Poéticas e saberes da capoeira Angola: caminhos para pensar a performance negra de atrizes e atores narradores

Detalhes bibliográficos
Autor(a) principal: Peixoto, Jordana Dolores
Data de Publicação: 2021
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UFG
Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/11241
Resumo: This master degree research had the intention to investigate and present reflections about the technical, poetical, symbolic, political, and conceptual contributions that Capoeira Angola may offer to scenic arts from a look to the concept of black performance, the “limial body” of the capoeira practitioner, the crossroad of the “roda de capoeira” and the performance of the ora-lity of masters as the basis that substantiate creating processes and the formation of narrating actors and actresses. For this purpose were taken as foundations Studies of performance, thea-trical studies, counter colonization studies. The methodology that guides this study is suppor-ted by the notions of poetnography and lived field and was accomplished by the following procedures: bibliographic review, field narrative, personal narrative, and analysis of the ar-twork “Dikeledi e as voltas que o mundo dá” developed by the Núcleo Histórias de Comadre.
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spelling Silva, Renata de Limahttp://lattes.cnpq.br/9684039080990993Oliveira, Luciene Dias deLima, Evani TavaresSilva, Renata de Limahttp://lattes.cnpq.br/4564261300971013Peixoto, Jordana Dolores2021-04-12T15:24:32Z2021-04-12T15:24:32Z2021-02-26PEIXOTO, J. D. Poéticas e saberes da capoeira Angola: caminhos para pensar a performance negra de atrizes e atores narradores. 2021. 140 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2021.http://repositorio.bc.ufg.br/tede/handle/tede/11241This master degree research had the intention to investigate and present reflections about the technical, poetical, symbolic, political, and conceptual contributions that Capoeira Angola may offer to scenic arts from a look to the concept of black performance, the “limial body” of the capoeira practitioner, the crossroad of the “roda de capoeira” and the performance of the ora-lity of masters as the basis that substantiate creating processes and the formation of narrating actors and actresses. For this purpose were taken as foundations Studies of performance, thea-trical studies, counter colonization studies. The methodology that guides this study is suppor-ted by the notions of poetnography and lived field and was accomplished by the following procedures: bibliographic review, field narrative, personal narrative, and analysis of the ar-twork “Dikeledi e as voltas que o mundo dá” developed by the Núcleo Histórias de Comadre.Esta pesquisa de mestrado teve como intuito investigar e apresentar reflexões sobre as contribuições técnicas, poéticas, simbólicas, políticas e conceituais que a Capoeira Angola pode oferecer às Artes Cênicas, a partir de um olhar para o conceito de Performance Negra, o corpo limiar da/o capoeirista, a encruzilhada da roda de capoeira e a performance da oralidade de mestras e mestres, como bases que possam fundamentar processos de criação e a formação de atrizes/atores narradores. Para tanto, foram tomados como alicerces os Estudos da Performance, estudos teatrais e estudos sobre contra colonização. A metodologia que orienta este estudo se apoia nas noções de poetnografia e campo vivido, e foi realizada a partir dos seguintes procedimentos: revisão bibliográfica; experiências em campo; narrativas pessoais e análise da performance da obra “Dikeledi e as voltas que o mundo dá”, desenvolvida pelo Núcleo Histórias de Comadres.Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2021-04-08T13:26:45Z No. of bitstreams: 2 license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5) Dissertação - Jordana Dolores Peixoto - 2021.pdf: 4565583 bytes, checksum: fa187db9b354d396c86d8bef70a0edb2 (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2021-04-12T15:24:31Z (GMT) No. of bitstreams: 2 license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5) Dissertação - Jordana Dolores Peixoto - 2021.pdf: 4565583 bytes, checksum: fa187db9b354d396c86d8bef70a0edb2 (MD5)Made available in DSpace on 2021-04-12T15:24:32Z (GMT). No. of bitstreams: 2 license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5) Dissertação - Jordana Dolores Peixoto - 2021.pdf: 4565583 bytes, checksum: fa187db9b354d396c86d8bef70a0edb2 (MD5) Previous issue date: 2021-02-26Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESporUniversidade Federal de GoiásPrograma de Pós-graduação em Performances Culturais (FCS)UFGBrasilFaculdade de Ciências Sociais - FCS (RG)Attribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessProcesso de criaçãoAtriz/ator narradorPerformance negraCapoeira AngolaCreating processesNarrating actor/actressBlack performanceCapoeira AngolaLINGUISTICA, LETRAS E ARTES::ARTES::DANCAPoéticas e saberes da capoeira Angola: caminhos para pensar a performance negra de atrizes e atores narradoresPoetics and knowledges of capoeira Angola: ways of thinking the black performance of narrating actresses and actorsinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis7650050050050010741reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.bc.ufg.br/tede/bitstreams/7fe66875-cdb2-4c22-afbf-d41015fc290c/download8a4605be74aa9ea9d79846c1fba20a33MD51ORIGINALDissertação - Jordana Dolores Peixoto - 2021.pdfDissertação - Jordana Dolores Peixoto - 2021.pdfapplication/pdf4666567http://repositorio.bc.ufg.br/tede/bitstreams/4935dd6e-53a3-4fda-a927-76fc2071150b/download29ec83cc40de51df8b96d91620ca0789MD53CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8805http://repositorio.bc.ufg.br/tede/bitstreams/12f16397-c122-4232-9e64-4f58ac1b730f/download4460e5956bc1d1639be9ae6146a50347MD52tede/112412021-04-13 09:36:24.055http://creativecommons.org/licenses/by-nc-nd/4.0/Attribution-NonCommercial-NoDerivatives 4.0 Internationalopen.accessoai:repositorio.bc.ufg.br:tede/11241http://repositorio.bc.ufg.br/tedeRepositório InstitucionalPUBhttp://repositorio.bc.ufg.br/oai/requesttasesdissertacoes.bc@ufg.bropendoar:2021-04-13T12:36:24Repositório Institucional da UFG - Universidade Federal de Goiás (UFG)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
dc.title.pt_BR.fl_str_mv Poéticas e saberes da capoeira Angola: caminhos para pensar a performance negra de atrizes e atores narradores
dc.title.alternative.eng.fl_str_mv Poetics and knowledges of capoeira Angola: ways of thinking the black performance of narrating actresses and actors
title Poéticas e saberes da capoeira Angola: caminhos para pensar a performance negra de atrizes e atores narradores
spellingShingle Poéticas e saberes da capoeira Angola: caminhos para pensar a performance negra de atrizes e atores narradores
Peixoto, Jordana Dolores
Processo de criação
Atriz/ator narrador
Performance negra
Capoeira Angola
Creating processes
Narrating actor/actress
Black performance
Capoeira Angola
LINGUISTICA, LETRAS E ARTES::ARTES::DANCA
title_short Poéticas e saberes da capoeira Angola: caminhos para pensar a performance negra de atrizes e atores narradores
title_full Poéticas e saberes da capoeira Angola: caminhos para pensar a performance negra de atrizes e atores narradores
title_fullStr Poéticas e saberes da capoeira Angola: caminhos para pensar a performance negra de atrizes e atores narradores
title_full_unstemmed Poéticas e saberes da capoeira Angola: caminhos para pensar a performance negra de atrizes e atores narradores
title_sort Poéticas e saberes da capoeira Angola: caminhos para pensar a performance negra de atrizes e atores narradores
author Peixoto, Jordana Dolores
author_facet Peixoto, Jordana Dolores
author_role author
dc.contributor.advisor1.fl_str_mv Silva, Renata de Lima
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/9684039080990993
dc.contributor.referee1.fl_str_mv Oliveira, Luciene Dias de
dc.contributor.referee2.fl_str_mv Lima, Evani Tavares
dc.contributor.referee3.fl_str_mv Silva, Renata de Lima
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/4564261300971013
dc.contributor.author.fl_str_mv Peixoto, Jordana Dolores
contributor_str_mv Silva, Renata de Lima
Oliveira, Luciene Dias de
Lima, Evani Tavares
Silva, Renata de Lima
dc.subject.por.fl_str_mv Processo de criação
Atriz/ator narrador
Performance negra
Capoeira Angola
topic Processo de criação
Atriz/ator narrador
Performance negra
Capoeira Angola
Creating processes
Narrating actor/actress
Black performance
Capoeira Angola
LINGUISTICA, LETRAS E ARTES::ARTES::DANCA
dc.subject.eng.fl_str_mv Creating processes
Narrating actor/actress
Black performance
Capoeira Angola
dc.subject.cnpq.fl_str_mv LINGUISTICA, LETRAS E ARTES::ARTES::DANCA
description This master degree research had the intention to investigate and present reflections about the technical, poetical, symbolic, political, and conceptual contributions that Capoeira Angola may offer to scenic arts from a look to the concept of black performance, the “limial body” of the capoeira practitioner, the crossroad of the “roda de capoeira” and the performance of the ora-lity of masters as the basis that substantiate creating processes and the formation of narrating actors and actresses. For this purpose were taken as foundations Studies of performance, thea-trical studies, counter colonization studies. The methodology that guides this study is suppor-ted by the notions of poetnography and lived field and was accomplished by the following procedures: bibliographic review, field narrative, personal narrative, and analysis of the ar-twork “Dikeledi e as voltas que o mundo dá” developed by the Núcleo Histórias de Comadre.
publishDate 2021
dc.date.accessioned.fl_str_mv 2021-04-12T15:24:32Z
dc.date.available.fl_str_mv 2021-04-12T15:24:32Z
dc.date.issued.fl_str_mv 2021-02-26
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
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dc.identifier.citation.fl_str_mv PEIXOTO, J. D. Poéticas e saberes da capoeira Angola: caminhos para pensar a performance negra de atrizes e atores narradores. 2021. 140 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2021.
dc.identifier.uri.fl_str_mv http://repositorio.bc.ufg.br/tede/handle/tede/11241
identifier_str_mv PEIXOTO, J. D. Poéticas e saberes da capoeira Angola: caminhos para pensar a performance negra de atrizes e atores narradores. 2021. 140 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2021.
url http://repositorio.bc.ufg.br/tede/handle/tede/11241
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language por
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dc.relation.confidence.fl_str_mv 500
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http://creativecommons.org/licenses/by-nc-nd/4.0/
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Attribution-NonCommercial-NoDerivatives 4.0 International
http://creativecommons.org/licenses/by-nc-nd/4.0/
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dc.publisher.none.fl_str_mv Universidade Federal de Goiás
dc.publisher.program.fl_str_mv Programa de Pós-graduação em Performances Culturais (FCS)
dc.publisher.initials.fl_str_mv UFG
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Faculdade de Ciências Sociais - FCS (RG)
publisher.none.fl_str_mv Universidade Federal de Goiás
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