“As coisa lá da minha mudernage”: entre-lugar, modernidade e sertão na obra artística de Elomar Figueira Mello
Autor(a) principal: | |
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Data de Publicação: | 2014 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/3882 |
Resumo: | The work of Elomar Figueira Mello emerged in the late 1960s. The topics of his songs and poems focus on the appreciation of the backwoods and country culture. He does this contrasting ethos and vision of traditional and modern world. By making this contrast, the artist notes that the interior is modern branded by a hegemonic discourse of late, wilderness, barbarian, among others. Thus, this modern discourse rejects and silences other discourses-explanatory that are not within their assumptions as the philosophical, theological and popular. According to Boaventura de Sousa Santos (2010), this silencing can be designated as epistemicide. Thus, the musician denounces in his art this process of modernization and epistemício engendered by modernity. However, while Elomar makes this complaint he cannot stray of modern rationality, because he keeps the Cartesian dualism as he keeps, for example, a separation between town and country, featuring the first as the site of inhumanity, the prevalence of demonic precepts and the second as the place of redemption, the encounter with God. Moreover, despite the musician in his speech reject modernity, it is possible to observe several modern influences in his life and work as a Protestant orientation and his taste for opera. That is why we think that the work of Elomar Figueira Mello can be characterized as being in a cultural border, in a place in-between. |
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Alencar, Maria Amélia Garcia dehttp://lattes.cnpq.br/7665566532275199Alencar, Maria Amélia Garcia deBerbet Júnior, Carlos OitiNunes, Jordão HortaAraújo, Alexandre Martins dehttp://lattes.cnpq.br/7487755215728884Oliveira, Helder Canal de2015-01-16T13:39:15Z2014-03-28OLIVEIRA, Helder Canal de. “As coisa lá da minha mudernage”: entre-lugar, modernidade e sertão na obra artística de Elomar Figueira Mello. 2014. 141 f. Dissertação (Mestrado em História) - Universidade Federal de Goiás, Goiânia, 2014.http://repositorio.bc.ufg.br/tede/handle/tede/3882ark:/38995/0013000004p9jThe work of Elomar Figueira Mello emerged in the late 1960s. The topics of his songs and poems focus on the appreciation of the backwoods and country culture. He does this contrasting ethos and vision of traditional and modern world. By making this contrast, the artist notes that the interior is modern branded by a hegemonic discourse of late, wilderness, barbarian, among others. Thus, this modern discourse rejects and silences other discourses-explanatory that are not within their assumptions as the philosophical, theological and popular. According to Boaventura de Sousa Santos (2010), this silencing can be designated as epistemicide. Thus, the musician denounces in his art this process of modernization and epistemício engendered by modernity. However, while Elomar makes this complaint he cannot stray of modern rationality, because he keeps the Cartesian dualism as he keeps, for example, a separation between town and country, featuring the first as the site of inhumanity, the prevalence of demonic precepts and the second as the place of redemption, the encounter with God. Moreover, despite the musician in his speech reject modernity, it is possible to observe several modern influences in his life and work as a Protestant orientation and his taste for opera. That is why we think that the work of Elomar Figueira Mello can be characterized as being in a cultural border, in a place in-between.A obra de Elomar Figueira Mello surgiu no final dos anos 1960. Os temas de suas canções e poesias focam a valorização do sertão e da cultura sertaneja. Faz isso contrastando os ethos e visões de mundo tradicionais e modernos. Ao fazer esse contraste, o artista observa que o sertão é tachado por um discurso moderno hegemônico de atrasado, ermo, bárbaro, dentre outros. Com isso, esse discurso moderno rejeita e silencia outros discursos-explicativos que não estão dentro de seus pressupostos como o filosófico, o teológico e o popular. De acordo com Boaventura de Sousa Santos (2010), esse silenciamento pode ser designado como epistemicídio. Assim, o músico denuncia em sua arte esse processo de modernização e o epistemício engendrado pela modernidade. Todavia, ao mesmo tempo em que Elomar faz essa denúncia, não consegue se desgarrar da racionalidade moderna, pois mantém o dualismo cartesiano ao fazer, por exemplo, uma separação entre cidade e campo, caracterizando a primeira como o local da desumanidade, da prevalência dos preceitos demoníacos e a segunda como o local da redenção, do encontro com Deus. Além disso, apesar do músico rejeitar em seu discurso a modernidade, é possível observarmos várias influências modernas em sua vida e obra como sua orientação protestante e seu gosto pela ópera. Por isso é que pensamos que a obra de Elomar Figueira Mello pode ser caracterizada como estando em uma fronteira cultural, em um entre-lugar.Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2015-01-16T13:19:42Z No. of bitstreams: 2 license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Dissertação - Helder Canal de Oliveira - 2014.pdf: 915845 bytes, checksum: c4b7a2e8148c48ecc195970fe7fe891f (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2015-01-16T13:39:15Z (GMT) No. of bitstreams: 2 license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Dissertação - Helder Canal de Oliveira - 2014.pdf: 915845 bytes, checksum: c4b7a2e8148c48ecc195970fe7fe891f (MD5)Made available in DSpace on 2015-01-16T13:39:15Z (GMT). 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dc.title.por.fl_str_mv |
“As coisa lá da minha mudernage”: entre-lugar, modernidade e sertão na obra artística de Elomar Figueira Mello |
title |
“As coisa lá da minha mudernage”: entre-lugar, modernidade e sertão na obra artística de Elomar Figueira Mello |
spellingShingle |
“As coisa lá da minha mudernage”: entre-lugar, modernidade e sertão na obra artística de Elomar Figueira Mello Oliveira, Helder Canal de Elomar Modernidade Sertão Entre-lugar Elomar Modernity Sertão In-between CIENCIAS HUMANAS::HISTORIA |
title_short |
“As coisa lá da minha mudernage”: entre-lugar, modernidade e sertão na obra artística de Elomar Figueira Mello |
title_full |
“As coisa lá da minha mudernage”: entre-lugar, modernidade e sertão na obra artística de Elomar Figueira Mello |
title_fullStr |
“As coisa lá da minha mudernage”: entre-lugar, modernidade e sertão na obra artística de Elomar Figueira Mello |
title_full_unstemmed |
“As coisa lá da minha mudernage”: entre-lugar, modernidade e sertão na obra artística de Elomar Figueira Mello |
title_sort |
“As coisa lá da minha mudernage”: entre-lugar, modernidade e sertão na obra artística de Elomar Figueira Mello |
author |
Oliveira, Helder Canal de |
author_facet |
Oliveira, Helder Canal de |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Alencar, Maria Amélia Garcia de |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/7665566532275199 |
dc.contributor.referee1.fl_str_mv |
Alencar, Maria Amélia Garcia de |
dc.contributor.referee2.fl_str_mv |
Berbet Júnior, Carlos Oiti |
dc.contributor.referee3.fl_str_mv |
Nunes, Jordão Horta |
dc.contributor.referee4.fl_str_mv |
Araújo, Alexandre Martins de |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/7487755215728884 |
dc.contributor.author.fl_str_mv |
Oliveira, Helder Canal de |
contributor_str_mv |
Alencar, Maria Amélia Garcia de Alencar, Maria Amélia Garcia de Berbet Júnior, Carlos Oiti Nunes, Jordão Horta Araújo, Alexandre Martins de |
dc.subject.por.fl_str_mv |
Elomar Modernidade Sertão Entre-lugar |
topic |
Elomar Modernidade Sertão Entre-lugar Elomar Modernity Sertão In-between CIENCIAS HUMANAS::HISTORIA |
dc.subject.eng.fl_str_mv |
Elomar Modernity Sertão In-between |
dc.subject.cnpq.fl_str_mv |
CIENCIAS HUMANAS::HISTORIA |
description |
The work of Elomar Figueira Mello emerged in the late 1960s. The topics of his songs and poems focus on the appreciation of the backwoods and country culture. He does this contrasting ethos and vision of traditional and modern world. By making this contrast, the artist notes that the interior is modern branded by a hegemonic discourse of late, wilderness, barbarian, among others. Thus, this modern discourse rejects and silences other discourses-explanatory that are not within their assumptions as the philosophical, theological and popular. According to Boaventura de Sousa Santos (2010), this silencing can be designated as epistemicide. Thus, the musician denounces in his art this process of modernization and epistemício engendered by modernity. However, while Elomar makes this complaint he cannot stray of modern rationality, because he keeps the Cartesian dualism as he keeps, for example, a separation between town and country, featuring the first as the site of inhumanity, the prevalence of demonic precepts and the second as the place of redemption, the encounter with God. Moreover, despite the musician in his speech reject modernity, it is possible to observe several modern influences in his life and work as a Protestant orientation and his taste for opera. That is why we think that the work of Elomar Figueira Mello can be characterized as being in a cultural border, in a place in-between. |
publishDate |
2014 |
dc.date.issued.fl_str_mv |
2014-03-28 |
dc.date.accessioned.fl_str_mv |
2015-01-16T13:39:15Z |
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masterThesis |
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OLIVEIRA, Helder Canal de. “As coisa lá da minha mudernage”: entre-lugar, modernidade e sertão na obra artística de Elomar Figueira Mello. 2014. 141 f. Dissertação (Mestrado em História) - Universidade Federal de Goiás, Goiânia, 2014. |
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http://repositorio.bc.ufg.br/tede/handle/tede/3882 |
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ark:/38995/0013000004p9j |
identifier_str_mv |
OLIVEIRA, Helder Canal de. “As coisa lá da minha mudernage”: entre-lugar, modernidade e sertão na obra artística de Elomar Figueira Mello. 2014. 141 f. Dissertação (Mestrado em História) - Universidade Federal de Goiás, Goiânia, 2014. ark:/38995/0013000004p9j |
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http://repositorio.bc.ufg.br/tede/handle/tede/3882 |
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UFG |
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Universidade Federal de Goiás |
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