Visões Caixa de Pandora: fricções entre artista, instituição e público
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/8428 |
Resumo: | The field of this research is the experimental exhibition "Eu Como Você", signed by Grupo EmpreZa, an artistic collective that I’m member. This exhibition took place at Museu de Arte do Rio (MAR), from May to July 2014. The artistic work project has been extended to participate in the Calibán Psychoanalysis Symposium, in November 2014 and October 2015. The emphasis of Grupo EmpreZa's work is on performance art, the body and its limits. The main questions of this research are: How aesthetic experiences like this behave in the museum exhibition space? What are the possible connections between individuals and aesthetic experiences? To answer these questions, I chose to analyze the relationships between people, the public, images, visual and aesthetic experiences, as well as the way Grupo EmpreZa and the institutions have worked along that time. For analysis, the documents collected include videos, photographs, official and administrative documents, and interviews. This study is based on some phenomenological concepts. It emphasizes the experimental character of the exhibition and the problems with the exhibition space, as well as the relations between people and aesthetic experience, images and visualities in exhibition. The term "Pandora's Box" is a reference to the prevalence of a permanent sensation of risk in the exhibition space, considering the nature of the visual experiences, the experimental character of the exhibition, against the hegemonic normative sets of the art system, and the relations of power in contemporary society. |
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Martins, Alice Fátimahttp://lattes.cnpq.br/2768377569632609Souza, José Afonso MedeirosSousa, Cinara Barbosa deMartins, RaimundoAbreu, Carla Luzia deFernandes, Ana Cândida Franceschini de Avelarhttp://lattes.cnpq.br/5060057230315395Morais, Paul Cezanne Souza Cardoso de2018-05-03T14:58:36Z2018-04-23MORAIS, Paul Cezanne Souza Cardoso de. Visões Caixa de Pandora: fricções entre artista, instituição e público. 2018. 252 f. Tese (Doutorado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2018.http://repositorio.bc.ufg.br/tede/handle/tede/8428The field of this research is the experimental exhibition "Eu Como Você", signed by Grupo EmpreZa, an artistic collective that I’m member. This exhibition took place at Museu de Arte do Rio (MAR), from May to July 2014. The artistic work project has been extended to participate in the Calibán Psychoanalysis Symposium, in November 2014 and October 2015. The emphasis of Grupo EmpreZa's work is on performance art, the body and its limits. The main questions of this research are: How aesthetic experiences like this behave in the museum exhibition space? What are the possible connections between individuals and aesthetic experiences? To answer these questions, I chose to analyze the relationships between people, the public, images, visual and aesthetic experiences, as well as the way Grupo EmpreZa and the institutions have worked along that time. For analysis, the documents collected include videos, photographs, official and administrative documents, and interviews. This study is based on some phenomenological concepts. It emphasizes the experimental character of the exhibition and the problems with the exhibition space, as well as the relations between people and aesthetic experience, images and visualities in exhibition. The term "Pandora's Box" is a reference to the prevalence of a permanent sensation of risk in the exhibition space, considering the nature of the visual experiences, the experimental character of the exhibition, against the hegemonic normative sets of the art system, and the relations of power in contemporary society.Esta tese tem, como campo de investigação, a mostra de caráter experimental Eu Como Você, do Coletivo artístico Grupo EmpreZa, do qual faço parte, ocorrida no Museu de Arte do Rio (MAR), de maio a julho de 2014. A mostra estendeu-se para duas participações no Simpósio Calibán de Psicanálise em novembro de 2014 e outubro de 2015. O trabalho do Grupo EmpreZa tem como ancoradouro a performance, o corpo e seus limites. Este trabalho procurou investigar como experiências estéticas desta natureza se comportam no espaço expositivo museal. Quais as possíveis conexões entre os indivíduos e as experiências estéticas? Para responder a estas perguntas, busquei ancorar-me nas relações entre as pessoas, o público, as imagens, visualidades e experiências estéticas, além dos modos de operações do Grupo EmpreZa e das instituições. Os materiais coletados durante a mostra, para análise, incluem vídeos, fotografias, documentos e entrevistas. Referenciais da fenomenologia orientam as discussões. O estudo enfatiza o caráter experimental da exposição e as problemáticas provocadas sobre o espaço expositivo, e ainda os modos de relações entre o público e a experiência estética, imagens e visualidades da exposição. O termo “Caixa de Pandora” é uma referência à prevalência de uma sensação contínua de risco no espaço expositivo no tocante à natureza das experiências visuais propiciadas, pelo caráter experimental da mostra, na contramão dos conjuntos normativos hegemônicos do sistema da arte, bem como dos regimes escópicos vigentes na sociedade contemporânea.Submitted by Franciele Moreira (francielemoreyra@gmail.com) on 2018-05-03T14:04:20Z No. of bitstreams: 2 Tese - Paul Cezanne Souza Cardoso de Morais - 2018.pdf: 17411840 bytes, checksum: f40af40ac0cf5cbb2e85c44f60d3db38 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2018-05-03T14:58:36Z (GMT) No. of bitstreams: 2 Tese - Paul Cezanne Souza Cardoso de Morais - 2018.pdf: 17411840 bytes, checksum: f40af40ac0cf5cbb2e85c44f60d3db38 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2018-05-03T14:58:36Z (GMT). No. of bitstreams: 2 Tese - Paul Cezanne Souza Cardoso de Morais - 2018.pdf: 17411840 bytes, checksum: f40af40ac0cf5cbb2e85c44f60d3db38 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2018-04-23Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em Arte e Cultura Visual (FAV)UFGBrasilFaculdade de Artes Visuais - FAV (RG)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessArte contemporâneaExperiência estéticaImagemGrupo EmpreZaArte contemporáneoExperiencia estéticaImagenLINGUISTICA, LETRAS E ARTESVisões Caixa de Pandora: fricções entre artista, instituição e públicoVisiones de La Caja de Pandora: fricciones entre artista, institución y públicoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesis5419363139851951878600600600600-584909615874636909648280260230440179922075167498588264571reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; 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dc.title.eng.fl_str_mv |
Visões Caixa de Pandora: fricções entre artista, instituição e público |
dc.title.alternative.spa.fl_str_mv |
Visiones de La Caja de Pandora: fricciones entre artista, institución y público |
title |
Visões Caixa de Pandora: fricções entre artista, instituição e público |
spellingShingle |
Visões Caixa de Pandora: fricções entre artista, instituição e público Morais, Paul Cezanne Souza Cardoso de Arte contemporânea Experiência estética Imagem Grupo EmpreZa Arte contemporáneo Experiencia estética Imagen LINGUISTICA, LETRAS E ARTES |
title_short |
Visões Caixa de Pandora: fricções entre artista, instituição e público |
title_full |
Visões Caixa de Pandora: fricções entre artista, instituição e público |
title_fullStr |
Visões Caixa de Pandora: fricções entre artista, instituição e público |
title_full_unstemmed |
Visões Caixa de Pandora: fricções entre artista, instituição e público |
title_sort |
Visões Caixa de Pandora: fricções entre artista, instituição e público |
author |
Morais, Paul Cezanne Souza Cardoso de |
author_facet |
Morais, Paul Cezanne Souza Cardoso de |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Martins, Alice Fátima |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/2768377569632609 |
dc.contributor.referee1.fl_str_mv |
Souza, José Afonso Medeiros |
dc.contributor.referee2.fl_str_mv |
Sousa, Cinara Barbosa de |
dc.contributor.referee3.fl_str_mv |
Martins, Raimundo |
dc.contributor.referee4.fl_str_mv |
Abreu, Carla Luzia de |
dc.contributor.referee5.fl_str_mv |
Fernandes, Ana Cândida Franceschini de Avelar |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/5060057230315395 |
dc.contributor.author.fl_str_mv |
Morais, Paul Cezanne Souza Cardoso de |
contributor_str_mv |
Martins, Alice Fátima Souza, José Afonso Medeiros Sousa, Cinara Barbosa de Martins, Raimundo Abreu, Carla Luzia de Fernandes, Ana Cândida Franceschini de Avelar |
dc.subject.por.fl_str_mv |
Arte contemporânea Experiência estética Imagem Grupo EmpreZa |
topic |
Arte contemporânea Experiência estética Imagem Grupo EmpreZa Arte contemporáneo Experiencia estética Imagen LINGUISTICA, LETRAS E ARTES |
dc.subject.spa.fl_str_mv |
Arte contemporáneo Experiencia estética Imagen |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES |
description |
The field of this research is the experimental exhibition "Eu Como Você", signed by Grupo EmpreZa, an artistic collective that I’m member. This exhibition took place at Museu de Arte do Rio (MAR), from May to July 2014. The artistic work project has been extended to participate in the Calibán Psychoanalysis Symposium, in November 2014 and October 2015. The emphasis of Grupo EmpreZa's work is on performance art, the body and its limits. The main questions of this research are: How aesthetic experiences like this behave in the museum exhibition space? What are the possible connections between individuals and aesthetic experiences? To answer these questions, I chose to analyze the relationships between people, the public, images, visual and aesthetic experiences, as well as the way Grupo EmpreZa and the institutions have worked along that time. For analysis, the documents collected include videos, photographs, official and administrative documents, and interviews. This study is based on some phenomenological concepts. It emphasizes the experimental character of the exhibition and the problems with the exhibition space, as well as the relations between people and aesthetic experience, images and visualities in exhibition. The term "Pandora's Box" is a reference to the prevalence of a permanent sensation of risk in the exhibition space, considering the nature of the visual experiences, the experimental character of the exhibition, against the hegemonic normative sets of the art system, and the relations of power in contemporary society. |
publishDate |
2018 |
dc.date.accessioned.fl_str_mv |
2018-05-03T14:58:36Z |
dc.date.issued.fl_str_mv |
2018-04-23 |
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info:eu-repo/semantics/publishedVersion |
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dc.identifier.citation.fl_str_mv |
MORAIS, Paul Cezanne Souza Cardoso de. Visões Caixa de Pandora: fricções entre artista, instituição e público. 2018. 252 f. Tese (Doutorado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2018. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/8428 |
identifier_str_mv |
MORAIS, Paul Cezanne Souza Cardoso de. Visões Caixa de Pandora: fricções entre artista, instituição e público. 2018. 252 f. Tese (Doutorado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2018. |
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http://repositorio.bc.ufg.br/tede/handle/tede/8428 |
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