Diaporamas: um estudo crítico de audiovisuais na arte brasileira (1972-1975)
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/11602 |
Resumo: | This investigation the Brazilian audiovisual production of the 1970s, specifically the sli deshows, slides synchronized to children recorded on cassette or roll, from the analysis of the following works: Curriculum Vitae I and Curriculum Vitae II, by Frederico Morais (1936); Ma tadouro, by Beatriz Dantas (1949) and Paulo Lemos; Eu armário de mim, by Letícia Parente (1930-1991); Natureza (Besame Mucho), by Luiz Alphonsus (1948), and Bichomorto, by Paulo Fogaça (1936-2019). The research objectives are to investigate how this production was con figured in Brazil in the 1970s, how these works are related to the set of artistic proposals that use new technologies in the context of the period as a means of expression, and also to iden tify the strategies adopted by the artists under investigation. For that, newspapers, magazi nes, catalogs, folders, participate and consulted in public and private collections, and classify with the artists that are part of the analysis corpus, personal sources of this research. Through a dialogue between the History of Art and the Visual Culture Studies, I try to unders tand the Works inside the culture and artistic production of the time |
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Monteiro, Rosana Horiohttp://lattes.cnpq.br/9262982142956906Vilela, Ana Lúcia OliveiraCruz, Roberto Moreira dos SantosJesus, Samuel José Gilbert deDamião, Carla MilaniMonteiro, Rosana Horiohttp://lattes.cnpq.br/8950249327686302Carvalho, Rosane Andrade de2021-08-27T12:18:27Z2021-08-27T12:18:27Z2021-07-21CARVALHO, R. A. Diaporamas: um estudo crítico de audiovisuais na arte brasileira (1972-1975). 2021. 174 f. Tese (Doutorado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2021.http://repositorio.bc.ufg.br/tede/handle/tede/11602ark:/38995/001300000c9ffThis investigation the Brazilian audiovisual production of the 1970s, specifically the sli deshows, slides synchronized to children recorded on cassette or roll, from the analysis of the following works: Curriculum Vitae I and Curriculum Vitae II, by Frederico Morais (1936); Ma tadouro, by Beatriz Dantas (1949) and Paulo Lemos; Eu armário de mim, by Letícia Parente (1930-1991); Natureza (Besame Mucho), by Luiz Alphonsus (1948), and Bichomorto, by Paulo Fogaça (1936-2019). The research objectives are to investigate how this production was con figured in Brazil in the 1970s, how these works are related to the set of artistic proposals that use new technologies in the context of the period as a means of expression, and also to iden tify the strategies adopted by the artists under investigation. For that, newspapers, magazi nes, catalogs, folders, participate and consulted in public and private collections, and classify with the artists that are part of the analysis corpus, personal sources of this research. Through a dialogue between the History of Art and the Visual Culture Studies, I try to unders tand the Works inside the culture and artistic production of the timeEsta tese investiga a produção brasileira de audiovisuais da década de 1970, especificamente os diaporamas, diapositivos sincronizados a sons gravados em fita cassete ou de rolo, a partir da análise das seguintes obras: Curriculum Vitae I e Curriculum Vitae II, de Frederico Morais (1936); Matadouro, de Beatriz Dantas (1949) e Paulo Lemos; Eu armário de mim, de Letícia Parente (1930-1991); Natureza (Besame Mucho), de Luiz Alphonsus (1948), e Bichomorto, de Paulo Fogaça (1936-2019). Os objetivos da pesquisa são investigar de que maneira essa pro dução se configurou no Brasil na década de 1970, como essas obras se relacionam com o con junto de propostas artísticas que utilizaram novas tecnologias no contexto do período como meio de expressão, e, ainda, identificar as estratégias adotadas pelos artistas estudados. Para tanto, jornais, revistas, catálogos, fol ders, localizados e consultados em acervos públicos e privados, e entrevistas com os artistas integrantes do corpus de análise, constituem-se em fontes da pesquisa. Através de um diá logo entre a História da Arte e os Estudos de Cultura Visual procuro compreender as obras em suas relações com a cultura e a produção artística da época.Submitted by Franciele Moreira (francielemoreyra@gmail.com) on 2021-08-24T16:00:09Z No. of bitstreams: 2 Tese - Rosane Andrade de Carvalho - 2021.pdf: 7470508 bytes, checksum: 31c8591bd7f53d5fe3a6bbb041492319 (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5)Rejected by Luciana Ferreira (lucgeral@gmail.com), reason: CONFIRME SE A ORIENTADORA NÃO FEZ PARTE DA BANCA, POIS NÃO REGISTROU O NOME DELA NOS MEMBROS DA BANCA. OBSERVE AS PALVRAS CHAVES on 2021-08-26T11:28:57Z (GMT)Submitted by Franciele Moreira (francielemoreyra@gmail.com) on 2021-08-27T00:18:11Z No. of bitstreams: 2 Tese - Rosane Andrade de Carvalho - 2021.pdf: 7470508 bytes, checksum: 31c8591bd7f53d5fe3a6bbb041492319 (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2021-08-27T12:18:27Z (GMT) No. of bitstreams: 2 Tese - Rosane Andrade de Carvalho - 2021.pdf: 7470508 bytes, checksum: 31c8591bd7f53d5fe3a6bbb041492319 (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5)Made available in DSpace on 2021-08-27T12:18:27Z (GMT). No. of bitstreams: 2 Tese - Rosane Andrade de Carvalho - 2021.pdf: 7470508 bytes, checksum: 31c8591bd7f53d5fe3a6bbb041492319 (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5) Previous issue date: 2021-07-21Fundação de Amparo à Pesquisa do Estado de GoiásporUniversidade Federal de GoiásPrograma de Pós-graduação em Arte e Cultura Visual (FAV)UFGBrasilFaculdade de Artes Visuais - FAV (RG)Attribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessDiaporamasDécada de 1970Arte brasileiraSlideshows1970sBrazilian artLINGUISTICA, LETRAS E ARTES::ARTES::FUNDAMENTOS E CRITICA DAS ARTESDiaporamas: um estudo crítico de audiovisuais na arte brasileira (1972-1975)Diaporamas: a critical study of audiovisuals in brazilian artinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesis85005005005008773reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.bc.ufg.br/tede/bitstreams/3bff2038-ea5f-4761-b9f1-c4f87b29986d/download8a4605be74aa9ea9d79846c1fba20a33MD51CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8805http://repositorio.bc.ufg.br/tede/bitstreams/0cedfe21-1411-4595-a1e6-1f8409a2eb39/download4460e5956bc1d1639be9ae6146a50347MD52ORIGINALTese - Rosane Andrade de Carvalho - 2021.pdfTese - Rosane Andrade de Carvalho - 2021.pdfapplication/pdf7470508http://repositorio.bc.ufg.br/tede/bitstreams/026f66a3-ce18-495d-8d1b-ecee05c2a1d0/download31c8591bd7f53d5fe3a6bbb041492319MD53tede/116022021-08-27 09:18:27.787http://creativecommons.org/licenses/by-nc-nd/4.0/Attribution-NonCommercial-NoDerivatives 4.0 Internationalopen.accessoai:repositorio.bc.ufg.br:tede/11602http://repositorio.bc.ufg.br/tedeRepositório InstitucionalPUBhttp://repositorio.bc.ufg.br/oai/requesttasesdissertacoes.bc@ufg.bropendoar:2021-08-27T12:18:27Repositório Institucional da UFG - Universidade Federal de Goiás (UFG)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 |
dc.title.pt_BR.fl_str_mv |
Diaporamas: um estudo crítico de audiovisuais na arte brasileira (1972-1975) |
dc.title.alternative.eng.fl_str_mv |
Diaporamas: a critical study of audiovisuals in brazilian art |
title |
Diaporamas: um estudo crítico de audiovisuais na arte brasileira (1972-1975) |
spellingShingle |
Diaporamas: um estudo crítico de audiovisuais na arte brasileira (1972-1975) Carvalho, Rosane Andrade de Diaporamas Década de 1970 Arte brasileira Slideshows 1970s Brazilian art LINGUISTICA, LETRAS E ARTES::ARTES::FUNDAMENTOS E CRITICA DAS ARTES |
title_short |
Diaporamas: um estudo crítico de audiovisuais na arte brasileira (1972-1975) |
title_full |
Diaporamas: um estudo crítico de audiovisuais na arte brasileira (1972-1975) |
title_fullStr |
Diaporamas: um estudo crítico de audiovisuais na arte brasileira (1972-1975) |
title_full_unstemmed |
Diaporamas: um estudo crítico de audiovisuais na arte brasileira (1972-1975) |
title_sort |
Diaporamas: um estudo crítico de audiovisuais na arte brasileira (1972-1975) |
author |
Carvalho, Rosane Andrade de |
author_facet |
Carvalho, Rosane Andrade de |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Monteiro, Rosana Horio |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/9262982142956906 |
dc.contributor.referee1.fl_str_mv |
Vilela, Ana Lúcia Oliveira |
dc.contributor.referee2.fl_str_mv |
Cruz, Roberto Moreira dos Santos |
dc.contributor.referee3.fl_str_mv |
Jesus, Samuel José Gilbert de |
dc.contributor.referee4.fl_str_mv |
Damião, Carla Milani |
dc.contributor.referee5.fl_str_mv |
Monteiro, Rosana Horio |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/8950249327686302 |
dc.contributor.author.fl_str_mv |
Carvalho, Rosane Andrade de |
contributor_str_mv |
Monteiro, Rosana Horio Vilela, Ana Lúcia Oliveira Cruz, Roberto Moreira dos Santos Jesus, Samuel José Gilbert de Damião, Carla Milani Monteiro, Rosana Horio |
dc.subject.por.fl_str_mv |
Diaporamas Década de 1970 Arte brasileira |
topic |
Diaporamas Década de 1970 Arte brasileira Slideshows 1970s Brazilian art LINGUISTICA, LETRAS E ARTES::ARTES::FUNDAMENTOS E CRITICA DAS ARTES |
dc.subject.eng.fl_str_mv |
Slideshows 1970s Brazilian art |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::ARTES::FUNDAMENTOS E CRITICA DAS ARTES |
description |
This investigation the Brazilian audiovisual production of the 1970s, specifically the sli deshows, slides synchronized to children recorded on cassette or roll, from the analysis of the following works: Curriculum Vitae I and Curriculum Vitae II, by Frederico Morais (1936); Ma tadouro, by Beatriz Dantas (1949) and Paulo Lemos; Eu armário de mim, by Letícia Parente (1930-1991); Natureza (Besame Mucho), by Luiz Alphonsus (1948), and Bichomorto, by Paulo Fogaça (1936-2019). The research objectives are to investigate how this production was con figured in Brazil in the 1970s, how these works are related to the set of artistic proposals that use new technologies in the context of the period as a means of expression, and also to iden tify the strategies adopted by the artists under investigation. For that, newspapers, magazi nes, catalogs, folders, participate and consulted in public and private collections, and classify with the artists that are part of the analysis corpus, personal sources of this research. Through a dialogue between the History of Art and the Visual Culture Studies, I try to unders tand the Works inside the culture and artistic production of the time |
publishDate |
2021 |
dc.date.accessioned.fl_str_mv |
2021-08-27T12:18:27Z |
dc.date.available.fl_str_mv |
2021-08-27T12:18:27Z |
dc.date.issued.fl_str_mv |
2021-07-21 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/doctoralThesis |
format |
doctoralThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
CARVALHO, R. A. Diaporamas: um estudo crítico de audiovisuais na arte brasileira (1972-1975). 2021. 174 f. Tese (Doutorado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2021. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/11602 |
dc.identifier.dark.fl_str_mv |
ark:/38995/001300000c9ff |
identifier_str_mv |
CARVALHO, R. A. Diaporamas: um estudo crítico de audiovisuais na arte brasileira (1972-1975). 2021. 174 f. Tese (Doutorado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2021. ark:/38995/001300000c9ff |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/11602 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.program.fl_str_mv |
8 |
dc.relation.confidence.fl_str_mv |
500 500 500 500 |
dc.relation.department.fl_str_mv |
8 |
dc.relation.cnpq.fl_str_mv |
77 |
dc.relation.sponsorship.fl_str_mv |
3 |
dc.rights.driver.fl_str_mv |
Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.publisher.program.fl_str_mv |
Programa de Pós-graduação em Arte e Cultura Visual (FAV) |
dc.publisher.initials.fl_str_mv |
UFG |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Faculdade de Artes Visuais - FAV (RG) |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.source.none.fl_str_mv |
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