Gravura e memória afetiva – as caixas do quarto do fundo

Detalhes bibliográficos
Autor(a) principal: Gomes, Simone Simões
Data de Publicação: 2017
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UFG
Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/7308
Resumo: This text is a reflection of my research and poetic process that aims at the creation of a visual way of thinking through the investigation of the processes of production of engravings related to “saudade” and affective memories that are accumulated and fade during our lives. Images of family albums, collections of personal belongings, everyday objects and craft tools are important in my research. Imprints and printing plates can be objects loaded with memory, where their engraving process is rich in traces, accumulations, textures, phantasmagoria and blur. In this context I share how my experience during the process of experimenting with the production of engravings was an integral part of the re-signification of contents and artistic production
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spelling Clímaco, José César Teatini de Souzahttp://lattes.cnpq.br/4105136553667901Clímaco, José César Teatini de SouzaChaud, Eliane MariaNunes, Lilian do AmaralJorge, Anahy MendonçaPinto, Suely Lima de Assishttp://lattes.cnpq.br/2419229481785925Gomes, Simone Simões2017-05-11T11:26:27Z2017-04-13GOMES, S. S. Gravura e memória afetiva – as caixas do quarto do fundo. 2017. 142 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2017.http://repositorio.bc.ufg.br/tede/handle/tede/7308This text is a reflection of my research and poetic process that aims at the creation of a visual way of thinking through the investigation of the processes of production of engravings related to “saudade” and affective memories that are accumulated and fade during our lives. Images of family albums, collections of personal belongings, everyday objects and craft tools are important in my research. Imprints and printing plates can be objects loaded with memory, where their engraving process is rich in traces, accumulations, textures, phantasmagoria and blur. In this context I share how my experience during the process of experimenting with the production of engravings was an integral part of the re-signification of contents and artistic productionste texto é uma reflexão que integraliza meu processo poético e de pesquisa e que tem por objeto a criação de um pensamento visual através da investigação dos processos de produção de gravuras relacionados à lembrança, à saudade e às memórias afetivas que se acumulam e se apagam durante nossas vidas. São fundamentais em minha pesquisa as imagens dos álbuns de família, as coleções de guardados pessoais, os objetos de uso cotidiano e as ferramentas de oficio. Impressões e matrizes podem ser objetos carregados de memória, e seu processo de gravação e impressão resulta rico em vestígios, rastros, restos, acúmulos, texturas, fantasmagorias e apagamentos. Neste contexto compartilho como a minha experiência durante o processo da experimentação da produção de gravuras foi parte integrante na ressignificação de conteúdos e produção artística.Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2017-05-11T11:26:12Z No. of bitstreams: 2 Dissertação - Simone Simões Gomes - 2017.pdf: 5350257 bytes, checksum: 50e04e5bc44b36972ae82dd6bfc8f71a (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2017-05-11T11:26:27Z (GMT) No. of bitstreams: 2 Dissertação - Simone Simões Gomes - 2017.pdf: 5350257 bytes, checksum: 50e04e5bc44b36972ae82dd6bfc8f71a (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2017-05-11T11:26:27Z (GMT). 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dc.title.eng.fl_str_mv Gravura e memória afetiva – as caixas do quarto do fundo
dc.title.alternative.eng.fl_str_mv Print and affective memory – the background room boxes
title Gravura e memória afetiva – as caixas do quarto do fundo
spellingShingle Gravura e memória afetiva – as caixas do quarto do fundo
Gomes, Simone Simões
Gravura
Memória afetiva
Poéticas visuais
Print
Affective memory
Visual poetics
LINGUISTICA, LETRAS E ARTES::ARTES
title_short Gravura e memória afetiva – as caixas do quarto do fundo
title_full Gravura e memória afetiva – as caixas do quarto do fundo
title_fullStr Gravura e memória afetiva – as caixas do quarto do fundo
title_full_unstemmed Gravura e memória afetiva – as caixas do quarto do fundo
title_sort Gravura e memória afetiva – as caixas do quarto do fundo
author Gomes, Simone Simões
author_facet Gomes, Simone Simões
author_role author
dc.contributor.advisor1.fl_str_mv Clímaco, José César Teatini de Souza
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/4105136553667901
dc.contributor.referee1.fl_str_mv Clímaco, José César Teatini de Souza
dc.contributor.referee2.fl_str_mv Chaud, Eliane Maria
dc.contributor.referee3.fl_str_mv Nunes, Lilian do Amaral
dc.contributor.referee4.fl_str_mv Jorge, Anahy Mendonça
dc.contributor.referee5.fl_str_mv Pinto, Suely Lima de Assis
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/2419229481785925
dc.contributor.author.fl_str_mv Gomes, Simone Simões
contributor_str_mv Clímaco, José César Teatini de Souza
Clímaco, José César Teatini de Souza
Chaud, Eliane Maria
Nunes, Lilian do Amaral
Jorge, Anahy Mendonça
Pinto, Suely Lima de Assis
dc.subject.por.fl_str_mv Gravura
Memória afetiva
Poéticas visuais
topic Gravura
Memória afetiva
Poéticas visuais
Print
Affective memory
Visual poetics
LINGUISTICA, LETRAS E ARTES::ARTES
dc.subject.eng.fl_str_mv Print
Affective memory
Visual poetics
dc.subject.cnpq.fl_str_mv LINGUISTICA, LETRAS E ARTES::ARTES
description This text is a reflection of my research and poetic process that aims at the creation of a visual way of thinking through the investigation of the processes of production of engravings related to “saudade” and affective memories that are accumulated and fade during our lives. Images of family albums, collections of personal belongings, everyday objects and craft tools are important in my research. Imprints and printing plates can be objects loaded with memory, where their engraving process is rich in traces, accumulations, textures, phantasmagoria and blur. In this context I share how my experience during the process of experimenting with the production of engravings was an integral part of the re-signification of contents and artistic production
publishDate 2017
dc.date.accessioned.fl_str_mv 2017-05-11T11:26:27Z
dc.date.issued.fl_str_mv 2017-04-13
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
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status_str publishedVersion
dc.identifier.citation.fl_str_mv GOMES, S. S. Gravura e memória afetiva – as caixas do quarto do fundo. 2017. 142 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2017.
dc.identifier.uri.fl_str_mv http://repositorio.bc.ufg.br/tede/handle/tede/7308
identifier_str_mv GOMES, S. S. Gravura e memória afetiva – as caixas do quarto do fundo. 2017. 142 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2017.
url http://repositorio.bc.ufg.br/tede/handle/tede/7308
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language por
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dc.publisher.none.fl_str_mv Universidade Federal de Goiás
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dc.publisher.department.fl_str_mv Faculdade de Artes Visuais - FAV (RG)
publisher.none.fl_str_mv Universidade Federal de Goiás
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