O lugar do leitor na poesia de Manoel de Barros

Detalhes bibliográficos
Autor(a) principal: BARROS, Nismária Alves David
Data de Publicação: 2010
Tipo de documento: Tese
Idioma: por
Título da fonte: Repositório Institucional da UFG
dARK ID: ark:/38995/0013000000xb2
Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tde/2837
Resumo: This thesis studies work by poet Manoel de Barros, published between 1937 and 2008, to know and to detail the procedures that delineate the reader s place and that promote the readability of his poems. Investigate how the poetic discourse by Barros builds the reception of his texts is a contribution to the field of Brazilian studies of contemporary poetry and it is in search s line "Poetics of Modernity". At first this research is based on the concept of reader as a textual construction from the theory of Model-Reader by Umberto Eco. Then it is considered the role of poetry is communication, according to theoretical assumption by Michael Hamburger, because the poetry communicates the art and the man. Eventually this research discusses the eroticism related to poetic creation, essentially based on meanings of eroticism by Octavio Paz as body poetic as verbal eroticism. Considering this theoretical support and others citations in analysis of selected poems, we can identify in poetry by Manoel de Barros, for example, the performative act in the metalinguistic discourse, the invention of a lyrical subject as poet, the indication of an interlocutor in the text, the memory of reading, the experience lived, the use of irony as paradox and the eroticism. The results confirm that the emphasis on reading is a key element in poetic construction by Barros. This writer modernizes and renews the modern experience of poetry because he communicates the historical experience in order to organize and master his poetic materials. When Barros makes poetry, he makes the subject and the reader, he shares his poetic values with the reader, he incentives the reader to think about itself and the world, he offers his greatest contribution, which is the appreciation of poetry, and he invites the necessary humanity of the man.
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spelling CAMARGO, Goiandira de Fatima Ortiz dehttp://lattes.cnpq.br/3029764057965151http://lattes.cnpq.br/6682621513643586BARROS, Nismária Alves David2014-07-29T16:29:27Z2010-09-152010-03-19BARROS, Nismária Alves David. The place the reader in the poetry of Manoel de Barros. 2010. 136 f. Tese (Doutorado em Linguistica, Letras e Artes) - Universidade Federal de Goiás, Goiânia, 2010.http://repositorio.bc.ufg.br/tede/handle/tde/2837ark:/38995/0013000000xb2This thesis studies work by poet Manoel de Barros, published between 1937 and 2008, to know and to detail the procedures that delineate the reader s place and that promote the readability of his poems. Investigate how the poetic discourse by Barros builds the reception of his texts is a contribution to the field of Brazilian studies of contemporary poetry and it is in search s line "Poetics of Modernity". At first this research is based on the concept of reader as a textual construction from the theory of Model-Reader by Umberto Eco. Then it is considered the role of poetry is communication, according to theoretical assumption by Michael Hamburger, because the poetry communicates the art and the man. Eventually this research discusses the eroticism related to poetic creation, essentially based on meanings of eroticism by Octavio Paz as body poetic as verbal eroticism. Considering this theoretical support and others citations in analysis of selected poems, we can identify in poetry by Manoel de Barros, for example, the performative act in the metalinguistic discourse, the invention of a lyrical subject as poet, the indication of an interlocutor in the text, the memory of reading, the experience lived, the use of irony as paradox and the eroticism. The results confirm that the emphasis on reading is a key element in poetic construction by Barros. This writer modernizes and renews the modern experience of poetry because he communicates the historical experience in order to organize and master his poetic materials. When Barros makes poetry, he makes the subject and the reader, he shares his poetic values with the reader, he incentives the reader to think about itself and the world, he offers his greatest contribution, which is the appreciation of poetry, and he invites the necessary humanity of the man.Este trabalho estuda a obra do poeta Manoel de Barros, publicada entre os anos de 1937 e 2008, para conhecer e detalhar os procedimentos que delineiam o lugar do leitor e que favorecem a legibilidade dos seus poemas. Investigar como o discurso poético barriano constrói a recepção de seus textos é uma contribuição para os estudos de poesia lírica brasileira contemporânea e se insere na linha de pesquisa Poéticas da Modernidade . Essa investigação, primeiramente, apóia-se no conceito de leitor como uma construção textual a partir da teoria do Leitor-Modelo de Umberto Eco. Depois, considera o pressuposto teórico de Michael Hamburger que atribui à poesia a função de comunicabilidade, visto que esta comunica tanto a arte quanto o homem. E, por fim, discute o erotismo relacionado à criação poética, de acordo, sobretudo, com as acepções de erotismo como poética corporal e de poesia como erótica verbal, ambas oferecidas por Octavio Paz. A partir desse referencial teóricometodológico e de outros autores citados nas análises dos poemas selecionados, é possível identificar na poesia barriana, por exemplo, o ato performativo no discurso autorreflexivo, a criação de um sujeito lírico-poeta, a marcação de interlocutor no texto, a memória do lido, a experiência do vivido, o uso de ironia como paradoxo, o erotismo na poesia e o erotismo da poesia. Os resultados confirmam que a ênfase na leitura é um elemento fundamental na construção poética realizada por Barros. Este escritor atualiza e renova a experiência moderna de poesia, uma vez que comunica a experiência histórica daquele que pretende organizar e dominar seus materiais poéticos e, ao fazer sua poesia, faz o sujeito e faz o leitor. A arte barriana compartilha seus valores poéticos com o leitor, motivando este a pensar sobre si mesmo e, consequentemente, a pensar sobre o mundo, oferece-lhe sua maior contribuição, que é a valorização da poesia, e, assim, convoca a necessária humanização do homem.Made available in DSpace on 2014-07-29T16:29:27Z (GMT). No. of bitstreams: 1 Nismaria Alves David Barros.pdf: 636606 bytes, checksum: aa160b782a29bc50aeecb12712e5be8d (MD5) Previous issue date: 2010-03-19application/pdfhttp://repositorio.bc.ufg.br/TEDE/retrieve/3153/Nismaria%20Alves%20David%20Barros.pdf.jpgporUniversidade Federal de GoiásDoutorado em Letras e LinguisticaUFGBRLinguistica, Letras e ArtesleitorpoesiaManoel de Barros1. Leitor Poesia 2. 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dc.title.por.fl_str_mv O lugar do leitor na poesia de Manoel de Barros
dc.title.alternative.eng.fl_str_mv The place the reader in the poetry of Manoel de Barros
title O lugar do leitor na poesia de Manoel de Barros
spellingShingle O lugar do leitor na poesia de Manoel de Barros
BARROS, Nismária Alves David
leitor
poesia
Manoel de Barros
1. Leitor Poesia 2. Barros, Manoel de.
reader
poetry
Manoel de Barros
CNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA
title_short O lugar do leitor na poesia de Manoel de Barros
title_full O lugar do leitor na poesia de Manoel de Barros
title_fullStr O lugar do leitor na poesia de Manoel de Barros
title_full_unstemmed O lugar do leitor na poesia de Manoel de Barros
title_sort O lugar do leitor na poesia de Manoel de Barros
author BARROS, Nismária Alves David
author_facet BARROS, Nismária Alves David
author_role author
dc.contributor.advisor1.fl_str_mv CAMARGO, Goiandira de Fatima Ortiz de
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/3029764057965151
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/6682621513643586
dc.contributor.author.fl_str_mv BARROS, Nismária Alves David
contributor_str_mv CAMARGO, Goiandira de Fatima Ortiz de
dc.subject.por.fl_str_mv leitor
poesia
Manoel de Barros
1. Leitor Poesia 2. Barros, Manoel de.
topic leitor
poesia
Manoel de Barros
1. Leitor Poesia 2. Barros, Manoel de.
reader
poetry
Manoel de Barros
CNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA
dc.subject.eng.fl_str_mv reader
poetry
Manoel de Barros
dc.subject.cnpq.fl_str_mv CNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA
description This thesis studies work by poet Manoel de Barros, published between 1937 and 2008, to know and to detail the procedures that delineate the reader s place and that promote the readability of his poems. Investigate how the poetic discourse by Barros builds the reception of his texts is a contribution to the field of Brazilian studies of contemporary poetry and it is in search s line "Poetics of Modernity". At first this research is based on the concept of reader as a textual construction from the theory of Model-Reader by Umberto Eco. Then it is considered the role of poetry is communication, according to theoretical assumption by Michael Hamburger, because the poetry communicates the art and the man. Eventually this research discusses the eroticism related to poetic creation, essentially based on meanings of eroticism by Octavio Paz as body poetic as verbal eroticism. Considering this theoretical support and others citations in analysis of selected poems, we can identify in poetry by Manoel de Barros, for example, the performative act in the metalinguistic discourse, the invention of a lyrical subject as poet, the indication of an interlocutor in the text, the memory of reading, the experience lived, the use of irony as paradox and the eroticism. The results confirm that the emphasis on reading is a key element in poetic construction by Barros. This writer modernizes and renews the modern experience of poetry because he communicates the historical experience in order to organize and master his poetic materials. When Barros makes poetry, he makes the subject and the reader, he shares his poetic values with the reader, he incentives the reader to think about itself and the world, he offers his greatest contribution, which is the appreciation of poetry, and he invites the necessary humanity of the man.
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