Voz e consciência narrativa: a percepção da família pela perspectiva feminina em três romances irlandeses

Detalhes bibliográficos
Autor(a) principal: Ferreira, Rejane de Souza
Data de Publicação: 2014
Tipo de documento: Tese
Idioma: por
Título da fonte: Repositório Institucional da UFG
dARK ID: ark:/38995/0013000003j1p
Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/4221
Resumo: This doctoral dissertation has as its aim to analyse in three Irish novels (The Gathering, by Anne Enright, The Blackwater Lightship, by Colm Tóibín, and The Light of Evening, by Edna O‟Brien), how the female main protagonists of the novels perceive or understand their families, from the point of view through which their stories are narrated, as well as through the way they understand their own generation and those of their mothers and grandmothers. Through these perceptions the dissertation also tried to analyse the political and cultural transformation Ireland went through in the Twentieth Century. This period witnessed two great historical events for the country: its Independence in 1922, and its glorious years of economic development, which began around 1990, with the so called Celtic Tiger Years, and lasted until 2008. The analysis of the selected novels as the corpus of this dissertation according to their narrative points of view and the historical, political and cultural contexts in which they are set is also a way of analysing the contribution their authors gave to our own understanding of Ireland as a nation.
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spelling Sousa, Heleno Godói dehttp://lattes.cnpq.br/4388813326632106Fogarty, AnneSousa, Heleno Godói deMutran, Munira HamudSchwantes, Cíntia Carla MoreiraCamargo, Goiandira de Fátima Ortiz deYokozawa, Solange Fiuza Cardosohttp://lattes.cnpq.br/2762142240750530Ferreira, Rejane de Souza2015-03-04T12:25:18Z2014-12-09FERREIRA, R. S. Voz e consciência narrativa: a percepção da família pela perspectiva feminina em três romances irlandeses. 2014. 225 f. Tese (Doutorado em Letras e Linguística)–Universidade Federal de Goiás, Goiânia, 2014.http://repositorio.bc.ufg.br/tede/handle/tede/4221ark:/38995/0013000003j1pThis doctoral dissertation has as its aim to analyse in three Irish novels (The Gathering, by Anne Enright, The Blackwater Lightship, by Colm Tóibín, and The Light of Evening, by Edna O‟Brien), how the female main protagonists of the novels perceive or understand their families, from the point of view through which their stories are narrated, as well as through the way they understand their own generation and those of their mothers and grandmothers. Through these perceptions the dissertation also tried to analyse the political and cultural transformation Ireland went through in the Twentieth Century. This period witnessed two great historical events for the country: its Independence in 1922, and its glorious years of economic development, which began around 1990, with the so called Celtic Tiger Years, and lasted until 2008. The analysis of the selected novels as the corpus of this dissertation according to their narrative points of view and the historical, political and cultural contexts in which they are set is also a way of analysing the contribution their authors gave to our own understanding of Ireland as a nation.Esta tese tem por objetivo analisar, em três romances irlandeses (The Gathering, de Anne Enright, The Blackwater Lightship, de Colm Tóibín e The Light of Evening, de Edna O‟Brien), como as protagonistas das obras percebem ou entendem suas famílias, tanto a partir do ponto de vista através do qual suas histórias são narradas, quanto através do modo como compreendem suas próprias gerações e as gerações de suas mães e avós. Através dessas percepções, procurou-se analisar também as alterações políticas e culturais pelas quais a Irlanda passou, ao longo do século XX. Esse período marca dois grandes acontecimentos históricos para o país: sua independência, em 1922, e seus anos de glória e crescimento econômico, iniciados por volta de 1990, com o chamado Tigre Celta, e que durou até 2008. A análise dos romances selecionados como corpus desta tese, de acordo com seus pontos de vista narrativos e os contextos histórico, político e cultural em que eles estão inseridos é também uma forma de analisar a contribuição que seus autores deram para nosso próprio entendimento da Irlanda enquanto nação.Submitted by Cássia Santos (cassia.bcufg@gmail.com) on 2015-03-04T11:37:19Z No. of bitstreams: 2 Tese - Rejane de Souza Ferreira - 2014.pdf: 1564158 bytes, checksum: d4cde772241ab8bc9319f126773e056e (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2015-03-04T12:25:18Z (GMT) No. of bitstreams: 2 Tese - Rejane de Souza Ferreira - 2014.pdf: 1564158 bytes, checksum: d4cde772241ab8bc9319f126773e056e (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)Made available in DSpace on 2015-03-04T12:25:18Z (GMT). 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dc.title.eng.fl_str_mv Voz e consciência narrativa: a percepção da família pela perspectiva feminina em três romances irlandeses
dc.title.alternative.eng.fl_str_mv Narrative voice and consciousness: female perspectives on the family in three irish novels
title Voz e consciência narrativa: a percepção da família pela perspectiva feminina em três romances irlandeses
spellingShingle Voz e consciência narrativa: a percepção da família pela perspectiva feminina em três romances irlandeses
Ferreira, Rejane de Souza
Ponto de vista narrativo
Perspectiva feminina
Constituição familiar
Romance irlandês
Literatura irlandesa
Narrative point of view
Feminine perspective
Family constitution
Irish novel
Irish literature
LETRAS::LITERATURAS ESTRANGEIRAS MODERNAS
title_short Voz e consciência narrativa: a percepção da família pela perspectiva feminina em três romances irlandeses
title_full Voz e consciência narrativa: a percepção da família pela perspectiva feminina em três romances irlandeses
title_fullStr Voz e consciência narrativa: a percepção da família pela perspectiva feminina em três romances irlandeses
title_full_unstemmed Voz e consciência narrativa: a percepção da família pela perspectiva feminina em três romances irlandeses
title_sort Voz e consciência narrativa: a percepção da família pela perspectiva feminina em três romances irlandeses
author Ferreira, Rejane de Souza
author_facet Ferreira, Rejane de Souza
author_role author
dc.contributor.advisor1.fl_str_mv Sousa, Heleno Godói de
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/4388813326632106
dc.contributor.advisor-co1.fl_str_mv Fogarty, Anne
dc.contributor.referee1.fl_str_mv Sousa, Heleno Godói de
dc.contributor.referee2.fl_str_mv Mutran, Munira Hamud
dc.contributor.referee3.fl_str_mv Schwantes, Cíntia Carla Moreira
dc.contributor.referee4.fl_str_mv Camargo, Goiandira de Fátima Ortiz de
dc.contributor.referee5.fl_str_mv Yokozawa, Solange Fiuza Cardoso
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/2762142240750530
dc.contributor.author.fl_str_mv Ferreira, Rejane de Souza
contributor_str_mv Sousa, Heleno Godói de
Fogarty, Anne
Sousa, Heleno Godói de
Mutran, Munira Hamud
Schwantes, Cíntia Carla Moreira
Camargo, Goiandira de Fátima Ortiz de
Yokozawa, Solange Fiuza Cardoso
dc.subject.por.fl_str_mv Ponto de vista narrativo
Perspectiva feminina
Constituição familiar
Romance irlandês
Literatura irlandesa
topic Ponto de vista narrativo
Perspectiva feminina
Constituição familiar
Romance irlandês
Literatura irlandesa
Narrative point of view
Feminine perspective
Family constitution
Irish novel
Irish literature
LETRAS::LITERATURAS ESTRANGEIRAS MODERNAS
dc.subject.eng.fl_str_mv Narrative point of view
Feminine perspective
Family constitution
Irish novel
Irish literature
dc.subject.cnpq.fl_str_mv LETRAS::LITERATURAS ESTRANGEIRAS MODERNAS
description This doctoral dissertation has as its aim to analyse in three Irish novels (The Gathering, by Anne Enright, The Blackwater Lightship, by Colm Tóibín, and The Light of Evening, by Edna O‟Brien), how the female main protagonists of the novels perceive or understand their families, from the point of view through which their stories are narrated, as well as through the way they understand their own generation and those of their mothers and grandmothers. Through these perceptions the dissertation also tried to analyse the political and cultural transformation Ireland went through in the Twentieth Century. This period witnessed two great historical events for the country: its Independence in 1922, and its glorious years of economic development, which began around 1990, with the so called Celtic Tiger Years, and lasted until 2008. The analysis of the selected novels as the corpus of this dissertation according to their narrative points of view and the historical, political and cultural contexts in which they are set is also a way of analysing the contribution their authors gave to our own understanding of Ireland as a nation.
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