A fragilidade da beleza: um estudo sobre subjetividade na composição lírica
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/7539 |
Resumo: | In this thesis, we intend to discuss subjectivity in the formation of modern lyric, in view of its development along with German Romanticism and Idealism from the 18th century. In this sense, we start from the hypothesis that the subjectivity was fruit of the spirit of the time stuck to the development of the arts that walked faster and faster towards the formatting of the subject as mediating center and configurator of the world and of the arts. The notion of a reflective self that had arisen in political, social, and philosophical events made subjectivity appear as the essence of modernity. However, in the field of lyricism, it has slipped in the problem of the method of theories of knowledge, linked to the foundational idealism of the leap into the thinking interiority of a new ontology of the arts, to its own conception that we will call fragile beauty, The lyric was born without a lyre, within the limits of a self that experiences the present preterite of the world when it undoes its own self in unity in the materiality of the word. From this we have structured this thesis in the idealism of Fichte and Schelling, in the reflexive romanticism of Novalis and in the dialectic of Hegel like resolution of the previous idealists. The latter being the object of contestation in the position of lyrical subjectivity. Guided by the analysis of such theorists, we set out to examine the work of Dora Ferreira da Silva (1918 - 2006), demonstrating how a new subjectivity, in no way indebted to the idealists, was formed in the pages of the poet herself, her poetics being entangled by Thought, sensitivity and truth. Thus, we selected works and poems in which the question of subjectivity became visible so that we could associate subjectivity, lyrical, truth, reflection and existentiality as forms and performances of new subjectivities. |
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Souza , Jamesson Buarque dehttp://lattes.cnpq.br/6538270791775139Souza, Jamesson Buarque deFerraz, Marcelo de PaulaQuintela, Anton CorbachoCarvalho, Nilson Pereira deAlmeida, Fábio Ferreira dehttp://lattes.cnpq.br/8347942422845132Almeida , Patrícia Sheyla Bagot de2017-07-10T12:36:03Z2017-05-18ALMEIDA, P.S.B de. A fragilidade da beleza: um estudo sobre subjetividade na composição lírica. 2017. 204 f. Tese (Doutorado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2017.http://repositorio.bc.ufg.br/tede/handle/tede/7539ark:/38995/0013000001t70In this thesis, we intend to discuss subjectivity in the formation of modern lyric, in view of its development along with German Romanticism and Idealism from the 18th century. In this sense, we start from the hypothesis that the subjectivity was fruit of the spirit of the time stuck to the development of the arts that walked faster and faster towards the formatting of the subject as mediating center and configurator of the world and of the arts. The notion of a reflective self that had arisen in political, social, and philosophical events made subjectivity appear as the essence of modernity. However, in the field of lyricism, it has slipped in the problem of the method of theories of knowledge, linked to the foundational idealism of the leap into the thinking interiority of a new ontology of the arts, to its own conception that we will call fragile beauty, The lyric was born without a lyre, within the limits of a self that experiences the present preterite of the world when it undoes its own self in unity in the materiality of the word. From this we have structured this thesis in the idealism of Fichte and Schelling, in the reflexive romanticism of Novalis and in the dialectic of Hegel like resolution of the previous idealists. The latter being the object of contestation in the position of lyrical subjectivity. Guided by the analysis of such theorists, we set out to examine the work of Dora Ferreira da Silva (1918 - 2006), demonstrating how a new subjectivity, in no way indebted to the idealists, was formed in the pages of the poet herself, her poetics being entangled by Thought, sensitivity and truth. Thus, we selected works and poems in which the question of subjectivity became visible so that we could associate subjectivity, lyrical, truth, reflection and existentiality as forms and performances of new subjectivities.Nesta tese, pretendemos discutir a subjetividade na formação da lírica moderna, tendo em vista o seu desenvolvimento junto ao Idealismo e ao Romantismo alemão a partir do século XVIII. Neste intuito, partimos da hipótese que a subjetividade fora fruto do espírito de época preso ao desenvolvimento das artes que caminhavam cada vez mais rápido em direção à formatação do sujeito como centro mediador e configurador do mundo e das artes. A noção de um eu reflexionante que se erguera nos acontecimentos políticos, sociais e filosóficos fizeram vislumbrar a subjetividade como essência da modernidade. Entretanto, no campo da lírica, ela veio resvalando no problema de método das teorias do conhecimento, atrelada que esteve ao idealismo fundador do salto na interioridade pensante de uma nova ontologia das artes, até sua própria concepção que denominaremos de frágil beleza, ou seja, a lírica nasceu sem lira, nos limites de um eu que vivência o pretérito presentificado do mundo quando desfaz o próprio eu em unidade na materialidade da palavra. A partir disso, estruturamos esta tese no idealismo de Fichte e Schelling, no romantismo reflexivo de Novalis e na dialética de Hegel como resolução dos idealistas anteriores. Sendo este último, objeto de contestação na posição da subjetividade lírica. Orientados pela análise de tais teóricos, partimos para o exame da obra de Dora Ferreira da Silva (1918 - 2006), demonstrando como uma nova subjetividade, em nada devedora aos idealistas, foi se formando nas páginas da própria poeta, sendo sua poética enredada por pensamento, sensibilidade e verdade. Assim sendo, selecionamos obras e poemas em que a questão da subjetividade ficasse visível para que pudéssemos associar subjetividade, lírica, verdade, reflexão e existencialidade como formas e performances de novas subjetividades.Submitted by Cássia Santos (cassia.bcufg@gmail.com) on 2017-06-19T14:48:03Z No. of bitstreams: 2 Tese - Patrícia Sheyla Bagot de Almeida - 2017.pdf: 4105408 bytes, checksum: fc2c099776bd33c89cfef3d82f83e2dd (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2017-07-10T12:36:03Z (GMT) No. of bitstreams: 2 Tese - Patrícia Sheyla Bagot de Almeida - 2017.pdf: 4105408 bytes, checksum: fc2c099776bd33c89cfef3d82f83e2dd (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2017-07-10T12:36:03Z (GMT). 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dc.title.eng.fl_str_mv |
A fragilidade da beleza: um estudo sobre subjetividade na composição lírica |
dc.title.alternative.eng.fl_str_mv |
The frailty of beauty: a study about subjectivity in lyrical composition |
title |
A fragilidade da beleza: um estudo sobre subjetividade na composição lírica |
spellingShingle |
A fragilidade da beleza: um estudo sobre subjetividade na composição lírica Almeida , Patrícia Sheyla Bagot de Dora Ferreira Lírica Subjetividade Romantismo Idealismo Lyric Subjectivity Romantiscism Idealism LINGUISTICA, LETRAS E ARTES::LETRAS |
title_short |
A fragilidade da beleza: um estudo sobre subjetividade na composição lírica |
title_full |
A fragilidade da beleza: um estudo sobre subjetividade na composição lírica |
title_fullStr |
A fragilidade da beleza: um estudo sobre subjetividade na composição lírica |
title_full_unstemmed |
A fragilidade da beleza: um estudo sobre subjetividade na composição lírica |
title_sort |
A fragilidade da beleza: um estudo sobre subjetividade na composição lírica |
author |
Almeida , Patrícia Sheyla Bagot de |
author_facet |
Almeida , Patrícia Sheyla Bagot de |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Souza , Jamesson Buarque de |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/6538270791775139 |
dc.contributor.referee1.fl_str_mv |
Souza, Jamesson Buarque de |
dc.contributor.referee2.fl_str_mv |
Ferraz, Marcelo de Paula |
dc.contributor.referee3.fl_str_mv |
Quintela, Anton Corbacho |
dc.contributor.referee4.fl_str_mv |
Carvalho, Nilson Pereira de |
dc.contributor.referee5.fl_str_mv |
Almeida, Fábio Ferreira de |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/8347942422845132 |
dc.contributor.author.fl_str_mv |
Almeida , Patrícia Sheyla Bagot de |
contributor_str_mv |
Souza , Jamesson Buarque de Souza, Jamesson Buarque de Ferraz, Marcelo de Paula Quintela, Anton Corbacho Carvalho, Nilson Pereira de Almeida, Fábio Ferreira de |
dc.subject.por.fl_str_mv |
Dora Ferreira Lírica Subjetividade Romantismo Idealismo |
topic |
Dora Ferreira Lírica Subjetividade Romantismo Idealismo Lyric Subjectivity Romantiscism Idealism LINGUISTICA, LETRAS E ARTES::LETRAS |
dc.subject.eng.fl_str_mv |
Lyric Subjectivity Romantiscism Idealism |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::LETRAS |
description |
In this thesis, we intend to discuss subjectivity in the formation of modern lyric, in view of its development along with German Romanticism and Idealism from the 18th century. In this sense, we start from the hypothesis that the subjectivity was fruit of the spirit of the time stuck to the development of the arts that walked faster and faster towards the formatting of the subject as mediating center and configurator of the world and of the arts. The notion of a reflective self that had arisen in political, social, and philosophical events made subjectivity appear as the essence of modernity. However, in the field of lyricism, it has slipped in the problem of the method of theories of knowledge, linked to the foundational idealism of the leap into the thinking interiority of a new ontology of the arts, to its own conception that we will call fragile beauty, The lyric was born without a lyre, within the limits of a self that experiences the present preterite of the world when it undoes its own self in unity in the materiality of the word. From this we have structured this thesis in the idealism of Fichte and Schelling, in the reflexive romanticism of Novalis and in the dialectic of Hegel like resolution of the previous idealists. The latter being the object of contestation in the position of lyrical subjectivity. Guided by the analysis of such theorists, we set out to examine the work of Dora Ferreira da Silva (1918 - 2006), demonstrating how a new subjectivity, in no way indebted to the idealists, was formed in the pages of the poet herself, her poetics being entangled by Thought, sensitivity and truth. Thus, we selected works and poems in which the question of subjectivity became visible so that we could associate subjectivity, lyrical, truth, reflection and existentiality as forms and performances of new subjectivities. |
publishDate |
2017 |
dc.date.accessioned.fl_str_mv |
2017-07-10T12:36:03Z |
dc.date.issued.fl_str_mv |
2017-05-18 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
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ALMEIDA, P.S.B de. A fragilidade da beleza: um estudo sobre subjetividade na composição lírica. 2017. 204 f. Tese (Doutorado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2017. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/7539 |
dc.identifier.dark.fl_str_mv |
ark:/38995/0013000001t70 |
identifier_str_mv |
ALMEIDA, P.S.B de. A fragilidade da beleza: um estudo sobre subjetividade na composição lírica. 2017. 204 f. Tese (Doutorado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2017. ark:/38995/0013000001t70 |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/7539 |
dc.language.iso.fl_str_mv |
por |
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por |
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600 600 600 |
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-5409419262886498088 |
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http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
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http://creativecommons.org/licenses/by-nc-nd/4.0/ |
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Universidade Federal de Goiás |
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UFG |
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Brasil |
dc.publisher.department.fl_str_mv |
Faculdade de Letras - FL (RG) |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
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