Entre giros, esmolas e donzelas: uma prática performática de mulheres na folia de São João em Lagolândia
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
dARK ID: | ark:/38995/001300000b9nm |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/11243 |
Resumo: | This dissertation presents the Revelry of Saint John in the city of Lagolândia (district of Pirenópolis, state of Goias, Brazil), by using its cultural performances. The Revelry of Saint John with characteristics that remained little know, until now, has the particularity of being performed by proximately 24 women, known as "maidens", apparently, also unique in the country. This manifestation, likewise, other religious/cultural celebrations from the region, arises from the initiative of a religious and political leader in the first half of the XX century, Benedita Cipriano Gomes, popularly known as Saint Dica. This research arose from the problem that there is a religious rite staged for decades in the region, with its unique rules and characteristics, dictated by the feminine, with the hypothesis that those manifestations occur by motivations linked to memory and identity of the place, which surpass the religious and devotional slant. This study follows the line of research Spaces, Materiality and Theatricalities, the temporal and spatial aspect, with emphasis on the characters and how they interact, modifying the relationship and spaces (buildings, streets, houses...) through their performances, of their female bodies and their relations with the history of the place and the language as an act, surpassing the religious and devotional slant. The main authors that give sustenance to this study are some of the main world references, while discussion and approach of the performances, from the popular culture, Anthropology and of the rites, such as Richard Schechner (2002, 2006 and 2012), Milton Singer (1985) and Victor Turner (1974, 1978 and 2005), among others. The survey had some restrictions imposed by the COVID-19 pandemic, in 2020; however, there was no loss regarding its objectives, which intended to show the characteristics of the party and its unique nature of the festivity in the region. Therefore, it was possible to present a result within what was proposed, with material registered during the project period. As a part of the conclusion, it was possible the comprehension of Revelry of Saint John as a festivity linked to the memory and the legacy of its founder, the Saint Dica. |
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Oliveira, Vânia Dolores Estevam dehttp://lattes.cnpq.br/1883361659918132Oliveira, Vânia Dolores Estevam deSantos, Nádia Maria WeberGuimarães, Leda Maria de BarrosCurado, João Guilherme da TrindadeSatler, Lara Limahttp://lattes.cnpq.br/0909003283679583Luz, Vinícius Machado2021-04-13T15:25:15Z2021-04-13T15:25:15Z2021-03-30LUZ, V. M. Entre giros, esmolas e donzelas: uma prática performática de mulheres na folia de São João em Lagolândia. 2021. 142 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânai, 2021.http://repositorio.bc.ufg.br/tede/handle/tede/11243ark:/38995/001300000b9nmThis dissertation presents the Revelry of Saint John in the city of Lagolândia (district of Pirenópolis, state of Goias, Brazil), by using its cultural performances. The Revelry of Saint John with characteristics that remained little know, until now, has the particularity of being performed by proximately 24 women, known as "maidens", apparently, also unique in the country. This manifestation, likewise, other religious/cultural celebrations from the region, arises from the initiative of a religious and political leader in the first half of the XX century, Benedita Cipriano Gomes, popularly known as Saint Dica. This research arose from the problem that there is a religious rite staged for decades in the region, with its unique rules and characteristics, dictated by the feminine, with the hypothesis that those manifestations occur by motivations linked to memory and identity of the place, which surpass the religious and devotional slant. This study follows the line of research Spaces, Materiality and Theatricalities, the temporal and spatial aspect, with emphasis on the characters and how they interact, modifying the relationship and spaces (buildings, streets, houses...) through their performances, of their female bodies and their relations with the history of the place and the language as an act, surpassing the religious and devotional slant. The main authors that give sustenance to this study are some of the main world references, while discussion and approach of the performances, from the popular culture, Anthropology and of the rites, such as Richard Schechner (2002, 2006 and 2012), Milton Singer (1985) and Victor Turner (1974, 1978 and 2005), among others. The survey had some restrictions imposed by the COVID-19 pandemic, in 2020; however, there was no loss regarding its objectives, which intended to show the characteristics of the party and its unique nature of the festivity in the region. Therefore, it was possible to present a result within what was proposed, with material registered during the project period. As a part of the conclusion, it was possible the comprehension of Revelry of Saint John as a festivity linked to the memory and the legacy of its founder, the Saint Dica.Esta dissertação apresenta a Folia de São João em Lagolândia (distrito de Pirenópolis, Goiás), por meio de suas performances culturais. A Folia de São João, com características, até então, pouco conhecidas, tem por particularidade ser realizada por um grupo de aproximadamente 24 mulheres, chamadas de ―donzelas‖, aparentemente, também única no país. Essa manifestação, bem como outras festas religiosas/culturais da região, surge a partir da iniciativa de uma líder religiosa e política da primeira metade do século XX, Benedita Cipriano Gomes, conhecida popularmente como Santa Dica. Essa pesquisa partiu da problemática de que há um rito religioso encenado há décadas na região, com regras e características próprias, ditadas pelo feminino, com a hipótese de que as manifestações acontecem por motivações ligadas à memória e à identidade do lugar, que ultrapassam o viés religioso e devocional. A investigação segue a linha de pesquisa Espaços, Materialidades e Teatralidades, o aspecto temporal e espacial, com ênfase para as personagens e a forma como elas interagem, modificando as relações e os espaços (edifícios, ruas, casas...) por meio de suas performances, de seus corpos femininos e suas relações com a história do lugar e a linguagem como ato, ultrapassando o viés religioso e devocional. Os principais autores que dão sustentação à pesquisa são algumas das principais referências mundiais, enquanto discussão e abordagem das performances, da cultura popular, da antropologia e dos ritos, como Richard Schechner (2002, 2006 e 2012), Milton Singer (1985) e Victor Turner (1974, 1978 e 2005), entre outros. A pesquisa teve algumas restrições impostas pela pandemia de COVID-19, em 2020; porém, não houve prejuízo em relação aos objetivos, que pretendiam mostrar as características da festa e o caráter único da festividade na região. Diante disso, conseguiu-se apresentar um resultado dentro do que foi proposto, com material registrado no período do projeto. Como parte da conclusão, foi possível a compreensão da Folia de São João como festividade ligada à memória e ao legado de sua fundadora, a Santa Dica.Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2021-04-12T14:17:30Z No. of bitstreams: 2 license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5) Dissertação - Vinícius Machado Luz - 2021.pdf: 9678313 bytes, checksum: bc93ee2756c06b372d6701d85ab2cc14 (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2021-04-13T15:25:14Z (GMT) No. of bitstreams: 2 license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5) Dissertação - Vinícius Machado Luz - 2021.pdf: 9678313 bytes, checksum: bc93ee2756c06b372d6701d85ab2cc14 (MD5)Made available in DSpace on 2021-04-13T15:25:15Z (GMT). No. of bitstreams: 2 license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5) Dissertação - Vinícius Machado Luz - 2021.pdf: 9678313 bytes, checksum: bc93ee2756c06b372d6701d85ab2cc14 (MD5) Previous issue date: 2021-03-30porUniversidade Federal de GoiásPrograma de Pós-graduação em Performances Culturais (FCS)UFGBrasilFaculdade de Ciências Sociais - FCS (RG)Attribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessPerformances culturaisFolia de São JoãoLagolândiaSanta DicaCultural performancesThe revelry of Saint JohnLagolândiaSaint DicaCIENCIAS HUMANASEntre giros, esmolas e donzelas: uma prática performática de mulheres na folia de São João em LagolândiaBetween spins, alms and maidens: a performing observance in the revelry of Saint John at Lagolândiainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis7650050050010202reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.bc.ufg.br/tede/bitstreams/9d17caad-c4f9-4740-a142-82b8a4ea2434/download8a4605be74aa9ea9d79846c1fba20a33MD51CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8805http://repositorio.bc.ufg.br/tede/bitstreams/fb9ce0f6-5790-4922-9876-4274fe50bd70/download4460e5956bc1d1639be9ae6146a50347MD52ORIGINALDissertação - Vinícius Machado Luz - 2021.pdfDissertação - Vinícius Machado Luz - 2021.pdfapplication/pdf9678313http://repositorio.bc.ufg.br/tede/bitstreams/bc46708a-7bd7-4ccc-bbb1-e72b8bbadcd6/downloadbc93ee2756c06b372d6701d85ab2cc14MD53tede/112432021-04-13 12:25:15.879http://creativecommons.org/licenses/by-nc-nd/4.0/Attribution-NonCommercial-NoDerivatives 4.0 Internationalopen.accessoai:repositorio.bc.ufg.br:tede/11243http://repositorio.bc.ufg.br/tedeRepositório InstitucionalPUBhttp://repositorio.bc.ufg.br/oai/requesttasesdissertacoes.bc@ufg.bropendoar:2021-04-13T15:25:15Repositório Institucional da UFG - Universidade Federal de Goiás (UFG)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 |
dc.title.pt_BR.fl_str_mv |
Entre giros, esmolas e donzelas: uma prática performática de mulheres na folia de São João em Lagolândia |
dc.title.alternative.eng.fl_str_mv |
Between spins, alms and maidens: a performing observance in the revelry of Saint John at Lagolândia |
title |
Entre giros, esmolas e donzelas: uma prática performática de mulheres na folia de São João em Lagolândia |
spellingShingle |
Entre giros, esmolas e donzelas: uma prática performática de mulheres na folia de São João em Lagolândia Luz, Vinícius Machado Performances culturais Folia de São João Lagolândia Santa Dica Cultural performances The revelry of Saint John Lagolândia Saint Dica CIENCIAS HUMANAS |
title_short |
Entre giros, esmolas e donzelas: uma prática performática de mulheres na folia de São João em Lagolândia |
title_full |
Entre giros, esmolas e donzelas: uma prática performática de mulheres na folia de São João em Lagolândia |
title_fullStr |
Entre giros, esmolas e donzelas: uma prática performática de mulheres na folia de São João em Lagolândia |
title_full_unstemmed |
Entre giros, esmolas e donzelas: uma prática performática de mulheres na folia de São João em Lagolândia |
title_sort |
Entre giros, esmolas e donzelas: uma prática performática de mulheres na folia de São João em Lagolândia |
author |
Luz, Vinícius Machado |
author_facet |
Luz, Vinícius Machado |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Oliveira, Vânia Dolores Estevam de |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/1883361659918132 |
dc.contributor.referee1.fl_str_mv |
Oliveira, Vânia Dolores Estevam de |
dc.contributor.referee2.fl_str_mv |
Santos, Nádia Maria Weber |
dc.contributor.referee3.fl_str_mv |
Guimarães, Leda Maria de Barros |
dc.contributor.referee4.fl_str_mv |
Curado, João Guilherme da Trindade |
dc.contributor.referee5.fl_str_mv |
Satler, Lara Lima |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/0909003283679583 |
dc.contributor.author.fl_str_mv |
Luz, Vinícius Machado |
contributor_str_mv |
Oliveira, Vânia Dolores Estevam de Oliveira, Vânia Dolores Estevam de Santos, Nádia Maria Weber Guimarães, Leda Maria de Barros Curado, João Guilherme da Trindade Satler, Lara Lima |
dc.subject.por.fl_str_mv |
Performances culturais Folia de São João Lagolândia Santa Dica |
topic |
Performances culturais Folia de São João Lagolândia Santa Dica Cultural performances The revelry of Saint John Lagolândia Saint Dica CIENCIAS HUMANAS |
dc.subject.eng.fl_str_mv |
Cultural performances The revelry of Saint John Lagolândia Saint Dica |
dc.subject.cnpq.fl_str_mv |
CIENCIAS HUMANAS |
description |
This dissertation presents the Revelry of Saint John in the city of Lagolândia (district of Pirenópolis, state of Goias, Brazil), by using its cultural performances. The Revelry of Saint John with characteristics that remained little know, until now, has the particularity of being performed by proximately 24 women, known as "maidens", apparently, also unique in the country. This manifestation, likewise, other religious/cultural celebrations from the region, arises from the initiative of a religious and political leader in the first half of the XX century, Benedita Cipriano Gomes, popularly known as Saint Dica. This research arose from the problem that there is a religious rite staged for decades in the region, with its unique rules and characteristics, dictated by the feminine, with the hypothesis that those manifestations occur by motivations linked to memory and identity of the place, which surpass the religious and devotional slant. This study follows the line of research Spaces, Materiality and Theatricalities, the temporal and spatial aspect, with emphasis on the characters and how they interact, modifying the relationship and spaces (buildings, streets, houses...) through their performances, of their female bodies and their relations with the history of the place and the language as an act, surpassing the religious and devotional slant. The main authors that give sustenance to this study are some of the main world references, while discussion and approach of the performances, from the popular culture, Anthropology and of the rites, such as Richard Schechner (2002, 2006 and 2012), Milton Singer (1985) and Victor Turner (1974, 1978 and 2005), among others. The survey had some restrictions imposed by the COVID-19 pandemic, in 2020; however, there was no loss regarding its objectives, which intended to show the characteristics of the party and its unique nature of the festivity in the region. Therefore, it was possible to present a result within what was proposed, with material registered during the project period. As a part of the conclusion, it was possible the comprehension of Revelry of Saint John as a festivity linked to the memory and the legacy of its founder, the Saint Dica. |
publishDate |
2021 |
dc.date.accessioned.fl_str_mv |
2021-04-13T15:25:15Z |
dc.date.available.fl_str_mv |
2021-04-13T15:25:15Z |
dc.date.issued.fl_str_mv |
2021-03-30 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
LUZ, V. M. Entre giros, esmolas e donzelas: uma prática performática de mulheres na folia de São João em Lagolândia. 2021. 142 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânai, 2021. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/11243 |
dc.identifier.dark.fl_str_mv |
ark:/38995/001300000b9nm |
identifier_str_mv |
LUZ, V. M. Entre giros, esmolas e donzelas: uma prática performática de mulheres na folia de São João em Lagolândia. 2021. 142 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânai, 2021. ark:/38995/001300000b9nm |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/11243 |
dc.language.iso.fl_str_mv |
por |
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por |
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76 |
dc.relation.confidence.fl_str_mv |
500 500 500 |
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10 |
dc.relation.cnpq.fl_str_mv |
202 |
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Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.publisher.program.fl_str_mv |
Programa de Pós-graduação em Performances Culturais (FCS) |
dc.publisher.initials.fl_str_mv |
UFG |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Faculdade de Ciências Sociais - FCS (RG) |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
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