Vestida de noiva – as espacialidades da mulher na cerimônia de casamento: uma abordagem comparativa entre Campo Grade e Paris
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/6282 |
Resumo: | This present thesis discusses the marriages spatializations, with reference to the point of view of women, namely, the bride, in a comparative approach between Campo Grande and Paris. We aimed to investigate the bride’s spatiality as a character of heterosexual marriages, considering the institutional, archetypal, ritualistic and bodily scales. Specifically, it aimed to understand the similarities and differences of both religious and the laic institutionalization process of wedding and marriage laws in Brazil and France; to analyze the marriage as a geographic and demographic phenomenon, as well as the reasons for this kind of union; to interpret the impacts of the diffusion of weddings media images as the models of bride personification are absorbed or not by the society in Brazil and France; to analytically describe the rituals as spatiality which highlights the bride as a protagonist; to identify the spatializations constituted by the bride in the wedding ritual, from preparation to the exit of the church, the notary or the mairie; and to expose the bride's corporeity as a geographical perspective of cultural study. The methodological procedures used were the exploratory, descriptive and explanatory researches, employing techniques of bibliographical and documentary research, observation and semi-structured interviews. The spatial area is Brazil and France, specifically Campo Grande and Paris. This thesis defends that marriages (in this case, heterosexual) have different scales of spatiality, which are supported by symbolic and institutional models that print normative and cultural requirements to the bride's representation as the protagonist, whether civil or religious ceremony. Therefore, the first chapter served as introductory base in which the constitution/production of weddings models in a geo-historic perspective was approached; we sought to explain demographically religious cropping, as well as present the understanding of marriage for the Roman Catholic Church. Also, the similarities and differences spatials of wedding institutionalization between Brazil and France and their laws with respect to marriage was exposed, besides demonstrating statistical and demographic data related to marriage in Brazil and France, ending with the presentation of factors that lead people to marry or not. The second chapter presents the fairy tales that through the images that are produced fabricate marriages models that influence people and are absorbed by the society, as well as weddings of royalty and celebrities serve as inspiration for brides. The third chapter studies the rituals as spatiality of princely, fairy tales and anonymous weddings, examining the places of ritual and the transformations for the realization of the marriage, also making a spatial analysis of the positioning and the directions of the characters during this act, comparatively between Campo Grande and Paris. The fourth chapter is about the bride's corporeity as a symbol of marriage in three different perspectives: character, icon and wedding product. |
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Maia, Carlos Eduardo Santoshttp://lattes.cnpq.br/9080217578713778Maia, Carlos Eduardo SantosAnsarah, Marília Gomes dos ReisD’Abadia, Maria Idelma VieiraOliveira, Sandra de FátimaAlmeida, Maria Geralda dehttp://lattes.cnpq.br/9009039401372243Tuma, Raquel Lage2016-09-27T13:09:57Z2016-08-30TUMA, Raquel Lage. Vestida de noiva – as espacialidades da mulher na cerimônia de casamento: uma abordagem comparativa entre Campo Grade e Paris. 2016. 392 f. Tese (Doutorado em Geografia) - Universidade Federal de Goiás, Goiânia, 2016.http://repositorio.bc.ufg.br/tede/handle/tede/6282ark:/38995/0013000001dthThis present thesis discusses the marriages spatializations, with reference to the point of view of women, namely, the bride, in a comparative approach between Campo Grande and Paris. We aimed to investigate the bride’s spatiality as a character of heterosexual marriages, considering the institutional, archetypal, ritualistic and bodily scales. Specifically, it aimed to understand the similarities and differences of both religious and the laic institutionalization process of wedding and marriage laws in Brazil and France; to analyze the marriage as a geographic and demographic phenomenon, as well as the reasons for this kind of union; to interpret the impacts of the diffusion of weddings media images as the models of bride personification are absorbed or not by the society in Brazil and France; to analytically describe the rituals as spatiality which highlights the bride as a protagonist; to identify the spatializations constituted by the bride in the wedding ritual, from preparation to the exit of the church, the notary or the mairie; and to expose the bride's corporeity as a geographical perspective of cultural study. The methodological procedures used were the exploratory, descriptive and explanatory researches, employing techniques of bibliographical and documentary research, observation and semi-structured interviews. The spatial area is Brazil and France, specifically Campo Grande and Paris. This thesis defends that marriages (in this case, heterosexual) have different scales of spatiality, which are supported by symbolic and institutional models that print normative and cultural requirements to the bride's representation as the protagonist, whether civil or religious ceremony. Therefore, the first chapter served as introductory base in which the constitution/production of weddings models in a geo-historic perspective was approached; we sought to explain demographically religious cropping, as well as present the understanding of marriage for the Roman Catholic Church. Also, the similarities and differences spatials of wedding institutionalization between Brazil and France and their laws with respect to marriage was exposed, besides demonstrating statistical and demographic data related to marriage in Brazil and France, ending with the presentation of factors that lead people to marry or not. The second chapter presents the fairy tales that through the images that are produced fabricate marriages models that influence people and are absorbed by the society, as well as weddings of royalty and celebrities serve as inspiration for brides. The third chapter studies the rituals as spatiality of princely, fairy tales and anonymous weddings, examining the places of ritual and the transformations for the realization of the marriage, also making a spatial analysis of the positioning and the directions of the characters during this act, comparatively between Campo Grande and Paris. The fourth chapter is about the bride's corporeity as a symbol of marriage in three different perspectives: character, icon and wedding product.Nesta presente tese discutem-se as espacializações dos casamentos, tendo como referência o ponto de vista da mulher, ou seja, da noiva, realizando uma abordagem comparativa entre Campo Grande e Paris. Teve como objetivo geral investigar as espacialidades da noiva como personagem de casamentos heterossexuais, considerando-se as escalas institucionais, arquetípicas, ritualísticas e corpóreas. Especificamente, visou-se compreender as semelhanças e diferenças do processo de institucionalização religioso e laico do casamento e as leis matrimoniais no Brasil e na França; analisar o casamento como fenômeno geográfico-demográfico, bem como as razões deste tipo de união; interpretar os impactos da difusão das imagens midiáticas dos casamentos como modelos de personificação da noiva que são absorvidos, ou não, pela sociedade do Brasil e da França; descrever analiticamente os rituais como espacialidades em que se destaca a noiva como protagonista; identificar as espacializações constituídas pela noiva no ritual de casamento, desde a sua preparação até a saída da Igreja, do cartório ou da mairie; e expor a corporeidade da noiva como perspectiva geográfica de estudo cultural. Os procedimentos metodológicos utilizados foram as pesquisas exploratória, descritiva e explicativa, empregando técnicas de pesquisa bibliográfica, documental, observação e entrevistas semiestruturadas. O recorte espacial é Brasil e França, especificamente Campo Grande e Paris. Defende-se a tese que os casamentos (no caso, heterossexuais) possuem diferentes escalas de espacialidades, as quais respaldam-se em modelos simbólicos e institucionais que imprimem exigências normativas e culturais à representação da noiva como protagonista, seja na cerimônia civil ou religiosa. Para tanto, o primeiro capítulo serviu como base introdutória sendo abordado a constituição/produção de modelos de casamentos em uma perspectiva geohistórica; procurou-se explicar demograficamente o recorte religioso, bem como apresentar o entendimento do matrimônio para a Igreja Católica Apostólica Romana. Ainda, expuseram-se as semelhanças e diferenças espaciais da institucionalização do casamento entre Brasil e França e suas legislações no que tange ao casamento, além de demonstrar dados estatísticos-demográficos referente aos casamentos no Brasil e na França, finalizando com a apresentação de fatores que levam as pessoas a se casarem ou não. O segundo capítulo apresentamse os contos de fada que, por meio das imagens que são produzidas fabricam modelos de casamentos que influenciam pessoas e são absorvidos pela sociedade, assim como os casamentos das realezas e de celebridades servem de inspiração para noivas. O terceiro capítulo estuda os rituais como espacialidades dos casamentos principescos, dos contos de fada e de anônimos, examinando os lugares do ritual e as transformações para a realização do casamento, fazendo também uma análise espacial do posicionamento e direcionamento dos personagens durante este ato, comparativamente entre Campo Grande e Paris. O quarto capítulo versa sobre a corporeidade da noiva como símbolo do casamento, em três diferentes perspectivas: personagem, ícone e produto do casamento.Submitted by Erika Demachki (erikademachki@gmail.com) on 2016-09-26T21:21:36Z No. of bitstreams: 2 Tese - Raquel Lage Tuma - 2016.pdf: 14351813 bytes, checksum: 8c43b1b767eb9a8ea32eb8f1aeaef2a2 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2016-09-27T13:09:57Z (GMT) No. of bitstreams: 2 Tese - Raquel Lage Tuma - 2016.pdf: 14351813 bytes, checksum: 8c43b1b767eb9a8ea32eb8f1aeaef2a2 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2016-09-27T13:09:57Z (GMT). No. of bitstreams: 2 Tese - Raquel Lage Tuma - 2016.pdf: 14351813 bytes, checksum: 8c43b1b767eb9a8ea32eb8f1aeaef2a2 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2016-08-30Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em Geografia (IESA)UFGBrasilInstituto de Estudos Socioambientais - IESA (RG)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessRitualCorpoCorporeidadeRitualBodyCorporeityCIENCIAS HUMANAS::GEOGRAFIAVestida de noiva – as espacialidades da mulher na cerimônia de casamento: uma abordagem comparativa entre Campo Grade e ParisDressed bride - women's spatiality in wedding ceremony: a comparative approach between Campo Grande and Parisinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesis78882710595057041476006006006004536785967207850203-5994247336205749262075167498588264571reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; 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dc.title.por.fl_str_mv |
Vestida de noiva – as espacialidades da mulher na cerimônia de casamento: uma abordagem comparativa entre Campo Grade e Paris |
dc.title.alternative.eng.fl_str_mv |
Dressed bride - women's spatiality in wedding ceremony: a comparative approach between Campo Grande and Paris |
title |
Vestida de noiva – as espacialidades da mulher na cerimônia de casamento: uma abordagem comparativa entre Campo Grade e Paris |
spellingShingle |
Vestida de noiva – as espacialidades da mulher na cerimônia de casamento: uma abordagem comparativa entre Campo Grade e Paris Tuma, Raquel Lage Ritual Corpo Corporeidade Ritual Body Corporeity CIENCIAS HUMANAS::GEOGRAFIA |
title_short |
Vestida de noiva – as espacialidades da mulher na cerimônia de casamento: uma abordagem comparativa entre Campo Grade e Paris |
title_full |
Vestida de noiva – as espacialidades da mulher na cerimônia de casamento: uma abordagem comparativa entre Campo Grade e Paris |
title_fullStr |
Vestida de noiva – as espacialidades da mulher na cerimônia de casamento: uma abordagem comparativa entre Campo Grade e Paris |
title_full_unstemmed |
Vestida de noiva – as espacialidades da mulher na cerimônia de casamento: uma abordagem comparativa entre Campo Grade e Paris |
title_sort |
Vestida de noiva – as espacialidades da mulher na cerimônia de casamento: uma abordagem comparativa entre Campo Grade e Paris |
author |
Tuma, Raquel Lage |
author_facet |
Tuma, Raquel Lage |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Maia, Carlos Eduardo Santos |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/9080217578713778 |
dc.contributor.referee1.fl_str_mv |
Maia, Carlos Eduardo Santos |
dc.contributor.referee2.fl_str_mv |
Ansarah, Marília Gomes dos Reis |
dc.contributor.referee3.fl_str_mv |
D’Abadia, Maria Idelma Vieira |
dc.contributor.referee4.fl_str_mv |
Oliveira, Sandra de Fátima |
dc.contributor.referee5.fl_str_mv |
Almeida, Maria Geralda de |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/9009039401372243 |
dc.contributor.author.fl_str_mv |
Tuma, Raquel Lage |
contributor_str_mv |
Maia, Carlos Eduardo Santos Maia, Carlos Eduardo Santos Ansarah, Marília Gomes dos Reis D’Abadia, Maria Idelma Vieira Oliveira, Sandra de Fátima Almeida, Maria Geralda de |
dc.subject.por.fl_str_mv |
Ritual Corpo Corporeidade |
topic |
Ritual Corpo Corporeidade Ritual Body Corporeity CIENCIAS HUMANAS::GEOGRAFIA |
dc.subject.eng.fl_str_mv |
Ritual Body Corporeity |
dc.subject.cnpq.fl_str_mv |
CIENCIAS HUMANAS::GEOGRAFIA |
description |
This present thesis discusses the marriages spatializations, with reference to the point of view of women, namely, the bride, in a comparative approach between Campo Grande and Paris. We aimed to investigate the bride’s spatiality as a character of heterosexual marriages, considering the institutional, archetypal, ritualistic and bodily scales. Specifically, it aimed to understand the similarities and differences of both religious and the laic institutionalization process of wedding and marriage laws in Brazil and France; to analyze the marriage as a geographic and demographic phenomenon, as well as the reasons for this kind of union; to interpret the impacts of the diffusion of weddings media images as the models of bride personification are absorbed or not by the society in Brazil and France; to analytically describe the rituals as spatiality which highlights the bride as a protagonist; to identify the spatializations constituted by the bride in the wedding ritual, from preparation to the exit of the church, the notary or the mairie; and to expose the bride's corporeity as a geographical perspective of cultural study. The methodological procedures used were the exploratory, descriptive and explanatory researches, employing techniques of bibliographical and documentary research, observation and semi-structured interviews. The spatial area is Brazil and France, specifically Campo Grande and Paris. This thesis defends that marriages (in this case, heterosexual) have different scales of spatiality, which are supported by symbolic and institutional models that print normative and cultural requirements to the bride's representation as the protagonist, whether civil or religious ceremony. Therefore, the first chapter served as introductory base in which the constitution/production of weddings models in a geo-historic perspective was approached; we sought to explain demographically religious cropping, as well as present the understanding of marriage for the Roman Catholic Church. Also, the similarities and differences spatials of wedding institutionalization between Brazil and France and their laws with respect to marriage was exposed, besides demonstrating statistical and demographic data related to marriage in Brazil and France, ending with the presentation of factors that lead people to marry or not. The second chapter presents the fairy tales that through the images that are produced fabricate marriages models that influence people and are absorbed by the society, as well as weddings of royalty and celebrities serve as inspiration for brides. The third chapter studies the rituals as spatiality of princely, fairy tales and anonymous weddings, examining the places of ritual and the transformations for the realization of the marriage, also making a spatial analysis of the positioning and the directions of the characters during this act, comparatively between Campo Grande and Paris. The fourth chapter is about the bride's corporeity as a symbol of marriage in three different perspectives: character, icon and wedding product. |
publishDate |
2016 |
dc.date.accessioned.fl_str_mv |
2016-09-27T13:09:57Z |
dc.date.issued.fl_str_mv |
2016-08-30 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/doctoralThesis |
format |
doctoralThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
TUMA, Raquel Lage. Vestida de noiva – as espacialidades da mulher na cerimônia de casamento: uma abordagem comparativa entre Campo Grade e Paris. 2016. 392 f. Tese (Doutorado em Geografia) - Universidade Federal de Goiás, Goiânia, 2016. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/6282 |
dc.identifier.dark.fl_str_mv |
ark:/38995/0013000001dth |
identifier_str_mv |
TUMA, Raquel Lage. Vestida de noiva – as espacialidades da mulher na cerimônia de casamento: uma abordagem comparativa entre Campo Grade e Paris. 2016. 392 f. Tese (Doutorado em Geografia) - Universidade Federal de Goiás, Goiânia, 2016. ark:/38995/0013000001dth |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/6282 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.program.fl_str_mv |
7888271059505704147 |
dc.relation.confidence.fl_str_mv |
600 600 600 600 |
dc.relation.department.fl_str_mv |
4536785967207850203 |
dc.relation.cnpq.fl_str_mv |
-599424733620574926 |
dc.relation.sponsorship.fl_str_mv |
2075167498588264571 |
dc.rights.driver.fl_str_mv |
http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
http://creativecommons.org/licenses/by-nc-nd/4.0/ |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.publisher.program.fl_str_mv |
Programa de Pós-graduação em Geografia (IESA) |
dc.publisher.initials.fl_str_mv |
UFG |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Instituto de Estudos Socioambientais - IESA (RG) |
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Universidade Federal de Goiás |
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Repositório Institucional da UFG |
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Repositório Institucional da UFG - Universidade Federal de Goiás (UFG) |
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tasesdissertacoes.bc@ufg.br |
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