Uma trajetória coral do Colégio Santa Clara (Goiânia-GO) a partir da análise e performance de obras selecionadas de seu acervo musical

• Autor(a) principal: Lopes, Germano Henrique Pereira
• Data de Publicação: 2018
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Repositório Institucional da UFG
• dARK ID: ark:/38995/0013000002rjz
• Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/8797
• topic: Canto coral; Congregação Franciscana da Ação Pastoral; Colégio Santa Clara; Ultramontanismo; Choral singing; Congregation of Franciscan Sisters of Pastoral Action; Santa Clara College; Ultramontanism; ARTES::MUSICA

Aiming to draw a path of choral practice, under the interdisciplinary view between performance and musicology, in the historical Santa Clara School in the city of Goiânia, Goiás, this work is one of the fruits of the studies carried out by the research group Choral Singing in Goiânia, trajectories and perspectives, linked to the Laboratory of Musicology Brás Wilson Pompeu de Pina Filho, of the School of Music and Performing Arts at the Federal University of Goiás. This research, focused on the musical collection of the Santa Clara School. It begins with a historical context of the Congregation of Franciscan Sisters of Pastoral Action, responsible for this institution, which arrived in Campinas (now a suburb of Goiânia) in 1921 to meet the educational needs of the region. The school became a reference not only in the pedagogical field, but also in the artistic and cultural areas. Then, this paper deepens into aspects of Catholic music in the study time-frame, starting with Ultramontanism, followed by a transition period that ends after the Second Vatican Council. Representative works of these three mentioned periods were analyzed, having as one of the selection criteria that the scores had clear signs of handling, featuring their use in performance. Moreover, some of these works and others of the collection were performed in concert generated by this research, in order to realize through the musical practice all the necessary elements for a broader understanding of the choral activity of the institution. After crossing the results with documentary data of the collection, it is shown that the choir practice in the school had been very intense and always aligned with all the current changes in sacred music (liturgical or not) determined by the clergy. This all become a significant component of the historical-musical development of the city of Goiania during the period span covered by this research.