Muito além das telas douradas: cidade e tradição em Goiandira do Couto
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/8176 |
Resumo: | In representing the urban landscape of the City of Goiás, Goiandira do Couto (1915-2011) privileges a pictorial narrative based on the myths and landmarks built during Portuguese colonization, along the axis that is structured between the Largo do Rosário (Rosary Square) and the Largo do Chafariz (Fountain Square). As an heiress of a cultural and family traditions, the artist establishes a relationship with Guardian-of-the-past Institutions, such as the Organization of Arts and Traditions of the City of Goiás (Organização Vilaboense de Artes e Tradições - OVAT), reinventing the city and its cultural identity. In her paintings, the valorization of the symbols of the official memory inspired the creation of an ideal city which would later become a heritage city, proclaiming the plot of officialdom, as seen in the Dossier of Goiás, the document that formalized the candidature of the City of Goiás to the title of World Heritage, homologated in 2001. Because it is a complex process, the institutional power of the Instituto do Patrimônio Histórico e Artístico Nacional – IPHAN (Institute of National Historical and Artistic Heritage) is highlighted, which was dedicated to the survey, recognition and promulgation of the cultural heritage of the City of Goiás, between the decades of 1950 and 1990. From the 1960s onwards, this process is established in a fruitful dialogue with the cultural elite (OVAT) and with the local and regional political authorities which, in turn, have glimpsed the preservation of the past as an attribute to project the City of Goias to the future. Meanwhile, the golden canvas travelled around the world, stating the existence of an ideal city in the interior of Brazil, endowed with "universal exceptional value". We hypothesized that, in delimiting the perimeter of the historical listed patrimony, in the 1980s, the IPHAN has considered the relationship of the built heritage with the list of traditions visually and immaterially constructed by Goiandira do Couto. We suspect that these approaches have converged to the delimitation and normalization of the limits, symbols and characters which would represent the birthplace of the local (State of Goiás) culture along with UNESCO. Through the specificities of this process, the traces of Goiandira do Couto were legitimized, in the advent of the 21st century, among the memory places of the heritage city with the foundation of the Cultural Space Goiandira do Couto, a place intended to the ‘musealization’ of the public and private trajectories of this remarkable artist and guardian of the memories of the City of Goiás, when she was still alive. |
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Capel, Heloisa Selma Fernandeshttp://lattes.cnpq.br/0202627724737454Moraes, Cristina de Cássia PereiraSilva, Ademir Luiz daQuadros , Eduardo Gusmão deCapel, Heloisa Selma FernandesMagalhães , Sônia Maria dehttp://lattes.cnpq.br/2046954800280192Barbosa, Raquel Miranda2018-02-20T12:27:52Z2017-04-12BARBOSA, Raquel Miranda. Muito além das telas douradas: cidade e tradição em Goiandira do Couto. 2017. 358 f. Tese (Doutorado em História) - Universidade Federal de Goiás, Goiânia, 2017.http://repositorio.bc.ufg.br/tede/handle/tede/8176ark:/38995/0013000009djzIn representing the urban landscape of the City of Goiás, Goiandira do Couto (1915-2011) privileges a pictorial narrative based on the myths and landmarks built during Portuguese colonization, along the axis that is structured between the Largo do Rosário (Rosary Square) and the Largo do Chafariz (Fountain Square). As an heiress of a cultural and family traditions, the artist establishes a relationship with Guardian-of-the-past Institutions, such as the Organization of Arts and Traditions of the City of Goiás (Organização Vilaboense de Artes e Tradições - OVAT), reinventing the city and its cultural identity. In her paintings, the valorization of the symbols of the official memory inspired the creation of an ideal city which would later become a heritage city, proclaiming the plot of officialdom, as seen in the Dossier of Goiás, the document that formalized the candidature of the City of Goiás to the title of World Heritage, homologated in 2001. Because it is a complex process, the institutional power of the Instituto do Patrimônio Histórico e Artístico Nacional – IPHAN (Institute of National Historical and Artistic Heritage) is highlighted, which was dedicated to the survey, recognition and promulgation of the cultural heritage of the City of Goiás, between the decades of 1950 and 1990. From the 1960s onwards, this process is established in a fruitful dialogue with the cultural elite (OVAT) and with the local and regional political authorities which, in turn, have glimpsed the preservation of the past as an attribute to project the City of Goias to the future. Meanwhile, the golden canvas travelled around the world, stating the existence of an ideal city in the interior of Brazil, endowed with "universal exceptional value". We hypothesized that, in delimiting the perimeter of the historical listed patrimony, in the 1980s, the IPHAN has considered the relationship of the built heritage with the list of traditions visually and immaterially constructed by Goiandira do Couto. We suspect that these approaches have converged to the delimitation and normalization of the limits, symbols and characters which would represent the birthplace of the local (State of Goiás) culture along with UNESCO. Through the specificities of this process, the traces of Goiandira do Couto were legitimized, in the advent of the 21st century, among the memory places of the heritage city with the foundation of the Cultural Space Goiandira do Couto, a place intended to the ‘musealization’ of the public and private trajectories of this remarkable artist and guardian of the memories of the City of Goiás, when she was still alive.Ao representar a paisagem urbana da Cidade de Goiás, Goiandira do Couto (1915-2011) privilegia uma narrativa pictórica baseada nos mitos e marcos edificados, durante a colonização portuguesa, no eixo que se estrutura entre o Largo do Rosário e o Largo do Chafariz. Como herdeira de uma tradição cultural e familiar, a artista se relaciona com as instituições guardiãs do passado, como a Organização Vilaboense de Artes e Tradições (OVAT), reinventando a cidade e sua identidade cultural. Em suas telas, a valorização dos símbolos da memória oficial inspirou a criação de uma cidade-ideal que, mais tarde, tornar-se-ia cidade-patrimônio apregoando o enredo das oficialidades, conforme se vê no Dossiê de Goiás, documento que formalizou a candidatura da Cidade de Goiás ao título de patrimônio mundial, homologado em 2001. Por se tratar de um processo complexo, ressalta-se o poder institucional do Instituto do Patrimônio Histórico e Artístico Nacional (IPHAN) que se dedicou entre as décadas de 1950 a 1990, ao levantamento, reconhecimento e tombamento do patrimônio cultural vilaboense. A partir da década de 1960, nota-se que esse trâmite se estabelece em profícuo diálogo com a elite cultural (OVAT) e com as autoridades políticas locais e regionais que, por sua vez, vislumbraram a preservação do passado como atributo para projetar a Cidade de Goiás para o futuro. Paralelamente, as telas douradas circulavam pelo mundo enunciando a existência de uma cidade-ideal, no interior do Brasil, dotada de “valor excepcional universal”. Aventamos a hipótese de que, ao delimitar o perímetro do tombamento histórico, nos anos de 1980, o IPHAN considerou a relação do patrimônio edificado com o roteiro das tradições construídas visual e imaterialmente por Goiandira do Couto. Suspeitamos que essas aproximações afluíram para a delimitação e normatização dos limites, dos símbolos e das personagens que representariam a cidade berço da cultura goiana junto à UNESCO. Nas especificidades desse processo, os rastros de Goiandira do Couto se legitimaram, no advento do século XXI, entre os lugares de memória da cidade-patrimônio com a fundação do Espaço Cultural Goiandira do Couto, um lugar destinado à musealização da trajetória público-privada desta notável artista e guardiã das memórias vilaboenses, ainda, em vida.Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2018-02-20T12:24:37Z No. of bitstreams: 2 Tese - Raquel Miranda Barbosa - 2017.pdf: 12840532 bytes, checksum: 9ef2d27aa3eb2225a071a39f801f5658 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2018-02-20T12:27:52Z (GMT) No. of bitstreams: 2 Tese - Raquel Miranda Barbosa - 2017.pdf: 12840532 bytes, checksum: 9ef2d27aa3eb2225a071a39f801f5658 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2018-02-20T12:27:52Z (GMT). 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dc.title.eng.fl_str_mv |
Muito além das telas douradas: cidade e tradição em Goiandira do Couto |
title |
Muito além das telas douradas: cidade e tradição em Goiandira do Couto |
spellingShingle |
Muito além das telas douradas: cidade e tradição em Goiandira do Couto Barbosa, Raquel Miranda Goiandira do Couto Tradições Cidade-ideal Cidade patrimônio Lugares de memória CIENCIAS HUMANAS::HISTORIA |
title_short |
Muito além das telas douradas: cidade e tradição em Goiandira do Couto |
title_full |
Muito além das telas douradas: cidade e tradição em Goiandira do Couto |
title_fullStr |
Muito além das telas douradas: cidade e tradição em Goiandira do Couto |
title_full_unstemmed |
Muito além das telas douradas: cidade e tradição em Goiandira do Couto |
title_sort |
Muito além das telas douradas: cidade e tradição em Goiandira do Couto |
author |
Barbosa, Raquel Miranda |
author_facet |
Barbosa, Raquel Miranda |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Capel, Heloisa Selma Fernandes |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/0202627724737454 |
dc.contributor.referee1.fl_str_mv |
Moraes, Cristina de Cássia Pereira |
dc.contributor.referee2.fl_str_mv |
Silva, Ademir Luiz da |
dc.contributor.referee3.fl_str_mv |
Quadros , Eduardo Gusmão de |
dc.contributor.referee4.fl_str_mv |
Capel, Heloisa Selma Fernandes |
dc.contributor.referee5.fl_str_mv |
Magalhães , Sônia Maria de |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/2046954800280192 |
dc.contributor.author.fl_str_mv |
Barbosa, Raquel Miranda |
contributor_str_mv |
Capel, Heloisa Selma Fernandes Moraes, Cristina de Cássia Pereira Silva, Ademir Luiz da Quadros , Eduardo Gusmão de Capel, Heloisa Selma Fernandes Magalhães , Sônia Maria de |
dc.subject.por.fl_str_mv |
Goiandira do Couto Tradições Cidade-ideal Cidade patrimônio Lugares de memória |
topic |
Goiandira do Couto Tradições Cidade-ideal Cidade patrimônio Lugares de memória CIENCIAS HUMANAS::HISTORIA |
dc.subject.cnpq.fl_str_mv |
CIENCIAS HUMANAS::HISTORIA |
description |
In representing the urban landscape of the City of Goiás, Goiandira do Couto (1915-2011) privileges a pictorial narrative based on the myths and landmarks built during Portuguese colonization, along the axis that is structured between the Largo do Rosário (Rosary Square) and the Largo do Chafariz (Fountain Square). As an heiress of a cultural and family traditions, the artist establishes a relationship with Guardian-of-the-past Institutions, such as the Organization of Arts and Traditions of the City of Goiás (Organização Vilaboense de Artes e Tradições - OVAT), reinventing the city and its cultural identity. In her paintings, the valorization of the symbols of the official memory inspired the creation of an ideal city which would later become a heritage city, proclaiming the plot of officialdom, as seen in the Dossier of Goiás, the document that formalized the candidature of the City of Goiás to the title of World Heritage, homologated in 2001. Because it is a complex process, the institutional power of the Instituto do Patrimônio Histórico e Artístico Nacional – IPHAN (Institute of National Historical and Artistic Heritage) is highlighted, which was dedicated to the survey, recognition and promulgation of the cultural heritage of the City of Goiás, between the decades of 1950 and 1990. From the 1960s onwards, this process is established in a fruitful dialogue with the cultural elite (OVAT) and with the local and regional political authorities which, in turn, have glimpsed the preservation of the past as an attribute to project the City of Goias to the future. Meanwhile, the golden canvas travelled around the world, stating the existence of an ideal city in the interior of Brazil, endowed with "universal exceptional value". We hypothesized that, in delimiting the perimeter of the historical listed patrimony, in the 1980s, the IPHAN has considered the relationship of the built heritage with the list of traditions visually and immaterially constructed by Goiandira do Couto. We suspect that these approaches have converged to the delimitation and normalization of the limits, symbols and characters which would represent the birthplace of the local (State of Goiás) culture along with UNESCO. Through the specificities of this process, the traces of Goiandira do Couto were legitimized, in the advent of the 21st century, among the memory places of the heritage city with the foundation of the Cultural Space Goiandira do Couto, a place intended to the ‘musealization’ of the public and private trajectories of this remarkable artist and guardian of the memories of the City of Goiás, when she was still alive. |
publishDate |
2017 |
dc.date.issued.fl_str_mv |
2017-04-12 |
dc.date.accessioned.fl_str_mv |
2018-02-20T12:27:52Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/doctoralThesis |
format |
doctoralThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
BARBOSA, Raquel Miranda. Muito além das telas douradas: cidade e tradição em Goiandira do Couto. 2017. 358 f. Tese (Doutorado em História) - Universidade Federal de Goiás, Goiânia, 2017. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/8176 |
dc.identifier.dark.fl_str_mv |
ark:/38995/0013000009djz |
identifier_str_mv |
BARBOSA, Raquel Miranda. Muito além das telas douradas: cidade e tradição em Goiandira do Couto. 2017. 358 f. Tese (Doutorado em História) - Universidade Federal de Goiás, Goiânia, 2017. ark:/38995/0013000009djz |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/8176 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.program.fl_str_mv |
2839177457274157639 |
dc.relation.confidence.fl_str_mv |
600 600 600 600 |
dc.relation.department.fl_str_mv |
318079220827185643 |
dc.relation.cnpq.fl_str_mv |
-3840921936332040591 |
dc.relation.sponsorship.fl_str_mv |
-961409807440757778 |
dc.rights.driver.fl_str_mv |
http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
http://creativecommons.org/licenses/by-nc-nd/4.0/ |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.publisher.program.fl_str_mv |
Programa de Pós-graduação em História (FH) |
dc.publisher.initials.fl_str_mv |
UFG |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Faculdade de História - FH (RG) |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.source.none.fl_str_mv |
reponame:Repositório Institucional da UFG instname:Universidade Federal de Goiás (UFG) instacron:UFG |
instname_str |
Universidade Federal de Goiás (UFG) |
instacron_str |
UFG |
institution |
UFG |
reponame_str |
Repositório Institucional da UFG |
collection |
Repositório Institucional da UFG |
bitstream.url.fl_str_mv |
http://repositorio.bc.ufg.br/tede/bitstreams/7d919fe7-ac1c-4faa-9a36-e0d5818a467f/download http://repositorio.bc.ufg.br/tede/bitstreams/bb68a170-38f5-4761-a69c-40829b2319c6/download http://repositorio.bc.ufg.br/tede/bitstreams/05f6cf22-f749-411e-8e4c-921624900a93/download http://repositorio.bc.ufg.br/tede/bitstreams/dc6d7057-1566-4d53-8b93-11aefc45584e/download http://repositorio.bc.ufg.br/tede/bitstreams/890766e0-a4ea-41f9-ba25-8b7a669be5c8/download |
bitstream.checksum.fl_str_mv |
bd3efa91386c1718a7f26a329fdcb468 4afdbb8c545fd630ea7db775da747b2f d41d8cd98f00b204e9800998ecf8427e d41d8cd98f00b204e9800998ecf8427e 9ef2d27aa3eb2225a071a39f801f5658 |
bitstream.checksumAlgorithm.fl_str_mv |
MD5 MD5 MD5 MD5 MD5 |
repository.name.fl_str_mv |
Repositório Institucional da UFG - Universidade Federal de Goiás (UFG) |
repository.mail.fl_str_mv |
tasesdissertacoes.bc@ufg.br |
_version_ |
1811721467695464448 |