Percorrendo o conjunto da obra do artista Tony Smith: entre a década de 1960 à 1970

• Autor(a) principal: Dalacorte, Tereza Cristina Faria
• Data de Publicação: 2017
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Repositório Institucional da UFG
• dARK ID: ark:/38995/001300000br12
• Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/8275
• topic: Presença/ausência; Negrume/volumetria; Corpo/espaço; Campo expandido; Presence/absence; Blackness/volume; Body/space; Expanded field; LINGUISTICA, LETRAS E ARTES::ARTES

The present thesis proposes a trajectory through the work collection created by the North- American author Tony Smith from 1960 to 1970. The examination of this interval of his artwork is developed based on a bibliographical approach of the life and work of the same era in terms of the aesthetic and historical time in North-America. In addition, this thesis also investigates the interrelation of the analytical aspects of the theme and attempts make a critical review or essay on the topic, as it proposes not only an objective analysis of the subject but also a consideration on the poetic observed in the in the studied artworks. This reflection is built according to the paradox presence/absence of the artworks in the space they occupy. Such cogitation also takes into consideration the fact that the blackness of these artwork volumes could possibly confront their own existences. Finally, this research concentrates on the analysis of the expansion of Tony Smith's artwork in relation to both architectonic and urban spaces, with implications on their possible dialects and/or confrontations.