O Curinga no teatro Fórum: formação teatral e política pelo bufão
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/8032 |
Resumo: | The Forum Theater is one of the most widespread Theater of the Oppressed’s modalities. It was systematized in the 1970s and it approaches social and psychological opressions on the scene so that they are discussed and restaged by the public. The mediator between the forum-scene and the public is the joker. This work proposes an investigation between the Forum Theater joker’s language and the buffoon. The buffoon is a clown with origins in the medieval times that uses comicality mainly through grotesque body gestures and ironic speech. This research has as primordial objective to investigate political and theatrical buffoon’s characteristics being in Forum Theater’s joker in order to provoque the critical eye. To that end, it was accomplished a historical rescue of the Forum Theater, of the joker and of the buffoon by means of books and videos that bring concepts and practices about them; it was written about the Victor Turner’s social drama bearing in mind one of the research’s development axes: the study of the Cultural Performances and their relations with the Theater of the Oppressed; and it was effected an analysis of videos, found on the internet, about Forum Theater’s plays presented in the brazilian’s state capitals. The selected videos’ analysis was done parting from two categories, they are: Forum theater and jokering; and buffoon aspects. The analyis’ categories were guided through three questions: In what way the Forum Theater has been presenting regarding the criticality matters? Is there criticality in the spect-actors’ fruition through the jokering? Can the buffoons’ aspects contribute to the Forum Theater’s joker formation? The mainly consideration obtained in this investigation shows that part of the studied Forum Theater plays are politically emptied and don’t seek the spect-actor’s critical eye. Therefore is fundamental that the joker builds his/her acting game by the improvisational quality that is one of the atributes of the buffoon’s activities, in this way is going to be possible having criticality in the spect-actors’ fruition. |
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Reinato, Eduardo Joséhttp://lattes.cnpq.br/9142540932437553Reinato, Eduardo Joséhttp://lattes.cnpq.br/9142540932437553André, Carminda MendesCamargo, Robson Corrêa dehttp://lattes.cnpq.br/6335714335799519Oliveira, Sarah Reimann2017-12-12T11:16:51Z2017-08-25OLIVEIRA, S. R. O Curinga no teatro Fórum: formação teatral e política pelo bufão. 2017. 153 f. Dissertação (Mestrado em Performance Cultural) - Universidade Federal de Goiás, Goiânia, 2017.http://repositorio.bc.ufg.br/tede/handle/tede/8032ark:/38995/0013000004xrqThe Forum Theater is one of the most widespread Theater of the Oppressed’s modalities. It was systematized in the 1970s and it approaches social and psychological opressions on the scene so that they are discussed and restaged by the public. The mediator between the forum-scene and the public is the joker. This work proposes an investigation between the Forum Theater joker’s language and the buffoon. The buffoon is a clown with origins in the medieval times that uses comicality mainly through grotesque body gestures and ironic speech. This research has as primordial objective to investigate political and theatrical buffoon’s characteristics being in Forum Theater’s joker in order to provoque the critical eye. To that end, it was accomplished a historical rescue of the Forum Theater, of the joker and of the buffoon by means of books and videos that bring concepts and practices about them; it was written about the Victor Turner’s social drama bearing in mind one of the research’s development axes: the study of the Cultural Performances and their relations with the Theater of the Oppressed; and it was effected an analysis of videos, found on the internet, about Forum Theater’s plays presented in the brazilian’s state capitals. The selected videos’ analysis was done parting from two categories, they are: Forum theater and jokering; and buffoon aspects. The analyis’ categories were guided through three questions: In what way the Forum Theater has been presenting regarding the criticality matters? Is there criticality in the spect-actors’ fruition through the jokering? Can the buffoons’ aspects contribute to the Forum Theater’s joker formation? The mainly consideration obtained in this investigation shows that part of the studied Forum Theater plays are politically emptied and don’t seek the spect-actor’s critical eye. Therefore is fundamental that the joker builds his/her acting game by the improvisational quality that is one of the atributes of the buffoon’s activities, in this way is going to be possible having criticality in the spect-actors’ fruition.O Teatro Fórum é uma das modalidades mais difundidas do Teatro do Oprimido. Ele foi sistematizado nos anos de 1970 e aborda em cena opressões sociais e psicológicas para que sejam discutidas e reencenadas pelo público. O mediador entre a cena-fórum e o público é o curinga. Este trabalho propõe uma investigação entre a linguagem do curinga do Teatro Fórum e do bufão. O bufão é um palhaço com origem nos tempos medievais que faz uso da comicidade, principalmente, através de gestos corporais grotescos e falas irônicas. A presente pesquisa tem como objetivo primordial investigar características do bufão presentes no curinga do Teatro Fórum de modo que o olhar crítico do público seja provocado. Para isso, foi realizado um resgate histórico do Teatro Fórum, do curinga e do bufão por meio de livros e vídeos que trazem conceitos e práticas sobre eles; foi escrito sobre o drama social de Victor Turner, tendo em vista um dos eixos de desenvolvimento da pesquisa que é o estudo das Performances Culturais e suas relações com o Teatro do Oprimido; e se realizou uma análise de vídeos, encontrados na internet, de peças de Teatro Fórum apresentadas em capitais brasileiras. A análise dos vídeos selecionados foi feita a partir de duas categorias, são elas: Teatro Fórum e curingagem, e aspectos bufonescos. As categorias para a análise foram guiadas por três perguntas: De que forma o Teatro Fórum vem se apresentando no que tange as questões da criticidade? Há criticidade na fruição dos espect-atores através da curingagem? Os aspectos bufonescos podem contribuir para a formação do curinga do Teatro Fórum? A principal consideração obtida nesta investigação mostra que parte das peças de Teatro Fórum estudadas estão esvaziadas politicamente e não buscam o olhar crítico dos espect-atores. Portanto, é fundamental que o curinga construa o jogo de sua atuação pela qualidade improvisacional, que é um dos atributos das atividades do bufão, dessa forma poderá haver criticidade na fruição dos espect-atores.Submitted by JÚLIO HEBER SILVA (julioheber@yahoo.com.br) on 2017-12-11T18:41:00Z No. of bitstreams: 2 Dissertação - Sarah Reimann Oliveira - 2017.pdf: 2575101 bytes, checksum: 9fed0686913bd5eff6709606fa365591 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2017-12-12T11:16:51Z (GMT) No. of bitstreams: 2 Dissertação - Sarah Reimann Oliveira - 2017.pdf: 2575101 bytes, checksum: 9fed0686913bd5eff6709606fa365591 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2017-12-12T11:16:51Z (GMT). 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dc.title.eng.fl_str_mv |
O Curinga no teatro Fórum: formação teatral e política pelo bufão |
dc.title.alternative.eng.fl_str_mv |
The Joker in the Forum theater: theatrical and political formation by the buffoon |
title |
O Curinga no teatro Fórum: formação teatral e política pelo bufão |
spellingShingle |
O Curinga no teatro Fórum: formação teatral e política pelo bufão Oliveira, Sarah Reimann Teatro do Oprimido Teatro Fórum Curinga Bufão Theater of the Oppressed Forum theater Joker Buffoon CIENCIAS SOCIAIS APLICADAS |
title_short |
O Curinga no teatro Fórum: formação teatral e política pelo bufão |
title_full |
O Curinga no teatro Fórum: formação teatral e política pelo bufão |
title_fullStr |
O Curinga no teatro Fórum: formação teatral e política pelo bufão |
title_full_unstemmed |
O Curinga no teatro Fórum: formação teatral e política pelo bufão |
title_sort |
O Curinga no teatro Fórum: formação teatral e política pelo bufão |
author |
Oliveira, Sarah Reimann |
author_facet |
Oliveira, Sarah Reimann |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Reinato, Eduardo José |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/9142540932437553 |
dc.contributor.referee1.fl_str_mv |
Reinato, Eduardo José |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/9142540932437553 |
dc.contributor.referee2.fl_str_mv |
André, Carminda Mendes |
dc.contributor.referee3.fl_str_mv |
Camargo, Robson Corrêa de |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/6335714335799519 |
dc.contributor.author.fl_str_mv |
Oliveira, Sarah Reimann |
contributor_str_mv |
Reinato, Eduardo José Reinato, Eduardo José André, Carminda Mendes Camargo, Robson Corrêa de |
dc.subject.por.fl_str_mv |
Teatro do Oprimido Teatro Fórum Curinga Bufão |
topic |
Teatro do Oprimido Teatro Fórum Curinga Bufão Theater of the Oppressed Forum theater Joker Buffoon CIENCIAS SOCIAIS APLICADAS |
dc.subject.eng.fl_str_mv |
Theater of the Oppressed Forum theater Joker Buffoon |
dc.subject.cnpq.fl_str_mv |
CIENCIAS SOCIAIS APLICADAS |
description |
The Forum Theater is one of the most widespread Theater of the Oppressed’s modalities. It was systematized in the 1970s and it approaches social and psychological opressions on the scene so that they are discussed and restaged by the public. The mediator between the forum-scene and the public is the joker. This work proposes an investigation between the Forum Theater joker’s language and the buffoon. The buffoon is a clown with origins in the medieval times that uses comicality mainly through grotesque body gestures and ironic speech. This research has as primordial objective to investigate political and theatrical buffoon’s characteristics being in Forum Theater’s joker in order to provoque the critical eye. To that end, it was accomplished a historical rescue of the Forum Theater, of the joker and of the buffoon by means of books and videos that bring concepts and practices about them; it was written about the Victor Turner’s social drama bearing in mind one of the research’s development axes: the study of the Cultural Performances and their relations with the Theater of the Oppressed; and it was effected an analysis of videos, found on the internet, about Forum Theater’s plays presented in the brazilian’s state capitals. The selected videos’ analysis was done parting from two categories, they are: Forum theater and jokering; and buffoon aspects. The analyis’ categories were guided through three questions: In what way the Forum Theater has been presenting regarding the criticality matters? Is there criticality in the spect-actors’ fruition through the jokering? Can the buffoons’ aspects contribute to the Forum Theater’s joker formation? The mainly consideration obtained in this investigation shows that part of the studied Forum Theater plays are politically emptied and don’t seek the spect-actor’s critical eye. Therefore is fundamental that the joker builds his/her acting game by the improvisational quality that is one of the atributes of the buffoon’s activities, in this way is going to be possible having criticality in the spect-actors’ fruition. |
publishDate |
2017 |
dc.date.accessioned.fl_str_mv |
2017-12-12T11:16:51Z |
dc.date.issued.fl_str_mv |
2017-08-25 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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dc.identifier.citation.fl_str_mv |
OLIVEIRA, S. R. O Curinga no teatro Fórum: formação teatral e política pelo bufão. 2017. 153 f. Dissertação (Mestrado em Performance Cultural) - Universidade Federal de Goiás, Goiânia, 2017. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/8032 |
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ark:/38995/0013000004xrq |
identifier_str_mv |
OLIVEIRA, S. R. O Curinga no teatro Fórum: formação teatral e política pelo bufão. 2017. 153 f. Dissertação (Mestrado em Performance Cultural) - Universidade Federal de Goiás, Goiânia, 2017. ark:/38995/0013000004xrq |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/8032 |
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por |
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por |
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630093844374387306 |
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600 600 600 |
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http://creativecommons.org/licenses/by-nc-nd/4.0/ |
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openAccess |
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Universidade Federal de Goiás |
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UFG |
dc.publisher.country.fl_str_mv |
Brasil |
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Faculdade de Ciências Sociais - FCS (RG) |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
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