a conception of poetic creation as an ontological-aesthetic exercise, in a quest to invent himself in the world through writing. Thus, to follow the expressive directions of this lyrical voice is to decipher how it conceives, throughout the books, the process of constitution of its identity in the world. To this end, we divide the work into five chapters: in the first, we elucidate basic questions of modern poetry in order to investigate the lyric subject; then, in the remaining four chapters, we trace a chronological path through Gullar's poetry by analyzing a diversity of poems, either whole or in excerpts, aiming to understand the process of constitution of the lyric voice in each phase of the work. In the second chapter, we trace the first steps taken by the subject, afflicted by frustration with the impossibility of transcendence through poetry and, therefore, constituted by a desolate consciousness and a split identity. In the next chapter, we elucidate the paradigmatic turn in Gullar's poetry, which reconfigures the subject in a concrete and social setting, giving him his status as a common man, muddy and dirty. Then, in the third chapter, we follow the subject's expressive maturation into an autobiographical feature that purifies colloquialism into a concise and contained diction, characterizing the art of translation. Finally, we investigate the last phase of the poet's work - which, for being recent, has a smaller critical fortune, which encouraged us to broaden the analysis - where we find the constant concern with death acquiring less rapture, and the subject,despite being rooted in a deep colloquial and autobiographical root, consolidates a firm and acute reflection on his end, which works as an empirical/aesthetic knot in his work/life. The methodology of the research is bibliographic, and consists, fundamentally, in reading the complete poetic work of Ferreira Gullar, present in Toda poesia (2015), which brings together all the books of the author: A luta corporal (1954), O vil metal (1960), Dentro da noite veloz (1974), Poema sujo (1976), Na vertigem do dia (1980), Barulhos (1987), Muitas vozes (1999), and Em algum parte alguma parte (2010). In addition, we also read other texts by Gullar (essays, memoirs, interviews), part of the robust critical fortune produced about him – notably, João Luiz Lafetá (2004), Alcides Villaça (2017), Alfredo Bosi (2016), Eleonora Camenietzki (2006) and Viviana Bosi (2017) – and some fundamental texts on modern poetry, especially on lyric subject – Kate Hamburger (2013), Dominique Combe (2010) and Michel Collot (2013)O objetivo desta dissertação é investigar as manifestações do sujeito lírico na poesia de Ferreira Gullar. A hipótese geral do trabalho é de que a multiplicidade de expressões do poeta decorre de uma concepção da criação poética enquanto exercício ontológico-estético, numa busca por inventar-se no mundo através da escrita. Assim, acompanhar as direções expressivas dessa voz lírica é deslindar como ela concebe, ao longo dos livros, o processo de constituição de sua identidade no mundo. Para tanto, dividimos o trabalho em cinco capítulos: no primeiro, elucidamos questões básicas da poesia moderna para investigarmos o sujeito lírico; depois, nos quatro capítulos restantes, traçamos um percurso cronológico pela poesia gullariana através da análise de uma diversidade de poemas inteiros ou por trechos, visando compreender o processo de constituição da voz lírica em cada fase da obra. No segundo capítulo, rastreamos os primeiros passos dados pelo sujeito, acometido pela frustração com a impossibilidade da transcendência por meio da poesia e, por isso, constituído por uma consciência desolada e uma identidade cindida. No capítulo seguinte, elucidamos a virada paradigmática da poesia de Gullar, que reconfigura o sujeito numa ambientação concreta e social, dando-lhe seu estatuto de homem comum, turvo e sujo. Depois, acompanhamos, no terceiro capítulo, o amadurecimento expressivo do sujeito tomar uma feição autobiográfica que depura o coloquialismo numa dicção concisa e contida, caracterizando a arte da tradução. Por fim, investigamos a última fase da obra do poeta – que, por ser recente, possui uma menor fortuna crítica, o que nos estimulou a ampliar a análise –, onde encontramos a constante preocupação com a morte adquirir menos arrebatamento, e o sujeito, apesar de fincado numa profunda raiz coloquial e autobiográfica, consolida uma firme e aguda reflexão sobre seu fim, que funciona como um admirável nó empírico/estético em sua obravida. A metodologia da pesquisa é bibliográfica, e consiste-se, fundamentalmente, em ler a obra poética completa de Ferreira Gullar, presente em Toda poesia (2015), que reúne todos os livros do autor: A luta corporal (1954), O vil metal (1960), Dentro da noite veloz (1974), Poema sujo (1976), Na vertigem do dia (1980), Barulhos (1987), Muitas vozes (1999) e Em alguma parte alguma (2010). Além disso, também lemos outros textos de Gullar (ensaios, memórias, entrevistas), parte da robusta fortuna crítica produzida sobre ele – notoriamente, João Luiz Lafetá (2004), Alcides Villaça (2017), Alfredo Bosi (2016), Eleonora Camenietzki (2006) e Viviana Bosi (2017) – e alguns textos fundamentais sobre poesia moderna, especialmente sobre sujeito lírico – Kate Hamburger (2013), Dominique Combe (2010) e Michel Collot (2013).Submitted by Dayane Basílio (dayanebasilio@ufg.br) on 2023-04-19T13:50:16Z No. of bitstreams: 2 Dissertação - Guilherme Bruno Giani - 2023.pdf: 1360576 bytes, checksum: b69eb60108848d45ff0513e2706f8d84 (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2023-04-20T11:24:49Z (GMT) No. of bitstreams: 2 Dissertação - Guilherme Bruno Giani - 2023.pdf: 1360576 bytes, checksum: b69eb60108848d45ff0513e2706f8d84 (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5)Made available in DSpace on 2023-04-20T11:24:49Z (GMT). No. of bitstreams: 2 Dissertação - Guilherme Bruno Giani - 2023.pdf: 1360576 bytes, checksum: b69eb60108848d45ff0513e2706f8d84 (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5) Previous issue date: 2023-02-07Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESporUniversidade Federal de GoiásPrograma de Pós-graduação em Letras e Linguística (FL)UFGBrasilFaculdade de Letras - FL (RMG)Attribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessFerreira GullarSujeito líricoPoesia brasileiraPoesia modernaFerreira GullarLyric subjectBrazilian poetryModern poetryLINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIAO périplo do espanto: as manifestações do sujeito lírico na poesia de Ferreira GullarThe tour of astonishment: the manifestations of the lyrical subject in Ferreira Gullar’s poetryinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis69500500500500187661reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGCC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8805http://repositorio.bc.ufg.br/tede/bitstreams/2ffb34eb-6854-47c0-8b05-fd21a787186d/download4460e5956bc1d1639be9ae6146a50347MD52ORIGINALDissertação - Guilherme Bruno Giani - 2023.pdfDissertação - Guilherme Bruno Giani - 2023.pdfapplication/pdf1360576http://repositorio.bc.ufg.br/tede/bitstreams/cd2c7544-caba-4b3d-bbd5-27dd45544c26/downloadb69eb60108848d45ff0513e2706f8d84MD53LICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.bc.ufg.br/tede/bitstreams/57da93c6-b9f0-41ba-b645-33ba277d897e/download8a4605be74aa9ea9d79846c1fba20a33MD51tede/127652023-04-20 08:24:50.228http://creativecommons.org/licenses/by-nc-nd/4.0/Attribution-NonCommercial-NoDerivatives 4.0 Internationalopen.accessoai:repositorio.bc.ufg.br:tede/12765http://repositorio.bc.ufg.br/tedeRepositório InstitucionalPUBhttp://repositorio.bc.ufg.br/oai/requesttasesdissertacoes.bc@ufg.bropendoar:2023-04-20T11:24:50Repositório Institucional da UFG - Universidade Federal de Goiás (UFG)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 |
dc.title.pt_BR.fl_str_mv |
O périplo do espanto: as manifestações do sujeito lírico na poesia de Ferreira Gullar |
dc.title.alternative.eng.fl_str_mv |
The tour of astonishment: the manifestations of the lyrical subject in Ferreira Gullar’s poetry |
title |
O périplo do espanto: as manifestações do sujeito lírico na poesia de Ferreira Gullar |
spellingShingle |
O périplo do espanto: as manifestações do sujeito lírico na poesia de Ferreira Gullar Giani, Guilherme Bruno Ferreira Gullar Sujeito lírico Poesia brasileira Poesia moderna Ferreira Gullar Lyric subject Brazilian poetry Modern poetry LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA |
title_short |
O périplo do espanto: as manifestações do sujeito lírico na poesia de Ferreira Gullar |
title_full |
O périplo do espanto: as manifestações do sujeito lírico na poesia de Ferreira Gullar |
title_fullStr |
O périplo do espanto: as manifestações do sujeito lírico na poesia de Ferreira Gullar |
title_full_unstemmed |
O périplo do espanto: as manifestações do sujeito lírico na poesia de Ferreira Gullar |
title_sort |
O périplo do espanto: as manifestações do sujeito lírico na poesia de Ferreira Gullar |
author |
Giani, Guilherme Bruno |
author_facet |
Giani, Guilherme Bruno |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Paula, Marcelo Ferraz de |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/0511967639373534 |
dc.contributor.referee1.fl_str_mv |
Paula, Marcelo Ferraz de |
dc.contributor.referee2.fl_str_mv |
Souza, Jamesson Buarque de |
dc.contributor.referee3.fl_str_mv |
Barbosa, Rodrigo Garcia |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/2271522834917397 |
dc.contributor.author.fl_str_mv |
Giani, Guilherme Bruno |
contributor_str_mv |
Paula, Marcelo Ferraz de Paula, Marcelo Ferraz de Souza, Jamesson Buarque de Barbosa, Rodrigo Garcia |
dc.subject.por.fl_str_mv |
Ferreira Gullar Sujeito lírico Poesia brasileira Poesia moderna |
topic |
Ferreira Gullar Sujeito lírico Poesia brasileira Poesia moderna Ferreira Gullar Lyric subject Brazilian poetry Modern poetry LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA |
dc.subject.eng.fl_str_mv |
Ferreira Gullar Lyric subject Brazilian poetry Modern poetry |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA |
description |
The purpose of this dissertation is to investigate the manifestations of the lyrical subject in Ferreira Gullar's poetry. The general hypothesis is that the multiplicity of expressions of the poet stems from a conception of poetic creation as an ontological-aesthetic exercise, in a quest to invent himself in the world through writing. Thus, to follow the expressive directions of this lyrical voice is to decipher how it conceives, throughout the books, the process of constitution of its identity in the world. To this end, we divide the work into five chapters: in the first, we elucidate basic questions of modern poetry in order to investigate the lyric subject; then, in the remaining four chapters, we trace a chronological path through Gullar's poetry by analyzing a diversity of poems, either whole or in excerpts, aiming to understand the process of constitution of the lyric voice in each phase of the work. In the second chapter, we trace the first steps taken by the subject, afflicted by frustration with the impossibility of transcendence through poetry and, therefore, constituted by a desolate consciousness and a split identity. In the next chapter, we elucidate the paradigmatic turn in Gullar's poetry, which reconfigures the subject in a concrete and social setting, giving him his status as a common man, muddy and dirty. Then, in the third chapter, we follow the subject's expressive maturation into an autobiographical feature that purifies colloquialism into a concise and contained diction, characterizing the art of translation. Finally, we investigate the last phase of the poet's work - which, for being recent, has a smaller critical fortune, which encouraged us to broaden the analysis - where we find the constant concern with death acquiring less rapture, and the subject,despite being rooted in a deep colloquial and autobiographical root, consolidates a firm and acute reflection on his end, which works as an empirical/aesthetic knot in his work/life. The methodology of the research is bibliographic, and consists, fundamentally, in reading the complete poetic work of Ferreira Gullar, present in Toda poesia (2015), which brings together all the books of the author: A luta corporal (1954), O vil metal (1960), Dentro da noite veloz (1974), Poema sujo (1976), Na vertigem do dia (1980), Barulhos (1987), Muitas vozes (1999), and Em algum parte alguma parte (2010). In addition, we also read other texts by Gullar (essays, memoirs, interviews), part of the robust critical fortune produced about him – notably, João Luiz Lafetá (2004), Alcides Villaça (2017), Alfredo Bosi (2016), Eleonora Camenietzki (2006) and Viviana Bosi (2017) – and some fundamental texts on modern poetry, especially on lyric subject – Kate Hamburger (2013), Dominique Combe (2010) and Michel Collot (2013) |
publishDate |
2023 |
dc.date.accessioned.fl_str_mv |
2023-04-20T11:24:49Z |
dc.date.available.fl_str_mv |
2023-04-20T11:24:49Z |
dc.date.issued.fl_str_mv |
2023-02-07 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
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dc.identifier.citation.fl_str_mv |
GIANI, G. B. O périplo do espanto: as manifestações do sujeito lírico na poesia de Ferreira Gullar. 2023. 197 f. Dissertação (Mestrado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2023. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/12765 |
identifier_str_mv |
GIANI, G. B. O périplo do espanto: as manifestações do sujeito lírico na poesia de Ferreira Gullar. 2023. 197 f. Dissertação (Mestrado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2023. |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/12765 |
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por |
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por |
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500 500 500 500 |
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18 |
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766 |
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Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
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Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ |
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openAccess |
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Universidade Federal de Goiás |
dc.publisher.program.fl_str_mv |
Programa de Pós-graduação em Letras e Linguística (FL) |
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UFG |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Faculdade de Letras - FL (RMG) |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
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MD5 MD5 MD5 |
repository.name.fl_str_mv |
Repositório Institucional da UFG - Universidade Federal de Goiás (UFG) |
repository.mail.fl_str_mv |
tasesdissertacoes.bc@ufg.br |
_version_ |
1798044347761950720 |