Todo mundo odeia o Chris: performatividade e vulnerabilidade do corpo negro à linguagem midiática
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/7098 |
Resumo: | The main objective of this research is to discuss how to configure the language and communication practices performed in the sitcom Todo mundo odeia o Chris (2006). We'll make use of the contributions of the metapragmatic function and metadiscursive schemes (SIGNORINI, 2008) about how the process of social difference and, consequently, of body marker tiers are legitimized communicative practices. This process, articulated to the historical events of ritual acts of speech (AUSTIN, 1998; PEIRANO, 2002; DORNELLES, 2002), produces discourses which effect the intelligibility of the bodies with signs of differentiation, considering that this is a basic construction in the perpetuation of the coloniality of knowledge and power (QUIJANO, 2005) that shapes the way the world is read by an epistemology that regulates and hierarquizes differences. The text-speech Todo mundo odeia o Chris, being translated/dubbed (MARTINS & AMORIN, 2013) producing the trace of the compulsory black diaspora (SANSONE, 2003; GILROY, 2001), is reentextualized from the local-global repertoire (MIGNOLO, 2003) of the brazilian translator, like the language can be used to perpetuate, architect and ritualize normalizing discourses for the control, addressing and notification of bodies (BUTLER, 2003; 1997; PINTO, 2002; 2013a; 2013b). Such actions make the black body vulnerable to acts of naming and violence that historically subordinate them. For this reason, the media narratives (SILVERSTONE, 2002), by providing mediated experiences about the world by the writing of the scenario of signification, enable T.M.O.C to charge the spirituality of the humor (BERGSON, 2001; SALES JR., 2006) via poetic strategies in the exercise of the language (BAUMAN & BRIGGS, 2006) and act against the dominant ideology. The black body is a sign still segregated and undervalued in the context of coloniality/modernity/globalization/State in the Americas, what constitutes a transterritorial fight that specifies in diferent locations while playing the role of dominant forces. So, when T.M.O.C shows a narrative that not only inserts the black body into visibility but do it in a reflexive and critical form with the metapragmatic action, it contradicts the cordiality, the cultural communicability and the not-said that directs the brazilian situation with a neurosis born of itself (GONZALEZ, 1984). |
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Santos, Goiamérico Felício Carneiro doshttp://lattes.cnpq.br/436002546077230Santos, Goiamérico Felício Carneiro dosMoraes, Ângela Teixeira deDias, Luciana de Oliveirahttp://lattes.cnpq.br/7570835899790922Almeida, Ludmila Pereira de2017-04-07T11:17:41Z2017-02-15ALMEIDA, Ludmila Pereira de. Todo mundo odeia o Chris: Performatividade e vulnerabilidade do corpo negro à linguagem midiática. 2017. 171 f. Dissertação (Mestrado em Comunicação) - Universidade Federal de Goiás, Goiânia, 2017.http://repositorio.bc.ufg.br/tede/handle/tede/7098The main objective of this research is to discuss how to configure the language and communication practices performed in the sitcom Todo mundo odeia o Chris (2006). We'll make use of the contributions of the metapragmatic function and metadiscursive schemes (SIGNORINI, 2008) about how the process of social difference and, consequently, of body marker tiers are legitimized communicative practices. This process, articulated to the historical events of ritual acts of speech (AUSTIN, 1998; PEIRANO, 2002; DORNELLES, 2002), produces discourses which effect the intelligibility of the bodies with signs of differentiation, considering that this is a basic construction in the perpetuation of the coloniality of knowledge and power (QUIJANO, 2005) that shapes the way the world is read by an epistemology that regulates and hierarquizes differences. The text-speech Todo mundo odeia o Chris, being translated/dubbed (MARTINS & AMORIN, 2013) producing the trace of the compulsory black diaspora (SANSONE, 2003; GILROY, 2001), is reentextualized from the local-global repertoire (MIGNOLO, 2003) of the brazilian translator, like the language can be used to perpetuate, architect and ritualize normalizing discourses for the control, addressing and notification of bodies (BUTLER, 2003; 1997; PINTO, 2002; 2013a; 2013b). Such actions make the black body vulnerable to acts of naming and violence that historically subordinate them. For this reason, the media narratives (SILVERSTONE, 2002), by providing mediated experiences about the world by the writing of the scenario of signification, enable T.M.O.C to charge the spirituality of the humor (BERGSON, 2001; SALES JR., 2006) via poetic strategies in the exercise of the language (BAUMAN & BRIGGS, 2006) and act against the dominant ideology. The black body is a sign still segregated and undervalued in the context of coloniality/modernity/globalization/State in the Americas, what constitutes a transterritorial fight that specifies in diferent locations while playing the role of dominant forces. So, when T.M.O.C shows a narrative that not only inserts the black body into visibility but do it in a reflexive and critical form with the metapragmatic action, it contradicts the cordiality, the cultural communicability and the not-said that directs the brazilian situation with a neurosis born of itself (GONZALEZ, 1984).O principal objetivo dessa pesquisa é discutir como se configuram as práticas de linguagem e performatividades de comunicação a partir do seriado sitcom Todo mundo odeia o Chris (2006). Utilizaremos dos aportes da função metapragmática e dos regimes metadiscursivos (SIGNORINI, 2008) sobre como os processos de diferença social e, consequentemente, de hierarquização de marcadores corporais são legitimados nas práticas comunicativas. Esse processo, articulado a eventos históricos de rituais de atos de fala (AUSTIN, 1998; PEIRANO, 2002; DORNELLES, 2002), produz discursos que efetuam a inteligibilidade dos corpos por indicadores de diferença, tendo em vista que essa é uma construção de base na perpetuação da colonialidade do saber e do poder (QUIJANO, 2005) que molda a leitura do mundo por uma epistemologia que regula e hierarquiza as diferenças. O texto-discurso Todo Mundo Odeia o Chris, ao ser traduzido/dublado (MARTINS & AMORIN, 2013) e retomar o traço da diáspora negra (SANSONE, 2003; GILROY, 2001) compulsória reentextualizar, a partir do repertório local-global (MIGNOLO, 2003) do interpretante brasileiro, como a linguagem pode ser usada para perpetuar, arquitetar e ritualizar discursos normalizadores para o controle, endereçamento e interpelação dos corpos (BUTLER, 2003;1997; PINTO, 2002;2013a; 2013b). Tais ações tornam o corpo negro vulnerável a atos de nomeação e violência que o subalternizam historicamente. Por isso, as narrativas midiáticas (SILVERSTONE, 2002), ao fornecerem experiências mediadas sobre o mundo compondo o cenário de significação, possibilitam que T.M.O.C. indicie a espiritualidade do humor (BERGSON, 2001; SALES JR, 2006) por estratégias poéticas de exercitar a linguagem (BAUMAN & BRIGGS, 2006) e agir contra a ideologia dominante. O corpo negro é um signo ainda segregado e subalternizado em contexto de colonialidade/modernidade/globalização/Estado nas Américas e que constitui uma luta transterritorial que se especifica nos locais ao reproduzir as forças dominantes. Portanto, T.M.O.C., ao trazer uma narrativa que não apenas insere o corpo negro em visibilidade, o faz de forma reflexiva e critica pela ação metapragmática, contradiz a cordialidade, a comunicabilidade cultural e o não dito que direciona a situação brasileira, do interpretante, por uma neurose de si mesmo (GONZALEZ, 1984).Submitted by Erika Demachki (erikademachki@gmail.com) on 2017-04-06T20:49:17Z No. of bitstreams: 2 Dissertação - Ludmila Pereira de Almeida - 2017.pdf: 2921451 bytes, checksum: dbefb7b41484cce2808c2720c315f6aa (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2017-04-07T11:17:41Z (GMT) No. of bitstreams: 2 Dissertação - Ludmila Pereira de Almeida - 2017.pdf: 2921451 bytes, checksum: dbefb7b41484cce2808c2720c315f6aa (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2017-04-07T11:17:41Z (GMT). No. of bitstreams: 2 Dissertação - Ludmila Pereira de Almeida - 2017.pdf: 2921451 bytes, checksum: dbefb7b41484cce2808c2720c315f6aa (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2017-02-15Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em Comunicação (FIC)UFGBrasilFaculdade de Informação e Comunicação - FIC (RG)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessPerformatividadeCorpos negrosColonialidade do saber/poderMetapragmáticaMídiaPerformativityBlacks bodiesColoniality of knowledge/powerMetapragmaticMediaCIENCIAS SOCIAIS APLICADAS::COMUNICACAOTodo mundo odeia o Chris: performatividade e vulnerabilidade do corpo negro à linguagem midiáticaEverybody hates Chris: performativity and vulnerability of the black bodies to the media languageinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis-7949609749769452194600600600600-3448915382621527388-40560210555028745732075167498588264571reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; 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dc.title.por.fl_str_mv |
Todo mundo odeia o Chris: performatividade e vulnerabilidade do corpo negro à linguagem midiática |
dc.title.alternative.eng.fl_str_mv |
Everybody hates Chris: performativity and vulnerability of the black bodies to the media language |
title |
Todo mundo odeia o Chris: performatividade e vulnerabilidade do corpo negro à linguagem midiática |
spellingShingle |
Todo mundo odeia o Chris: performatividade e vulnerabilidade do corpo negro à linguagem midiática Almeida, Ludmila Pereira de Performatividade Corpos negros Colonialidade do saber/poder Metapragmática Mídia Performativity Blacks bodies Coloniality of knowledge/power Metapragmatic Media CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
title_short |
Todo mundo odeia o Chris: performatividade e vulnerabilidade do corpo negro à linguagem midiática |
title_full |
Todo mundo odeia o Chris: performatividade e vulnerabilidade do corpo negro à linguagem midiática |
title_fullStr |
Todo mundo odeia o Chris: performatividade e vulnerabilidade do corpo negro à linguagem midiática |
title_full_unstemmed |
Todo mundo odeia o Chris: performatividade e vulnerabilidade do corpo negro à linguagem midiática |
title_sort |
Todo mundo odeia o Chris: performatividade e vulnerabilidade do corpo negro à linguagem midiática |
author |
Almeida, Ludmila Pereira de |
author_facet |
Almeida, Ludmila Pereira de |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Santos, Goiamérico Felício Carneiro dos |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/436002546077230 |
dc.contributor.referee1.fl_str_mv |
Santos, Goiamérico Felício Carneiro dos |
dc.contributor.referee2.fl_str_mv |
Moraes, Ângela Teixeira de |
dc.contributor.referee3.fl_str_mv |
Dias, Luciana de Oliveira |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/7570835899790922 |
dc.contributor.author.fl_str_mv |
Almeida, Ludmila Pereira de |
contributor_str_mv |
Santos, Goiamérico Felício Carneiro dos Santos, Goiamérico Felício Carneiro dos Moraes, Ângela Teixeira de Dias, Luciana de Oliveira |
dc.subject.por.fl_str_mv |
Performatividade Corpos negros Colonialidade do saber/poder Metapragmática Mídia |
topic |
Performatividade Corpos negros Colonialidade do saber/poder Metapragmática Mídia Performativity Blacks bodies Coloniality of knowledge/power Metapragmatic Media CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
dc.subject.eng.fl_str_mv |
Performativity Blacks bodies Coloniality of knowledge/power Metapragmatic Media |
dc.subject.cnpq.fl_str_mv |
CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
description |
The main objective of this research is to discuss how to configure the language and communication practices performed in the sitcom Todo mundo odeia o Chris (2006). We'll make use of the contributions of the metapragmatic function and metadiscursive schemes (SIGNORINI, 2008) about how the process of social difference and, consequently, of body marker tiers are legitimized communicative practices. This process, articulated to the historical events of ritual acts of speech (AUSTIN, 1998; PEIRANO, 2002; DORNELLES, 2002), produces discourses which effect the intelligibility of the bodies with signs of differentiation, considering that this is a basic construction in the perpetuation of the coloniality of knowledge and power (QUIJANO, 2005) that shapes the way the world is read by an epistemology that regulates and hierarquizes differences. The text-speech Todo mundo odeia o Chris, being translated/dubbed (MARTINS & AMORIN, 2013) producing the trace of the compulsory black diaspora (SANSONE, 2003; GILROY, 2001), is reentextualized from the local-global repertoire (MIGNOLO, 2003) of the brazilian translator, like the language can be used to perpetuate, architect and ritualize normalizing discourses for the control, addressing and notification of bodies (BUTLER, 2003; 1997; PINTO, 2002; 2013a; 2013b). Such actions make the black body vulnerable to acts of naming and violence that historically subordinate them. For this reason, the media narratives (SILVERSTONE, 2002), by providing mediated experiences about the world by the writing of the scenario of signification, enable T.M.O.C to charge the spirituality of the humor (BERGSON, 2001; SALES JR., 2006) via poetic strategies in the exercise of the language (BAUMAN & BRIGGS, 2006) and act against the dominant ideology. The black body is a sign still segregated and undervalued in the context of coloniality/modernity/globalization/State in the Americas, what constitutes a transterritorial fight that specifies in diferent locations while playing the role of dominant forces. So, when T.M.O.C shows a narrative that not only inserts the black body into visibility but do it in a reflexive and critical form with the metapragmatic action, it contradicts the cordiality, the cultural communicability and the not-said that directs the brazilian situation with a neurosis born of itself (GONZALEZ, 1984). |
publishDate |
2017 |
dc.date.accessioned.fl_str_mv |
2017-04-07T11:17:41Z |
dc.date.issued.fl_str_mv |
2017-02-15 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
ALMEIDA, Ludmila Pereira de. Todo mundo odeia o Chris: Performatividade e vulnerabilidade do corpo negro à linguagem midiática. 2017. 171 f. Dissertação (Mestrado em Comunicação) - Universidade Federal de Goiás, Goiânia, 2017. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/7098 |
identifier_str_mv |
ALMEIDA, Ludmila Pereira de. Todo mundo odeia o Chris: Performatividade e vulnerabilidade do corpo negro à linguagem midiática. 2017. 171 f. Dissertação (Mestrado em Comunicação) - Universidade Federal de Goiás, Goiânia, 2017. |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/7098 |
dc.language.iso.fl_str_mv |
por |
language |
por |
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dc.relation.confidence.fl_str_mv |
600 600 600 600 |
dc.relation.department.fl_str_mv |
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dc.relation.cnpq.fl_str_mv |
-4056021055502874573 |
dc.relation.sponsorship.fl_str_mv |
2075167498588264571 |
dc.rights.driver.fl_str_mv |
http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
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http://creativecommons.org/licenses/by-nc-nd/4.0/ |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.publisher.program.fl_str_mv |
Programa de Pós-graduação em Comunicação (FIC) |
dc.publisher.initials.fl_str_mv |
UFG |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Faculdade de Informação e Comunicação - FIC (RG) |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.source.none.fl_str_mv |
reponame:Repositório Institucional da UFG instname:Universidade Federal de Goiás (UFG) instacron:UFG |
instname_str |
Universidade Federal de Goiás (UFG) |
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UFG |
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UFG |
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Repositório Institucional da UFG |
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Repositório Institucional da UFG |
bitstream.url.fl_str_mv |
http://repositorio.bc.ufg.br/tede/bitstreams/63d681c4-c585-42f2-b994-032680df82d7/download http://repositorio.bc.ufg.br/tede/bitstreams/f1acc95e-522d-438c-a3df-eeb9fcdb06ee/download http://repositorio.bc.ufg.br/tede/bitstreams/050c524b-5ea9-4e99-b184-90119a90f8cd/download http://repositorio.bc.ufg.br/tede/bitstreams/be7f8ad9-b765-4045-9e07-c6d3aa7a4e80/download http://repositorio.bc.ufg.br/tede/bitstreams/3f1b7b74-b10b-4586-a4ff-dce02d2d9fe6/download |
bitstream.checksum.fl_str_mv |
bd3efa91386c1718a7f26a329fdcb468 4afdbb8c545fd630ea7db775da747b2f d41d8cd98f00b204e9800998ecf8427e d41d8cd98f00b204e9800998ecf8427e dbefb7b41484cce2808c2720c315f6aa |
bitstream.checksumAlgorithm.fl_str_mv |
MD5 MD5 MD5 MD5 MD5 |
repository.name.fl_str_mv |
Repositório Institucional da UFG - Universidade Federal de Goiás (UFG) |
repository.mail.fl_str_mv |
tasesdissertacoes.bc@ufg.br |
_version_ |
1798044386133540864 |