Cozer bolos/coser livros - autopublicação de livros: ação pedagógica e artística na cidade de Goiás (GO)

Detalhes bibliográficos
Autor(a) principal: Carlos, Wagner Falcão
Data de Publicação: 2022
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UFG
Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/12019
Resumo: History has shown that access to the book as a reader and, especially, as an author faces significant restrictions since its development. It is proposed to reflect on the relevance of other subjects having access to the book as authors, minimizing the distance between people to this object by seeking ways to, on the one hand, question the right artificially constructed by visuality to access exclusively the book as authorship; on the other hand, providing opportunities for other subjects to access it as authors, valuing their perspectives through these objects. It is methodologically supported by action research (LEWIN; GREENWOOD, 2006); in Arts-Based Research (HERNÁNDEZ, 2008) and a/r/tography (IRWIN, 2013); and in Visual Culture (MIRZOEFF, 2003). As complementary techniques and procedures, bibliographic research are used (MARCONI; LAKATOS, 2017), cross images (SAMAIN, 2012), grounded theory (STRAUSS; CORBIN, 2008) and writing under the typology of Evocative Texts ( BARONE; EISNER 2006 apud HERNÁNDEZ, 2008). The option for such methodological paths and for such methods are given to meet the idea of trivialize the access to the book as an author, something that has strong support in the propositions of Mirzoeff (2011) about visuality complexes, generating the perception that the book system is also organized through a complex, the book complex. The reflections on memory had as a starting point the thought of Candau (2011) and Halbwachs (1990). Exist an emphasis on the relation with the book Memory and Society, by Ecléa Bosi (1994), which, in addition to debating the issue of memory, brings reflections relevant to the methodology for promoting self-publishing due to the way in which the book is organized. From Almeida (2009), Gohn (2015) and Freire (2011,2013), he raised a reflection on the pedagogical and artistic action, “Cozer bolos/ Coser Livros”, which was mediated by a visual arts teacher. The results of the experiment were shared through a significant number of images and text-images. Then the promotion of self-publishing is a relevant action for the access of more subjects to the book as authorship; that the training process involved in the action must have as a principle the search for the authors' autonomy, in an education for freedom; that public research and teaching institutions play a key role in ensuring the development of similar actions.
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spelling Perotto, Lilian Uckerhttp://lattes.cnpq.br/1120812742549842Perotto, Lilian UckerAndrade, Émile CardosoGuimarães, Leda Maria de Barroshttp://lattes.cnpq.br/3264985870511252Carlos, Wagner Falcão2022-04-19T11:07:25Z2022-04-19T11:07:25Z2022-02-04CARLOS, W. F. Cozer bolos/coser livros - autopublicação de livros: ação pedagógica e artística na cidade de Goiás (GO). 2022. 191 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2022.http://repositorio.bc.ufg.br/tede/handle/tede/12019History has shown that access to the book as a reader and, especially, as an author faces significant restrictions since its development. It is proposed to reflect on the relevance of other subjects having access to the book as authors, minimizing the distance between people to this object by seeking ways to, on the one hand, question the right artificially constructed by visuality to access exclusively the book as authorship; on the other hand, providing opportunities for other subjects to access it as authors, valuing their perspectives through these objects. It is methodologically supported by action research (LEWIN; GREENWOOD, 2006); in Arts-Based Research (HERNÁNDEZ, 2008) and a/r/tography (IRWIN, 2013); and in Visual Culture (MIRZOEFF, 2003). As complementary techniques and procedures, bibliographic research are used (MARCONI; LAKATOS, 2017), cross images (SAMAIN, 2012), grounded theory (STRAUSS; CORBIN, 2008) and writing under the typology of Evocative Texts ( BARONE; EISNER 2006 apud HERNÁNDEZ, 2008). The option for such methodological paths and for such methods are given to meet the idea of trivialize the access to the book as an author, something that has strong support in the propositions of Mirzoeff (2011) about visuality complexes, generating the perception that the book system is also organized through a complex, the book complex. The reflections on memory had as a starting point the thought of Candau (2011) and Halbwachs (1990). Exist an emphasis on the relation with the book Memory and Society, by Ecléa Bosi (1994), which, in addition to debating the issue of memory, brings reflections relevant to the methodology for promoting self-publishing due to the way in which the book is organized. From Almeida (2009), Gohn (2015) and Freire (2011,2013), he raised a reflection on the pedagogical and artistic action, “Cozer bolos/ Coser Livros”, which was mediated by a visual arts teacher. The results of the experiment were shared through a significant number of images and text-images. Then the promotion of self-publishing is a relevant action for the access of more subjects to the book as authorship; that the training process involved in the action must have as a principle the search for the authors' autonomy, in an education for freedom; that public research and teaching institutions play a key role in ensuring the development of similar actions.A história tem demonstrado que o acesso ao livro na condição de leitor/a e, especialmente, como autor/a enfrenta restrições significativas desde o seu desenvolvimento. Assim, propõe-se refletir sobre a relevância de outros sujeitos terem acesso ao livro na condição de autores e autoras, minimizando a distância entre as pessoas a esse objeto ao buscar caminhos para, de um lado, questionar o direito artificialmente construído pela visualidade para acessar exclusivamente o livro na condição de autoria; do outro, oportunizar que outros sujeitos possam acessá-lo, como autores e autoras, valorizando suas perspectivas através desse objeto. Com esse intuito, o presente trabalho ampara-se metodologicamente na pesquisa-ação (LEWIN;GREENWOOD, 2006); na Pesquisa Baseada nas Artes (HERNÁNDEZ, 2008) e a a/r/tografia (IRWIN, 2013) e na Cultura Visual (MIRZOEFF, 2003). Como técnicas e procedimentos complementares, aciona-se a pesquisa bibliográfica (MARCONI; LAKATOS, 2017), o cruzamento de imagens (SAMAIN, 2012), a teoria fundamentada (STRAUSS; CORBIN, 2008) e uma escrita sob a tipologia dos Textos evocativos (BARONE; EISNER, 2006 apud HERNÁNDEZ, 2008). A opção por tais caminhos metodológicos e métodos busca atender a ideia de banalização do acesso ao livro como autor/a, algo que possui forte amparo nas proposições de Mirzoeff (2011) acerca dos complexos de visualidade, gerando a percepção de que o sistema do livro organiza-se também através de um complexo, o complexo livresco. As reflexões sobre memória tiveram como ponto de partida o pensamento de Candau (2011) e Halbwachs (1990), com destaque para a relação da obra Memória e Sociedade, de Ecléa Bosi (1994) que, além de debater a questão da memória, traz reflexões relevantes para a metodologia de fomento da autopublicação em função do modo como o livro está organizado. A partir de Almeida (2009), Gohn (2015) e Freire (2011,2013), levanta-se uma reflexão sobre a ação pedagógica e artística, “Cozer bolos/ Coser livros”, a qual foi mediada por um professor de artes visuais. Os resultados da experiência foram compartilhados através de um número significativo de imagens e imagens-textos. Logo, o fomento da autopublicação é uma ação relevante para acesso de mais sujeitos ao livro na condição de autoria, uma vez que o processo formativo envolvido na ação deve ter como princípio a busca pela autonomia dos autores, em uma educação para a liberdade; que as instituições públicas de pesquisa e ensino têm um papel chave para garantir o desenvolvimento de ações similares.Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2022-04-18T11:47:14Z No. of bitstreams: 2 Dissertação - Wagner Falcão Carlos - 2022.pdf: 25727495 bytes, checksum: 0f7c83cc941d2bbc69b12ba00d06d9cc (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2022-04-19T11:07:25Z (GMT) No. of bitstreams: 2 Dissertação - Wagner Falcão Carlos - 2022.pdf: 25727495 bytes, checksum: 0f7c83cc941d2bbc69b12ba00d06d9cc (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5)Made available in DSpace on 2022-04-19T11:07:25Z (GMT). No. of bitstreams: 2 Dissertação - Wagner Falcão Carlos - 2022.pdf: 25727495 bytes, checksum: 0f7c83cc941d2bbc69b12ba00d06d9cc (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5) Previous issue date: 2022-02-04porUniversidade Federal de GoiásPrograma de Pós-graduação em Arte e Cultura Visual (FAV)UFGBrasilFaculdade de Artes Visuais - FAV (RG)Attribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessCultura visualAutopublicação de livrosBanalização do livroContravisualidadePesquisa baseada nas artesVisual cultureSelf-publishing booksBanalization of the bookCountervisualityArts-based researchLINGUISTICA, LETRAS E ARTES::ARTESCozer bolos/coser livros - autopublicação de livros: ação pedagógica e artística na cidade de Goiás (GO)Baking cakes/sewing books - self-publishing of books: pedagogical and artistic action in the city of Goiás (GO)info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis85005005008767reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.bc.ufg.br/tede/bitstreams/23cb0546-2349-436c-87c3-6ada842e21d5/download8a4605be74aa9ea9d79846c1fba20a33MD51ORIGINALDissertação - Wagner Falcão Carlos - 2022.pdfDissertação - Wagner Falcão Carlos - 2022.pdfapplication/pdf25727495http://repositorio.bc.ufg.br/tede/bitstreams/b53346fe-3e3a-4bb8-b735-255ac9ed05d9/download0f7c83cc941d2bbc69b12ba00d06d9ccMD53CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8805http://repositorio.bc.ufg.br/tede/bitstreams/3ab4f77f-0081-4ca3-b393-eeb95229dd21/download4460e5956bc1d1639be9ae6146a50347MD52tede/120192022-04-19 08:07:25.935http://creativecommons.org/licenses/by-nc-nd/4.0/Attribution-NonCommercial-NoDerivatives 4.0 Internationalopen.accessoai:repositorio.bc.ufg.br:tede/12019http://repositorio.bc.ufg.br/tedeRepositório InstitucionalPUBhttp://repositorio.bc.ufg.br/oai/requesttasesdissertacoes.bc@ufg.bropendoar:2022-04-19T11:07:25Repositório Institucional da UFG - Universidade Federal de Goiás (UFG)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
dc.title.pt_BR.fl_str_mv Cozer bolos/coser livros - autopublicação de livros: ação pedagógica e artística na cidade de Goiás (GO)
dc.title.alternative.eng.fl_str_mv Baking cakes/sewing books - self-publishing of books: pedagogical and artistic action in the city of Goiás (GO)
title Cozer bolos/coser livros - autopublicação de livros: ação pedagógica e artística na cidade de Goiás (GO)
spellingShingle Cozer bolos/coser livros - autopublicação de livros: ação pedagógica e artística na cidade de Goiás (GO)
Carlos, Wagner Falcão
Cultura visual
Autopublicação de livros
Banalização do livro
Contravisualidade
Pesquisa baseada nas artes
Visual culture
Self-publishing books
Banalization of the book
Countervisuality
Arts-based research
LINGUISTICA, LETRAS E ARTES::ARTES
title_short Cozer bolos/coser livros - autopublicação de livros: ação pedagógica e artística na cidade de Goiás (GO)
title_full Cozer bolos/coser livros - autopublicação de livros: ação pedagógica e artística na cidade de Goiás (GO)
title_fullStr Cozer bolos/coser livros - autopublicação de livros: ação pedagógica e artística na cidade de Goiás (GO)
title_full_unstemmed Cozer bolos/coser livros - autopublicação de livros: ação pedagógica e artística na cidade de Goiás (GO)
title_sort Cozer bolos/coser livros - autopublicação de livros: ação pedagógica e artística na cidade de Goiás (GO)
author Carlos, Wagner Falcão
author_facet Carlos, Wagner Falcão
author_role author
dc.contributor.advisor1.fl_str_mv Perotto, Lilian Ucker
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/1120812742549842
dc.contributor.referee1.fl_str_mv Perotto, Lilian Ucker
dc.contributor.referee2.fl_str_mv Andrade, Émile Cardoso
dc.contributor.referee3.fl_str_mv Guimarães, Leda Maria de Barros
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/3264985870511252
dc.contributor.author.fl_str_mv Carlos, Wagner Falcão
contributor_str_mv Perotto, Lilian Ucker
Perotto, Lilian Ucker
Andrade, Émile Cardoso
Guimarães, Leda Maria de Barros
dc.subject.por.fl_str_mv Cultura visual
Autopublicação de livros
Banalização do livro
Contravisualidade
Pesquisa baseada nas artes
topic Cultura visual
Autopublicação de livros
Banalização do livro
Contravisualidade
Pesquisa baseada nas artes
Visual culture
Self-publishing books
Banalization of the book
Countervisuality
Arts-based research
LINGUISTICA, LETRAS E ARTES::ARTES
dc.subject.eng.fl_str_mv Visual culture
Self-publishing books
Banalization of the book
Countervisuality
Arts-based research
dc.subject.cnpq.fl_str_mv LINGUISTICA, LETRAS E ARTES::ARTES
description History has shown that access to the book as a reader and, especially, as an author faces significant restrictions since its development. It is proposed to reflect on the relevance of other subjects having access to the book as authors, minimizing the distance between people to this object by seeking ways to, on the one hand, question the right artificially constructed by visuality to access exclusively the book as authorship; on the other hand, providing opportunities for other subjects to access it as authors, valuing their perspectives through these objects. It is methodologically supported by action research (LEWIN; GREENWOOD, 2006); in Arts-Based Research (HERNÁNDEZ, 2008) and a/r/tography (IRWIN, 2013); and in Visual Culture (MIRZOEFF, 2003). As complementary techniques and procedures, bibliographic research are used (MARCONI; LAKATOS, 2017), cross images (SAMAIN, 2012), grounded theory (STRAUSS; CORBIN, 2008) and writing under the typology of Evocative Texts ( BARONE; EISNER 2006 apud HERNÁNDEZ, 2008). The option for such methodological paths and for such methods are given to meet the idea of trivialize the access to the book as an author, something that has strong support in the propositions of Mirzoeff (2011) about visuality complexes, generating the perception that the book system is also organized through a complex, the book complex. The reflections on memory had as a starting point the thought of Candau (2011) and Halbwachs (1990). Exist an emphasis on the relation with the book Memory and Society, by Ecléa Bosi (1994), which, in addition to debating the issue of memory, brings reflections relevant to the methodology for promoting self-publishing due to the way in which the book is organized. From Almeida (2009), Gohn (2015) and Freire (2011,2013), he raised a reflection on the pedagogical and artistic action, “Cozer bolos/ Coser Livros”, which was mediated by a visual arts teacher. The results of the experiment were shared through a significant number of images and text-images. Then the promotion of self-publishing is a relevant action for the access of more subjects to the book as authorship; that the training process involved in the action must have as a principle the search for the authors' autonomy, in an education for freedom; that public research and teaching institutions play a key role in ensuring the development of similar actions.
publishDate 2022
dc.date.accessioned.fl_str_mv 2022-04-19T11:07:25Z
dc.date.available.fl_str_mv 2022-04-19T11:07:25Z
dc.date.issued.fl_str_mv 2022-02-04
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dc.identifier.citation.fl_str_mv CARLOS, W. F. Cozer bolos/coser livros - autopublicação de livros: ação pedagógica e artística na cidade de Goiás (GO). 2022. 191 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2022.
dc.identifier.uri.fl_str_mv http://repositorio.bc.ufg.br/tede/handle/tede/12019
identifier_str_mv CARLOS, W. F. Cozer bolos/coser livros - autopublicação de livros: ação pedagógica e artística na cidade de Goiás (GO). 2022. 191 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2022.
url http://repositorio.bc.ufg.br/tede/handle/tede/12019
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dc.publisher.none.fl_str_mv Universidade Federal de Goiás
dc.publisher.program.fl_str_mv Programa de Pós-graduação em Arte e Cultura Visual (FAV)
dc.publisher.initials.fl_str_mv UFG
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Faculdade de Artes Visuais - FAV (RG)
publisher.none.fl_str_mv Universidade Federal de Goiás
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