Os aspectos poético-musicais nas obras de Homero: multitextualidade e performance (Séc. VIII a.C)

Detalhes bibliográficos
Autor(a) principal: Souza, Marcelo Miguel de
Data de Publicação: 2017
Tipo de documento: Tese
Idioma: por
Título da fonte: Repositório Institucional da UFG
Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/7279
Resumo: We propose in this thesis to revisit the works of Homer (8th century BC), taking into account aspects of his poetic composition that refer to the elements of multitextuality and performance, as well as the temporalities in which they were composed and conceived. We start from points of view that dialogue with archeology, linguistics and musicology and relate these areas and their knowledge to the techniques of composition and improvisation of aedo. We have as objective to discuss the relations between the techniques of composition in performance and the text that we have contemporarily, suggesting a multitextual approach. We point out traces of its construction, its form, its style and we try to understand better the interactions implied in the poetic-musical constitution of the poems.
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spelling Gonçalves, Ana Teresa Marqueshttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4784682H7Gonçalves, Ana Teresa MarquesCerqueira, Fábio VergaraArantes Júnior, EdsonOmena, Luciane Munhoz deMota, Thiago Eustáquio Araújohttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4482691A2#FormacaoAcademicaTitulacaoSouza, Marcelo Miguel de2017-05-08T11:35:53Z2017-04-07SOUZA, M. M. Os aspectos poético-musicais nas obras de Homero: multitextualidade e performance (Séc. VIII a.C). 2017. 252 f. Tese (Doutorado em História) - Universidade Federal de Goiás, Goiânia, 2017.http://repositorio.bc.ufg.br/tede/handle/tede/7279We propose in this thesis to revisit the works of Homer (8th century BC), taking into account aspects of his poetic composition that refer to the elements of multitextuality and performance, as well as the temporalities in which they were composed and conceived. We start from points of view that dialogue with archeology, linguistics and musicology and relate these areas and their knowledge to the techniques of composition and improvisation of aedo. We have as objective to discuss the relations between the techniques of composition in performance and the text that we have contemporarily, suggesting a multitextual approach. We point out traces of its construction, its form, its style and we try to understand better the interactions implied in the poetic-musical constitution of the poems.Propomos com esta Tese revisitar as obras de Homero (Séc. VIII a.C), tendo em vista aspectos de sua composição poética que remetem aos elementos de multitextualidade e performance, bem como as temporalidades em que os mesmos foram compostos e concebidos. Partimos de pontos de vista que dialoguem com a arqueologia, a linguística e a musicologia e relacionem essas áreas e seus conhecimentos às técnicas de composição e improvisação do aedo. Temos por objetivo problematizar as relações entre as técnicas de composição em performance e o texto que possuímos contemporaneamente, sugerindo uma abordagem multitextual. Apontamos traços de sua construção, de sua forma, de seu estilo e procuramos com isso compreender melhor as interações na constituição poético-musical dos poemas.Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2017-05-08T11:35:20Z No. of bitstreams: 2 Tese - Marcelo Miguel de Souza - 2017.pdf: 5197802 bytes, checksum: af969c3bd5cfa596a8cb19786a22c290 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2017-05-08T11:35:53Z (GMT) No. of bitstreams: 2 Tese - Marcelo Miguel de Souza - 2017.pdf: 5197802 bytes, checksum: af969c3bd5cfa596a8cb19786a22c290 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2017-05-08T11:35:53Z (GMT). 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VIII a.C)The poetic-musical aspects in Homer's works: multitextuality and performance (8th century BC)info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesis2839177457274157639600600600600318079220827185643-38409219363320405912075167498588264571reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGORIGINALTese - Marcelo Miguel de Souza - 2017.pdfTese - Marcelo Miguel de Souza - 2017.pdfapplication/pdf5197802http://repositorio.bc.ufg.br/tede/bitstreams/531f92de-9929-4d91-b995-f5da9e072927/downloadaf969c3bd5cfa596a8cb19786a22c290MD55LICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://repositorio.bc.ufg.br/tede/bitstreams/e66cc021-c99b-4af4-89bb-fcf369d7d9ed/downloadbd3efa91386c1718a7f26a329fdcb468MD51CC-LICENSElicense_urllicense_urltext/plain; charset=utf-849http://repositorio.bc.ufg.br/tede/bitstreams/bbe65ba7-5817-4076-b7b1-c0e81577d33b/download4afdbb8c545fd630ea7db775da747b2fMD52license_textlicense_texttext/html; charset=utf-80http://repositorio.bc.ufg.br/tede/bitstreams/09f64f6f-ab00-46b5-a79c-01535c69b907/downloadd41d8cd98f00b204e9800998ecf8427eMD53license_rdflicense_rdfapplication/rdf+xml; charset=utf-80http://repositorio.bc.ufg.br/tede/bitstreams/7d2eb9d7-6def-4cc0-916c-1857a661c1f1/downloadd41d8cd98f00b204e9800998ecf8427eMD54tede/72792017-05-08 08:35:53.478http://creativecommons.org/licenses/by-nc-nd/4.0/Acesso Abertoopen.accessoai:repositorio.bc.ufg.br:tede/7279http://repositorio.bc.ufg.br/tedeRepositório InstitucionalPUBhttp://repositorio.bc.ufg.br/oai/requesttasesdissertacoes.bc@ufg.bropendoar:2017-05-08T11:35:53Repositório Institucional da UFG - Universidade Federal de Goiás (UFG)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
dc.title.por.fl_str_mv Os aspectos poético-musicais nas obras de Homero: multitextualidade e performance (Séc. VIII a.C)
dc.title.alternative.eng.fl_str_mv The poetic-musical aspects in Homer's works: multitextuality and performance (8th century BC)
title Os aspectos poético-musicais nas obras de Homero: multitextualidade e performance (Séc. VIII a.C)
spellingShingle Os aspectos poético-musicais nas obras de Homero: multitextualidade e performance (Séc. VIII a.C)
Souza, Marcelo Miguel de
Antiguidade grega
Epopeia
Homero
Música
Performance
Greek antiquity
Epic
Homer
Music
Performance
CIENCIAS HUMANAS::HISTORIA
title_short Os aspectos poético-musicais nas obras de Homero: multitextualidade e performance (Séc. VIII a.C)
title_full Os aspectos poético-musicais nas obras de Homero: multitextualidade e performance (Séc. VIII a.C)
title_fullStr Os aspectos poético-musicais nas obras de Homero: multitextualidade e performance (Séc. VIII a.C)
title_full_unstemmed Os aspectos poético-musicais nas obras de Homero: multitextualidade e performance (Séc. VIII a.C)
title_sort Os aspectos poético-musicais nas obras de Homero: multitextualidade e performance (Séc. VIII a.C)
author Souza, Marcelo Miguel de
author_facet Souza, Marcelo Miguel de
author_role author
dc.contributor.advisor1.fl_str_mv Gonçalves, Ana Teresa Marques
dc.contributor.advisor1Lattes.fl_str_mv http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4784682H7
dc.contributor.referee1.fl_str_mv Gonçalves, Ana Teresa Marques
dc.contributor.referee2.fl_str_mv Cerqueira, Fábio Vergara
dc.contributor.referee3.fl_str_mv Arantes Júnior, Edson
dc.contributor.referee4.fl_str_mv Omena, Luciane Munhoz de
dc.contributor.referee5.fl_str_mv Mota, Thiago Eustáquio Araújo
dc.contributor.authorLattes.fl_str_mv http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4482691A2#FormacaoAcademicaTitulacao
dc.contributor.author.fl_str_mv Souza, Marcelo Miguel de
contributor_str_mv Gonçalves, Ana Teresa Marques
Gonçalves, Ana Teresa Marques
Cerqueira, Fábio Vergara
Arantes Júnior, Edson
Omena, Luciane Munhoz de
Mota, Thiago Eustáquio Araújo
dc.subject.por.fl_str_mv Antiguidade grega
Epopeia
Homero
Música
Performance
topic Antiguidade grega
Epopeia
Homero
Música
Performance
Greek antiquity
Epic
Homer
Music
Performance
CIENCIAS HUMANAS::HISTORIA
dc.subject.eng.fl_str_mv Greek antiquity
Epic
Homer
Music
Performance
dc.subject.cnpq.fl_str_mv CIENCIAS HUMANAS::HISTORIA
description We propose in this thesis to revisit the works of Homer (8th century BC), taking into account aspects of his poetic composition that refer to the elements of multitextuality and performance, as well as the temporalities in which they were composed and conceived. We start from points of view that dialogue with archeology, linguistics and musicology and relate these areas and their knowledge to the techniques of composition and improvisation of aedo. We have as objective to discuss the relations between the techniques of composition in performance and the text that we have contemporarily, suggesting a multitextual approach. We point out traces of its construction, its form, its style and we try to understand better the interactions implied in the poetic-musical constitution of the poems.
publishDate 2017
dc.date.accessioned.fl_str_mv 2017-05-08T11:35:53Z
dc.date.issued.fl_str_mv 2017-04-07
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dc.identifier.citation.fl_str_mv SOUZA, M. M. Os aspectos poético-musicais nas obras de Homero: multitextualidade e performance (Séc. VIII a.C). 2017. 252 f. Tese (Doutorado em História) - Universidade Federal de Goiás, Goiânia, 2017.
dc.identifier.uri.fl_str_mv http://repositorio.bc.ufg.br/tede/handle/tede/7279
identifier_str_mv SOUZA, M. M. Os aspectos poético-musicais nas obras de Homero: multitextualidade e performance (Séc. VIII a.C). 2017. 252 f. Tese (Doutorado em História) - Universidade Federal de Goiás, Goiânia, 2017.
url http://repositorio.bc.ufg.br/tede/handle/tede/7279
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dc.publisher.department.fl_str_mv Faculdade de História - FH (RG)
publisher.none.fl_str_mv Universidade Federal de Goiás
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