Entre giros, esmolas e donzelas: uma prática performática de mulheres na folia de São João em Lagolândia

Detalhes bibliográficos
Autor(a) principal: Luz, Vinícius Machado
Data de Publicação: 2021
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UFG
dARK ID: ark:/38995/001300000b9nm
Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/11243
Resumo: This dissertation presents the Revelry of Saint John in the city of Lagolândia (district of Pirenópolis, state of Goias, Brazil), by using its cultural performances. The Revelry of Saint John with characteristics that remained little know, until now, has the particularity of being performed by proximately 24 women, known as "maidens", apparently, also unique in the country. This manifestation, likewise, other religious/cultural celebrations from the region, arises from the initiative of a religious and political leader in the first half of the XX century, Benedita Cipriano Gomes, popularly known as Saint Dica. This research arose from the problem that there is a religious rite staged for decades in the region, with its unique rules and characteristics, dictated by the feminine, with the hypothesis that those manifestations occur by motivations linked to memory and identity of the place, which surpass the religious and devotional slant. This study follows the line of research Spaces, Materiality and Theatricalities, the temporal and spatial aspect, with emphasis on the characters and how they interact, modifying the relationship and spaces (buildings, streets, houses...) through their performances, of their female bodies and their relations with the history of the place and the language as an act, surpassing the religious and devotional slant. The main authors that give sustenance to this study are some of the main world references, while discussion and approach of the performances, from the popular culture, Anthropology and of the rites, such as Richard Schechner (2002, 2006 and 2012), Milton Singer (1985) and Victor Turner (1974, 1978 and 2005), among others. The survey had some restrictions imposed by the COVID-19 pandemic, in 2020; however, there was no loss regarding its objectives, which intended to show the characteristics of the party and its unique nature of the festivity in the region. Therefore, it was possible to present a result within what was proposed, with material registered during the project period. As a part of the conclusion, it was possible the comprehension of Revelry of Saint John as a festivity linked to the memory and the legacy of its founder, the Saint Dica.
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spelling Oliveira, Vânia Dolores Estevam dehttp://lattes.cnpq.br/1883361659918132Oliveira, Vânia Dolores Estevam deSantos, Nádia Maria WeberGuimarães, Leda Maria de BarrosCurado, João Guilherme da TrindadeSatler, Lara Limahttp://lattes.cnpq.br/0909003283679583Luz, Vinícius Machado2021-04-13T15:25:15Z2021-04-13T15:25:15Z2021-03-30LUZ, V. M. Entre giros, esmolas e donzelas: uma prática performática de mulheres na folia de São João em Lagolândia. 2021. 142 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânai, 2021.http://repositorio.bc.ufg.br/tede/handle/tede/11243ark:/38995/001300000b9nmThis dissertation presents the Revelry of Saint John in the city of Lagolândia (district of Pirenópolis, state of Goias, Brazil), by using its cultural performances. The Revelry of Saint John with characteristics that remained little know, until now, has the particularity of being performed by proximately 24 women, known as "maidens", apparently, also unique in the country. This manifestation, likewise, other religious/cultural celebrations from the region, arises from the initiative of a religious and political leader in the first half of the XX century, Benedita Cipriano Gomes, popularly known as Saint Dica. This research arose from the problem that there is a religious rite staged for decades in the region, with its unique rules and characteristics, dictated by the feminine, with the hypothesis that those manifestations occur by motivations linked to memory and identity of the place, which surpass the religious and devotional slant. This study follows the line of research Spaces, Materiality and Theatricalities, the temporal and spatial aspect, with emphasis on the characters and how they interact, modifying the relationship and spaces (buildings, streets, houses...) through their performances, of their female bodies and their relations with the history of the place and the language as an act, surpassing the religious and devotional slant. The main authors that give sustenance to this study are some of the main world references, while discussion and approach of the performances, from the popular culture, Anthropology and of the rites, such as Richard Schechner (2002, 2006 and 2012), Milton Singer (1985) and Victor Turner (1974, 1978 and 2005), among others. The survey had some restrictions imposed by the COVID-19 pandemic, in 2020; however, there was no loss regarding its objectives, which intended to show the characteristics of the party and its unique nature of the festivity in the region. Therefore, it was possible to present a result within what was proposed, with material registered during the project period. As a part of the conclusion, it was possible the comprehension of Revelry of Saint John as a festivity linked to the memory and the legacy of its founder, the Saint Dica.Esta dissertação apresenta a Folia de São João em Lagolândia (distrito de Pirenópolis, Goiás), por meio de suas performances culturais. A Folia de São João, com características, até então, pouco conhecidas, tem por particularidade ser realizada por um grupo de aproximadamente 24 mulheres, chamadas de ―donzelas‖, aparentemente, também única no país. Essa manifestação, bem como outras festas religiosas/culturais da região, surge a partir da iniciativa de uma líder religiosa e política da primeira metade do século XX, Benedita Cipriano Gomes, conhecida popularmente como Santa Dica. Essa pesquisa partiu da problemática de que há um rito religioso encenado há décadas na região, com regras e características próprias, ditadas pelo feminino, com a hipótese de que as manifestações acontecem por motivações ligadas à memória e à identidade do lugar, que ultrapassam o viés religioso e devocional. A investigação segue a linha de pesquisa Espaços, Materialidades e Teatralidades, o aspecto temporal e espacial, com ênfase para as personagens e a forma como elas interagem, modificando as relações e os espaços (edifícios, ruas, casas...) por meio de suas performances, de seus corpos femininos e suas relações com a história do lugar e a linguagem como ato, ultrapassando o viés religioso e devocional. Os principais autores que dão sustentação à pesquisa são algumas das principais referências mundiais, enquanto discussão e abordagem das performances, da cultura popular, da antropologia e dos ritos, como Richard Schechner (2002, 2006 e 2012), Milton Singer (1985) e Victor Turner (1974, 1978 e 2005), entre outros. A pesquisa teve algumas restrições impostas pela pandemia de COVID-19, em 2020; porém, não houve prejuízo em relação aos objetivos, que pretendiam mostrar as características da festa e o caráter único da festividade na região. Diante disso, conseguiu-se apresentar um resultado dentro do que foi proposto, com material registrado no período do projeto. Como parte da conclusão, foi possível a compreensão da Folia de São João como festividade ligada à memória e ao legado de sua fundadora, a Santa Dica.Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2021-04-12T14:17:30Z No. of bitstreams: 2 license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5) Dissertação - Vinícius Machado Luz - 2021.pdf: 9678313 bytes, checksum: bc93ee2756c06b372d6701d85ab2cc14 (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2021-04-13T15:25:14Z (GMT) No. of bitstreams: 2 license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5) Dissertação - Vinícius Machado Luz - 2021.pdf: 9678313 bytes, checksum: bc93ee2756c06b372d6701d85ab2cc14 (MD5)Made available in DSpace on 2021-04-13T15:25:15Z (GMT). No. of bitstreams: 2 license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5) Dissertação - Vinícius Machado Luz - 2021.pdf: 9678313 bytes, checksum: bc93ee2756c06b372d6701d85ab2cc14 (MD5) Previous issue date: 2021-03-30porUniversidade Federal de GoiásPrograma de Pós-graduação em Performances Culturais (FCS)UFGBrasilFaculdade de Ciências Sociais - FCS (RG)Attribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessPerformances culturaisFolia de São JoãoLagolândiaSanta DicaCultural performancesThe revelry of Saint JohnLagolândiaSaint DicaCIENCIAS HUMANASEntre giros, esmolas e donzelas: uma prática performática de mulheres na folia de São João em LagolândiaBetween spins, alms and maidens: a performing observance in the revelry of Saint John at Lagolândiainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis7650050050010202reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.bc.ufg.br/tede/bitstreams/9d17caad-c4f9-4740-a142-82b8a4ea2434/download8a4605be74aa9ea9d79846c1fba20a33MD51CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8805http://repositorio.bc.ufg.br/tede/bitstreams/fb9ce0f6-5790-4922-9876-4274fe50bd70/download4460e5956bc1d1639be9ae6146a50347MD52ORIGINALDissertação - Vinícius Machado Luz - 2021.pdfDissertação - Vinícius Machado Luz - 2021.pdfapplication/pdf9678313http://repositorio.bc.ufg.br/tede/bitstreams/bc46708a-7bd7-4ccc-bbb1-e72b8bbadcd6/downloadbc93ee2756c06b372d6701d85ab2cc14MD53tede/112432021-04-13 12:25:15.879http://creativecommons.org/licenses/by-nc-nd/4.0/Attribution-NonCommercial-NoDerivatives 4.0 Internationalopen.accessoai:repositorio.bc.ufg.br:tede/11243http://repositorio.bc.ufg.br/tedeRepositório InstitucionalPUBhttp://repositorio.bc.ufg.br/oai/requesttasesdissertacoes.bc@ufg.bropendoar:2021-04-13T15:25:15Repositório Institucional da UFG - Universidade Federal de Goiás (UFG)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
dc.title.pt_BR.fl_str_mv Entre giros, esmolas e donzelas: uma prática performática de mulheres na folia de São João em Lagolândia
dc.title.alternative.eng.fl_str_mv Between spins, alms and maidens: a performing observance in the revelry of Saint John at Lagolândia
title Entre giros, esmolas e donzelas: uma prática performática de mulheres na folia de São João em Lagolândia
spellingShingle Entre giros, esmolas e donzelas: uma prática performática de mulheres na folia de São João em Lagolândia
Luz, Vinícius Machado
Performances culturais
Folia de São João
Lagolândia
Santa Dica
Cultural performances
The revelry of Saint John
Lagolândia
Saint Dica
CIENCIAS HUMANAS
title_short Entre giros, esmolas e donzelas: uma prática performática de mulheres na folia de São João em Lagolândia
title_full Entre giros, esmolas e donzelas: uma prática performática de mulheres na folia de São João em Lagolândia
title_fullStr Entre giros, esmolas e donzelas: uma prática performática de mulheres na folia de São João em Lagolândia
title_full_unstemmed Entre giros, esmolas e donzelas: uma prática performática de mulheres na folia de São João em Lagolândia
title_sort Entre giros, esmolas e donzelas: uma prática performática de mulheres na folia de São João em Lagolândia
author Luz, Vinícius Machado
author_facet Luz, Vinícius Machado
author_role author
dc.contributor.advisor1.fl_str_mv Oliveira, Vânia Dolores Estevam de
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/1883361659918132
dc.contributor.referee1.fl_str_mv Oliveira, Vânia Dolores Estevam de
dc.contributor.referee2.fl_str_mv Santos, Nádia Maria Weber
dc.contributor.referee3.fl_str_mv Guimarães, Leda Maria de Barros
dc.contributor.referee4.fl_str_mv Curado, João Guilherme da Trindade
dc.contributor.referee5.fl_str_mv Satler, Lara Lima
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/0909003283679583
dc.contributor.author.fl_str_mv Luz, Vinícius Machado
contributor_str_mv Oliveira, Vânia Dolores Estevam de
Oliveira, Vânia Dolores Estevam de
Santos, Nádia Maria Weber
Guimarães, Leda Maria de Barros
Curado, João Guilherme da Trindade
Satler, Lara Lima
dc.subject.por.fl_str_mv Performances culturais
Folia de São João
Lagolândia
Santa Dica
topic Performances culturais
Folia de São João
Lagolândia
Santa Dica
Cultural performances
The revelry of Saint John
Lagolândia
Saint Dica
CIENCIAS HUMANAS
dc.subject.eng.fl_str_mv Cultural performances
The revelry of Saint John
Lagolândia
Saint Dica
dc.subject.cnpq.fl_str_mv CIENCIAS HUMANAS
description This dissertation presents the Revelry of Saint John in the city of Lagolândia (district of Pirenópolis, state of Goias, Brazil), by using its cultural performances. The Revelry of Saint John with characteristics that remained little know, until now, has the particularity of being performed by proximately 24 women, known as "maidens", apparently, also unique in the country. This manifestation, likewise, other religious/cultural celebrations from the region, arises from the initiative of a religious and political leader in the first half of the XX century, Benedita Cipriano Gomes, popularly known as Saint Dica. This research arose from the problem that there is a religious rite staged for decades in the region, with its unique rules and characteristics, dictated by the feminine, with the hypothesis that those manifestations occur by motivations linked to memory and identity of the place, which surpass the religious and devotional slant. This study follows the line of research Spaces, Materiality and Theatricalities, the temporal and spatial aspect, with emphasis on the characters and how they interact, modifying the relationship and spaces (buildings, streets, houses...) through their performances, of their female bodies and their relations with the history of the place and the language as an act, surpassing the religious and devotional slant. The main authors that give sustenance to this study are some of the main world references, while discussion and approach of the performances, from the popular culture, Anthropology and of the rites, such as Richard Schechner (2002, 2006 and 2012), Milton Singer (1985) and Victor Turner (1974, 1978 and 2005), among others. The survey had some restrictions imposed by the COVID-19 pandemic, in 2020; however, there was no loss regarding its objectives, which intended to show the characteristics of the party and its unique nature of the festivity in the region. Therefore, it was possible to present a result within what was proposed, with material registered during the project period. As a part of the conclusion, it was possible the comprehension of Revelry of Saint John as a festivity linked to the memory and the legacy of its founder, the Saint Dica.
publishDate 2021
dc.date.accessioned.fl_str_mv 2021-04-13T15:25:15Z
dc.date.available.fl_str_mv 2021-04-13T15:25:15Z
dc.date.issued.fl_str_mv 2021-03-30
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
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dc.identifier.citation.fl_str_mv LUZ, V. M. Entre giros, esmolas e donzelas: uma prática performática de mulheres na folia de São João em Lagolândia. 2021. 142 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânai, 2021.
dc.identifier.uri.fl_str_mv http://repositorio.bc.ufg.br/tede/handle/tede/11243
dc.identifier.dark.fl_str_mv ark:/38995/001300000b9nm
identifier_str_mv LUZ, V. M. Entre giros, esmolas e donzelas: uma prática performática de mulheres na folia de São João em Lagolândia. 2021. 142 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânai, 2021.
ark:/38995/001300000b9nm
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dc.relation.confidence.fl_str_mv 500
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dc.rights.driver.fl_str_mv Attribution-NonCommercial-NoDerivatives 4.0 International
http://creativecommons.org/licenses/by-nc-nd/4.0/
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rights_invalid_str_mv Attribution-NonCommercial-NoDerivatives 4.0 International
http://creativecommons.org/licenses/by-nc-nd/4.0/
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal de Goiás
dc.publisher.program.fl_str_mv Programa de Pós-graduação em Performances Culturais (FCS)
dc.publisher.initials.fl_str_mv UFG
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Faculdade de Ciências Sociais - FCS (RG)
publisher.none.fl_str_mv Universidade Federal de Goiás
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