As dramaturgias que dançam em cenas brasileiras e seus fazeres artísticos

Detalhes bibliográficos
Autor(a) principal: Amorim, Joisy Palmira de
Data de Publicação: 2023
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UFG
Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/13210
Resumo: This research aims to critically reflect on the dramaturgical construction in contemporary dance, through the discussions that emerge from the relationship between the choreographer and his artistic work, in the universe of the structuring and composition of the show. In this context, the concepts of choreography and dramaturgy will be investigated, as well as their interconnection in the process of artistic making in contemporary dance. Two choreographers were chosen: Suely Machado (First Act Dance Group, Belo Horizonte / MG) and Alejandro Ahmed (Scene 11 Group, from Florianópolis/SC), who have performed in the Brazilian scene for over 20 years. Given the complexity of the thematic approached and the subjective aspects present in each particular story, we chose a dialogical and dialectical methodological way, researching the subjects in their singularities and in different contexts. In the end it is intended to identify a possible methodology that supports and sustains the dramaturgical and choreographic practice in contemporary dance as scientific research in Performing Arts.
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spelling Figueiredo, Valéria Maria Chaves dehttp://lattes.cnpq.br/4166799919007370Figueiredo, Valéria Maria Chaves deKrischke, Ana Maria AlonsoFerreira, Alexandre Donizetehttp://lattes.cnpq.br/5113239103171401Amorim, Joisy Palmira de2024-01-03T14:03:25Z2024-01-03T14:03:25Z2023-07-21AMORIM, J. P. As dramaturgias que dançam em cenas brasileiras e seus fazeres artísticos. 2023. 133 f. Dissertação (Mestrado em Artes da Cena) - Universidade Federal de Goiás, Escola de Música e Artes Cênicas, Goiânia, 2023.http://repositorio.bc.ufg.br/tede/handle/tede/13210ark:/38995/0013000001mczThis research aims to critically reflect on the dramaturgical construction in contemporary dance, through the discussions that emerge from the relationship between the choreographer and his artistic work, in the universe of the structuring and composition of the show. In this context, the concepts of choreography and dramaturgy will be investigated, as well as their interconnection in the process of artistic making in contemporary dance. Two choreographers were chosen: Suely Machado (First Act Dance Group, Belo Horizonte / MG) and Alejandro Ahmed (Scene 11 Group, from Florianópolis/SC), who have performed in the Brazilian scene for over 20 years. Given the complexity of the thematic approached and the subjective aspects present in each particular story, we chose a dialogical and dialectical methodological way, researching the subjects in their singularities and in different contexts. In the end it is intended to identify a possible methodology that supports and sustains the dramaturgical and choreographic practice in contemporary dance as scientific research in Performing Arts.Esta pesquisa pretende refletir criticamente sobre a construção dramatúrgica na dança contemporânea através das discussões que emergem da relação entre o coreógrafo e seu fazer artístico no universo dos modos de estruturação e composição de espetáculo. Nesse âmbito, serão investigados os conceitos de coreografia e de dramaturgia, bem como a relação entre eles nos processos criativos. Foram escolhidos dois coreógrafos: Suely Machado (Grupo de Dança Primeiro Ato, Belo Horizonte/MG) e Alejandro Ahmed (Grupo Cena 11, Florianópolis/SC), que atuam na cena brasileira há mais de 20 anos, para somar as reflexões trazidas por mim, Joisy Amorim, a partir das experiências artísticas vivenciadas como coreógrafa residente na Giro8 Cia de Dança, Goiânia/GO ao longo de seus onze anos de existência. Tendo em vista a complexidade da temática abordada e dos aspectos subjetivos presentes em cada história particular, optou-se por escolher um caminho metodológico dialógico e dialético, pesquisando os sujeitos em suas singularidades e em diferentes contextos. Ao final trazemos os conceitos de coreografia e dramaturgia baseados nas diferentes práticas diárias dos trabalhos citados acima, com um início de sistematização para contribuir com os processos de criação de futuros coreógrafos.Submitted by Dayane Basílio (dayanebasilio@ufg.br) on 2023-12-27T17:49:05Z workflow start=Step: editstep - action:claimaction No. of bitstreams: 2 Dissertação - Joisy Palmira de Amorim - 2023.pdf: 4340087 bytes, checksum: 75748df9d957f39dfba74177f2154343 (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5)Step: editstep - action:editaction Approved for entry into archive by Luciana Ferreira(lucgeral@gmail.com) on 2024-01-03T14:03:25Z (GMT)Made available in DSpace on 2024-01-03T14:03:25Z (GMT). No. of bitstreams: 2 Dissertação - Joisy Palmira de Amorim - 2023.pdf: 4340087 bytes, checksum: 75748df9d957f39dfba74177f2154343 (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5) Previous issue date: 2023-07-21porUniversidade Federal de GoiásPrograma de Pós-graduação em Artes da Cena (EMAC)UFGBrasilEscola de Música e Artes Cênicas - EMAC (RMG)Attribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessCoreografiaDramaturgiaComposição coreográficaChoreographyDramaturgyChoreographyc compositioLINGUISTICA, LETRAS E ARTES::ARTES::DANCA::EXECUCAO DA DANCAAs dramaturgias que dançam em cenas brasileiras e seus fazeres artísticosThe dramaturgies that dance in brazilian scenes and their artistic endeavorsinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisreponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGORIGINALDissertação - Joisy Palmira de Amorim - 2023.pdfDissertação - Joisy Palmira de Amorim - 2023.pdfapplication/pdf4340087http://repositorio.bc.ufg.br/tede/bitstreams/20db62aa-bc6f-44b3-ac7c-1169322f3294/download75748df9d957f39dfba74177f2154343MD51LICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.bc.ufg.br/tede/bitstreams/e9b83b45-d843-4a26-9ef3-c1ad59372714/download8a4605be74aa9ea9d79846c1fba20a33MD52CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8805http://repositorio.bc.ufg.br/tede/bitstreams/5ba81997-691b-4c44-8f73-3a774ee43d11/download4460e5956bc1d1639be9ae6146a50347MD53tede/132102024-01-03 11:04:39.564http://creativecommons.org/licenses/by-nc-nd/4.0/Attribution-NonCommercial-NoDerivatives 4.0 Internationalopen.accessoai:repositorio.bc.ufg.br:tede/13210http://repositorio.bc.ufg.br/tedeRepositório InstitucionalPUBhttp://repositorio.bc.ufg.br/oai/requesttasesdissertacoes.bc@ufg.bropendoar:2024-01-03T14:04:39Repositório Institucional da UFG - Universidade Federal de Goiás (UFG)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
dc.title.none.fl_str_mv As dramaturgias que dançam em cenas brasileiras e seus fazeres artísticos
dc.title.alternative.eng.fl_str_mv The dramaturgies that dance in brazilian scenes and their artistic endeavors
title As dramaturgias que dançam em cenas brasileiras e seus fazeres artísticos
spellingShingle As dramaturgias que dançam em cenas brasileiras e seus fazeres artísticos
Amorim, Joisy Palmira de
Coreografia
Dramaturgia
Composição coreográfica
Choreography
Dramaturgy
Choreographyc compositio
LINGUISTICA, LETRAS E ARTES::ARTES::DANCA::EXECUCAO DA DANCA
title_short As dramaturgias que dançam em cenas brasileiras e seus fazeres artísticos
title_full As dramaturgias que dançam em cenas brasileiras e seus fazeres artísticos
title_fullStr As dramaturgias que dançam em cenas brasileiras e seus fazeres artísticos
title_full_unstemmed As dramaturgias que dançam em cenas brasileiras e seus fazeres artísticos
title_sort As dramaturgias que dançam em cenas brasileiras e seus fazeres artísticos
author Amorim, Joisy Palmira de
author_facet Amorim, Joisy Palmira de
author_role author
dc.contributor.advisor1.fl_str_mv Figueiredo, Valéria Maria Chaves de
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/4166799919007370
dc.contributor.referee1.fl_str_mv Figueiredo, Valéria Maria Chaves de
dc.contributor.referee2.fl_str_mv Krischke, Ana Maria Alonso
dc.contributor.referee3.fl_str_mv Ferreira, Alexandre Donizete
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/5113239103171401
dc.contributor.author.fl_str_mv Amorim, Joisy Palmira de
contributor_str_mv Figueiredo, Valéria Maria Chaves de
Figueiredo, Valéria Maria Chaves de
Krischke, Ana Maria Alonso
Ferreira, Alexandre Donizete
dc.subject.por.fl_str_mv Coreografia
Dramaturgia
Composição coreográfica
topic Coreografia
Dramaturgia
Composição coreográfica
Choreography
Dramaturgy
Choreographyc compositio
LINGUISTICA, LETRAS E ARTES::ARTES::DANCA::EXECUCAO DA DANCA
dc.subject.eng.fl_str_mv Choreography
Dramaturgy
Choreographyc compositio
dc.subject.cnpq.fl_str_mv LINGUISTICA, LETRAS E ARTES::ARTES::DANCA::EXECUCAO DA DANCA
description This research aims to critically reflect on the dramaturgical construction in contemporary dance, through the discussions that emerge from the relationship between the choreographer and his artistic work, in the universe of the structuring and composition of the show. In this context, the concepts of choreography and dramaturgy will be investigated, as well as their interconnection in the process of artistic making in contemporary dance. Two choreographers were chosen: Suely Machado (First Act Dance Group, Belo Horizonte / MG) and Alejandro Ahmed (Scene 11 Group, from Florianópolis/SC), who have performed in the Brazilian scene for over 20 years. Given the complexity of the thematic approached and the subjective aspects present in each particular story, we chose a dialogical and dialectical methodological way, researching the subjects in their singularities and in different contexts. In the end it is intended to identify a possible methodology that supports and sustains the dramaturgical and choreographic practice in contemporary dance as scientific research in Performing Arts.
publishDate 2023
dc.date.issued.fl_str_mv 2023-07-21
dc.date.accessioned.fl_str_mv 2024-01-03T14:03:25Z
dc.date.available.fl_str_mv 2024-01-03T14:03:25Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
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dc.identifier.citation.fl_str_mv AMORIM, J. P. As dramaturgias que dançam em cenas brasileiras e seus fazeres artísticos. 2023. 133 f. Dissertação (Mestrado em Artes da Cena) - Universidade Federal de Goiás, Escola de Música e Artes Cênicas, Goiânia, 2023.
dc.identifier.uri.fl_str_mv http://repositorio.bc.ufg.br/tede/handle/tede/13210
dc.identifier.dark.fl_str_mv ark:/38995/0013000001mcz
identifier_str_mv AMORIM, J. P. As dramaturgias que dançam em cenas brasileiras e seus fazeres artísticos. 2023. 133 f. Dissertação (Mestrado em Artes da Cena) - Universidade Federal de Goiás, Escola de Música e Artes Cênicas, Goiânia, 2023.
ark:/38995/0013000001mcz
url http://repositorio.bc.ufg.br/tede/handle/tede/13210
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv Attribution-NonCommercial-NoDerivatives 4.0 International
http://creativecommons.org/licenses/by-nc-nd/4.0/
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Attribution-NonCommercial-NoDerivatives 4.0 International
http://creativecommons.org/licenses/by-nc-nd/4.0/
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal de Goiás
dc.publisher.program.fl_str_mv Programa de Pós-graduação em Artes da Cena (EMAC)
dc.publisher.initials.fl_str_mv UFG
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Escola de Música e Artes Cênicas - EMAC (RMG)
publisher.none.fl_str_mv Universidade Federal de Goiás
dc.source.none.fl_str_mv reponame:Repositório Institucional da UFG
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