Cartas de Sêneca a Lucílio e a metáfora do teatro: uma análise da representação do tempo estóico romano no século I d.C.

Detalhes bibliográficos
Autor(a) principal: Mesquita, Fabrício Dias Gusmão Di
Data de Publicação: 2020
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UFG
Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/11064
Resumo: In this dissertation, we intend to present how the Stoic Roman time was thought, analyzed and represented through metaphors by the Roman philosopher Lucio Aneu Sêneca (1-65 AD) in some of his Letters to Lucílio, during the principality of Nero. Stoicism was a philosophy founded by Zeno de Cício (14th-3rd century BC) in Athens in the so-called Hellenistic period. The philosophy of the Stoics was based on the maxim "live according to nature" and sought to achieve harmony with the cosmos or universal reason. Such principles served as guidelines for men of Classical Antiquity to conform to the designs established by fate (heimarméne, fatum) and to practice the philosophical teachings of stoicism to act virtuously. The search for wisdom was a constant in the work of Seneca, who in the writing of his letters represented the Roman uirtus and the passions (pathós, affectus) in order to lead his disciple Gaio Lucílio Junior to achieve a wise life. For Seneca, it was necessary to dominate the existential life span, representing, as in a theatrical metaphor, the events unfolded by universal reason in the flow of destiny. The past, the present and the future were associated with a cyclical temporality that from time to time was remade in the socalled Universal Conflagration (ekypirosis). Memory and hope could cause false representations of reality in the human spirit, thus distancing the individual from a life mediated by cosmic reason. Building a narrative using metaphors about theater and time, Seneca allows us to reflect on his time and how time was thought of in his philosophy, thus seeking to understand the problems related to human existence in Classical Antiquity.
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spelling Gonçalves, Ana Teresa Marqueshttp://lattes.cnpq.br/7049736226460820Gonçalves, Ana Teresa MarquesMota, Thiago Eustáquio AraújoSilva, Ademir Luiz daSantos, Dulce Oliveira Amarante dosArantes Júnior, Edsonhttp://lattes.cnpq.br/6538839232334467Mesquita, Fabrício Dias Gusmão Di2021-01-25T13:28:31Z2021-01-25T13:28:31Z2020-11-30MESQUITA, Fabrício Dias Gusmão Di. Cartas de Sêneca a Lucílio e a metáfora do teatro: uma análise da representação do tempo estóico romano no século I d.C.. 2020. 144 f. Dissertação (Mestrado em História) - Universidade Federal de Goiás, Goiânia, 2020.http://repositorio.bc.ufg.br/tede/handle/tede/11064In this dissertation, we intend to present how the Stoic Roman time was thought, analyzed and represented through metaphors by the Roman philosopher Lucio Aneu Sêneca (1-65 AD) in some of his Letters to Lucílio, during the principality of Nero. Stoicism was a philosophy founded by Zeno de Cício (14th-3rd century BC) in Athens in the so-called Hellenistic period. The philosophy of the Stoics was based on the maxim "live according to nature" and sought to achieve harmony with the cosmos or universal reason. Such principles served as guidelines for men of Classical Antiquity to conform to the designs established by fate (heimarméne, fatum) and to practice the philosophical teachings of stoicism to act virtuously. The search for wisdom was a constant in the work of Seneca, who in the writing of his letters represented the Roman uirtus and the passions (pathós, affectus) in order to lead his disciple Gaio Lucílio Junior to achieve a wise life. For Seneca, it was necessary to dominate the existential life span, representing, as in a theatrical metaphor, the events unfolded by universal reason in the flow of destiny. The past, the present and the future were associated with a cyclical temporality that from time to time was remade in the socalled Universal Conflagration (ekypirosis). Memory and hope could cause false representations of reality in the human spirit, thus distancing the individual from a life mediated by cosmic reason. Building a narrative using metaphors about theater and time, Seneca allows us to reflect on his time and how time was thought of in his philosophy, thus seeking to understand the problems related to human existence in Classical Antiquity.Nesta dissertação, temos o intuito de apresentar como o tempo estoico romano foi pensado, analisado e representado através de metáforas pelo filósofo romano Lucio Aneu Sêneca (1-65 d.C.) em algumas de suas Cartas a Lucílio, durante o principado de Nero. O estoicismo foi uma filosofia fundada por Zenão de Cício (séc.IV-III a.C.) em Atenas ainda no chamado período helenístico. A filosofia dos estoicos era fundamentada na máxima “viver de acordo com a natureza” e buscava alcançar a harmonia com o cosmos ou a razão universal. Tais princípios serviam como diretrizes para que os homens da Antiguidade Clássica se conformassem com os desígnios estabelecidos pelo destino (heimarméne, fatum) e praticassem os ensinamentos filosóficos do estoicismo para agirem de forma virtuosa. A busca pela sabedoria foi uma constante na obra de Sêneca, que na escrita de suas cartas representou a uirtus romana e as paixões (pathós, affectus) com o objetivo de levar seu discípulo Gaio Lucílio Junior a alcançar uma vida sábia. Para Sêneca, era necessário dominar o tempo existencial de vida, representando, como em uma metáfora teatral, os acontecimentos desdobrados pela razão universal no fluxo do destino. O passado, o presente e o futuro estavam associados a uma temporalidade cíclica que de tempos em tempos se refazia na chamada Conflagração Universal (ekypirosis). A memória e a esperança poderiam causar falsas representações da realidade no espírito humano, afastando assim o indivíduo de uma vida mediada pela razão cósmica. Construindo uma narrativa com o uso de metáforas sobre o teatro e o tempo, Sêneca nos proporciona refletir sobre sua época e como o tempo foi pensado em sua filosofia, buscando assim compreender os problemas relacionados à existência humana na Antiguidade Clássica.Submitted by Franciele Moreira (francielemoreyra@gmail.com) on 2021-01-25T12:55:40Z No. of bitstreams: 2 license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5) Dissertação - Fabrício Dias Gusmão Di Mesquita - 2020.pdf: 1619092 bytes, checksum: 8ddc9346493a63eada053f985ea7d6a1 (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2021-01-25T13:28:31Z (GMT) No. of bitstreams: 2 license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5) Dissertação - Fabrício Dias Gusmão Di Mesquita - 2020.pdf: 1619092 bytes, checksum: 8ddc9346493a63eada053f985ea7d6a1 (MD5)Made available in DSpace on 2021-01-25T13:28:31Z (GMT). No. of bitstreams: 2 license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5) Dissertação - Fabrício Dias Gusmão Di Mesquita - 2020.pdf: 1619092 bytes, checksum: 8ddc9346493a63eada053f985ea7d6a1 (MD5) Previous issue date: 2020-11-30Fundação de Amparo à Pesquisa do Estado de GoiásporUniversidade Federal de GoiásPrograma de Pós-graduação em História (FH)UFGBrasilFaculdade de História - FH (RG)Attribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessTempoTeatroEpistolárioEstoicismoRomaTimeTheaterEpistolaryStoicismRomeCIENCIAS HUMANAS::HISTORIACartas de Sêneca a Lucílio e a metáfora do teatro: uma análise da representação do tempo estóico romano no século I d.C.Letters from Seneca to Lucílio and the theater’s metaphor: an analysis of the representation of roman stoic time in the 1st century ADinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis62500500500500161983reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGCC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8805http://repositorio.bc.ufg.br/tede/bitstreams/44852d79-8d43-4e24-84c3-7b57bae962ee/download4460e5956bc1d1639be9ae6146a50347MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.bc.ufg.br/tede/bitstreams/cc3d0686-0029-4b74-949a-1a1dc4720e83/download8a4605be74aa9ea9d79846c1fba20a33MD51ORIGINALDissertação - Fabrício Dias Gusmão Di Mesquita - 2020.pdfDissertação - Fabrício Dias Gusmão Di Mesquita - 2020.pdfapplication/pdf1619092http://repositorio.bc.ufg.br/tede/bitstreams/7002a84f-687c-4565-8a98-bca720631612/download8ddc9346493a63eada053f985ea7d6a1MD53tede/110642021-01-25 10:28:31.744http://creativecommons.org/licenses/by-nc-nd/4.0/Attribution-NonCommercial-NoDerivatives 4.0 Internationalopen.accessoai:repositorio.bc.ufg.br:tede/11064http://repositorio.bc.ufg.br/tedeRepositório InstitucionalPUBhttp://repositorio.bc.ufg.br/oai/requesttasesdissertacoes.bc@ufg.bropendoar:2021-01-25T13:28:31Repositório Institucional da UFG - Universidade Federal de Goiás (UFG)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
dc.title.pt_BR.fl_str_mv Cartas de Sêneca a Lucílio e a metáfora do teatro: uma análise da representação do tempo estóico romano no século I d.C.
dc.title.alternative.eng.fl_str_mv Letters from Seneca to Lucílio and the theater’s metaphor: an analysis of the representation of roman stoic time in the 1st century AD
title Cartas de Sêneca a Lucílio e a metáfora do teatro: uma análise da representação do tempo estóico romano no século I d.C.
spellingShingle Cartas de Sêneca a Lucílio e a metáfora do teatro: uma análise da representação do tempo estóico romano no século I d.C.
Mesquita, Fabrício Dias Gusmão Di
Tempo
Teatro
Epistolário
Estoicismo
Roma
Time
Theater
Epistolary
Stoicism
Rome
CIENCIAS HUMANAS::HISTORIA
title_short Cartas de Sêneca a Lucílio e a metáfora do teatro: uma análise da representação do tempo estóico romano no século I d.C.
title_full Cartas de Sêneca a Lucílio e a metáfora do teatro: uma análise da representação do tempo estóico romano no século I d.C.
title_fullStr Cartas de Sêneca a Lucílio e a metáfora do teatro: uma análise da representação do tempo estóico romano no século I d.C.
title_full_unstemmed Cartas de Sêneca a Lucílio e a metáfora do teatro: uma análise da representação do tempo estóico romano no século I d.C.
title_sort Cartas de Sêneca a Lucílio e a metáfora do teatro: uma análise da representação do tempo estóico romano no século I d.C.
author Mesquita, Fabrício Dias Gusmão Di
author_facet Mesquita, Fabrício Dias Gusmão Di
author_role author
dc.contributor.advisor1.fl_str_mv Gonçalves, Ana Teresa Marques
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/7049736226460820
dc.contributor.referee1.fl_str_mv Gonçalves, Ana Teresa Marques
dc.contributor.referee2.fl_str_mv Mota, Thiago Eustáquio Araújo
dc.contributor.referee3.fl_str_mv Silva, Ademir Luiz da
dc.contributor.referee4.fl_str_mv Santos, Dulce Oliveira Amarante dos
dc.contributor.referee5.fl_str_mv Arantes Júnior, Edson
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/6538839232334467
dc.contributor.author.fl_str_mv Mesquita, Fabrício Dias Gusmão Di
contributor_str_mv Gonçalves, Ana Teresa Marques
Gonçalves, Ana Teresa Marques
Mota, Thiago Eustáquio Araújo
Silva, Ademir Luiz da
Santos, Dulce Oliveira Amarante dos
Arantes Júnior, Edson
dc.subject.por.fl_str_mv Tempo
Teatro
Epistolário
Estoicismo
Roma
topic Tempo
Teatro
Epistolário
Estoicismo
Roma
Time
Theater
Epistolary
Stoicism
Rome
CIENCIAS HUMANAS::HISTORIA
dc.subject.eng.fl_str_mv Time
Theater
Epistolary
Stoicism
Rome
dc.subject.cnpq.fl_str_mv CIENCIAS HUMANAS::HISTORIA
description In this dissertation, we intend to present how the Stoic Roman time was thought, analyzed and represented through metaphors by the Roman philosopher Lucio Aneu Sêneca (1-65 AD) in some of his Letters to Lucílio, during the principality of Nero. Stoicism was a philosophy founded by Zeno de Cício (14th-3rd century BC) in Athens in the so-called Hellenistic period. The philosophy of the Stoics was based on the maxim "live according to nature" and sought to achieve harmony with the cosmos or universal reason. Such principles served as guidelines for men of Classical Antiquity to conform to the designs established by fate (heimarméne, fatum) and to practice the philosophical teachings of stoicism to act virtuously. The search for wisdom was a constant in the work of Seneca, who in the writing of his letters represented the Roman uirtus and the passions (pathós, affectus) in order to lead his disciple Gaio Lucílio Junior to achieve a wise life. For Seneca, it was necessary to dominate the existential life span, representing, as in a theatrical metaphor, the events unfolded by universal reason in the flow of destiny. The past, the present and the future were associated with a cyclical temporality that from time to time was remade in the socalled Universal Conflagration (ekypirosis). Memory and hope could cause false representations of reality in the human spirit, thus distancing the individual from a life mediated by cosmic reason. Building a narrative using metaphors about theater and time, Seneca allows us to reflect on his time and how time was thought of in his philosophy, thus seeking to understand the problems related to human existence in Classical Antiquity.
publishDate 2020
dc.date.issued.fl_str_mv 2020-11-30
dc.date.accessioned.fl_str_mv 2021-01-25T13:28:31Z
dc.date.available.fl_str_mv 2021-01-25T13:28:31Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
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dc.identifier.citation.fl_str_mv MESQUITA, Fabrício Dias Gusmão Di. Cartas de Sêneca a Lucílio e a metáfora do teatro: uma análise da representação do tempo estóico romano no século I d.C.. 2020. 144 f. Dissertação (Mestrado em História) - Universidade Federal de Goiás, Goiânia, 2020.
dc.identifier.uri.fl_str_mv http://repositorio.bc.ufg.br/tede/handle/tede/11064
identifier_str_mv MESQUITA, Fabrício Dias Gusmão Di. Cartas de Sêneca a Lucílio e a metáfora do teatro: uma análise da representação do tempo estóico romano no século I d.C.. 2020. 144 f. Dissertação (Mestrado em História) - Universidade Federal de Goiás, Goiânia, 2020.
url http://repositorio.bc.ufg.br/tede/handle/tede/11064
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dc.publisher.none.fl_str_mv Universidade Federal de Goiás
dc.publisher.program.fl_str_mv Programa de Pós-graduação em História (FH)
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publisher.none.fl_str_mv Universidade Federal de Goiás
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