“Não dá pra fugir dessa coisa de pele”: imagens e afetos de mulheres negras em telenovelas brasileiras

• Autor(a) principal: Conceição, Juara Castro da
• Data de Publicação: 2023
• Tipo de documento: Tese
• Idioma: por
• Título da fonte: Repositório Institucional da UFG
• dARK ID: ark:/38995/00130000052tv
• Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/12799
• topic: Afeto; Imagem; Mulheres negras; Telenovela; Affection; Image; Black women; Soap opera; OUTROS

This thesis proposes to investigate the affections of black women in images produced in Brazilian soap operas on TV Globo. The analyzes are based on the characters played by actress Taís Araújo between the years 1997 and 2022. They are: Vivian from “Anjo Mau” (1997), Edivânia from “Meu Bem Quer” (1998), Selminha Aluada from “Porto dos Milagres” (2001), Preta from “Da Cor do Pecado” (2004), Ellen from “Cobras e Lagartos” (2006), Alicia from “A Favorita” (2008), Helena from “Viver a Vida” (2009), Maria da Penha from “Cheias de Charme” (2012), Verônica from “Geração Brasil” (2014), Michele from “Mister Brau” (2015), Vitória from “Amor de Mãe” (2019) and Clarice from “Cara e Coragem” (2022). A study is carried out based on the cultural analysis of the images, taking into account their aesthetic elements and their intersections, considering the production of the meaning of affection. Recognizing the soap opera narrative, there are also discussions about fictional series and television narratives. In addition to Latin American Cultural Studies as a theoretical-methodological contribution and analysis spatiality. The images used in this work are electronic, the result of an imagery field driven by the presence of digital technologies. The search for images was intermediated by Google, which in addition of being a search device is also software and a multinational advertising company. In view of this, the virtualization of the memory of these fictional narratives based on their images is also discussed. Affectivity comes as an object of analysis from the thematic axes of: motherhood, affective-sexual relationships and friendship. When talking about the affectivity of black women, from television characters elements such as race, gender and class are touched. In addition to the generational and also aesthetic discussions of the characters presented. Based on a cultural analysis of the images, this research presents a possibility of understanding soap operas and their characters, through the imagery field that makes up their memory. We are talking about images beyond a technological line, guided by racialized affection as a possibility of understanding communication from the bond.