Cinema e animação: poéticas de um vivência
Autor(a) principal: | |
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Data de Publicação: | 2013 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
dARK ID: | ark:/38995/0013000006b59 |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/3513 |
Resumo: | This study aimed to mix in the work art experience theory and poetics. Were aggregated at the same level both religious and visual references of the author to produce a short film hybrid between live-action film and animation. The study of the archetypes Umbanda’s entities and the history and principles of animation also contributed, like the film hybrid between film and animation and analysis of the film Kill Bill I, chosen as the reference technique with which we bond our poetic. In the theoretical chapter the history of animation is based on the principles of technological devices of the season coming to current devices such as computers and software that were of great importance to the animation frame by frame made by the author. The choice of technique animated 2D is closely linked to technological devices today. We base ourselves on the theories of film analysis to conduct the analysis of Tarantino's movie and through this stimulus did correlate with in our practice we get elements of great importance for the production of the short film. Added to this analysis we also identify the archetype of character O'Ren Ishii that served us for the construction of the archetypes of our characters, creating a fine line between Tarantino references and references of the author. All this added to the theory and practice experience led us to achieving a live-action film and animation drawing on inspirations on religious experiences and professional author culminating in the production sequence and performing a short film essentially copyright. |
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Berardo, Rosa Mariahttp://lattes.cnpq.br/5933853765756576Berardo, Rosa MariaOliveira, Selma Regina NunesSilva Filho, Raimundo Martins dahttp://lattes.cnpq.br/7654350689796577Brandão, Flávia Christina Leite2014-11-03T18:15:06Z2013-04-05BRANDÃO, Flávia Christina Leite. Cinema e animação: poéticas de um vivência. 2013. 61 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2013.http://repositorio.bc.ufg.br/tede/handle/tede/3513ark:/38995/0013000006b59This study aimed to mix in the work art experience theory and poetics. Were aggregated at the same level both religious and visual references of the author to produce a short film hybrid between live-action film and animation. The study of the archetypes Umbanda’s entities and the history and principles of animation also contributed, like the film hybrid between film and animation and analysis of the film Kill Bill I, chosen as the reference technique with which we bond our poetic. In the theoretical chapter the history of animation is based on the principles of technological devices of the season coming to current devices such as computers and software that were of great importance to the animation frame by frame made by the author. The choice of technique animated 2D is closely linked to technological devices today. We base ourselves on the theories of film analysis to conduct the analysis of Tarantino's movie and through this stimulus did correlate with in our practice we get elements of great importance for the production of the short film. Added to this analysis we also identify the archetype of character O'Ren Ishii that served us for the construction of the archetypes of our characters, creating a fine line between Tarantino references and references of the author. All this added to the theory and practice experience led us to achieving a live-action film and animation drawing on inspirations on religious experiences and professional author culminating in the production sequence and performing a short film essentially copyright.Este estudo teve como objetivo unir em mesmo trabalho vivência, teoria e poéticas. Agregaram-se em mesmo patamar as referências tanto religiosas quanto visuais da autora para a produção de um curta-metragem híbrido entre cinema liveaction e animação. Contribuíram também para a construção da poética o estudo dos arquétipos das entidades da umbanda, historia e princípios da animação, filmes híbridos entre cinema e animação e a análise do filme Kill Bill I, escolhido como referência técnica com a qual fizemos interrelação com nossa poética. No capitulo teórico está a história da animação partindo dos princípios dos aparatos tecnológicos da época chegando a aparelhos atuais como computadores e softwares que foram de grande importância para a animação feita quadro a quadro pela autora. A escolha da técnica animada 2D está intimamente ligada aos aparelhos tecnológicos atuais. Baseamos-nos nas teorias de análise cinematográfica para conduzir a análise do filme de Tarantino e através deste estímulo fizemos uma correlação com nossa prática em que conseguimos elementos de grande importância para a produção do curta-metragem. Agregada a essa análise temos também a identificação do arquétipo da personagem O´Ren Ishii que nos serviu para a construção dos arquétipos de nossas personagens, criando uma linha tênue entre as referências de Tarantino e as referências da autora. Toda essa teoria somada à vivência e a prática nos levou a concretização de um filme live-action e animação partindo das inspirações sobre as vivências religiosas e profissionais da autora culminando na sequência de produção e realização de um curta-metragem essencialmente autoral.Submitted by Erika Demachki (erikademachki@gmail.com) on 2014-11-03T18:14:39Z No. of bitstreams: 7 Dissertação - Flávia Christina Leite Brandão - 2013 (1).pdf: 10714218 bytes, checksum: 01c15423fadd83691774adc8b15d3419 (MD5) Dissertação - Flávia Christina Leite Brandão - 2013 (2).pdf: 11075441 bytes, checksum: 7b903503ca992b6ac4ede6d7b62512d9 (MD5) Dissertação - Flávia Christina Leite Brandão - 2013 (3).pdf: 9095853 bytes, checksum: 814f98da99afeb28982bdc101e729996 (MD5) Dissertação - Flávia Christina Leite Brandão - 2013 (4).pdf: 8768153 bytes, checksum: 1128c7d36c76265bb903e5632ea9cc80 (MD5) Dissertação - Flávia Christina Leite Brandão - 2013 (5).pdf: 10290632 bytes, checksum: bb3fc00933f006b9d86bc04389339907 (MD5) Dissertação - Flávia Christina Leite Brandão - 2013 (6).pdf: 9469356 bytes, checksum: bd51bf34c7d39538e3e22c1778c63242 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)Approved for entry into archive by Erika Demachki (erikademachki@gmail.com) on 2014-11-03T18:15:06Z (GMT) No. of bitstreams: 7 Dissertação - Flávia Christina Leite Brandão - 2013 (1).pdf: 10714218 bytes, checksum: 01c15423fadd83691774adc8b15d3419 (MD5) Dissertação - Flávia Christina Leite Brandão - 2013 (2).pdf: 11075441 bytes, checksum: 7b903503ca992b6ac4ede6d7b62512d9 (MD5) Dissertação - Flávia Christina Leite Brandão - 2013 (3).pdf: 9095853 bytes, checksum: 814f98da99afeb28982bdc101e729996 (MD5) Dissertação - Flávia Christina Leite Brandão - 2013 (4).pdf: 8768153 bytes, checksum: 1128c7d36c76265bb903e5632ea9cc80 (MD5) Dissertação - Flávia Christina Leite Brandão - 2013 (5).pdf: 10290632 bytes, checksum: bb3fc00933f006b9d86bc04389339907 (MD5) Dissertação - Flávia Christina Leite Brandão - 2013 (6).pdf: 9469356 bytes, checksum: bd51bf34c7d39538e3e22c1778c63242 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)Made available in DSpace on 2014-11-03T18:15:06Z (GMT). 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dc.title.por.fl_str_mv |
Cinema e animação: poéticas de um vivência |
dc.title.alternative.eng.fl_str_mv |
Cinema and animation: a poetic experiences |
title |
Cinema e animação: poéticas de um vivência |
spellingShingle |
Cinema e animação: poéticas de um vivência Brandão, Flávia Christina Leite Cinema Animação Arte Cultura visual Umbanda Narrativas híbridas Animation Art Visual culture Hybrid narratives ARTES::CINEMA |
title_short |
Cinema e animação: poéticas de um vivência |
title_full |
Cinema e animação: poéticas de um vivência |
title_fullStr |
Cinema e animação: poéticas de um vivência |
title_full_unstemmed |
Cinema e animação: poéticas de um vivência |
title_sort |
Cinema e animação: poéticas de um vivência |
author |
Brandão, Flávia Christina Leite |
author_facet |
Brandão, Flávia Christina Leite |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Berardo, Rosa Maria |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/5933853765756576 |
dc.contributor.referee1.fl_str_mv |
Berardo, Rosa Maria |
dc.contributor.referee2.fl_str_mv |
Oliveira, Selma Regina Nunes |
dc.contributor.referee3.fl_str_mv |
Silva Filho, Raimundo Martins da |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/7654350689796577 |
dc.contributor.author.fl_str_mv |
Brandão, Flávia Christina Leite |
contributor_str_mv |
Berardo, Rosa Maria Berardo, Rosa Maria Oliveira, Selma Regina Nunes Silva Filho, Raimundo Martins da |
dc.subject.por.fl_str_mv |
Cinema Animação Arte Cultura visual Umbanda Narrativas híbridas |
topic |
Cinema Animação Arte Cultura visual Umbanda Narrativas híbridas Animation Art Visual culture Hybrid narratives ARTES::CINEMA |
dc.subject.eng.fl_str_mv |
Animation Art Visual culture Hybrid narratives |
dc.subject.cnpq.fl_str_mv |
ARTES::CINEMA |
description |
This study aimed to mix in the work art experience theory and poetics. Were aggregated at the same level both religious and visual references of the author to produce a short film hybrid between live-action film and animation. The study of the archetypes Umbanda’s entities and the history and principles of animation also contributed, like the film hybrid between film and animation and analysis of the film Kill Bill I, chosen as the reference technique with which we bond our poetic. In the theoretical chapter the history of animation is based on the principles of technological devices of the season coming to current devices such as computers and software that were of great importance to the animation frame by frame made by the author. The choice of technique animated 2D is closely linked to technological devices today. We base ourselves on the theories of film analysis to conduct the analysis of Tarantino's movie and through this stimulus did correlate with in our practice we get elements of great importance for the production of the short film. Added to this analysis we also identify the archetype of character O'Ren Ishii that served us for the construction of the archetypes of our characters, creating a fine line between Tarantino references and references of the author. All this added to the theory and practice experience led us to achieving a live-action film and animation drawing on inspirations on religious experiences and professional author culminating in the production sequence and performing a short film essentially copyright. |
publishDate |
2013 |
dc.date.issued.fl_str_mv |
2013-04-05 |
dc.date.accessioned.fl_str_mv |
2014-11-03T18:15:06Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
BRANDÃO, Flávia Christina Leite. Cinema e animação: poéticas de um vivência. 2013. 61 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2013. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/3513 |
dc.identifier.dark.fl_str_mv |
ark:/38995/0013000006b59 |
identifier_str_mv |
BRANDÃO, Flávia Christina Leite. Cinema e animação: poéticas de um vivência. 2013. 61 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2013. ark:/38995/0013000006b59 |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/3513 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.program.fl_str_mv |
5419363139851951878 |
dc.relation.confidence.fl_str_mv |
600 600 600 |
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-5849096158746369096 |
dc.relation.cnpq.fl_str_mv |
4846526795450880629 |
dc.rights.driver.fl_str_mv |
http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
http://creativecommons.org/licenses/by-nc-nd/4.0/ |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.publisher.program.fl_str_mv |
Programa de Pós-graduação em Arte e Cultura Visual (FAV) |
dc.publisher.initials.fl_str_mv |
UFG |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Faculdade de Artes Visuais - FAV (RG) |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.source.none.fl_str_mv |
reponame:Repositório Institucional da UFG instname:Universidade Federal de Goiás (UFG) instacron:UFG |
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Universidade Federal de Goiás (UFG) |
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UFG |
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UFG |
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Repositório Institucional da UFG |
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Repositório Institucional da UFG |
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