Contribuições performativas nas representações das lembranças do festival Goiânia em Cena 2001/2018 para a formação da memória cultural goianiense

• Autor(a) principal: Jesus, Rosemary Aparecida de
• Data de Publicação: 2020
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Repositório Institucional da UFG
• dARK ID: ark:/38995/001300000c16d
• Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/10886
• topic: Representações artísticas; Performance; Memória cultural; Artistic representations; Performance; Cultural memory; LINGUISTICA, LETRAS E ARTES::ARTES::ARTES DO VIDEO

The present work deals with the International Festival of Performing Arts - Goiânia em Cena and has the general objective of raising the contributions of the performance in the representations of the memories of the festival, for the formation of the Goianiense cultural memory. It was guided by the collection of graphic material, presentation and dissemination, as well as interviews, verification of the Official Gazette and archive of the Municipal Secretary of Culture of Goiânia. The research aims to reflect on how the deponents perceive, describe and classify, over time, the facts involved in the operational dynamics of the event in question, in order to contribute to the cultural memory of Goiás. The following specific objectives were established: to describe the theoretical elements of cultural performances by the concepts related to this encounter of knowledge; identify the representations of the memories of the managers and artists involved with the event throughout its editions; present evaluate the repercussions of these memories as a possible record to contribute to the formation of the cultural memory of Goiás. We used an approach specific to the studies of cultural performances, called performative research, characterized by empirical works. Therefore, it was found as a result that the formation of memory goes through an individual point and extends to the collective plane, even when the experiences that happened in the past are processed individually. The participants revealed their memories of kept memories, expressing in their representations the memories they show in different ways, much or little when asked about the experiences lived in the operational dynamics of the “Festival Goiânia em Cena” revealed and analyzed.