“Lá pro meu sertão eu quero voltar” versus “Mais tarde tem balada”: o campo da música sertaneja em Goiânia
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
dARK ID: | ark:/38995/0013000003dwv |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/11688 |
Resumo: | This dissertation sought to analyze the field of country music in Goiânia through bibliographical references and interviews and answers to questionnaires proposed to agents included in the environment. Based on Bourdieu's theory, applying the theories of fields, habitus, cultural capital and the notion of taste, we sought to understand how country music came to compose the habitus of Goiás in order to understand this strong regional cultural representation. The social construction and development of this society made the local culture what it is, modern and urbanized, but with rural heritages from the interior. In this sense, it was also investigated the agents inserted in the field in question, the positions occupied, as well as the strategies adopted by them. A dynamic field was observed where agents engage in class struggles aiming at obtaining and accumulating the capital present in the environment, which is highly influenced by finance capital. |
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Sofiati, Flávio Munhozhttp://lattes.cnpq.br/7078667432523349Sofiati, Flávio MunhozVettorassi, AndréaAndrade Júnior, Péricles Morais dehttp://lattes.cnpq.br/2253305113592928Gonçalves, João Vitor Bardini2021-10-13T12:07:24Z2021-10-13T12:07:24Z2021-07-28GONÇALVES, J. V. B. “Lá pro meu sertão eu quero voltar” versus “Mais tarde tem balada”: o campo da música sertaneja em Goiânia. 2021. 129 f. Dissertação (Mestrado em Sociologia) - Universidade Federal de Goiás, Goiânia, 2021.http://repositorio.bc.ufg.br/tede/handle/tede/11688ark:/38995/0013000003dwvThis dissertation sought to analyze the field of country music in Goiânia through bibliographical references and interviews and answers to questionnaires proposed to agents included in the environment. Based on Bourdieu's theory, applying the theories of fields, habitus, cultural capital and the notion of taste, we sought to understand how country music came to compose the habitus of Goiás in order to understand this strong regional cultural representation. The social construction and development of this society made the local culture what it is, modern and urbanized, but with rural heritages from the interior. In this sense, it was also investigated the agents inserted in the field in question, the positions occupied, as well as the strategies adopted by them. A dynamic field was observed where agents engage in class struggles aiming at obtaining and accumulating the capital present in the environment, which is highly influenced by finance capital.Essa dissertação analisa o campo da música sertaneja em Goiânia através de referências bibliográficas e de entrevistas e respostas aos questionários propostos a agentes inseridos no meio. Tendo como base a teoria de Bourdieu, aplicando as teorias dos campos, habitus, capital cultural e a noção de gosto, procurou-se entender como a música sertaneja veio a compor o habitus do goianiense a fim de compreender essa forte representação cultural regional. A construção social e o desenvolvimento dessa sociedade fizeram a cultura local ser o que é, moderna e urbanizada, mas com heranças rurais do interior. Nesse sentido, investigou-se os agentes inseridos no campo em questão, as posições ocupadas, bem como estratégias adotadas pelos mesmos. Identificou-se um campo dinâmico onde os agentes travam lutas de classes objetivando a obtenção e acumulação dos capitais sociais presentes e legitimados no meio, o qual é muito influenciado pelo capital financeiro.Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2021-10-13T11:58:43Z No. of bitstreams: 2 Dissertação - João Vitor Bardini Gonçalves - 2021.pdf: 2230948 bytes, checksum: 11b1151e65a94340c85a871f23faed14 (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2021-10-13T12:07:24Z (GMT) No. of bitstreams: 2 Dissertação - João Vitor Bardini Gonçalves - 2021.pdf: 2230948 bytes, checksum: 11b1151e65a94340c85a871f23faed14 (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5)Made available in DSpace on 2021-10-13T12:07:24Z (GMT). No. of bitstreams: 2 Dissertação - João Vitor Bardini Gonçalves - 2021.pdf: 2230948 bytes, checksum: 11b1151e65a94340c85a871f23faed14 (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5) Previous issue date: 2021-07-28porUniversidade Federal de GoiásPrograma de Pós-graduação em Sociologia (FCS)UFGBrasilFaculdade de Ciências Sociais - FCS (RG)Attribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessMúsicaSertanejoCampoHabitusGoiâniaMusicCountrysideFieldHabitusGoiâniaCIENCIAS HUMANAS::SOCIOLOGIA“Lá pro meu sertão eu quero voltar” versus “Mais tarde tem balada”: o campo da música sertaneja em Goiânia“There to my country side I want to go back” versus “Later has balada": the field of country music in Goiâniainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis8650050050010200reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGORIGINALDissertação - João Vitor Bardini Gonçalves - 2021.pdfDissertação - João Vitor Bardini Gonçalves - 2021.pdfapplication/pdf2230948http://repositorio.bc.ufg.br/tede/bitstreams/fc0a07ed-0984-4fde-ac43-3dcac4830fd1/download11b1151e65a94340c85a871f23faed14MD53LICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.bc.ufg.br/tede/bitstreams/c1104b2f-8600-4cb6-8a0b-c749aad05a3c/download8a4605be74aa9ea9d79846c1fba20a33MD51CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8805http://repositorio.bc.ufg.br/tede/bitstreams/bf8ced7f-6a1b-4dfe-9d80-79e484efe60b/download4460e5956bc1d1639be9ae6146a50347MD52tede/116882021-10-13 09:07:25.448http://creativecommons.org/licenses/by-nc-nd/4.0/Attribution-NonCommercial-NoDerivatives 4.0 Internationalopen.accessoai:repositorio.bc.ufg.br:tede/11688http://repositorio.bc.ufg.br/tedeRepositório InstitucionalPUBhttp://repositorio.bc.ufg.br/oai/requesttasesdissertacoes.bc@ufg.bropendoar:2021-10-13T12:07:25Repositório Institucional da UFG - Universidade Federal de Goiás (UFG)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 |
dc.title.pt_BR.fl_str_mv |
“Lá pro meu sertão eu quero voltar” versus “Mais tarde tem balada”: o campo da música sertaneja em Goiânia |
dc.title.alternative.eng.fl_str_mv |
“There to my country side I want to go back” versus “Later has balada": the field of country music in Goiânia |
title |
“Lá pro meu sertão eu quero voltar” versus “Mais tarde tem balada”: o campo da música sertaneja em Goiânia |
spellingShingle |
“Lá pro meu sertão eu quero voltar” versus “Mais tarde tem balada”: o campo da música sertaneja em Goiânia Gonçalves, João Vitor Bardini Música Sertanejo Campo Habitus Goiânia Music Countryside Field Habitus Goiânia CIENCIAS HUMANAS::SOCIOLOGIA |
title_short |
“Lá pro meu sertão eu quero voltar” versus “Mais tarde tem balada”: o campo da música sertaneja em Goiânia |
title_full |
“Lá pro meu sertão eu quero voltar” versus “Mais tarde tem balada”: o campo da música sertaneja em Goiânia |
title_fullStr |
“Lá pro meu sertão eu quero voltar” versus “Mais tarde tem balada”: o campo da música sertaneja em Goiânia |
title_full_unstemmed |
“Lá pro meu sertão eu quero voltar” versus “Mais tarde tem balada”: o campo da música sertaneja em Goiânia |
title_sort |
“Lá pro meu sertão eu quero voltar” versus “Mais tarde tem balada”: o campo da música sertaneja em Goiânia |
author |
Gonçalves, João Vitor Bardini |
author_facet |
Gonçalves, João Vitor Bardini |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Sofiati, Flávio Munhoz |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/7078667432523349 |
dc.contributor.referee1.fl_str_mv |
Sofiati, Flávio Munhoz |
dc.contributor.referee2.fl_str_mv |
Vettorassi, Andréa |
dc.contributor.referee3.fl_str_mv |
Andrade Júnior, Péricles Morais de |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/2253305113592928 |
dc.contributor.author.fl_str_mv |
Gonçalves, João Vitor Bardini |
contributor_str_mv |
Sofiati, Flávio Munhoz Sofiati, Flávio Munhoz Vettorassi, Andréa Andrade Júnior, Péricles Morais de |
dc.subject.por.fl_str_mv |
Música Sertanejo Campo Habitus Goiânia |
topic |
Música Sertanejo Campo Habitus Goiânia Music Countryside Field Habitus Goiânia CIENCIAS HUMANAS::SOCIOLOGIA |
dc.subject.eng.fl_str_mv |
Music Countryside Field Habitus Goiânia |
dc.subject.cnpq.fl_str_mv |
CIENCIAS HUMANAS::SOCIOLOGIA |
description |
This dissertation sought to analyze the field of country music in Goiânia through bibliographical references and interviews and answers to questionnaires proposed to agents included in the environment. Based on Bourdieu's theory, applying the theories of fields, habitus, cultural capital and the notion of taste, we sought to understand how country music came to compose the habitus of Goiás in order to understand this strong regional cultural representation. The social construction and development of this society made the local culture what it is, modern and urbanized, but with rural heritages from the interior. In this sense, it was also investigated the agents inserted in the field in question, the positions occupied, as well as the strategies adopted by them. A dynamic field was observed where agents engage in class struggles aiming at obtaining and accumulating the capital present in the environment, which is highly influenced by finance capital. |
publishDate |
2021 |
dc.date.accessioned.fl_str_mv |
2021-10-13T12:07:24Z |
dc.date.available.fl_str_mv |
2021-10-13T12:07:24Z |
dc.date.issued.fl_str_mv |
2021-07-28 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
GONÇALVES, J. V. B. “Lá pro meu sertão eu quero voltar” versus “Mais tarde tem balada”: o campo da música sertaneja em Goiânia. 2021. 129 f. Dissertação (Mestrado em Sociologia) - Universidade Federal de Goiás, Goiânia, 2021. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/11688 |
dc.identifier.dark.fl_str_mv |
ark:/38995/0013000003dwv |
identifier_str_mv |
GONÇALVES, J. V. B. “Lá pro meu sertão eu quero voltar” versus “Mais tarde tem balada”: o campo da música sertaneja em Goiânia. 2021. 129 f. Dissertação (Mestrado em Sociologia) - Universidade Federal de Goiás, Goiânia, 2021. ark:/38995/0013000003dwv |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/11688 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.program.fl_str_mv |
86 |
dc.relation.confidence.fl_str_mv |
500 500 500 |
dc.relation.department.fl_str_mv |
10 |
dc.relation.cnpq.fl_str_mv |
200 |
dc.rights.driver.fl_str_mv |
Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.publisher.program.fl_str_mv |
Programa de Pós-graduação em Sociologia (FCS) |
dc.publisher.initials.fl_str_mv |
UFG |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Faculdade de Ciências Sociais - FCS (RG) |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
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reponame:Repositório Institucional da UFG instname:Universidade Federal de Goiás (UFG) instacron:UFG |
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