Leni Riefenstahl (1935): o cinema documental de propaganda nazista
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/9927 |
Resumo: | The exceptionality of "The Triumph of the Will" (1935), as well as its director, Leni Riefenstahl (1902-2003), is remarkable in the specialized literature on the subject of political propaganda in the cinema. Thus, this dissertation aims to examine the specificities of cinema developed by Riefenstahl, through the understanding of his maximal work. To do so, two approaches are necessary. In the first place, the analysis of the Nazi aesthetics through the resurgence of the aura by the Nazi politics aesthetics, made by the German essayist Walter Benjamin. Secondly, the use of the method of "film analysis" for understanding the frames of the film will be analyzed. By doing that, we can see how Leni Riefenstahl built his filmic aesthetic linked to the propaganda project of national socialism. Thus, the dissertation is divided into three moments. We will begin by exposing the peculiarities of Leni Riefenstahl, highlighting their relationship with the Nazi propaganda machine. After that, we argue about "The Triumph of the Will" (1935) as a source, discussing the perspectives for history knowledge, focusing on the genre of propaganda, aesthetics and its relation to the concept of aura, and its relationship with the documentary genre. Finally, we approach the analysis of the aesthetics of the film through its two main characters: the masses and Adolf Hitler. |
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Patti, Carlohttp://lattes.cnpq.br/5828258601090620Patti, CarloAbdala Junior, RobertoReinato, Eduardo Joséhttp://lattes.cnpq.br/7623508713645173Quinta Junior, Elbio Roberto2019-08-14T11:49:53Z2019-03-08QUINTA JUNIOR, Elbio R. Leni Riefenstahl (1935): o cinema documental de propaganda nazista. 2019. 141 f. Dissertação (Mestrado em História) - Universidade Federal de Goiás, Goiânia, 2019.http://repositorio.bc.ufg.br/tede/handle/tede/9927The exceptionality of "The Triumph of the Will" (1935), as well as its director, Leni Riefenstahl (1902-2003), is remarkable in the specialized literature on the subject of political propaganda in the cinema. Thus, this dissertation aims to examine the specificities of cinema developed by Riefenstahl, through the understanding of his maximal work. To do so, two approaches are necessary. In the first place, the analysis of the Nazi aesthetics through the resurgence of the aura by the Nazi politics aesthetics, made by the German essayist Walter Benjamin. Secondly, the use of the method of "film analysis" for understanding the frames of the film will be analyzed. By doing that, we can see how Leni Riefenstahl built his filmic aesthetic linked to the propaganda project of national socialism. Thus, the dissertation is divided into three moments. We will begin by exposing the peculiarities of Leni Riefenstahl, highlighting their relationship with the Nazi propaganda machine. After that, we argue about "The Triumph of the Will" (1935) as a source, discussing the perspectives for history knowledge, focusing on the genre of propaganda, aesthetics and its relation to the concept of aura, and its relationship with the documentary genre. Finally, we approach the analysis of the aesthetics of the film through its two main characters: the masses and Adolf Hitler.A excepcionalidade de “O Triunfo da Vontade” (1935), assim como de sua realizadora, Leni Riefenstahl (1902-2003), é marcante na literatura especializada sobre o tema da propaganda política no cinema. Dessa maneira, esta dissertação possui como objetivo perscrutar sobre as especificidades do cinema desenvolvido por Riefenstahl, através da compreensão de sua obra máxima. Para tanto, duas abordagens mostram-se necessárias. Primeiramente, a análise da estética nazista, através das considerações sobre o ressurgimento da aura pela estetização política, no nazismo, feitas pelo ensaísta alemão Walter Benjamin. Em segundo, a utilização do método de “análise fílmica”, de modo que a partir do entendimento dos fotogramas provenientes do filme, vislumbra-se a maneira como Leni Riefenstahl construiu sua estética fílmica atrelada ao projeto propagandístico do nacional socialismo. Assim, a dissertação está dividida em três momentos. Começaremos expondo as peculiaridades de Leni Riefenstahl, dando destaque para a sua relação com a máquina de propaganda nazista. Em seguida, argumentaremos sobre “O Triunfo da Vontade” (1935) enquanto fonte, discutindo dentro das perspectivas para a história com foco no gênero de propaganda, na estética e sua relação com o conceito de aura, e sua relação com o gênero documental. Por fim, abordaremos a análise da estética da película através de seus dois grandes personagens: as massas e Adolf Hitler.Submitted by Franciele Moreira (francielemoreyra@gmail.com) on 2019-08-13T14:40:40Z No. of bitstreams: 2 Dissertação - Elbio Roberto Quinta Junior - 2019.pdf: 3669719 bytes, checksum: 6fafeb166d39edec6578cde81092eb1c (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2019-08-14T11:49:53Z (GMT) No. of bitstreams: 2 Dissertação - Elbio Roberto Quinta Junior - 2019.pdf: 3669719 bytes, checksum: 6fafeb166d39edec6578cde81092eb1c (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2019-08-14T11:49:53Z (GMT). No. of bitstreams: 2 Dissertação - Elbio Roberto Quinta Junior - 2019.pdf: 3669719 bytes, checksum: 6fafeb166d39edec6578cde81092eb1c (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2019-03-08Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em História (FH)UFGBrasilFaculdade de História - FH (RG)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessLeni RiefenstahlCinemaNazismoEstetização políticaNaziAesthetics of politicsHISTORIA::HISTORIA MODERNA E CONTEMPORANEALeni Riefenstahl (1935): o cinema documental de propaganda nazistaLeni Riefenstahl (1935): the nazi´s documental cinema of propagandainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis283917745727415763960060060060031807922082718564312779571800315565362075167498588264571reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGORIGINALDissertação - Elbio Roberto Quinta Junior - 2019.pdfDissertação - Elbio Roberto Quinta Junior - 2019.pdfapplication/pdf3669719http://repositorio.bc.ufg.br/tede/bitstreams/1f16bd2c-a08f-4a01-873b-76ef014e9535/download6fafeb166d39edec6578cde81092eb1cMD55LICENSElicense.txtlicense.txttext/plain; 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dc.title.eng.fl_str_mv |
Leni Riefenstahl (1935): o cinema documental de propaganda nazista |
dc.title.alternative.eng.fl_str_mv |
Leni Riefenstahl (1935): the nazi´s documental cinema of propaganda |
title |
Leni Riefenstahl (1935): o cinema documental de propaganda nazista |
spellingShingle |
Leni Riefenstahl (1935): o cinema documental de propaganda nazista Quinta Junior, Elbio Roberto Leni Riefenstahl Cinema Nazismo Estetização política Nazi Aesthetics of politics HISTORIA::HISTORIA MODERNA E CONTEMPORANEA |
title_short |
Leni Riefenstahl (1935): o cinema documental de propaganda nazista |
title_full |
Leni Riefenstahl (1935): o cinema documental de propaganda nazista |
title_fullStr |
Leni Riefenstahl (1935): o cinema documental de propaganda nazista |
title_full_unstemmed |
Leni Riefenstahl (1935): o cinema documental de propaganda nazista |
title_sort |
Leni Riefenstahl (1935): o cinema documental de propaganda nazista |
author |
Quinta Junior, Elbio Roberto |
author_facet |
Quinta Junior, Elbio Roberto |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Patti, Carlo |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/5828258601090620 |
dc.contributor.referee1.fl_str_mv |
Patti, Carlo |
dc.contributor.referee2.fl_str_mv |
Abdala Junior, Roberto |
dc.contributor.referee3.fl_str_mv |
Reinato, Eduardo José |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/7623508713645173 |
dc.contributor.author.fl_str_mv |
Quinta Junior, Elbio Roberto |
contributor_str_mv |
Patti, Carlo Patti, Carlo Abdala Junior, Roberto Reinato, Eduardo José |
dc.subject.por.fl_str_mv |
Leni Riefenstahl Cinema Nazismo Estetização política |
topic |
Leni Riefenstahl Cinema Nazismo Estetização política Nazi Aesthetics of politics HISTORIA::HISTORIA MODERNA E CONTEMPORANEA |
dc.subject.eng.fl_str_mv |
Nazi Aesthetics of politics |
dc.subject.cnpq.fl_str_mv |
HISTORIA::HISTORIA MODERNA E CONTEMPORANEA |
description |
The exceptionality of "The Triumph of the Will" (1935), as well as its director, Leni Riefenstahl (1902-2003), is remarkable in the specialized literature on the subject of political propaganda in the cinema. Thus, this dissertation aims to examine the specificities of cinema developed by Riefenstahl, through the understanding of his maximal work. To do so, two approaches are necessary. In the first place, the analysis of the Nazi aesthetics through the resurgence of the aura by the Nazi politics aesthetics, made by the German essayist Walter Benjamin. Secondly, the use of the method of "film analysis" for understanding the frames of the film will be analyzed. By doing that, we can see how Leni Riefenstahl built his filmic aesthetic linked to the propaganda project of national socialism. Thus, the dissertation is divided into three moments. We will begin by exposing the peculiarities of Leni Riefenstahl, highlighting their relationship with the Nazi propaganda machine. After that, we argue about "The Triumph of the Will" (1935) as a source, discussing the perspectives for history knowledge, focusing on the genre of propaganda, aesthetics and its relation to the concept of aura, and its relationship with the documentary genre. Finally, we approach the analysis of the aesthetics of the film through its two main characters: the masses and Adolf Hitler. |
publishDate |
2019 |
dc.date.accessioned.fl_str_mv |
2019-08-14T11:49:53Z |
dc.date.issued.fl_str_mv |
2019-03-08 |
dc.type.status.fl_str_mv |
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dc.identifier.citation.fl_str_mv |
QUINTA JUNIOR, Elbio R. Leni Riefenstahl (1935): o cinema documental de propaganda nazista. 2019. 141 f. Dissertação (Mestrado em História) - Universidade Federal de Goiás, Goiânia, 2019. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/9927 |
identifier_str_mv |
QUINTA JUNIOR, Elbio R. Leni Riefenstahl (1935): o cinema documental de propaganda nazista. 2019. 141 f. Dissertação (Mestrado em História) - Universidade Federal de Goiás, Goiânia, 2019. |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/9927 |
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