Prolegômenos a uma arqueologia da música: saber e modernidade musical
Autor(a) principal: | |
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Data de Publicação: | 2011 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tde/2896 |
Resumo: | The aim of this work is to unfold a suggestion given by Michel Foucault, which indicates the possibility of applying the archeological method to a philosophical approach to the arts, literature and as we tried to do throughout this research to music as well. For this purpose, have been taken not only the works in which Foucault have described or developed his archeology (e.g. L archeologie du savoir, L ordre du discourse), but also some texts that Deleuze, Merleau-Ponty and Foucault himself wrote about literature, cinema and the arts. Theses texts, I argue, could point out some decisive and distinctive features of Musical Modernity. Therefore, they could serve to establish the philosophical boundaries into which an archeological description of music should move; consequently, they should show the differences between an archeological and some musicological approaches to become helpful to the comprehension of the very interest of a History of Music. |
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Ternes, Joséhttp://lattes.cnpq.br/4963109088070313http://lattes.cnpq.br/3883450094178820Silva, Thiago Cazarim da2014-08-11T11:37:23Z2011-08-08SILVA, Thiago Cazarim da. Prolegômenos a uma arqueologia da música: saber e Modernidade musical. 2011. 156 f. Dissertação (Mestrado em Filosofia) - Universidade Federal de Goiás, Goiânia, 2011.http://repositorio.bc.ufg.br/tede/handle/tde/2896ark:/38995/0013000008hj5The aim of this work is to unfold a suggestion given by Michel Foucault, which indicates the possibility of applying the archeological method to a philosophical approach to the arts, literature and as we tried to do throughout this research to music as well. For this purpose, have been taken not only the works in which Foucault have described or developed his archeology (e.g. L archeologie du savoir, L ordre du discourse), but also some texts that Deleuze, Merleau-Ponty and Foucault himself wrote about literature, cinema and the arts. Theses texts, I argue, could point out some decisive and distinctive features of Musical Modernity. Therefore, they could serve to establish the philosophical boundaries into which an archeological description of music should move; consequently, they should show the differences between an archeological and some musicological approaches to become helpful to the comprehension of the very interest of a History of Music.O objetivo desta dissertação é desenvolver uma sugestão de Foucault presente no final de A arqueologia do saber, segundo a qual seria possível realizar descrições arqueológicas de saberes que não os científicos, tais como as artes, a literatura e, no caso da presente pesquisa, a música. Para isso, recorrendo não só à Arqueologia do saber e textos em que Foucault discute ou pratica o método arqueológico (As palavras e as coisas, A ordem do discurso), mas também a alguns escritos em que o próprio Foucault, além de Deleuze e Merleau-Ponty discorrem sobre as artes, a literatura e o cinema é que tento indicar os limites filosóficos em que uma descrição arqueológica da Modernidade musical deveria se mover, bem como suas implicações para a compreensão do próprio objeto de interesse de uma História da Música.Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2014-08-11T11:37:23Z No. of bitstreams: 2 license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) THIAGO CAZARIM DA SILVA.pdf: 1193951 bytes, checksum: 0c38b3b09a2c090ea3ca2957bdfed3b1 (MD5)Made available in DSpace on 2014-08-11T11:37:23Z (GMT). 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dc.title.por.fl_str_mv |
Prolegômenos a uma arqueologia da música: saber e modernidade musical |
dc.title.alternative.eng.fl_str_mv |
Prolegomena to an archeology of music: knowledge and musical modernity |
title |
Prolegômenos a uma arqueologia da música: saber e modernidade musical |
spellingShingle |
Prolegômenos a uma arqueologia da música: saber e modernidade musical Silva, Thiago Cazarim da Filosofia Música Michel Foucault Arqueologia do saber Philosophy Music Michel Foucault Archeology of knowledge CIENCIAS HUMANAS::FILOSOFIA |
title_short |
Prolegômenos a uma arqueologia da música: saber e modernidade musical |
title_full |
Prolegômenos a uma arqueologia da música: saber e modernidade musical |
title_fullStr |
Prolegômenos a uma arqueologia da música: saber e modernidade musical |
title_full_unstemmed |
Prolegômenos a uma arqueologia da música: saber e modernidade musical |
title_sort |
Prolegômenos a uma arqueologia da música: saber e modernidade musical |
author |
Silva, Thiago Cazarim da |
author_facet |
Silva, Thiago Cazarim da |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Ternes, José |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/4963109088070313 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/3883450094178820 |
dc.contributor.author.fl_str_mv |
Silva, Thiago Cazarim da |
contributor_str_mv |
Ternes, José |
dc.subject.por.fl_str_mv |
Filosofia Música Michel Foucault Arqueologia do saber |
topic |
Filosofia Música Michel Foucault Arqueologia do saber Philosophy Music Michel Foucault Archeology of knowledge CIENCIAS HUMANAS::FILOSOFIA |
dc.subject.eng.fl_str_mv |
Philosophy Music Michel Foucault Archeology of knowledge |
dc.subject.cnpq.fl_str_mv |
CIENCIAS HUMANAS::FILOSOFIA |
description |
The aim of this work is to unfold a suggestion given by Michel Foucault, which indicates the possibility of applying the archeological method to a philosophical approach to the arts, literature and as we tried to do throughout this research to music as well. For this purpose, have been taken not only the works in which Foucault have described or developed his archeology (e.g. L archeologie du savoir, L ordre du discourse), but also some texts that Deleuze, Merleau-Ponty and Foucault himself wrote about literature, cinema and the arts. Theses texts, I argue, could point out some decisive and distinctive features of Musical Modernity. Therefore, they could serve to establish the philosophical boundaries into which an archeological description of music should move; consequently, they should show the differences between an archeological and some musicological approaches to become helpful to the comprehension of the very interest of a History of Music. |
publishDate |
2011 |
dc.date.issued.fl_str_mv |
2011-08-08 |
dc.date.accessioned.fl_str_mv |
2014-08-11T11:37:23Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
SILVA, Thiago Cazarim da. Prolegômenos a uma arqueologia da música: saber e Modernidade musical. 2011. 156 f. Dissertação (Mestrado em Filosofia) - Universidade Federal de Goiás, Goiânia, 2011. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tde/2896 |
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ark:/38995/0013000008hj5 |
identifier_str_mv |
SILVA, Thiago Cazarim da. Prolegômenos a uma arqueologia da música: saber e Modernidade musical. 2011. 156 f. Dissertação (Mestrado em Filosofia) - Universidade Federal de Goiás, Goiânia, 2011. ark:/38995/0013000008hj5 |
url |
http://repositorio.bc.ufg.br/tede/handle/tde/2896 |
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por |
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Universidade Federal de Goiás |
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UFG |
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Universidade Federal de Goiás |
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