Misoginia, patriarcado e subversão em Contos de amor rasgados, de Marina Colasanti
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/11750 |
Resumo: | The present work aims to analyze the relations of representation of women with the aspects of misogyny and patriarchy heritage, making counterpoints to these concepts, through the subversion of the female characters chosen for the study, in nine mini-stories from the work Contos de amor rasgados, from 2010, by author Marina Colasanti. This relationship, in this research, is analyzed from the conceptualization of misogyny, patriarchy and subversion and how these concepts interfere in the female action. For the discussions related to the perspective of misogyny and patriarchy, the mini stories “Never neglecting duty”, “No news from the front” and “Honor passed clean” were chosen. For the perspective of women's subversion to these concepts, the mini stories “The milk of the beloved woman”, “When it was no longer needed”, “Never soiling the family”, “Lost was the goal of the morphosis”, “Song for Hua Mu-lan” and “Behind the thick veil”. It is a bibliographic research that is carried out from an articulation between literary and sociological theories and the literary text. For the analysis of the author and her relevance to contemporary Brazilian literature, the following materials were used: Colasanti (1997, 2003, 2008, 2010, 2013, 2014); Spalding (2007, 2008, 2012), Schollhammer (2009), Almeida (2013), Gonzaga (2007), among others, were invited to discuss the mini story genre and its construction in contemporary Brazilian literature. Beauvoir (1970, v. 1 and v. 2), Butler (2017), Tiburi (2002), Grosz (2000) and Rago (2004) are the basis for discussions about gender. For discussions on aspects of patriarchy, the postulates of Piscitelli (2009), Saffioti (1976, 2004) and Xavier (1998) were used. For the analysis of the misogyny perspective, this research used the studies of Bloch (1995), Fonseca (2017) and Bourdieu (2012), which deals directly with male domination. Dalcastagnè's (2005) studies on the role of women in Brazilian literature bring important collaborations to the research. In short, through analysis, it is clear that the relationship between the concepts of misogyny, patriarchy and domination permeate different real and fictional social spaces, with subversion being the answer that the feminine can give to centuries of inferiority, since the female protagonism in the literature corroborates the fight against the derogatory severity that affects women since time immemorial. |
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Fonseca, Pedro Carlos Louzadahttp://lattes.cnpq.br/6114671436176153Fonseca, Pedro Carlos LouzadaAraújo, Márcia Maria de MeloRibeiro, Renata Rochahttp://lattes.cnpq.br/4873847406693391Almeida, Alessandra Oliveira de2021-11-11T11:23:30Z2021-11-11T11:23:30Z2021-03-02ALMEIDA, Alessandra Oliveira de. Misoginia, patriarcado e subversão em Contos de amor rasgados, de Marina Colasanti. 2021. 110 f. Dissertação (Mestrado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2021.http://repositorio.bc.ufg.br/tede/handle/tede/11750The present work aims to analyze the relations of representation of women with the aspects of misogyny and patriarchy heritage, making counterpoints to these concepts, through the subversion of the female characters chosen for the study, in nine mini-stories from the work Contos de amor rasgados, from 2010, by author Marina Colasanti. This relationship, in this research, is analyzed from the conceptualization of misogyny, patriarchy and subversion and how these concepts interfere in the female action. For the discussions related to the perspective of misogyny and patriarchy, the mini stories “Never neglecting duty”, “No news from the front” and “Honor passed clean” were chosen. For the perspective of women's subversion to these concepts, the mini stories “The milk of the beloved woman”, “When it was no longer needed”, “Never soiling the family”, “Lost was the goal of the morphosis”, “Song for Hua Mu-lan” and “Behind the thick veil”. It is a bibliographic research that is carried out from an articulation between literary and sociological theories and the literary text. For the analysis of the author and her relevance to contemporary Brazilian literature, the following materials were used: Colasanti (1997, 2003, 2008, 2010, 2013, 2014); Spalding (2007, 2008, 2012), Schollhammer (2009), Almeida (2013), Gonzaga (2007), among others, were invited to discuss the mini story genre and its construction in contemporary Brazilian literature. Beauvoir (1970, v. 1 and v. 2), Butler (2017), Tiburi (2002), Grosz (2000) and Rago (2004) are the basis for discussions about gender. For discussions on aspects of patriarchy, the postulates of Piscitelli (2009), Saffioti (1976, 2004) and Xavier (1998) were used. For the analysis of the misogyny perspective, this research used the studies of Bloch (1995), Fonseca (2017) and Bourdieu (2012), which deals directly with male domination. Dalcastagnè's (2005) studies on the role of women in Brazilian literature bring important collaborations to the research. In short, through analysis, it is clear that the relationship between the concepts of misogyny, patriarchy and domination permeate different real and fictional social spaces, with subversion being the answer that the feminine can give to centuries of inferiority, since the female protagonism in the literature corroborates the fight against the derogatory severity that affects women since time immemorial.O presente trabalho tem como intuito analisar as relações de representação da mulher com os aspectos da misoginia e da herança do patriarcado, realizando contrapontos a estes conceitos, por meio da subversão das personagens femininas escolhidas para o estudo, em nove minicontos da obra Contos de amor rasgados, de 2010, da autora Marina Colasanti. Essa relação, nesta pesquisa, é analisada a partir da conceituação de misoginia, patriarcado e subversão e como estes conceitos interferem no agir feminino. Para as discussões relativas à perspectiva da misoginia e do patriarcado, foram escolhidos os minicontos “Nunca descuidando do dever”, “Sem novidades do front” e “A honra passada a limpo”. Para a perspectiva da subversão da mulher a estes conceitos, escolheu-se os minicontos “O leite da mulher amada”, “Quando já não era mais necessário”, “Nunca conspurcando a família”, “Perdida estava a meta da morfose”, “Canção para Hua Mu-lan” e “Atrás do espesso véu”. Trata-se de uma pesquisa bibliográfica que é realizada a partir de uma articulação entre teorias literárias e sociológicas e o texto literário. Para a análise acerca da autora e de sua relevância para a literatura brasileira contemporânea foram usados os seguintes materiais: Colasanti (1997, 2003, 2008, 2010, 2013, 2014); para as discussões sobre o gênero miniconto e sua construção na literatura brasileira contemporânea, foram convocados os estudos de Spalding (2007, 2008, 2012), Schollhammer (2009), Almeida (2013), Gonzaga (2007), entre outros. Beauvoir (1970, v. 1 e v. 2), Butler (2017), Tiburi (2002), Grosz (2000) e Rago (2004) são as bases para as discussões sobre gênero. Para as discussões sobre os aspectos do patriarcado, utilizou-se os postulados de Piscitelli (2009), Saffioti (1976, 2004) e Xavier (1998). Para a análise da perspectiva da misoginia, esta pesquisa valeu-se dos estudos de Bloch (1995), Fonseca (2017) e Bourdieu (2012), que trata diretamente da dominação masculina. Os estudos de Dalcastagnè (2005) acerca do papel da mulher na literatura brasileira trazem importantes colaborações à pesquisa. Em suma, por meio de análises, percebe-se que a relação entre os conceitos de misoginia, patriarcado e dominação permeiam diferentes espaços sociais reais e ficcionais, sendo a subversão a resposta que o feminino pode dar a séculos de inferiorização, uma vez que o protagonismo feminino na literatura corrobora o combate à severidade derrogatória que atinge a mulher desde tempos imemoriais.Submitted by Onia Arantes Albuquerque (onia.ufg@gmail.com) on 2021-11-09T19:01:40Z No. of bitstreams: 2 Dissertação - Alessandra Oliveira de Almeida - 2021.pdf: 2280786 bytes, checksum: 05f076dc180c3bb3cfff126798c448e7 (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2021-11-11T11:23:30Z (GMT) No. of bitstreams: 2 Dissertação - Alessandra Oliveira de Almeida - 2021.pdf: 2280786 bytes, checksum: 05f076dc180c3bb3cfff126798c448e7 (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5)Made available in DSpace on 2021-11-11T11:23:30Z (GMT). No. of bitstreams: 2 Dissertação - Alessandra Oliveira de Almeida - 2021.pdf: 2280786 bytes, checksum: 05f076dc180c3bb3cfff126798c448e7 (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5) Previous issue date: 2021-03-02porUniversidade Federal de GoiásPrograma de Pós-graduação em Letras e Linguística (FL)UFGBrasilFaculdade de Letras - FL (RG)Attribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessMarina ColasantiMinicontoMisoginiaPatriarcadoSubversãoGêneroMarina ColasantiMinicontoMisogynyPatriarchateSubversionGenreLINGUISTICA, LETRAS E ARTESMisoginia, patriarcado e subversão em Contos de amor rasgados, de Marina ColasantiMisogyny, patriarchy and subversion in Contos de amor rasgados, by Marina Colasantiinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis6750050050018770reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.bc.ufg.br/tede/bitstreams/c1513666-a74a-4254-a146-d51342615796/download8a4605be74aa9ea9d79846c1fba20a33MD51CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8805http://repositorio.bc.ufg.br/tede/bitstreams/440678d7-053c-427e-9505-caab39b00244/download4460e5956bc1d1639be9ae6146a50347MD52ORIGINALDissertação - Alessandra Oliveira de Almeida - 2021.pdfDissertação - Alessandra Oliveira de Almeida - 2021.pdfapplication/pdf2280786http://repositorio.bc.ufg.br/tede/bitstreams/6c6d1f13-9a6f-4d6c-9ed3-a6123031f239/download05f076dc180c3bb3cfff126798c448e7MD53tede/117502021-11-11 08:23:31.06http://creativecommons.org/licenses/by-nc-nd/4.0/Attribution-NonCommercial-NoDerivatives 4.0 Internationalopen.accessoai:repositorio.bc.ufg.br:tede/11750http://repositorio.bc.ufg.br/tedeRepositório InstitucionalPUBhttp://repositorio.bc.ufg.br/oai/requesttasesdissertacoes.bc@ufg.bropendoar:2021-11-11T11:23:31Repositório Institucional da UFG - Universidade Federal de Goiás (UFG)falseTk9URTogUExBQ0UgWU9VUiBPV04gTElDRU5TRSBIRVJFClRoaXMgc2FtcGxlIGxpY2Vuc2UgaXMgcHJvdmlkZWQgZm9yIGluZm9ybWF0aW9uYWwgcHVycG9zZXMgb25seS4KCk5PTi1FWENMVVNJVkUgRElTVFJJQlVUSU9OIExJQ0VOU0UKCkJ5IHNpZ25pbmcgYW5kIHN1Ym1pdHRpbmcgdGhpcyBsaWNlbnNlLCB5b3UgKHRoZSBhdXRob3Iocykgb3IgY29weXJpZ2h0Cm93bmVyKSBncmFudHMgdG8gRFNwYWNlIFVuaXZlcnNpdHkgKERTVSkgdGhlIG5vbi1leGNsdXNpdmUgcmlnaHQgdG8gcmVwcm9kdWNlLAp0cmFuc2xhdGUgKGFzIGRlZmluZWQgYmVsb3cpLCBhbmQvb3IgZGlzdHJpYnV0ZSB5b3VyIHN1Ym1pc3Npb24gKGluY2x1ZGluZwp0aGUgYWJzdHJhY3QpIHdvcmxkd2lkZSBpbiBwcmludCBhbmQgZWxlY3Ryb25pYyBmb3JtYXQgYW5kIGluIGFueSBtZWRpdW0sCmluY2x1ZGluZyBidXQgbm90IGxpbWl0ZWQgdG8gYXVkaW8gb3IgdmlkZW8uCgpZb3UgYWdyZWUgdGhhdCBEU1UgbWF5LCB3aXRob3V0IGNoYW5naW5nIHRoZSBjb250ZW50LCB0cmFuc2xhdGUgdGhlCnN1Ym1pc3Npb24gdG8gYW55IG1lZGl1bSBvciBmb3JtYXQgZm9yIHRoZSBwdXJwb3NlIG9mIHByZXNlcnZhdGlvbi4KCllvdSBhbHNvIGFncmVlIHRoYXQgRFNVIG1heSBrZWVwIG1vcmUgdGhhbiBvbmUgY29weSBvZiB0aGlzIHN1Ym1pc3Npb24gZm9yCnB1cnBvc2VzIG9mIHNlY3VyaXR5LCBiYWNrLXVwIGFuZCBwcmVzZXJ2YXRpb24uCgpZb3UgcmVwcmVzZW50IHRoYXQgdGhlIHN1Ym1pc3Npb24gaXMgeW91ciBvcmlnaW5hbCB3b3JrLCBhbmQgdGhhdCB5b3UgaGF2ZQp0aGUgcmlnaHQgdG8gZ3JhbnQgdGhlIHJpZ2h0cyBjb250YWluZWQgaW4gdGhpcyBsaWNlbnNlLiBZb3UgYWxzbyByZXByZXNlbnQKdGhhdCB5b3VyIHN1Ym1pc3Npb24gZG9lcyBub3QsIHRvIHRoZSBiZXN0IG9mIHlvdXIga25vd2xlZGdlLCBpbmZyaW5nZSB1cG9uCmFueW9uZSdzIGNvcHlyaWdodC4KCklmIHRoZSBzdWJtaXNzaW9uIGNvbnRhaW5zIG1hdGVyaWFsIGZvciB3aGljaCB5b3UgZG8gbm90IGhvbGQgY29weXJpZ2h0LAp5b3UgcmVwcmVzZW50IHRoYXQgeW91IGhhdmUgb2J0YWluZWQgdGhlIHVucmVzdHJpY3RlZCBwZXJtaXNzaW9uIG9mIHRoZQpjb3B5cmlnaHQgb3duZXIgdG8gZ3JhbnQgRFNVIHRoZSByaWdodHMgcmVxdWlyZWQgYnkgdGhpcyBsaWNlbnNlLCBhbmQgdGhhdApzdWNoIHRoaXJkLXBhcnR5IG93bmVkIG1hdGVyaWFsIGlzIGNsZWFybHkgaWRlbnRpZmllZCBhbmQgYWNrbm93bGVkZ2VkCndpdGhpbiB0aGUgdGV4dCBvciBjb250ZW50IG9mIHRoZSBzdWJtaXNzaW9uLgoKSUYgVEhFIFNVQk1JU1NJT04gSVMgQkFTRUQgVVBPTiBXT1JLIFRIQVQgSEFTIEJFRU4gU1BPTlNPUkVEIE9SIFNVUFBPUlRFRApCWSBBTiBBR0VOQ1kgT1IgT1JHQU5JWkFUSU9OIE9USEVSIFRIQU4gRFNVLCBZT1UgUkVQUkVTRU5UIFRIQVQgWU9VIEhBVkUKRlVMRklMTEVEIEFOWSBSSUdIVCBPRiBSRVZJRVcgT1IgT1RIRVIgT0JMSUdBVElPTlMgUkVRVUlSRUQgQlkgU1VDSApDT05UUkFDVCBPUiBBR1JFRU1FTlQuCgpEU1Ugd2lsbCBjbGVhcmx5IGlkZW50aWZ5IHlvdXIgbmFtZShzKSBhcyB0aGUgYXV0aG9yKHMpIG9yIG93bmVyKHMpIG9mIHRoZQpzdWJtaXNzaW9uLCBhbmQgd2lsbCBub3QgbWFrZSBhbnkgYWx0ZXJhdGlvbiwgb3RoZXIgdGhhbiBhcyBhbGxvd2VkIGJ5IHRoaXMKbGljZW5zZSwgdG8geW91ciBzdWJtaXNzaW9uLgo= |
dc.title.pt_BR.fl_str_mv |
Misoginia, patriarcado e subversão em Contos de amor rasgados, de Marina Colasanti |
dc.title.alternative.eng.fl_str_mv |
Misogyny, patriarchy and subversion in Contos de amor rasgados, by Marina Colasanti |
title |
Misoginia, patriarcado e subversão em Contos de amor rasgados, de Marina Colasanti |
spellingShingle |
Misoginia, patriarcado e subversão em Contos de amor rasgados, de Marina Colasanti Almeida, Alessandra Oliveira de Marina Colasanti Miniconto Misoginia Patriarcado Subversão Gênero Marina Colasanti Miniconto Misogyny Patriarchate Subversion Genre LINGUISTICA, LETRAS E ARTES |
title_short |
Misoginia, patriarcado e subversão em Contos de amor rasgados, de Marina Colasanti |
title_full |
Misoginia, patriarcado e subversão em Contos de amor rasgados, de Marina Colasanti |
title_fullStr |
Misoginia, patriarcado e subversão em Contos de amor rasgados, de Marina Colasanti |
title_full_unstemmed |
Misoginia, patriarcado e subversão em Contos de amor rasgados, de Marina Colasanti |
title_sort |
Misoginia, patriarcado e subversão em Contos de amor rasgados, de Marina Colasanti |
author |
Almeida, Alessandra Oliveira de |
author_facet |
Almeida, Alessandra Oliveira de |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Fonseca, Pedro Carlos Louzada |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/6114671436176153 |
dc.contributor.referee1.fl_str_mv |
Fonseca, Pedro Carlos Louzada |
dc.contributor.referee2.fl_str_mv |
Araújo, Márcia Maria de Melo |
dc.contributor.referee3.fl_str_mv |
Ribeiro, Renata Rocha |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/4873847406693391 |
dc.contributor.author.fl_str_mv |
Almeida, Alessandra Oliveira de |
contributor_str_mv |
Fonseca, Pedro Carlos Louzada Fonseca, Pedro Carlos Louzada Araújo, Márcia Maria de Melo Ribeiro, Renata Rocha |
dc.subject.por.fl_str_mv |
Marina Colasanti Miniconto Misoginia Patriarcado Subversão Gênero |
topic |
Marina Colasanti Miniconto Misoginia Patriarcado Subversão Gênero Marina Colasanti Miniconto Misogyny Patriarchate Subversion Genre LINGUISTICA, LETRAS E ARTES |
dc.subject.eng.fl_str_mv |
Marina Colasanti Miniconto Misogyny Patriarchate Subversion Genre |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES |
description |
The present work aims to analyze the relations of representation of women with the aspects of misogyny and patriarchy heritage, making counterpoints to these concepts, through the subversion of the female characters chosen for the study, in nine mini-stories from the work Contos de amor rasgados, from 2010, by author Marina Colasanti. This relationship, in this research, is analyzed from the conceptualization of misogyny, patriarchy and subversion and how these concepts interfere in the female action. For the discussions related to the perspective of misogyny and patriarchy, the mini stories “Never neglecting duty”, “No news from the front” and “Honor passed clean” were chosen. For the perspective of women's subversion to these concepts, the mini stories “The milk of the beloved woman”, “When it was no longer needed”, “Never soiling the family”, “Lost was the goal of the morphosis”, “Song for Hua Mu-lan” and “Behind the thick veil”. It is a bibliographic research that is carried out from an articulation between literary and sociological theories and the literary text. For the analysis of the author and her relevance to contemporary Brazilian literature, the following materials were used: Colasanti (1997, 2003, 2008, 2010, 2013, 2014); Spalding (2007, 2008, 2012), Schollhammer (2009), Almeida (2013), Gonzaga (2007), among others, were invited to discuss the mini story genre and its construction in contemporary Brazilian literature. Beauvoir (1970, v. 1 and v. 2), Butler (2017), Tiburi (2002), Grosz (2000) and Rago (2004) are the basis for discussions about gender. For discussions on aspects of patriarchy, the postulates of Piscitelli (2009), Saffioti (1976, 2004) and Xavier (1998) were used. For the analysis of the misogyny perspective, this research used the studies of Bloch (1995), Fonseca (2017) and Bourdieu (2012), which deals directly with male domination. Dalcastagnè's (2005) studies on the role of women in Brazilian literature bring important collaborations to the research. In short, through analysis, it is clear that the relationship between the concepts of misogyny, patriarchy and domination permeate different real and fictional social spaces, with subversion being the answer that the feminine can give to centuries of inferiority, since the female protagonism in the literature corroborates the fight against the derogatory severity that affects women since time immemorial. |
publishDate |
2021 |
dc.date.accessioned.fl_str_mv |
2021-11-11T11:23:30Z |
dc.date.available.fl_str_mv |
2021-11-11T11:23:30Z |
dc.date.issued.fl_str_mv |
2021-03-02 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
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masterThesis |
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dc.identifier.citation.fl_str_mv |
ALMEIDA, Alessandra Oliveira de. Misoginia, patriarcado e subversão em Contos de amor rasgados, de Marina Colasanti. 2021. 110 f. Dissertação (Mestrado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2021. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/11750 |
identifier_str_mv |
ALMEIDA, Alessandra Oliveira de. Misoginia, patriarcado e subversão em Contos de amor rasgados, de Marina Colasanti. 2021. 110 f. Dissertação (Mestrado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2021. |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/11750 |
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por |
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por |
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dc.relation.confidence.fl_str_mv |
500 500 500 |
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770 |
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Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
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Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ |
eu_rights_str_mv |
openAccess |
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Universidade Federal de Goiás |
dc.publisher.program.fl_str_mv |
Programa de Pós-graduação em Letras e Linguística (FL) |
dc.publisher.initials.fl_str_mv |
UFG |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Faculdade de Letras - FL (RG) |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
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