Na vibe das mulheres DJs: sentimento, mixagem e subversão

Detalhes bibliográficos
Autor(a) principal: Sucena Junior, Edson
Data de Publicação: 2017
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UFG
dARK ID: ark:/38995/00130000039tv
Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/7561
Resumo: This dissertation it is proposed to understand how the process of construction of identities of women DJs in the scene GLS in Goiânia, from the point of view that the DJ's are performers in the musical, as it cut through the mix, the relationship with the music and creating, they have the power to bring the crowd to ecstasy and trance in the club scene. This is a study about the narrative of women who act as professional DJs who now approaching, now distance themselves with regard to musical styles, because each one has its identity in the construction of his sets and in their performances. By understanding that identity is a social and cultural construction, we are led to think and problematize notions such as “feeling” (sensation), subversion and performance. These are women who are in their subordinate modes of being and expressing ourselves in the world while the genre and artists on the margin, in spaces with strong markers of social difference. Bring the voices of these women means enhancing movements and shifts of identity that will put you in check the heteronormativity compulsory. Is it so that this “feminine plural” starts to be questioned in their becomings and multiplicities. Therefore, to interrogate these identities allows us to question: a DJ is performance? How to build a DJ? Can the DJ talk? Performances and performatividades bypass their identities? Therefore, listening to the narratives of these women and go through their intimate allows us to create conditions and possibilities to which the subaltern can indeed speak and show their you can actually talk and show their potential subversive.
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spelling Correia, Paulo Petroníliohttp://lattes.cnpq.br/1801687030702050Dias, Luciana de OliveiraReinato, Eduardo JoséCorreia, Paulo Petroníliohttp://lattes.cnpq.br/1752801951264465Sucena Junior, Edson2017-07-10T14:24:50Z2017-06-02SUCENA JUNIOR, E. Na vibe das mulheres DJs: sentimento, mixagem e subversão. 2017. 157 f. Dissertação (Mestrado em Performance Cultural) - Universidade Federal de Goiás, Goiânia, 2017.http://repositorio.bc.ufg.br/tede/handle/tede/7561ark:/38995/00130000039tvThis dissertation it is proposed to understand how the process of construction of identities of women DJs in the scene GLS in Goiânia, from the point of view that the DJ's are performers in the musical, as it cut through the mix, the relationship with the music and creating, they have the power to bring the crowd to ecstasy and trance in the club scene. This is a study about the narrative of women who act as professional DJs who now approaching, now distance themselves with regard to musical styles, because each one has its identity in the construction of his sets and in their performances. By understanding that identity is a social and cultural construction, we are led to think and problematize notions such as “feeling” (sensation), subversion and performance. These are women who are in their subordinate modes of being and expressing ourselves in the world while the genre and artists on the margin, in spaces with strong markers of social difference. Bring the voices of these women means enhancing movements and shifts of identity that will put you in check the heteronormativity compulsory. Is it so that this “feminine plural” starts to be questioned in their becomings and multiplicities. Therefore, to interrogate these identities allows us to question: a DJ is performance? How to build a DJ? Can the DJ talk? Performances and performatividades bypass their identities? Therefore, listening to the narratives of these women and go through their intimate allows us to create conditions and possibilities to which the subaltern can indeed speak and show their you can actually talk and show their potential subversive.Esse estudo dissertativo propõe compreender como se dá o processo de construção das identidades das mulheres DJs na cena GLS em Goiânia, a partir do ponto de vista de que as DJs são performers musicais, pois através da mixagem, da relação com a música e da criação elas têm o poder de levar a multidão ao êxtase e ao transe nas baladas. Trata-se de um estudo acerca da narrativa das mulheres que atuam como profissionais DJs que ora se aproximam, ora se distanciam no que diz respeito aos estilos musicais, pois cada uma possui a sua identidade na construção de seus sets e em suas performances. Por compreender que a identidade é uma construção social e cultural, somos levados a pensar e problematizar noções como sentimento (feeling), subversão e performance. São mulheres que encontram na sua subalternidade modos de ser e de se expressar no mundo enquanto gênero e artistas na margem, em espaços com fortes marcadores sociais da diferença. Trazer as vozes dessas mulheres significa potencializar trânsitos e deslocamentos identitários que colocarão em xeque a heteronormatidade compulsória. É assim que esse “feminino plural” passa a ser questionado em seus devires e multiplicidades. Logo, interrogar essas identidades nos permite questionar: DJ é performance? Como se fabrica uma DJ? Pode a DJ falar? Que performances e performatividades contornam as suas identidades? Portanto, escutar as narrativas dessas mulheres e percorrer as suas intimidades nos permite criar condições e possibilidades para que o subalterno possa de fato falar e mostrar as suas potencialidades subversivas.Submitted by Cássia Santos (cassia.bcufg@gmail.com) on 2017-06-29T12:35:29Z No. of bitstreams: 2 Dissertação - Edson Sucena Junior - 2017.pdf: 6669984 bytes, checksum: 7459731038b6afb7dc594e9a510f2f66 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2017-07-10T14:24:50Z (GMT) No. of bitstreams: 2 Dissertação - Edson Sucena Junior - 2017.pdf: 6669984 bytes, checksum: 7459731038b6afb7dc594e9a510f2f66 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2017-07-10T14:24:50Z (GMT). No. of bitstreams: 2 Dissertação - Edson Sucena Junior - 2017.pdf: 6669984 bytes, checksum: 7459731038b6afb7dc594e9a510f2f66 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2017-06-02application/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em Performance Cultural (EMAC)UFGBrasilEscola de Música e Artes Cênicas - EMAC (RG)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessIdentidadeMulheres DJsSentimentoSubversãoPerformanceIdentityWomen DJsFeelingSubversionPerformanceOUTROS::CIENCIAS SOCIAISNa vibe das mulheres DJs: sentimento, mixagem e subversãoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis630093844374387306600600600-1800367251745901470-7650993349275569678reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://repositorio.bc.ufg.br/tede/bitstreams/e3df8b45-0b58-4384-a5f6-9b7dbba75e79/downloadbd3efa91386c1718a7f26a329fdcb468MD51CC-LICENSElicense_urllicense_urltext/plain; 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dc.title.eng.fl_str_mv Na vibe das mulheres DJs: sentimento, mixagem e subversão
title Na vibe das mulheres DJs: sentimento, mixagem e subversão
spellingShingle Na vibe das mulheres DJs: sentimento, mixagem e subversão
Sucena Junior, Edson
Identidade
Mulheres DJs
Sentimento
Subversão
Performance
Identity
Women DJs
Feeling
Subversion
Performance
OUTROS::CIENCIAS SOCIAIS
title_short Na vibe das mulheres DJs: sentimento, mixagem e subversão
title_full Na vibe das mulheres DJs: sentimento, mixagem e subversão
title_fullStr Na vibe das mulheres DJs: sentimento, mixagem e subversão
title_full_unstemmed Na vibe das mulheres DJs: sentimento, mixagem e subversão
title_sort Na vibe das mulheres DJs: sentimento, mixagem e subversão
author Sucena Junior, Edson
author_facet Sucena Junior, Edson
author_role author
dc.contributor.advisor1.fl_str_mv Correia, Paulo Petronílio
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/1801687030702050
dc.contributor.referee1.fl_str_mv Dias, Luciana de Oliveira
dc.contributor.referee2.fl_str_mv Reinato, Eduardo José
dc.contributor.referee3.fl_str_mv Correia, Paulo Petronílio
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/1752801951264465
dc.contributor.author.fl_str_mv Sucena Junior, Edson
contributor_str_mv Correia, Paulo Petronílio
Dias, Luciana de Oliveira
Reinato, Eduardo José
Correia, Paulo Petronílio
dc.subject.por.fl_str_mv Identidade
Mulheres DJs
Sentimento
Subversão
Performance
topic Identidade
Mulheres DJs
Sentimento
Subversão
Performance
Identity
Women DJs
Feeling
Subversion
Performance
OUTROS::CIENCIAS SOCIAIS
dc.subject.eng.fl_str_mv Identity
Women DJs
Feeling
Subversion
Performance
dc.subject.cnpq.fl_str_mv OUTROS::CIENCIAS SOCIAIS
description This dissertation it is proposed to understand how the process of construction of identities of women DJs in the scene GLS in Goiânia, from the point of view that the DJ's are performers in the musical, as it cut through the mix, the relationship with the music and creating, they have the power to bring the crowd to ecstasy and trance in the club scene. This is a study about the narrative of women who act as professional DJs who now approaching, now distance themselves with regard to musical styles, because each one has its identity in the construction of his sets and in their performances. By understanding that identity is a social and cultural construction, we are led to think and problematize notions such as “feeling” (sensation), subversion and performance. These are women who are in their subordinate modes of being and expressing ourselves in the world while the genre and artists on the margin, in spaces with strong markers of social difference. Bring the voices of these women means enhancing movements and shifts of identity that will put you in check the heteronormativity compulsory. Is it so that this “feminine plural” starts to be questioned in their becomings and multiplicities. Therefore, to interrogate these identities allows us to question: a DJ is performance? How to build a DJ? Can the DJ talk? Performances and performatividades bypass their identities? Therefore, listening to the narratives of these women and go through their intimate allows us to create conditions and possibilities to which the subaltern can indeed speak and show their you can actually talk and show their potential subversive.
publishDate 2017
dc.date.accessioned.fl_str_mv 2017-07-10T14:24:50Z
dc.date.issued.fl_str_mv 2017-06-02
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
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dc.identifier.citation.fl_str_mv SUCENA JUNIOR, E. Na vibe das mulheres DJs: sentimento, mixagem e subversão. 2017. 157 f. Dissertação (Mestrado em Performance Cultural) - Universidade Federal de Goiás, Goiânia, 2017.
dc.identifier.uri.fl_str_mv http://repositorio.bc.ufg.br/tede/handle/tede/7561
dc.identifier.dark.fl_str_mv ark:/38995/00130000039tv
identifier_str_mv SUCENA JUNIOR, E. Na vibe das mulheres DJs: sentimento, mixagem e subversão. 2017. 157 f. Dissertação (Mestrado em Performance Cultural) - Universidade Federal de Goiás, Goiânia, 2017.
ark:/38995/00130000039tv
url http://repositorio.bc.ufg.br/tede/handle/tede/7561
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language por
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dc.relation.confidence.fl_str_mv 600
600
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dc.publisher.none.fl_str_mv Universidade Federal de Goiás
dc.publisher.program.fl_str_mv Programa de Pós-graduação em Performance Cultural (EMAC)
dc.publisher.initials.fl_str_mv UFG
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Escola de Música e Artes Cênicas - EMAC (RG)
publisher.none.fl_str_mv Universidade Federal de Goiás
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