“Não dá pra fugir dessa coisa de pele”: imagens e afetos de mulheres negras em telenovelas brasileiras

Detalhes bibliográficos
Autor(a) principal: Conceição, Juara Castro da
Data de Publicação: 2023
Tipo de documento: Tese
Idioma: por
Título da fonte: Repositório Institucional da UFG
Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/12799
Resumo: This thesis proposes to investigate the affections of black women in images produced in Brazilian soap operas on TV Globo. The analyzes are based on the characters played by actress Taís Araújo between the years 1997 and 2022. They are: Vivian from “Anjo Mau” (1997), Edivânia from “Meu Bem Quer” (1998), Selminha Aluada from “Porto dos Milagres” (2001), Preta from “Da Cor do Pecado” (2004), Ellen from “Cobras e Lagartos” (2006), Alicia from “A Favorita” (2008), Helena from “Viver a Vida” (2009), Maria da Penha from “Cheias de Charme” (2012), Verônica from “Geração Brasil” (2014), Michele from “Mister Brau” (2015), Vitória from “Amor de Mãe” (2019) and Clarice from “Cara e Coragem” (2022). A study is carried out based on the cultural analysis of the images, taking into account their aesthetic elements and their intersections, considering the production of the meaning of affection. Recognizing the soap opera narrative, there are also discussions about fictional series and television narratives. In addition to Latin American Cultural Studies as a theoretical-methodological contribution and analysis spatiality. The images used in this work are electronic, the result of an imagery field driven by the presence of digital technologies. The search for images was intermediated by Google, which in addition of being a search device is also software and a multinational advertising company. In view of this, the virtualization of the memory of these fictional narratives based on their images is also discussed. Affectivity comes as an object of analysis from the thematic axes of: motherhood, affective-sexual relationships and friendship. When talking about the affectivity of black women, from television characters elements such as race, gender and class are touched. In addition to the generational and also aesthetic discussions of the characters presented. Based on a cultural analysis of the images, this research presents a possibility of understanding soap operas and their characters, through the imagery field that makes up their memory. We are talking about images beyond a technological line, guided by racialized affection as a possibility of understanding communication from the bond.
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spelling Dias, Luciene de Oliveirahttp://lattes.cnpq.br/7270892768281076Dias, Luciene de OliveiraSatler, Lara LimaRezende, Tânia FerreiraMartins, Alice de FátimaValério, Erinaldo Diashttp://lattes.cnpq.br/3300409466901582Conceição, Juara Castro da2023-04-28T11:53:55Z2023-04-28T11:53:55Z2023-04-14CONCEIÇÃO, J.C. “Não dá pra fugir dessa coisa de pele”: imagens e afetos de mulheres negras em telenovelas brasileiras. 2023. 201 f. Tese (Doutorado em Comunicação) - Universidade Federal de Goiás, Goiânia, 2023.http://repositorio.bc.ufg.br/tede/handle/tede/12799This thesis proposes to investigate the affections of black women in images produced in Brazilian soap operas on TV Globo. The analyzes are based on the characters played by actress Taís Araújo between the years 1997 and 2022. They are: Vivian from “Anjo Mau” (1997), Edivânia from “Meu Bem Quer” (1998), Selminha Aluada from “Porto dos Milagres” (2001), Preta from “Da Cor do Pecado” (2004), Ellen from “Cobras e Lagartos” (2006), Alicia from “A Favorita” (2008), Helena from “Viver a Vida” (2009), Maria da Penha from “Cheias de Charme” (2012), Verônica from “Geração Brasil” (2014), Michele from “Mister Brau” (2015), Vitória from “Amor de Mãe” (2019) and Clarice from “Cara e Coragem” (2022). A study is carried out based on the cultural analysis of the images, taking into account their aesthetic elements and their intersections, considering the production of the meaning of affection. Recognizing the soap opera narrative, there are also discussions about fictional series and television narratives. In addition to Latin American Cultural Studies as a theoretical-methodological contribution and analysis spatiality. The images used in this work are electronic, the result of an imagery field driven by the presence of digital technologies. The search for images was intermediated by Google, which in addition of being a search device is also software and a multinational advertising company. In view of this, the virtualization of the memory of these fictional narratives based on their images is also discussed. Affectivity comes as an object of analysis from the thematic axes of: motherhood, affective-sexual relationships and friendship. When talking about the affectivity of black women, from television characters elements such as race, gender and class are touched. In addition to the generational and also aesthetic discussions of the characters presented. Based on a cultural analysis of the images, this research presents a possibility of understanding soap operas and their characters, through the imagery field that makes up their memory. We are talking about images beyond a technological line, guided by racialized affection as a possibility of understanding communication from the bond.Esta tese se propõe a investigar os afetos de mulheres negras em imagens produzidas a partir das telenovelas brasileiras da TV Globo. As análises partem das personagens interpretadas pela atriz Taís Araújo entre os anos de 1997 e 2022. Elas são: Vivian, de “Anjo Mau” (1997); Edivânia, de “Meu bem querer” (1998); Selminha Aluada, de “Porto dos Milagres” (2001); Preta, de “Da Cor do Pecado” (2004); Ellen, de “Cobras e Lagartos” (2006); Alícia, de “A Favorita” (2008); Helena, de “Viver a Vida” (2009); Maria da Penha, de “Cheias de Charme” (2012); Verônica, de “Geração Brasil” (2014); Michele, de “Mister Brau” (2015); Vitória, de “Amor de Mãe” (2019) e Clarice, de “Cara e Coragem” (2022). É realizado um estudo a partir da análise cultural das imagens, considerando seus elementos estéticos e os cruzamentos das mesmas considerando a produção de sentido do afeto. Pela narrativa de telenovela, apresentam-se também discussões sobre narrativa ficcional seriada e televisão. Além dos Estudos Culturais Latino-Americanos enquanto aporte teórico-metodológico e espacialidade de análise. As imagens utilizadas neste trabalho são eletrônicas, frutos de um campo imagético impulsionado pela presença de tecnologias digitais. A procura das imagens foi intermediada pelo Google, que além de ser um mecanismo de pesquisa é também software e uma empresa multinacional de publicidade. Diante disso, discute-se ainda a virtualização da memória destas narrativas ficcionais a partir das suas imagens. A afetividade vem como objeto de análise a partir dos eixos temáticos de: maternidade, relações afetivo-sexuais e amizade. Ao falar da afetividade de mulheres negras, a partir de personagens televisivas tocam-se elementos como raça, gênero e classe. Além das discussões geracionais e também estéticas das personagens apresentadas. A partir de uma análise cultural das imagens, encontra-se nesta pesquisa uma possibilidade de entendimento das telenovelas e de suas personagens, por meio do campo imagético que compõe a sua memória. Estamos falando de imagens para além de uma linha tecnológica, orientadas pelo afeto racializado enquanto possibilidade de compreensão da comunicação a partir do vínculo.Submitted by Leandro Machado (leandromachado@ufg.br) on 2023-04-27T18:33:49Z No. of bitstreams: 2 Tese - Juara Castro da Conceição - 2023.pdf: 5744806 bytes, checksum: 9d4034f78a043ae167641f9160a0c31d (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2023-04-28T11:53:55Z (GMT) No. of bitstreams: 2 Tese - Juara Castro da Conceição - 2023.pdf: 5744806 bytes, checksum: 9d4034f78a043ae167641f9160a0c31d (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5)Made available in DSpace on 2023-04-28T11:53:55Z (GMT). No. of bitstreams: 2 Tese - Juara Castro da Conceição - 2023.pdf: 5744806 bytes, checksum: 9d4034f78a043ae167641f9160a0c31d (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5) Previous issue date: 2023-04-14Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESporUniversidade Federal de GoiásPrograma de Pós-graduação em Comunicação (FIC)UFGBrasilFaculdade de Informação e Comunicação - FIC (RMG)Attribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessAfetoImagemMulheres negrasTelenovelaAffectionImageBlack womenSoap operaOUTROS“Não dá pra fugir dessa coisa de pele”: imagens e afetos de mulheres negras em telenovelas brasileiras“You can’t escape this skin thing”: images and affections of black women in Brazilian soap operasinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesis30500500500500179521reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGCC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8805http://repositorio.bc.ufg.br/tede/bitstreams/2e4c70cf-4e5a-4955-a17f-81dd92074d4a/download4460e5956bc1d1639be9ae6146a50347MD52ORIGINALTese - Juara Castro da Conceição - 2023.pdfTese - Juara Castro da Conceição - 2023.pdfapplication/pdf5744806http://repositorio.bc.ufg.br/tede/bitstreams/c82adc1d-a9ca-48e3-8634-f6e47a729116/download9d4034f78a043ae167641f9160a0c31dMD53LICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.bc.ufg.br/tede/bitstreams/e6bb518d-792c-4177-bf1d-554761d4c3a6/download8a4605be74aa9ea9d79846c1fba20a33MD51tede/127992023-04-28 08:53:56.174http://creativecommons.org/licenses/by-nc-nd/4.0/Attribution-NonCommercial-NoDerivatives 4.0 Internationalopen.accessoai:repositorio.bc.ufg.br:tede/12799http://repositorio.bc.ufg.br/tedeRepositório InstitucionalPUBhttp://repositorio.bc.ufg.br/oai/requesttasesdissertacoes.bc@ufg.bropendoar:2023-04-28T11:53:56Repositório Institucional da UFG - Universidade Federal de Goiás (UFG)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
dc.title.pt_BR.fl_str_mv “Não dá pra fugir dessa coisa de pele”: imagens e afetos de mulheres negras em telenovelas brasileiras
dc.title.alternative.eng.fl_str_mv “You can’t escape this skin thing”: images and affections of black women in Brazilian soap operas
title “Não dá pra fugir dessa coisa de pele”: imagens e afetos de mulheres negras em telenovelas brasileiras
spellingShingle “Não dá pra fugir dessa coisa de pele”: imagens e afetos de mulheres negras em telenovelas brasileiras
Conceição, Juara Castro da
Afeto
Imagem
Mulheres negras
Telenovela
Affection
Image
Black women
Soap opera
OUTROS
title_short “Não dá pra fugir dessa coisa de pele”: imagens e afetos de mulheres negras em telenovelas brasileiras
title_full “Não dá pra fugir dessa coisa de pele”: imagens e afetos de mulheres negras em telenovelas brasileiras
title_fullStr “Não dá pra fugir dessa coisa de pele”: imagens e afetos de mulheres negras em telenovelas brasileiras
title_full_unstemmed “Não dá pra fugir dessa coisa de pele”: imagens e afetos de mulheres negras em telenovelas brasileiras
title_sort “Não dá pra fugir dessa coisa de pele”: imagens e afetos de mulheres negras em telenovelas brasileiras
author Conceição, Juara Castro da
author_facet Conceição, Juara Castro da
author_role author
dc.contributor.advisor1.fl_str_mv Dias, Luciene de Oliveira
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/7270892768281076
dc.contributor.referee1.fl_str_mv Dias, Luciene de Oliveira
dc.contributor.referee2.fl_str_mv Satler, Lara Lima
dc.contributor.referee3.fl_str_mv Rezende, Tânia Ferreira
dc.contributor.referee4.fl_str_mv Martins, Alice de Fátima
dc.contributor.referee5.fl_str_mv Valério, Erinaldo Dias
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/3300409466901582
dc.contributor.author.fl_str_mv Conceição, Juara Castro da
contributor_str_mv Dias, Luciene de Oliveira
Dias, Luciene de Oliveira
Satler, Lara Lima
Rezende, Tânia Ferreira
Martins, Alice de Fátima
Valério, Erinaldo Dias
dc.subject.por.fl_str_mv Afeto
Imagem
Mulheres negras
Telenovela
topic Afeto
Imagem
Mulheres negras
Telenovela
Affection
Image
Black women
Soap opera
OUTROS
dc.subject.eng.fl_str_mv Affection
Image
Black women
Soap opera
dc.subject.cnpq.fl_str_mv OUTROS
description This thesis proposes to investigate the affections of black women in images produced in Brazilian soap operas on TV Globo. The analyzes are based on the characters played by actress Taís Araújo between the years 1997 and 2022. They are: Vivian from “Anjo Mau” (1997), Edivânia from “Meu Bem Quer” (1998), Selminha Aluada from “Porto dos Milagres” (2001), Preta from “Da Cor do Pecado” (2004), Ellen from “Cobras e Lagartos” (2006), Alicia from “A Favorita” (2008), Helena from “Viver a Vida” (2009), Maria da Penha from “Cheias de Charme” (2012), Verônica from “Geração Brasil” (2014), Michele from “Mister Brau” (2015), Vitória from “Amor de Mãe” (2019) and Clarice from “Cara e Coragem” (2022). A study is carried out based on the cultural analysis of the images, taking into account their aesthetic elements and their intersections, considering the production of the meaning of affection. Recognizing the soap opera narrative, there are also discussions about fictional series and television narratives. In addition to Latin American Cultural Studies as a theoretical-methodological contribution and analysis spatiality. The images used in this work are electronic, the result of an imagery field driven by the presence of digital technologies. The search for images was intermediated by Google, which in addition of being a search device is also software and a multinational advertising company. In view of this, the virtualization of the memory of these fictional narratives based on their images is also discussed. Affectivity comes as an object of analysis from the thematic axes of: motherhood, affective-sexual relationships and friendship. When talking about the affectivity of black women, from television characters elements such as race, gender and class are touched. In addition to the generational and also aesthetic discussions of the characters presented. Based on a cultural analysis of the images, this research presents a possibility of understanding soap operas and their characters, through the imagery field that makes up their memory. We are talking about images beyond a technological line, guided by racialized affection as a possibility of understanding communication from the bond.
publishDate 2023
dc.date.accessioned.fl_str_mv 2023-04-28T11:53:55Z
dc.date.available.fl_str_mv 2023-04-28T11:53:55Z
dc.date.issued.fl_str_mv 2023-04-14
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
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dc.identifier.citation.fl_str_mv CONCEIÇÃO, J.C. “Não dá pra fugir dessa coisa de pele”: imagens e afetos de mulheres negras em telenovelas brasileiras. 2023. 201 f. Tese (Doutorado em Comunicação) - Universidade Federal de Goiás, Goiânia, 2023.
dc.identifier.uri.fl_str_mv http://repositorio.bc.ufg.br/tede/handle/tede/12799
identifier_str_mv CONCEIÇÃO, J.C. “Não dá pra fugir dessa coisa de pele”: imagens e afetos de mulheres negras em telenovelas brasileiras. 2023. 201 f. Tese (Doutorado em Comunicação) - Universidade Federal de Goiás, Goiânia, 2023.
url http://repositorio.bc.ufg.br/tede/handle/tede/12799
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dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Faculdade de Informação e Comunicação - FIC (RMG)
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