Dias de festa e lutas de representações: música e identidades na Congada e na Festa do Divino de Niquelândia-GO
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/5856 |
Resumo: | The object of study of this dissertation is the music of two cultural manifestations which happens separately, contrary to what is usual to observe in another regions of the country and the state, in the historic city of Niquelândia, Goiás, the Congada and the Holy Spirit Festival, perceived in the aspects of the battles of representations (CHARTIER, 1990) and the identity processes (HALL, 2006) that forged and had been resignificating them in that social-cultural framework. A qualitative approach was selected, aiming the use of some elements of a Thick Description cited by Geertz (1989) and some elements of the notion of genre of discourse from Bakhtin (2003). The data were collected, analyzed and interpreted considering the contextualization of them, through steps that implicated: a bibliographical, documental and archives survey, field research, interviews with various agents of the festivities, and musical transcriptions, analyses and interpretations. The results revealed that the Holy Spirit Festival and the congada from Niquelândia were built in a historic and current process of encounters and battles of representations among groups from different socio-cultural fields. Meanings and significances were related, so, not only with the festivals, but also with a hybrid musical complex, religious and profane, Afro-Brazilian and European, most considerable representation of the multiple identities that compose the agents of the two festivals studied. Therefore, it was possible to prove that the festivals and the music studied are a result of investment in the city of Niquelândia because they integrate identity processes in this scenario, processes implicated with battles of social representations which forces that these cultural manifestations happen separately, in two different dates and locations. |
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Clímaco, Magda de Mirandahttp://lattes.cnpq.br/3267761359411377Clímaco, Magda de MirandaSouza, Ana Guiomar RêgoCapel, Heloisa Selma Fernandeshttp://lattes.cnpq.br/7498944313509983Vinhal, Felipe Eugênio2016-08-08T13:37:11Z2016-05-30VINHAL, Felipe E. Dias de festa e lutas de representações: música e identidades na Congada e na Festa do Divino de Niquelândia-GO. 2016. 320 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2016.http://repositorio.bc.ufg.br/tede/handle/tede/5856ark:/38995/001300000b6tzThe object of study of this dissertation is the music of two cultural manifestations which happens separately, contrary to what is usual to observe in another regions of the country and the state, in the historic city of Niquelândia, Goiás, the Congada and the Holy Spirit Festival, perceived in the aspects of the battles of representations (CHARTIER, 1990) and the identity processes (HALL, 2006) that forged and had been resignificating them in that social-cultural framework. A qualitative approach was selected, aiming the use of some elements of a Thick Description cited by Geertz (1989) and some elements of the notion of genre of discourse from Bakhtin (2003). The data were collected, analyzed and interpreted considering the contextualization of them, through steps that implicated: a bibliographical, documental and archives survey, field research, interviews with various agents of the festivities, and musical transcriptions, analyses and interpretations. The results revealed that the Holy Spirit Festival and the congada from Niquelândia were built in a historic and current process of encounters and battles of representations among groups from different socio-cultural fields. Meanings and significances were related, so, not only with the festivals, but also with a hybrid musical complex, religious and profane, Afro-Brazilian and European, most considerable representation of the multiple identities that compose the agents of the two festivals studied. Therefore, it was possible to prove that the festivals and the music studied are a result of investment in the city of Niquelândia because they integrate identity processes in this scenario, processes implicated with battles of social representations which forces that these cultural manifestations happen separately, in two different dates and locations.O objeto de estudo deste trabalho é a música integrante de duas manifestações culturais religioso-populares que acontecem de forma separada na histórica cidade de Niquelândia-GO, ao contrário do que se costuma observar em outras regiões do país e do estado: a Congada e a Festa do Divino, percebidas sob o enfoque das lutas de representações (CHARTIER, 1990) e dos processos identitários (HALL, 2006) que as forjaram e as tem ressignificado nessa trama sociocultural. Um enfoque de base qualitativa foi adotado, tendo em vista a utilização de alguns elementos de uma descrição densa mencionada por Geertz (1989) e de alguns elementos da noção de gênero do discurso de Bakhtin (2003). Os dados foram coletados, analisados e interpretados levando em consideração a contextualização dos mesmos, numa trajetória que implicou levantamento bibliográfico, documental e arquivístico, pesquisa de campo, realização de entrevistas com diferentes atores das festividades, transcrições, análise e interpretação musicais. Os resultados da pesquisa revelaram que a festa do Divino e a congada niquelandenses, de forma especial as músicas que as integram, foram construídas num processo histórico e atual de encontros e lutas de representações entre grupos pertencentes a esferas socioculturais distintas. Sentidos e significados foram relacionados, portanto, não somente às festas, mas também a um repertório musical híbrido, religioso e profano, afro-brasileiro e europeu, representativo de processos identitários efetivados por atores das duas festas estudadas. Assim, foi possível comprovar a pressuposição de que as festas e as músicas estudadas são fruto de investimento na cidade de Niquelândia porque integram processos identitários nesse cenário, processos esses implicados com lutas de representações sociais que fazem com que essas manifestações culturais aconteçam separadas, em datas e locais diferentes.Submitted by Erika Demachki (erikademachki@gmail.com) on 2016-08-05T21:32:42Z No. of bitstreams: 2 Dissertação - Felipe Eugênio Vinhal - 2016.pdf: 13070063 bytes, checksum: 6f02a1046fdf00d2f7a9348cb74a9593 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2016-08-08T13:37:11Z (GMT) No. of bitstreams: 2 Dissertação - Felipe Eugênio Vinhal - 2016.pdf: 13070063 bytes, checksum: 6f02a1046fdf00d2f7a9348cb74a9593 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2016-08-08T13:37:11Z (GMT). No. of bitstreams: 2 Dissertação - Felipe Eugênio Vinhal - 2016.pdf: 13070063 bytes, checksum: 6f02a1046fdf00d2f7a9348cb74a9593 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2016-05-30Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em Musica (EMAC)UFGBrasilEscola de Música e Artes Cênicas - EMAC (RG)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessMúsicasFesta do Divino e CongadaNiquelândia, GoiásLutas de representações e processos identitáriosMusicHoly Spirit and Congada FestivalsBattles of representations and identity processesARTES::MUSICADias de festa e lutas de representações: música e identidades na Congada e na Festa do Divino de Niquelândia-GODays of festival and battles of representations: music and identities in the Congada and Holy Spirit Festival from Niquelândia-GOinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis-8926704311827950450600600600600-1800367251745901470-37567878752057868312075167498588264571reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; 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dc.title.por.fl_str_mv |
Dias de festa e lutas de representações: música e identidades na Congada e na Festa do Divino de Niquelândia-GO |
dc.title.alternative.eng.fl_str_mv |
Days of festival and battles of representations: music and identities in the Congada and Holy Spirit Festival from Niquelândia-GO |
title |
Dias de festa e lutas de representações: música e identidades na Congada e na Festa do Divino de Niquelândia-GO |
spellingShingle |
Dias de festa e lutas de representações: música e identidades na Congada e na Festa do Divino de Niquelândia-GO Vinhal, Felipe Eugênio Músicas Festa do Divino e Congada Niquelândia, Goiás Lutas de representações e processos identitários Music Holy Spirit and Congada Festivals Battles of representations and identity processes ARTES::MUSICA |
title_short |
Dias de festa e lutas de representações: música e identidades na Congada e na Festa do Divino de Niquelândia-GO |
title_full |
Dias de festa e lutas de representações: música e identidades na Congada e na Festa do Divino de Niquelândia-GO |
title_fullStr |
Dias de festa e lutas de representações: música e identidades na Congada e na Festa do Divino de Niquelândia-GO |
title_full_unstemmed |
Dias de festa e lutas de representações: música e identidades na Congada e na Festa do Divino de Niquelândia-GO |
title_sort |
Dias de festa e lutas de representações: música e identidades na Congada e na Festa do Divino de Niquelândia-GO |
author |
Vinhal, Felipe Eugênio |
author_facet |
Vinhal, Felipe Eugênio |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Clímaco, Magda de Miranda |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/3267761359411377 |
dc.contributor.referee1.fl_str_mv |
Clímaco, Magda de Miranda |
dc.contributor.referee2.fl_str_mv |
Souza, Ana Guiomar Rêgo |
dc.contributor.referee3.fl_str_mv |
Capel, Heloisa Selma Fernandes |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/7498944313509983 |
dc.contributor.author.fl_str_mv |
Vinhal, Felipe Eugênio |
contributor_str_mv |
Clímaco, Magda de Miranda Clímaco, Magda de Miranda Souza, Ana Guiomar Rêgo Capel, Heloisa Selma Fernandes |
dc.subject.por.fl_str_mv |
Músicas Festa do Divino e Congada Niquelândia, Goiás Lutas de representações e processos identitários |
topic |
Músicas Festa do Divino e Congada Niquelândia, Goiás Lutas de representações e processos identitários Music Holy Spirit and Congada Festivals Battles of representations and identity processes ARTES::MUSICA |
dc.subject.eng.fl_str_mv |
Music Holy Spirit and Congada Festivals Battles of representations and identity processes |
dc.subject.cnpq.fl_str_mv |
ARTES::MUSICA |
description |
The object of study of this dissertation is the music of two cultural manifestations which happens separately, contrary to what is usual to observe in another regions of the country and the state, in the historic city of Niquelândia, Goiás, the Congada and the Holy Spirit Festival, perceived in the aspects of the battles of representations (CHARTIER, 1990) and the identity processes (HALL, 2006) that forged and had been resignificating them in that social-cultural framework. A qualitative approach was selected, aiming the use of some elements of a Thick Description cited by Geertz (1989) and some elements of the notion of genre of discourse from Bakhtin (2003). The data were collected, analyzed and interpreted considering the contextualization of them, through steps that implicated: a bibliographical, documental and archives survey, field research, interviews with various agents of the festivities, and musical transcriptions, analyses and interpretations. The results revealed that the Holy Spirit Festival and the congada from Niquelândia were built in a historic and current process of encounters and battles of representations among groups from different socio-cultural fields. Meanings and significances were related, so, not only with the festivals, but also with a hybrid musical complex, religious and profane, Afro-Brazilian and European, most considerable representation of the multiple identities that compose the agents of the two festivals studied. Therefore, it was possible to prove that the festivals and the music studied are a result of investment in the city of Niquelândia because they integrate identity processes in this scenario, processes implicated with battles of social representations which forces that these cultural manifestations happen separately, in two different dates and locations. |
publishDate |
2016 |
dc.date.accessioned.fl_str_mv |
2016-08-08T13:37:11Z |
dc.date.issued.fl_str_mv |
2016-05-30 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
VINHAL, Felipe E. Dias de festa e lutas de representações: música e identidades na Congada e na Festa do Divino de Niquelândia-GO. 2016. 320 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2016. |
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http://repositorio.bc.ufg.br/tede/handle/tede/5856 |
dc.identifier.dark.fl_str_mv |
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identifier_str_mv |
VINHAL, Felipe E. Dias de festa e lutas de representações: música e identidades na Congada e na Festa do Divino de Niquelândia-GO. 2016. 320 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2016. ark:/38995/001300000b6tz |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/5856 |
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por |
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por |
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600 600 600 600 |
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-3756787875205786831 |
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http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
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http://creativecommons.org/licenses/by-nc-nd/4.0/ |
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openAccess |
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Universidade Federal de Goiás |
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Programa de Pós-graduação em Musica (EMAC) |
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UFG |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Escola de Música e Artes Cênicas - EMAC (RG) |
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Universidade Federal de Goiás |
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