O amor, a morte e o tempo: o mito do vampiro em narrativas dos séculos XIX e XX
Autor(a) principal: | |
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Data de Publicação: | 2014 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/6112 |
Resumo: | Since ancient times, the vampire is known in almost every culture, being subject of legends, literary narratives and others works of art. It is a myth born in orality, which entered the world of artistic endeavors, reminding us of our subjection to Eros and the passage of time –and its main consequences: aging and death (Thanatos). This dissertation outlines the vampire myth, particularly in Literature, and looks into some specific short stories of the 19th and 20th centuries - "The Vampyre" by John Polidori; "The Fall of the House of Usher " by Edgar Allan Poe; and "The Horla" (1st and 2nd versions), by Guy de Maupassant; "Eles herdarão a terra" by Dinah Silveira de Queiroz; "Albino" by Heleno Godoy; and "Potyra" by Lygia Fagundes Telles. These narratives can offer not only a vision of the vampire’s peculiarities, already established by tradition, but also they introduce new aspects. With that corpus in mind, we intend to approach key issues of human nature - love, death and the time - related to the fascination created through time by the vampire’s myth. Therefore, our goal here is connected with one question: how the vampire becomes a reflection of mankind’s journey, and in that way, inspires our hopes and fears related to the obstacles that have us imprisoned. We rely on the theoretical assumptions of Hans Meyerhoff, Edgar Morin, Philippe Aries and Françoise Dastur concerning the passing time and the anguish of man towards death. In addition, we have brought some ideas from Sigmund Freud and Donaldo Schüler. Through Gaston Bachelard and Mircea Eliade’s symbolic hermeneutics, we have studied such symbols as the night, the moon, the water, the blood and the mirror, part of the vampiric imagery detected in the studied texts, and related to the mentioned themes. |
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Cánovas, Suzana Yolanda Lenhardt MachadoCánovas, Suzana Yolanda Lenhardt MachadoSilva, Alexander Meireles daSousa, Heleno Godóihttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4127964H6Rodrigues, Letícia Cristina Alcântara2016-09-05T13:10:03Z2014-09-26RODRIGUES, Letícia C. A. O amor, a morte e o tempo: o mito do vampiro em narrativas dos séculos XIX e XX. 2014. 167 f. Dissertação (Mestrado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2014.http://repositorio.bc.ufg.br/tede/handle/tede/6112ark:/38995/0013000004ck7Since ancient times, the vampire is known in almost every culture, being subject of legends, literary narratives and others works of art. It is a myth born in orality, which entered the world of artistic endeavors, reminding us of our subjection to Eros and the passage of time –and its main consequences: aging and death (Thanatos). This dissertation outlines the vampire myth, particularly in Literature, and looks into some specific short stories of the 19th and 20th centuries - "The Vampyre" by John Polidori; "The Fall of the House of Usher " by Edgar Allan Poe; and "The Horla" (1st and 2nd versions), by Guy de Maupassant; "Eles herdarão a terra" by Dinah Silveira de Queiroz; "Albino" by Heleno Godoy; and "Potyra" by Lygia Fagundes Telles. These narratives can offer not only a vision of the vampire’s peculiarities, already established by tradition, but also they introduce new aspects. With that corpus in mind, we intend to approach key issues of human nature - love, death and the time - related to the fascination created through time by the vampire’s myth. Therefore, our goal here is connected with one question: how the vampire becomes a reflection of mankind’s journey, and in that way, inspires our hopes and fears related to the obstacles that have us imprisoned. We rely on the theoretical assumptions of Hans Meyerhoff, Edgar Morin, Philippe Aries and Françoise Dastur concerning the passing time and the anguish of man towards death. In addition, we have brought some ideas from Sigmund Freud and Donaldo Schüler. Through Gaston Bachelard and Mircea Eliade’s symbolic hermeneutics, we have studied such symbols as the night, the moon, the water, the blood and the mirror, part of the vampiric imagery detected in the studied texts, and related to the mentioned themes.Desde tempos remotos, os vampiros estão presentes em quase todas as sociedades, fornecendo assunto para lendas, narrativas literárias e obras-de-arte de um modo geral. É um mito nascido na oralidade, que penetrou no universo das produções artísticas, lembrando-nos que estamos sujeitos a Eros e à passagem do tempo – cuja consequência maior é o envelhecimento e a morte (Tânatos). Este trabalho traça um percurso do mito do vampiro, em especial na literatura, e detém-se em alguns contos dos séculos XIX e XX − “O Vampiro”, de John Polidori; “A queda do solar de Usher”, de Edgar Allan Poe; “O Horla” (1ª e 2ª versões), de Guy de Maupassant; “Eles herdarão a terra”, de Dinah Silveira de Queiroz; “O albino”, de Heleno Godoy; e “Potyra”, de Lygia Fagundes Telles. Essas narrativas proporcionam não apenas um olhar sobre as peculiaridades do vampiro já consagradas pela tradição, mas apresentam novos aspectos. No corpus selecionado, temos como objetivo investigar questões essenciais da natureza humana – o amor, a morte e o tempo –, que estão relacionadas ao fascínio que o mito do vampiro tem exercido ao longo do tempo. Assim, nosso objetivo associa-se à indagação do quanto o vampiro torna-se reflexo do homem em sua jornada e, como tal, inspira nossas esperanças e medos em relação às contingências que nos aprisionam. Apoiamo-nos nos pressupostos teóricos de Hans Meyerhoff, Edgar Morin, Philippe Ariès e Françoise Dastur no que diz respeito ao tempo que passa e à angústia do homem frente à morte. Além disso, buscamos alguns subsídios em Sigmund Freud e Donaldo Schüler. Por meio da hermenêutica simbólica, de Gaston Bachelard e de Mircea Eliade, estudamos os símbolos da noite, da lua, da água, do sangue e do espelho que estão ligados, no imaginário vampírico detectado nos textos analisados, aos mencionados temas.Submitted by Marlene Santos (marlene.bc.ufg@gmail.com) on 2016-09-01T19:19:36Z No. of bitstreams: 2 Dissertação - Letícia Cristina Alcântara Rodrigues - 2014.pdf: 4488048 bytes, checksum: b927be20aa497b6a023f1b846a1857d3 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2016-09-05T13:10:03Z (GMT) No. of bitstreams: 2 Dissertação - Letícia Cristina Alcântara Rodrigues - 2014.pdf: 4488048 bytes, checksum: b927be20aa497b6a023f1b846a1857d3 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2016-09-05T13:10:03Z (GMT). No. of bitstreams: 2 Dissertação - Letícia Cristina Alcântara Rodrigues - 2014.pdf: 4488048 bytes, checksum: b927be20aa497b6a023f1b846a1857d3 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2014-09-26application/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em Letras e Linguística (FL)UFGBrasilFaculdade de Letras - FL (RG)http://creativecommons.org/licenses/by/4.0/info:eu-repo/semantics/openAccessMito do vampiroHermenêutica simbólicaAmorMorteTempoVampire mythSymbolic hermeneuticsLoveDeathTimeLETRAS::TEORIA LITERARIAO amor, a morte e o tempo: o mito do vampiro em narrativas dos séculos XIX e XXLove, death and time: vampire myth in the narratives of the19th and 20th centuriesinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis-1403758209736362229600600600-5417850704678072988-8661505006790692741reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; 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dc.title.por.fl_str_mv |
O amor, a morte e o tempo: o mito do vampiro em narrativas dos séculos XIX e XX |
dc.title.alternative.eng.fl_str_mv |
Love, death and time: vampire myth in the narratives of the19th and 20th centuries |
title |
O amor, a morte e o tempo: o mito do vampiro em narrativas dos séculos XIX e XX |
spellingShingle |
O amor, a morte e o tempo: o mito do vampiro em narrativas dos séculos XIX e XX Rodrigues, Letícia Cristina Alcântara Mito do vampiro Hermenêutica simbólica Amor Morte Tempo Vampire myth Symbolic hermeneutics Love Death Time LETRAS::TEORIA LITERARIA |
title_short |
O amor, a morte e o tempo: o mito do vampiro em narrativas dos séculos XIX e XX |
title_full |
O amor, a morte e o tempo: o mito do vampiro em narrativas dos séculos XIX e XX |
title_fullStr |
O amor, a morte e o tempo: o mito do vampiro em narrativas dos séculos XIX e XX |
title_full_unstemmed |
O amor, a morte e o tempo: o mito do vampiro em narrativas dos séculos XIX e XX |
title_sort |
O amor, a morte e o tempo: o mito do vampiro em narrativas dos séculos XIX e XX |
author |
Rodrigues, Letícia Cristina Alcântara |
author_facet |
Rodrigues, Letícia Cristina Alcântara |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Cánovas, Suzana Yolanda Lenhardt Machado |
dc.contributor.referee1.fl_str_mv |
Cánovas, Suzana Yolanda Lenhardt Machado |
dc.contributor.referee2.fl_str_mv |
Silva, Alexander Meireles da |
dc.contributor.referee3.fl_str_mv |
Sousa, Heleno Godói |
dc.contributor.authorLattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4127964H6 |
dc.contributor.author.fl_str_mv |
Rodrigues, Letícia Cristina Alcântara |
contributor_str_mv |
Cánovas, Suzana Yolanda Lenhardt Machado Cánovas, Suzana Yolanda Lenhardt Machado Silva, Alexander Meireles da Sousa, Heleno Godói |
dc.subject.por.fl_str_mv |
Mito do vampiro Hermenêutica simbólica Amor Morte Tempo |
topic |
Mito do vampiro Hermenêutica simbólica Amor Morte Tempo Vampire myth Symbolic hermeneutics Love Death Time LETRAS::TEORIA LITERARIA |
dc.subject.eng.fl_str_mv |
Vampire myth Symbolic hermeneutics Love Death Time |
dc.subject.cnpq.fl_str_mv |
LETRAS::TEORIA LITERARIA |
description |
Since ancient times, the vampire is known in almost every culture, being subject of legends, literary narratives and others works of art. It is a myth born in orality, which entered the world of artistic endeavors, reminding us of our subjection to Eros and the passage of time –and its main consequences: aging and death (Thanatos). This dissertation outlines the vampire myth, particularly in Literature, and looks into some specific short stories of the 19th and 20th centuries - "The Vampyre" by John Polidori; "The Fall of the House of Usher " by Edgar Allan Poe; and "The Horla" (1st and 2nd versions), by Guy de Maupassant; "Eles herdarão a terra" by Dinah Silveira de Queiroz; "Albino" by Heleno Godoy; and "Potyra" by Lygia Fagundes Telles. These narratives can offer not only a vision of the vampire’s peculiarities, already established by tradition, but also they introduce new aspects. With that corpus in mind, we intend to approach key issues of human nature - love, death and the time - related to the fascination created through time by the vampire’s myth. Therefore, our goal here is connected with one question: how the vampire becomes a reflection of mankind’s journey, and in that way, inspires our hopes and fears related to the obstacles that have us imprisoned. We rely on the theoretical assumptions of Hans Meyerhoff, Edgar Morin, Philippe Aries and Françoise Dastur concerning the passing time and the anguish of man towards death. In addition, we have brought some ideas from Sigmund Freud and Donaldo Schüler. Through Gaston Bachelard and Mircea Eliade’s symbolic hermeneutics, we have studied such symbols as the night, the moon, the water, the blood and the mirror, part of the vampiric imagery detected in the studied texts, and related to the mentioned themes. |
publishDate |
2014 |
dc.date.issued.fl_str_mv |
2014-09-26 |
dc.date.accessioned.fl_str_mv |
2016-09-05T13:10:03Z |
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dc.identifier.citation.fl_str_mv |
RODRIGUES, Letícia C. A. O amor, a morte e o tempo: o mito do vampiro em narrativas dos séculos XIX e XX. 2014. 167 f. Dissertação (Mestrado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2014. |
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http://repositorio.bc.ufg.br/tede/handle/tede/6112 |
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RODRIGUES, Letícia C. A. O amor, a morte e o tempo: o mito do vampiro em narrativas dos séculos XIX e XX. 2014. 167 f. Dissertação (Mestrado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2014. ark:/38995/0013000004ck7 |
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http://repositorio.bc.ufg.br/tede/handle/tede/6112 |
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por |
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Universidade Federal de Goiás |
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UFG |
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Brasil |
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Faculdade de Letras - FL (RG) |
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Universidade Federal de Goiás |
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