Insurgências e ressurgências do “Popular” no traçado erudito da cidade planejada de Goiânia

• Autor(a) principal: Carvalho, Cristiano Lemes
• Data de Publicação: 2019
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Repositório Institucional da UFG
• Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/10409
• topic: Construções vernaculares; Imagens e mediações; Insurgências e ressurgências; Processos artográficos; Arquitetura e urbanismo; Vernacular constructions; Images; Mediations; Emergence; Reemergence; Graphic art processes; Architecture; Urbanism; LINGUISTICA, LETRAS E ARTES::ARTES

The Emergence and reemergence of the ‘popular’ in the original urban plan for the City of Goiânia” presents the result of research conducted for a Master of Art and Visual Culture degree from the UFG in the “Cultures of Image and Mediation Processes” line of research (“C”). The objective was to propose processes of mediation between architecture and urban planning documented by mapping out the vernacular buildings in Goiania that challenge the positivist logic of the original urban plan for this city. For this work, bricolages of times and forms were used simultaneously with images and text in plays of alterities on the multiplicity of concepts, inquiries and discoveries whose meaning emerged gradually throughout the process. The research was based on stories of childhood experiences, divided up between rural and urban areas, in which I seek to reveal repertoires and skills learned in different geographical, social and cultural spaces. I register the earliest experiences in different designs, constructions/buildings, “architectures” and building techniques. I also present a narrative of a journey to Morocco in 2011, which was the inspiration for my inquiries on materiality and virtuality in vernacular architecture. They were essential for the search for images in the city of Goiânia. The fundamental methodological procedure used for the research was the manipulation of images using engraving techniques, which allowed me to create new images, as an expansion of the artistic experience, which facilitated access to the experiences and memories of displacements associated with the journey and displacements. The method used to collect the vernacular images was a journey on foot through the city, which includes the actions of photographing and mapping. Finally, the process of constructing the meanings learned through a review of the literature, practice in the atelier and field work entailed the construction of an atlas of images based on the work of Aby Warburg (Mnemosyne Atlas), which is considered here as an academic exercise of bricolage. This exercise can also be understood as an essay of intertwined images. It proposes “an archeology of visual knowledge” (SAMAIN, 2011) that allows the boundary between the disciplines to be questioned. This, in turn, creates a rhizomatic space for compositions that are more open to the discoveries, aspirations and desires included in this study.