As escolhas interpretativas do maestro na contemporaneidade face a tradição musical: um estudo de caso com a 5ª. Sinfonia de Tchaikovsky

Detalhes bibliográficos
Autor(a) principal: Santos, Sidney Ricardo Gomes dos
Data de Publicação: 2015
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UFG
Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/7097
Resumo: This article discusses the relation between the orchestral conductor’s performanceand the musical interpretativetraditionshaving as case study the 5th Symphony by PyotrIlych Tchaikovsky. It is fundamented on thinkers as Castagna (2008) on the score editions, Silva & Silva (2009) on tradition in musical performance and Laboisiése (2007) on musical interpretation. As the methodology, it were investigated twelve editions of the score object of this study, twelve representative recordings thereof, among which, renowned conductors such as Claudio Abbado, Bernstein and Karajan, as well as prepared and presented by the author with the Youth Symphony Orchestra of the State of Goiás. The conclusions point that the tradition of musical performance can have a major influence on the conductor in contemporary times and therefore requires a reflection on the break or not paradigms established by the tradition of the art of orchestral conducting in canonical works.
id UFG-2_2a2203882b145b448ac8291b8a97ef5e
oai_identifier_str oai:repositorio.bc.ufg.br:tede/7097
network_acronym_str UFG-2
network_name_str Repositório Institucional da UFG
repository_id_str
spelling Costa, Carlos Henrique Coutinho Rodrigueshttp://lattes.cnpq.br/5091807553556414Costa, Carlos Henrique Coutinho RodriguesDias, ÂngeloCunha, Estércio Marquezhttp://lattes.cnpq.br/4981297912729875Santos, Sidney Ricardo Gomes dos2017-04-07T11:15:55Z2015-12-14SANTOS, Sidney Ricardo Gomes dos. As escolhas interpretativas do maestro na contemporaneidade face a tradição musical: um estudo de caso com a 5ª. Sinfonia de Tchaikovsky. 2015. 44 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2015.http://repositorio.bc.ufg.br/tede/handle/tede/7097This article discusses the relation between the orchestral conductor’s performanceand the musical interpretativetraditionshaving as case study the 5th Symphony by PyotrIlych Tchaikovsky. It is fundamented on thinkers as Castagna (2008) on the score editions, Silva & Silva (2009) on tradition in musical performance and Laboisiése (2007) on musical interpretation. As the methodology, it were investigated twelve editions of the score object of this study, twelve representative recordings thereof, among which, renowned conductors such as Claudio Abbado, Bernstein and Karajan, as well as prepared and presented by the author with the Youth Symphony Orchestra of the State of Goiás. The conclusions point that the tradition of musical performance can have a major influence on the conductor in contemporary times and therefore requires a reflection on the break or not paradigms established by the tradition of the art of orchestral conducting in canonical works.O presente artigo discutea relação entre a performance do maestro na contemporaneidade e as tradições interpretativas musicais tendo como estudo de caso a 5ª. Sinfonia de Tchaikovsky, obra canônica do repertório orquestral. Toma-se como fundamentos teóricos os pensadoresCastagna (2008) sobre as edições de partitura, Silva & Silva (2009) sobre tradição na performance musical e Laboissiére (2007) sobre interpretação musical. Foram investigadasdoze ediçõesda partitura da obra objeto deste estudo, doze gravações representativas da mesma, dentre as quais, de renomados maestros como Claudio Abbado, Bernstein e Karajan, além de preparada e apresentada por esse autor junto à Orquestra Sinfônica Jovem do Estado de Goiás. Constatou-se quea tradição da performance musical pode ter uma grande influência sobre o maestro na contemporaneidade e, portanto, exige-se uma reflexão sobre a quebra ou não de paradigmas estabelecidos pela tradição da arte da regência nas obras canônicas orquestrais.Submitted by Erika Demachki (erikademachki@gmail.com) on 2017-04-06T18:14:20Z No. of bitstreams: 2 Dissertação - Sidney Ricardo Gomes dos Santos - 2015.pdf: 1259243 bytes, checksum: 28eb129df018f928e3aaf2a3983ddcb6 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2017-04-07T11:15:55Z (GMT) No. of bitstreams: 2 Dissertação - Sidney Ricardo Gomes dos Santos - 2015.pdf: 1259243 bytes, checksum: 28eb129df018f928e3aaf2a3983ddcb6 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2017-04-07T11:15:55Z (GMT). No. of bitstreams: 2 Dissertação - Sidney Ricardo Gomes dos Santos - 2015.pdf: 1259243 bytes, checksum: 28eb129df018f928e3aaf2a3983ddcb6 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2015-12-14application/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em Musica (EMAC)UFGBrasilEscola de Música e Artes Cênicas - EMAC (RG)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessEscolhas interpretativasMaestroTradição musicalInterpretative choicesConductorMusical traditionARTES::MUSICAAs escolhas interpretativas do maestro na contemporaneidade face a tradição musical: um estudo de caso com a 5ª. Sinfonia de Tchaikovskyinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis-8926704311827950450600600600-1800367251745901470-3756787875205786831reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://repositorio.bc.ufg.br/tede/bitstreams/c7fecf27-99f7-445d-afed-a6c52ff954ec/downloadbd3efa91386c1718a7f26a329fdcb468MD51CC-LICENSElicense_urllicense_urltext/plain; charset=utf-849http://repositorio.bc.ufg.br/tede/bitstreams/37cad6b5-43fd-46b3-8278-df89b693e8ed/download4afdbb8c545fd630ea7db775da747b2fMD52license_textlicense_texttext/html; charset=utf-80http://repositorio.bc.ufg.br/tede/bitstreams/0207fc43-eaff-4104-842b-2d2a9268dcea/downloadd41d8cd98f00b204e9800998ecf8427eMD53license_rdflicense_rdfapplication/rdf+xml; charset=utf-80http://repositorio.bc.ufg.br/tede/bitstreams/b7f1c427-52b8-4d5f-b086-c517c18ec904/downloadd41d8cd98f00b204e9800998ecf8427eMD54ORIGINALDissertação - Sidney Ricardo Gomes dos Santos - 2015.pdfDissertação - Sidney Ricardo Gomes dos Santos - 2015.pdfapplication/pdf1259243http://repositorio.bc.ufg.br/tede/bitstreams/9cd97710-a700-42a4-8175-322b553ff279/download28eb129df018f928e3aaf2a3983ddcb6MD55tede/70972017-04-07 08:15:55.825http://creativecommons.org/licenses/by-nc-nd/4.0/Acesso Abertoopen.accessoai:repositorio.bc.ufg.br:tede/7097http://repositorio.bc.ufg.br/tedeRepositório InstitucionalPUBhttp://repositorio.bc.ufg.br/oai/requesttasesdissertacoes.bc@ufg.bropendoar:2017-04-07T11:15:55Repositório Institucional da UFG - Universidade Federal de Goiás (UFG)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
dc.title.por.fl_str_mv As escolhas interpretativas do maestro na contemporaneidade face a tradição musical: um estudo de caso com a 5ª. Sinfonia de Tchaikovsky
title As escolhas interpretativas do maestro na contemporaneidade face a tradição musical: um estudo de caso com a 5ª. Sinfonia de Tchaikovsky
spellingShingle As escolhas interpretativas do maestro na contemporaneidade face a tradição musical: um estudo de caso com a 5ª. Sinfonia de Tchaikovsky
Santos, Sidney Ricardo Gomes dos
Escolhas interpretativas
Maestro
Tradição musical
Interpretative choices
Conductor
Musical tradition
ARTES::MUSICA
title_short As escolhas interpretativas do maestro na contemporaneidade face a tradição musical: um estudo de caso com a 5ª. Sinfonia de Tchaikovsky
title_full As escolhas interpretativas do maestro na contemporaneidade face a tradição musical: um estudo de caso com a 5ª. Sinfonia de Tchaikovsky
title_fullStr As escolhas interpretativas do maestro na contemporaneidade face a tradição musical: um estudo de caso com a 5ª. Sinfonia de Tchaikovsky
title_full_unstemmed As escolhas interpretativas do maestro na contemporaneidade face a tradição musical: um estudo de caso com a 5ª. Sinfonia de Tchaikovsky
title_sort As escolhas interpretativas do maestro na contemporaneidade face a tradição musical: um estudo de caso com a 5ª. Sinfonia de Tchaikovsky
author Santos, Sidney Ricardo Gomes dos
author_facet Santos, Sidney Ricardo Gomes dos
author_role author
dc.contributor.advisor1.fl_str_mv Costa, Carlos Henrique Coutinho Rodrigues
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/5091807553556414
dc.contributor.referee1.fl_str_mv Costa, Carlos Henrique Coutinho Rodrigues
dc.contributor.referee2.fl_str_mv Dias, Ângelo
dc.contributor.referee3.fl_str_mv Cunha, Estércio Marquez
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/4981297912729875
dc.contributor.author.fl_str_mv Santos, Sidney Ricardo Gomes dos
contributor_str_mv Costa, Carlos Henrique Coutinho Rodrigues
Costa, Carlos Henrique Coutinho Rodrigues
Dias, Ângelo
Cunha, Estércio Marquez
dc.subject.por.fl_str_mv Escolhas interpretativas
Maestro
Tradição musical
topic Escolhas interpretativas
Maestro
Tradição musical
Interpretative choices
Conductor
Musical tradition
ARTES::MUSICA
dc.subject.eng.fl_str_mv Interpretative choices
Conductor
Musical tradition
dc.subject.cnpq.fl_str_mv ARTES::MUSICA
description This article discusses the relation between the orchestral conductor’s performanceand the musical interpretativetraditionshaving as case study the 5th Symphony by PyotrIlych Tchaikovsky. It is fundamented on thinkers as Castagna (2008) on the score editions, Silva & Silva (2009) on tradition in musical performance and Laboisiése (2007) on musical interpretation. As the methodology, it were investigated twelve editions of the score object of this study, twelve representative recordings thereof, among which, renowned conductors such as Claudio Abbado, Bernstein and Karajan, as well as prepared and presented by the author with the Youth Symphony Orchestra of the State of Goiás. The conclusions point that the tradition of musical performance can have a major influence on the conductor in contemporary times and therefore requires a reflection on the break or not paradigms established by the tradition of the art of orchestral conducting in canonical works.
publishDate 2015
dc.date.issued.fl_str_mv 2015-12-14
dc.date.accessioned.fl_str_mv 2017-04-07T11:15:55Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.citation.fl_str_mv SANTOS, Sidney Ricardo Gomes dos. As escolhas interpretativas do maestro na contemporaneidade face a tradição musical: um estudo de caso com a 5ª. Sinfonia de Tchaikovsky. 2015. 44 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2015.
dc.identifier.uri.fl_str_mv http://repositorio.bc.ufg.br/tede/handle/tede/7097
identifier_str_mv SANTOS, Sidney Ricardo Gomes dos. As escolhas interpretativas do maestro na contemporaneidade face a tradição musical: um estudo de caso com a 5ª. Sinfonia de Tchaikovsky. 2015. 44 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2015.
url http://repositorio.bc.ufg.br/tede/handle/tede/7097
dc.language.iso.fl_str_mv por
language por
dc.relation.program.fl_str_mv -8926704311827950450
dc.relation.confidence.fl_str_mv 600
600
600
dc.relation.department.fl_str_mv -1800367251745901470
dc.relation.cnpq.fl_str_mv -3756787875205786831
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by-nc-nd/4.0/
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by-nc-nd/4.0/
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Goiás
dc.publisher.program.fl_str_mv Programa de Pós-graduação em Musica (EMAC)
dc.publisher.initials.fl_str_mv UFG
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Escola de Música e Artes Cênicas - EMAC (RG)
publisher.none.fl_str_mv Universidade Federal de Goiás
dc.source.none.fl_str_mv reponame:Repositório Institucional da UFG
instname:Universidade Federal de Goiás (UFG)
instacron:UFG
instname_str Universidade Federal de Goiás (UFG)
instacron_str UFG
institution UFG
reponame_str Repositório Institucional da UFG
collection Repositório Institucional da UFG
bitstream.url.fl_str_mv http://repositorio.bc.ufg.br/tede/bitstreams/c7fecf27-99f7-445d-afed-a6c52ff954ec/download
http://repositorio.bc.ufg.br/tede/bitstreams/37cad6b5-43fd-46b3-8278-df89b693e8ed/download
http://repositorio.bc.ufg.br/tede/bitstreams/0207fc43-eaff-4104-842b-2d2a9268dcea/download
http://repositorio.bc.ufg.br/tede/bitstreams/b7f1c427-52b8-4d5f-b086-c517c18ec904/download
http://repositorio.bc.ufg.br/tede/bitstreams/9cd97710-a700-42a4-8175-322b553ff279/download
bitstream.checksum.fl_str_mv bd3efa91386c1718a7f26a329fdcb468
4afdbb8c545fd630ea7db775da747b2f
d41d8cd98f00b204e9800998ecf8427e
d41d8cd98f00b204e9800998ecf8427e
28eb129df018f928e3aaf2a3983ddcb6
bitstream.checksumAlgorithm.fl_str_mv MD5
MD5
MD5
MD5
MD5
repository.name.fl_str_mv Repositório Institucional da UFG - Universidade Federal de Goiás (UFG)
repository.mail.fl_str_mv tasesdissertacoes.bc@ufg.br
_version_ 1798044329466396672