A escolha do gestual e suas implicações interpretativas aplicadas à regência da obra Psalmus, de João Guilherme Ripper
Autor(a) principal: | |
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Data de Publicação: | 2014 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/4734 |
Resumo: | This aim of this paper is to study and apply gestures in the interpretation of the symphonic work Psalmus, by João Guilherme Ripper. Zagonel (1992) and Heller (2006), were the references used in defining gesture. To define interpretation, the author consulted Laboissiére (2007), Lima (2006) and Schuller (1997), and for the definition of style and conducting, the author makes reference to Schuller (1997) and Swarowsky (1989). Once the definitions were established, the next step was to choose a representative contemporary work, in this case, the symphonic piece Psalmus (2002), by João Guilherme Ripper, from the Brazilian symphonic literature. The choice of this work was based on the following criteria: it is a contemporary Brazilian 21st Century piece, and while it presents technical and interpretation challenges to the conductor, it is not excessively complex for young musicians. This piece was played by the Orquestra Sinfônica Jovem de Goiás, rehearsed and conducted by the author of this paper. The data collected by this survey were approached and discussed with a view to their qualitative aspects. Musical elements are employed as guide to this study. For that purpose, rehearsals were recorded and the resulting video and audio focused on the conductor. Results point to the challenge of conciliating the conductor’s gestures, as a means to establish and maintain the beat while, at the same time, bringing the work to life. Additionally, an analysis of the results indicates that since this is a contemporary Brazilian work, it also presents a challenge to conducting students and these difficulties must be approached throughout their training. |
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Costa, Carlos Henrique Coutinho Rodrigueshttp://lattes.cnpq.br/5091807553556414Costa, Carlos Henrique Coutinho RodriguesPinto, Marshal GaiosoDias, Ângelo de Oliveirahttp://lattes.cnpq.br/4465611397967107Araújo, Katarine de Sousa2015-10-22T19:30:46Z2014-03-28ARAÚJO, K. S. A escolha do gestual e suas implicações interpretativas aplicadas à regência da obra Psalmus, de João Guilherme Ripper. 2014. 98 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2014.http://repositorio.bc.ufg.br/tede/handle/tede/4734ark:/38995/0013000001b91This aim of this paper is to study and apply gestures in the interpretation of the symphonic work Psalmus, by João Guilherme Ripper. Zagonel (1992) and Heller (2006), were the references used in defining gesture. To define interpretation, the author consulted Laboissiére (2007), Lima (2006) and Schuller (1997), and for the definition of style and conducting, the author makes reference to Schuller (1997) and Swarowsky (1989). Once the definitions were established, the next step was to choose a representative contemporary work, in this case, the symphonic piece Psalmus (2002), by João Guilherme Ripper, from the Brazilian symphonic literature. The choice of this work was based on the following criteria: it is a contemporary Brazilian 21st Century piece, and while it presents technical and interpretation challenges to the conductor, it is not excessively complex for young musicians. This piece was played by the Orquestra Sinfônica Jovem de Goiás, rehearsed and conducted by the author of this paper. The data collected by this survey were approached and discussed with a view to their qualitative aspects. Musical elements are employed as guide to this study. For that purpose, rehearsals were recorded and the resulting video and audio focused on the conductor. Results point to the challenge of conciliating the conductor’s gestures, as a means to establish and maintain the beat while, at the same time, bringing the work to life. Additionally, an analysis of the results indicates that since this is a contemporary Brazilian work, it also presents a challenge to conducting students and these difficulties must be approached throughout their training.A temática de investigação desta pesquisa é a exploração e a aplicação do gestual com finalidades interpretativas da obra sinfônica Psalmus, de João Guilherme Ripper. Para conceituar-se o gesto, utilizou-se Zagonel (1992) e Heller (2006), conceituou-se interpretação, com Laboissiére (2007), Lima (2006) e Schuller (1997), e estilos de regência, com Schuller (1997) e Swarowsky (1989). Com os conceitos estabelecidos, selecionou-se, no repertório sinfônico brasileiro, a obra Psalmus (2002), do compositor João Guilherme Ripper, levando-se em consideração os seguintes critérios: obra brasileira do século XXI, contendo desafios técnico-interpretativos para o regente e de nível acessível ao músico jovem. A obra foi executada pela Orquestra Sinfônica Jovem de Goiás, na qual esta pesquisadora atuou como regente durante ensaios e apresentações. Tendo como base os fundamentos teóricos sobre gesto e interpretação musical, as discussões dos dados foram abordadas qualitativamente e norteadas por elementos musicais, resultado da gravação de áudio e vídeo dos ensaios, utilizando-se apenas a imagem da regente. Os resultados apontam desafios de conciliação gestual do regente entre a manutenção da pulsação e a realização interpretativa da obra e, também, indicam que essa obra, parte do repertório sinfônico brasileiro contemporâneo, propõe desafios ao estudante de regência, que devem ser abordados durante sua formação.Submitted by Erika Demachki (erikademachki@gmail.com) on 2015-10-22T19:29:01Z No. of bitstreams: 3 Dissertação - Katarine de Sousa Araújo - 2014 - PARTE 01.pdf: 18936017 bytes, checksum: 34a4c3046b9c96aa1a71ea0b11d7b422 (MD5) Dissertação - Katarine de Sousa Araújo - 2014 - PARTE 02.pdf: 7590714 bytes, checksum: ce34c0adf5bfadb9135010e1456c3982 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)Approved for entry into archive by Erika Demachki (erikademachki@gmail.com) on 2015-10-22T19:30:46Z (GMT) No. of bitstreams: 3 Dissertação - Katarine de Sousa Araújo - 2014 - PARTE 01.pdf: 18936017 bytes, checksum: 34a4c3046b9c96aa1a71ea0b11d7b422 (MD5) Dissertação - Katarine de Sousa Araújo - 2014 - PARTE 02.pdf: 7590714 bytes, checksum: ce34c0adf5bfadb9135010e1456c3982 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)Made available in DSpace on 2015-10-22T19:30:46Z (GMT). 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dc.title.por.fl_str_mv |
A escolha do gestual e suas implicações interpretativas aplicadas à regência da obra Psalmus, de João Guilherme Ripper |
dc.title.alternative.eng.fl_str_mv |
Choice of gestures and its implications on performance as applied to conducting João Guilherme Ripper’s Psalmus |
title |
A escolha do gestual e suas implicações interpretativas aplicadas à regência da obra Psalmus, de João Guilherme Ripper |
spellingShingle |
A escolha do gestual e suas implicações interpretativas aplicadas à regência da obra Psalmus, de João Guilherme Ripper Araújo, Katarine de Sousa Regência orquestral Gestual Interpretação musical Obra sinfônica contemporânea brasileira Orchestral conducting Gestures Musical interpretation Brazilian contemporary symphonic work MUSICA::REGENCIA |
title_short |
A escolha do gestual e suas implicações interpretativas aplicadas à regência da obra Psalmus, de João Guilherme Ripper |
title_full |
A escolha do gestual e suas implicações interpretativas aplicadas à regência da obra Psalmus, de João Guilherme Ripper |
title_fullStr |
A escolha do gestual e suas implicações interpretativas aplicadas à regência da obra Psalmus, de João Guilherme Ripper |
title_full_unstemmed |
A escolha do gestual e suas implicações interpretativas aplicadas à regência da obra Psalmus, de João Guilherme Ripper |
title_sort |
A escolha do gestual e suas implicações interpretativas aplicadas à regência da obra Psalmus, de João Guilherme Ripper |
author |
Araújo, Katarine de Sousa |
author_facet |
Araújo, Katarine de Sousa |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Costa, Carlos Henrique Coutinho Rodrigues |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/5091807553556414 |
dc.contributor.referee1.fl_str_mv |
Costa, Carlos Henrique Coutinho Rodrigues |
dc.contributor.referee2.fl_str_mv |
Pinto, Marshal Gaioso |
dc.contributor.referee3.fl_str_mv |
Dias, Ângelo de Oliveira |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/4465611397967107 |
dc.contributor.author.fl_str_mv |
Araújo, Katarine de Sousa |
contributor_str_mv |
Costa, Carlos Henrique Coutinho Rodrigues Costa, Carlos Henrique Coutinho Rodrigues Pinto, Marshal Gaioso Dias, Ângelo de Oliveira |
dc.subject.por.fl_str_mv |
Regência orquestral Gestual Interpretação musical Obra sinfônica contemporânea brasileira |
topic |
Regência orquestral Gestual Interpretação musical Obra sinfônica contemporânea brasileira Orchestral conducting Gestures Musical interpretation Brazilian contemporary symphonic work MUSICA::REGENCIA |
dc.subject.eng.fl_str_mv |
Orchestral conducting Gestures Musical interpretation Brazilian contemporary symphonic work |
dc.subject.cnpq.fl_str_mv |
MUSICA::REGENCIA |
description |
This aim of this paper is to study and apply gestures in the interpretation of the symphonic work Psalmus, by João Guilherme Ripper. Zagonel (1992) and Heller (2006), were the references used in defining gesture. To define interpretation, the author consulted Laboissiére (2007), Lima (2006) and Schuller (1997), and for the definition of style and conducting, the author makes reference to Schuller (1997) and Swarowsky (1989). Once the definitions were established, the next step was to choose a representative contemporary work, in this case, the symphonic piece Psalmus (2002), by João Guilherme Ripper, from the Brazilian symphonic literature. The choice of this work was based on the following criteria: it is a contemporary Brazilian 21st Century piece, and while it presents technical and interpretation challenges to the conductor, it is not excessively complex for young musicians. This piece was played by the Orquestra Sinfônica Jovem de Goiás, rehearsed and conducted by the author of this paper. The data collected by this survey were approached and discussed with a view to their qualitative aspects. Musical elements are employed as guide to this study. For that purpose, rehearsals were recorded and the resulting video and audio focused on the conductor. Results point to the challenge of conciliating the conductor’s gestures, as a means to establish and maintain the beat while, at the same time, bringing the work to life. Additionally, an analysis of the results indicates that since this is a contemporary Brazilian work, it also presents a challenge to conducting students and these difficulties must be approached throughout their training. |
publishDate |
2014 |
dc.date.issued.fl_str_mv |
2014-03-28 |
dc.date.accessioned.fl_str_mv |
2015-10-22T19:30:46Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
ARAÚJO, K. S. A escolha do gestual e suas implicações interpretativas aplicadas à regência da obra Psalmus, de João Guilherme Ripper. 2014. 98 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2014. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/4734 |
dc.identifier.dark.fl_str_mv |
ark:/38995/0013000001b91 |
identifier_str_mv |
ARAÚJO, K. S. A escolha do gestual e suas implicações interpretativas aplicadas à regência da obra Psalmus, de João Guilherme Ripper. 2014. 98 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2014. ark:/38995/0013000001b91 |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/4734 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.program.fl_str_mv |
-8926704311827950450 |
dc.relation.confidence.fl_str_mv |
600 600 600 600 |
dc.relation.department.fl_str_mv |
-1800367251745901470 |
dc.relation.cnpq.fl_str_mv |
2327686541707605921 |
dc.relation.sponsorship.fl_str_mv |
2075167498588264571 |
dc.rights.driver.fl_str_mv |
http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
http://creativecommons.org/licenses/by-nc-nd/4.0/ |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.publisher.program.fl_str_mv |
Programa de Pós-graduação em Musica (EMAC) |
dc.publisher.initials.fl_str_mv |
UFG |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Escola de Música e Artes Cênicas - EMAC (RG) |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.source.none.fl_str_mv |
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Universidade Federal de Goiás (UFG) |
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Repositório Institucional da UFG |
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Repositório Institucional da UFG |
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tasesdissertacoes.bc@ufg.br |
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