Representações mentais na performance violonística

Detalhes bibliográficos
Autor(a) principal: Mendonça, Maurício de Oliveira
Data de Publicação: 2015
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UFG
Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/4770
Resumo: This research shows an overview of the mental practice used in performances by classical guitar experts in Brazil through literature review, interviews and concept aplications. A semi-structured questionnaire was used with professionals with an acclaimed career as concert players and/or post graduation advisors on performance/interpretative practices in this country aiming at analyzing in what ways the deliberate use of mental representations influences the process of preparation and realization of their performances. The hypothesis that these representations help in the expressivity has been confirmed and appear in various ways in the report of the interviewees and in literature. Evidences demonstrate that evoking emotional states, memories of events, objects or sensations as well as images associated with a musical intention can assist the performer. Some words, ideas, sensations or suggested images in these contexts can became a powerful foundation, provided that they find in the individual´s reference vocabulary and memories a compatible correspondent and its concrete means of realization.
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spelling Meirinhos, Eduardohttp://lattes.cnpq.br/0771092244377551Meirinhos, EduardoPenaranda, Mario Henrique UlloaAguiar, Wernerhttp://lattes.cnpq.br/2781600791737608Mendonça, Maurício de Oliveira2015-10-26T13:22:53Z2015-03-30MENDONÇA, Maurício de Oliveira. Representações mentais na performance violonística. 2015. 177 f. Dissertação (Mestrado em Musica) - Universidade Federal de Goiás, Goiânia, 2015.http://repositorio.bc.ufg.br/tede/handle/tede/4770This research shows an overview of the mental practice used in performances by classical guitar experts in Brazil through literature review, interviews and concept aplications. A semi-structured questionnaire was used with professionals with an acclaimed career as concert players and/or post graduation advisors on performance/interpretative practices in this country aiming at analyzing in what ways the deliberate use of mental representations influences the process of preparation and realization of their performances. The hypothesis that these representations help in the expressivity has been confirmed and appear in various ways in the report of the interviewees and in literature. Evidences demonstrate that evoking emotional states, memories of events, objects or sensations as well as images associated with a musical intention can assist the performer. Some words, ideas, sensations or suggested images in these contexts can became a powerful foundation, provided that they find in the individual´s reference vocabulary and memories a compatible correspondent and its concrete means of realization.Esta pesquisa demonstra um panorama das práticas mentais utilizadas na performance por violonistas especialistas atuantes no Brasil através de entrevistas, revisão de literatura e aplicação de conceitos. Foi aplicado um questionário semiestruturado entre profissionais de reconhecida carreira como concertistas e/ou orientadores de pósgraduação em performance/práticas interpretativas no país com o intuito de analisar de que maneira o uso deliberado de representações mentais influencia no processo de preparação e realização de suas performances. A hipótese de que essas representações auxiliam na expressividade se confirmou e aparece de variadas formas no relato dos entrevistados e na literatura. As evidências apontam que evocar estados emocionais, lembranças de episódios, objetos ou sensações bem como imagens associadas a uma intenção musical, podem auxiliar o performer. Algumas palavras, ideias, sensações ou imagens sugeridas nesses contextos podem se tornar um alicerce poderoso, desde que encontrem no vocabulário de referências e memórias do indivíduo um correspondente compatível e seu meio concreto de realização.Submitted by Cássia Santos (cassia.bcufg@gmail.com) on 2015-10-26T11:17:44Z No. of bitstreams: 2 Dissertação - Maurício de Oliveira Mendonça - 2015.pdf: 2052071 bytes, checksum: dc8527519261c4d53970a9171637c982 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2015-10-26T13:22:53Z (GMT) No. of bitstreams: 2 Dissertação - Maurício de Oliveira Mendonça - 2015.pdf: 2052071 bytes, checksum: dc8527519261c4d53970a9171637c982 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)Made available in DSpace on 2015-10-26T13:22:53Z (GMT). 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dc.title.por.fl_str_mv Representações mentais na performance violonística
dc.title.alternative.eng.fl_str_mv Mental representation in guitar performance
title Representações mentais na performance violonística
spellingShingle Representações mentais na performance violonística
Mendonça, Maurício de Oliveira
Representações mentais
Práticas mentais
Performance violonística
Mental representations
Mental practice
Guitar performance
ARTES::MUSICA
title_short Representações mentais na performance violonística
title_full Representações mentais na performance violonística
title_fullStr Representações mentais na performance violonística
title_full_unstemmed Representações mentais na performance violonística
title_sort Representações mentais na performance violonística
author Mendonça, Maurício de Oliveira
author_facet Mendonça, Maurício de Oliveira
author_role author
dc.contributor.advisor1.fl_str_mv Meirinhos, Eduardo
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/0771092244377551
dc.contributor.referee1.fl_str_mv Meirinhos, Eduardo
dc.contributor.referee2.fl_str_mv Penaranda, Mario Henrique Ulloa
dc.contributor.referee3.fl_str_mv Aguiar, Werner
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/2781600791737608
dc.contributor.author.fl_str_mv Mendonça, Maurício de Oliveira
contributor_str_mv Meirinhos, Eduardo
Meirinhos, Eduardo
Penaranda, Mario Henrique Ulloa
Aguiar, Werner
dc.subject.por.fl_str_mv Representações mentais
Práticas mentais
Performance violonística
topic Representações mentais
Práticas mentais
Performance violonística
Mental representations
Mental practice
Guitar performance
ARTES::MUSICA
dc.subject.eng.fl_str_mv Mental representations
Mental practice
Guitar performance
dc.subject.cnpq.fl_str_mv ARTES::MUSICA
description This research shows an overview of the mental practice used in performances by classical guitar experts in Brazil through literature review, interviews and concept aplications. A semi-structured questionnaire was used with professionals with an acclaimed career as concert players and/or post graduation advisors on performance/interpretative practices in this country aiming at analyzing in what ways the deliberate use of mental representations influences the process of preparation and realization of their performances. The hypothesis that these representations help in the expressivity has been confirmed and appear in various ways in the report of the interviewees and in literature. Evidences demonstrate that evoking emotional states, memories of events, objects or sensations as well as images associated with a musical intention can assist the performer. Some words, ideas, sensations or suggested images in these contexts can became a powerful foundation, provided that they find in the individual´s reference vocabulary and memories a compatible correspondent and its concrete means of realization.
publishDate 2015
dc.date.accessioned.fl_str_mv 2015-10-26T13:22:53Z
dc.date.issued.fl_str_mv 2015-03-30
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dc.identifier.citation.fl_str_mv MENDONÇA, Maurício de Oliveira. Representações mentais na performance violonística. 2015. 177 f. Dissertação (Mestrado em Musica) - Universidade Federal de Goiás, Goiânia, 2015.
dc.identifier.uri.fl_str_mv http://repositorio.bc.ufg.br/tede/handle/tede/4770
identifier_str_mv MENDONÇA, Maurício de Oliveira. Representações mentais na performance violonística. 2015. 177 f. Dissertação (Mestrado em Musica) - Universidade Federal de Goiás, Goiânia, 2015.
url http://repositorio.bc.ufg.br/tede/handle/tede/4770
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dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Escola de Música e Artes Cênicas - EMAC (RG)
publisher.none.fl_str_mv Universidade Federal de Goiás
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