Vestir e marcar: a construção visual da vestimenta das mulheres escravizadas no Brasil Imperial – século XIX
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
dARK ID: | ark:/38995/00130000090b6 |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/4748 |
Resumo: | This dissertation aims to analyze a visual construction process through the garments worn by women enslaved in Brazil during the nineteenth century, through the investigation of the photographic images contained in some photography selections: Princess Isabel Collection - XIX Century Photography of Peter and Bia Corrêa do Lago, the Negro in the Brazilian XIX Century Photography of George Ermakoff, and collections found in Moreira Salles Institute in Rio de Janeiro. Our approach is anchored in a transdisciplinary reading, inspired by studies of clothes and pictures, crisscrossed with Visual Culture Studies, guided mainly by theoretical and methodological contributions in the research area of photographic images proposed by Ana Maria Mauad, Boris Kossoy Ulpiano Meneses and Lou Taylor. Thus, this research with images is based in the description of the conditions of possibility through the disassembly process of giving visibility to the use of some garments by enslaved women. We add that our research will be based on the description of some of the visual characteristics that these images enable us to highlight some signs of slave experiences in Brazil. |
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Silva, Thiago Fernando Sant’Anna ehttp://lattes.cnpq.br/9735682996647548Andrade, Rita Morais dehttp://lattes.cnpq.br/0652175469093010Silva, Thiago Fernando Sant’Anna eAndrade, Rita Morais deRainho, Maria do Carmo TeixeiraMendonça, Miriam da Costa M. M. deSalomon, Marlon Jeisonhttp://lattes.cnpq.br/1982278269267683Custódio, Ana Carolina de Santana2015-10-23T13:22:55Z2015-04-02CUSTODIO, A. C. S. Vestir e marcar: a construção visual da vestimenta das mulheres escravizadas no Brasil Imperial – século XIX. 2015. 177 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2015.http://repositorio.bc.ufg.br/tede/handle/tede/4748ark:/38995/00130000090b6This dissertation aims to analyze a visual construction process through the garments worn by women enslaved in Brazil during the nineteenth century, through the investigation of the photographic images contained in some photography selections: Princess Isabel Collection - XIX Century Photography of Peter and Bia Corrêa do Lago, the Negro in the Brazilian XIX Century Photography of George Ermakoff, and collections found in Moreira Salles Institute in Rio de Janeiro. Our approach is anchored in a transdisciplinary reading, inspired by studies of clothes and pictures, crisscrossed with Visual Culture Studies, guided mainly by theoretical and methodological contributions in the research area of photographic images proposed by Ana Maria Mauad, Boris Kossoy Ulpiano Meneses and Lou Taylor. Thus, this research with images is based in the description of the conditions of possibility through the disassembly process of giving visibility to the use of some garments by enslaved women. We add that our research will be based on the description of some of the visual characteristics that these images enable us to highlight some signs of slave experiences in Brazil.Essa dissertação tem como propósito analisar um processo de construção visual através das vestimentas usadas por mulheres escravizadas no Brasil durante o século XIX, por meio da investigação das imagens fotográficas contidas em algumas seleções de fotografia: Coleção Princesa Isabel – Fotografia do Século XIX de Pedro e Bia Corrêa do Lago, e O Negro na Fotografia Brasileira do Século XIX de George Ermakoff, além das coleções encontradas no Instituto Moreira Salles no Rio de Janeiro. Nossa abordagem está ancorada em uma leitura transdisciplinar, inspirada nos estudos de vestimentas e imagens, e se entrecruza com os Estudos de Cultura Visual, pautados principalmente pelas contribuições teórico-metodológicas na área de investigação de imagens fotográficas propostas por Ana Maria Mauad, Boris Kossoy, Ulpiano Meneses e Lou Taylor. Dessa forma, essa investigação com imagens está pautada na descrição das condições de possibilidade por meio do processo de dar visibilidade ao uso de algumas vestimentas pelas mulheres escravizadas. Acrescentamos que a nossa investigação se baseará na descrição de algumas das características visuais que nos possibilitam, nessas imagens, dar destaque a alguns signos das experiências escrava no Brasil.Submitted by Cássia Santos (cassia.bcufg@gmail.com) on 2015-10-23T11:04:36Z No. of bitstreams: 2 Dissertação - Ana Carolina de Santana Custódio -2015.pdf: 9828544 bytes, checksum: 198c6f7031d8cff7314bc1af805290c7 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2015-10-23T13:22:55Z (GMT) No. of bitstreams: 2 Dissertação - Ana Carolina de Santana Custódio -2015.pdf: 9828544 bytes, checksum: 198c6f7031d8cff7314bc1af805290c7 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)Made available in DSpace on 2015-10-23T13:22:55Z (GMT). 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dc.title.por.fl_str_mv |
Vestir e marcar: a construção visual da vestimenta das mulheres escravizadas no Brasil Imperial – século XIX |
dc.title.alternative.eng.fl_str_mv |
Wear and mark : a visual of clothing construction of women enslaved in Brazil imperial - nineteenth century |
title |
Vestir e marcar: a construção visual da vestimenta das mulheres escravizadas no Brasil Imperial – século XIX |
spellingShingle |
Vestir e marcar: a construção visual da vestimenta das mulheres escravizadas no Brasil Imperial – século XIX Custódio, Ana Carolina de Santana Vestimenta Século XIX Visualidades Clouthing Nineteenth century Visualities ARTES::ARTES PLASTICAS |
title_short |
Vestir e marcar: a construção visual da vestimenta das mulheres escravizadas no Brasil Imperial – século XIX |
title_full |
Vestir e marcar: a construção visual da vestimenta das mulheres escravizadas no Brasil Imperial – século XIX |
title_fullStr |
Vestir e marcar: a construção visual da vestimenta das mulheres escravizadas no Brasil Imperial – século XIX |
title_full_unstemmed |
Vestir e marcar: a construção visual da vestimenta das mulheres escravizadas no Brasil Imperial – século XIX |
title_sort |
Vestir e marcar: a construção visual da vestimenta das mulheres escravizadas no Brasil Imperial – século XIX |
author |
Custódio, Ana Carolina de Santana |
author_facet |
Custódio, Ana Carolina de Santana |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Silva, Thiago Fernando Sant’Anna e |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/9735682996647548 |
dc.contributor.advisor-co1.fl_str_mv |
Andrade, Rita Morais de |
dc.contributor.advisor-co1Lattes.fl_str_mv |
http://lattes.cnpq.br/0652175469093010 |
dc.contributor.referee1.fl_str_mv |
Silva, Thiago Fernando Sant’Anna e |
dc.contributor.referee2.fl_str_mv |
Andrade, Rita Morais de |
dc.contributor.referee3.fl_str_mv |
Rainho, Maria do Carmo Teixeira |
dc.contributor.referee4.fl_str_mv |
Mendonça, Miriam da Costa M. M. de |
dc.contributor.referee5.fl_str_mv |
Salomon, Marlon Jeison |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/1982278269267683 |
dc.contributor.author.fl_str_mv |
Custódio, Ana Carolina de Santana |
contributor_str_mv |
Silva, Thiago Fernando Sant’Anna e Andrade, Rita Morais de Silva, Thiago Fernando Sant’Anna e Andrade, Rita Morais de Rainho, Maria do Carmo Teixeira Mendonça, Miriam da Costa M. M. de Salomon, Marlon Jeison |
dc.subject.por.fl_str_mv |
Vestimenta Século XIX Visualidades |
topic |
Vestimenta Século XIX Visualidades Clouthing Nineteenth century Visualities ARTES::ARTES PLASTICAS |
dc.subject.eng.fl_str_mv |
Clouthing Nineteenth century Visualities |
dc.subject.cnpq.fl_str_mv |
ARTES::ARTES PLASTICAS |
description |
This dissertation aims to analyze a visual construction process through the garments worn by women enslaved in Brazil during the nineteenth century, through the investigation of the photographic images contained in some photography selections: Princess Isabel Collection - XIX Century Photography of Peter and Bia Corrêa do Lago, the Negro in the Brazilian XIX Century Photography of George Ermakoff, and collections found in Moreira Salles Institute in Rio de Janeiro. Our approach is anchored in a transdisciplinary reading, inspired by studies of clothes and pictures, crisscrossed with Visual Culture Studies, guided mainly by theoretical and methodological contributions in the research area of photographic images proposed by Ana Maria Mauad, Boris Kossoy Ulpiano Meneses and Lou Taylor. Thus, this research with images is based in the description of the conditions of possibility through the disassembly process of giving visibility to the use of some garments by enslaved women. We add that our research will be based on the description of some of the visual characteristics that these images enable us to highlight some signs of slave experiences in Brazil. |
publishDate |
2015 |
dc.date.accessioned.fl_str_mv |
2015-10-23T13:22:55Z |
dc.date.issued.fl_str_mv |
2015-04-02 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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masterThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
CUSTODIO, A. C. S. Vestir e marcar: a construção visual da vestimenta das mulheres escravizadas no Brasil Imperial – século XIX. 2015. 177 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2015. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/4748 |
dc.identifier.dark.fl_str_mv |
ark:/38995/00130000090b6 |
identifier_str_mv |
CUSTODIO, A. C. S. Vestir e marcar: a construção visual da vestimenta das mulheres escravizadas no Brasil Imperial – século XIX. 2015. 177 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2015. ark:/38995/00130000090b6 |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/4748 |
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por |
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Universidade Federal de Goiás |
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UFG |
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Brasil |
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Faculdade de Artes Visuais - FAV (RG) |
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Universidade Federal de Goiás |
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