O barroco como problema estético e histórico: o contexto intelectual da origem do drama trágico alemão, de Walter Benjamin
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/13256 |
Resumo: | At the end of the 19th century and the beginning of the 20th century, authors and intellectuals from the philosophical, literary criticism and theory of history constituted an intellectual context in Germany. They were committed to thinking about issues involving the constitution of sciences, knowledge and aesthetics. It was in this environment that Walter Benjamin wrote one of his most complex works of youth, presented as the book Origin of German Tragic Drama. The book presents its hypotheses about the form of tragic drama present in the German Baroque theater, which is characterized by elements of modernity, constituting a historicity. For Benjamin, the concept of origin (Sprung) is a pre- and post-historical one, which in the Baroque period is linked to the constitution of the German nation, the Protestant Reformation, the 30 Years' War and the Napoleonic invasions. Therefore, considering the fractures caused by these events, the Baroque could not be thought of as a continuation of the Renaissance or of Greek tragedies for the consolidation of German culture in the way that intellectuals in Benjamin's context claimed. Therefore, we will seek in the study Origin of German Tragic Drama to understand how Benjamin used and analyzed the role of aesthetics to think about the theory of knowledge of history that dialogued with his contemporaries. We will thus discuss methodological and scientific issues from the debate on: Origin, method and knowledge, which will allow us to affirm that the tension between the aesthetic and the historical is constitutive of a modern time. |
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Almeida, Tiago Santoshttp://lattes.cnpq.br/9244369639536256Almeida, Tiago SantosVilela, Ana Lucia OliveiraSouza Neto, Manoel Gustavo dehttp://lattes.cnpq.br/6828108542841423Santos, Michelle Lira Rodrigues2024-02-09T15:25:48Z2024-02-09T15:25:48Z2022-11-25SANTOS, M. L. R. O barroco como problema estético e histórico: o contexto intelectual da origem do drama trágico alemão, de Walter Benjamin. 2022. 120 f. Dissertação (Mestrado em História) - Faculdade de História, Universidade Federal de Goiás, Goiânia, 2022.http://repositorio.bc.ufg.br/tede/handle/tede/13256ark:/38995/0013000001hj9At the end of the 19th century and the beginning of the 20th century, authors and intellectuals from the philosophical, literary criticism and theory of history constituted an intellectual context in Germany. They were committed to thinking about issues involving the constitution of sciences, knowledge and aesthetics. It was in this environment that Walter Benjamin wrote one of his most complex works of youth, presented as the book Origin of German Tragic Drama. The book presents its hypotheses about the form of tragic drama present in the German Baroque theater, which is characterized by elements of modernity, constituting a historicity. For Benjamin, the concept of origin (Sprung) is a pre- and post-historical one, which in the Baroque period is linked to the constitution of the German nation, the Protestant Reformation, the 30 Years' War and the Napoleonic invasions. Therefore, considering the fractures caused by these events, the Baroque could not be thought of as a continuation of the Renaissance or of Greek tragedies for the consolidation of German culture in the way that intellectuals in Benjamin's context claimed. Therefore, we will seek in the study Origin of German Tragic Drama to understand how Benjamin used and analyzed the role of aesthetics to think about the theory of knowledge of history that dialogued with his contemporaries. We will thus discuss methodological and scientific issues from the debate on: Origin, method and knowledge, which will allow us to affirm that the tension between the aesthetic and the historical is constitutive of a modern time.No final do século XIX e início do século XX, autores e intelectuais do meio filosófico, da crítica literária e da teoria da história constituíram um contexto intelectual na Alemanha. Eles estavam empenhados a pensar as questões envolvendo a constituição das ciências, do conhecimento e da estética. Foi nesse ambiente que Walter Benjamin escreveu um dos seus trabalhos mais complexos de juventude, apresentado como o livro Origem do Drama Trágico Alemão. O livro apresenta as suas hipóteses sobre a forma do drama trágico presente no teatro Barroco Alemão, que se caracteriza por elementos da modernidade, constituidora de uma historicidade. Para Benjamin, o conceito de origem (Sprung) é um “pré e pós” histórico, que no Barroco está ligado à constituição da nação alemã, a Reforma Protestante, a Guerra dos 30 Anos e às invasões napoleônicas. Logo, considerando as fraturas causadas por esses eventos, o Barroco não poderia ser pensado como continuação do Renascimento ou das tragédias gregas para a consolidação da cultura alemã da maneira que afirmavam os intelectuais do contexto de Benjamin. Por isso buscaremos no estudo Origem do Drama Trágico Alemão entender como Benjamin usou e analisou os aspectos estéticos do Barroco para dialogar com a História em um contexto intelectual. Nos possibilitando pensar como isso construiu em Benjamin uma percepção de tempo moderno e de Barroco.Submitted by Onia Arantes Albuquerque (onia.ufg@gmail.com) on 2024-02-06T13:48:57Z workflow start=Step: editstep - action:claimaction No. of bitstreams: 2 Dissertação - Michelle Lira Rodrigues Santos - 2023.pdf: 2625155 bytes, checksum: 1934af34d20400826999b2c87961836b (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5)Step: editstep - action:editaction Approved for entry into archive by Luciana Ferreira(lucgeral@gmail.com) on 2024-02-09T15:25:48Z (GMT)Made available in DSpace on 2024-02-09T15:25:48Z (GMT). No. of bitstreams: 2 Dissertação - Michelle Lira Rodrigues Santos - 2023.pdf: 2625155 bytes, checksum: 1934af34d20400826999b2c87961836b (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5) Previous issue date: 2022-11-25Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESporUniversidade Federal de GoiásPrograma de Pós-graduação em História (FH)UFGBrasilFaculdade de História - FH (RMG)Attribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessDrama trágicoTragédiaOrigemMeio intelectual alemãoBarrocoTragic dramaTragedyOriginGerman intellectual milieuBaroqueCIENCIAS HUMANAS::HISTORIAO barroco como problema estético e histórico: o contexto intelectual da origem do drama trágico alemão, de Walter BenjaminThe baroque as an aesthetic and historical problem: the intellectual context of the origin of the tragic drama german, by Walter Benjamininfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisreponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGORIGINALDissertação - Michelle Lira Rodrigues Santos - 2023.pdfDissertação - Michelle Lira Rodrigues Santos - 2023.pdfapplication/pdf2625155http://repositorio.bc.ufg.br/tede/bitstreams/adbad760-a920-4e36-b477-264d909b8591/download1934af34d20400826999b2c87961836bMD51LICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.bc.ufg.br/tede/bitstreams/4635ea61-76ab-4f6a-beff-c6ba9c0798ad/download8a4605be74aa9ea9d79846c1fba20a33MD52CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8805http://repositorio.bc.ufg.br/tede/bitstreams/ed20367b-ba06-4a46-83c6-7ab77792fea0/download4460e5956bc1d1639be9ae6146a50347MD53tede/132562024-02-09 12:25:48.573http://creativecommons.org/licenses/by-nc-nd/4.0/Attribution-NonCommercial-NoDerivatives 4.0 Internationalopen.accessoai:repositorio.bc.ufg.br:tede/13256http://repositorio.bc.ufg.br/tedeRepositório InstitucionalPUBhttp://repositorio.bc.ufg.br/oai/requesttasesdissertacoes.bc@ufg.bropendoar:2024-02-09T15:25:48Repositório Institucional da UFG - Universidade Federal de Goiás (UFG)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 |
dc.title.none.fl_str_mv |
O barroco como problema estético e histórico: o contexto intelectual da origem do drama trágico alemão, de Walter Benjamin |
dc.title.alternative.eng.fl_str_mv |
The baroque as an aesthetic and historical problem: the intellectual context of the origin of the tragic drama german, by Walter Benjamin |
title |
O barroco como problema estético e histórico: o contexto intelectual da origem do drama trágico alemão, de Walter Benjamin |
spellingShingle |
O barroco como problema estético e histórico: o contexto intelectual da origem do drama trágico alemão, de Walter Benjamin Santos, Michelle Lira Rodrigues Drama trágico Tragédia Origem Meio intelectual alemão Barroco Tragic drama Tragedy Origin German intellectual milieu Baroque CIENCIAS HUMANAS::HISTORIA |
title_short |
O barroco como problema estético e histórico: o contexto intelectual da origem do drama trágico alemão, de Walter Benjamin |
title_full |
O barroco como problema estético e histórico: o contexto intelectual da origem do drama trágico alemão, de Walter Benjamin |
title_fullStr |
O barroco como problema estético e histórico: o contexto intelectual da origem do drama trágico alemão, de Walter Benjamin |
title_full_unstemmed |
O barroco como problema estético e histórico: o contexto intelectual da origem do drama trágico alemão, de Walter Benjamin |
title_sort |
O barroco como problema estético e histórico: o contexto intelectual da origem do drama trágico alemão, de Walter Benjamin |
author |
Santos, Michelle Lira Rodrigues |
author_facet |
Santos, Michelle Lira Rodrigues |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Almeida, Tiago Santos |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/9244369639536256 |
dc.contributor.referee1.fl_str_mv |
Almeida, Tiago Santos |
dc.contributor.referee2.fl_str_mv |
Vilela, Ana Lucia Oliveira |
dc.contributor.referee3.fl_str_mv |
Souza Neto, Manoel Gustavo de |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/6828108542841423 |
dc.contributor.author.fl_str_mv |
Santos, Michelle Lira Rodrigues |
contributor_str_mv |
Almeida, Tiago Santos Almeida, Tiago Santos Vilela, Ana Lucia Oliveira Souza Neto, Manoel Gustavo de |
dc.subject.por.fl_str_mv |
Drama trágico Tragédia Origem Meio intelectual alemão Barroco |
topic |
Drama trágico Tragédia Origem Meio intelectual alemão Barroco Tragic drama Tragedy Origin German intellectual milieu Baroque CIENCIAS HUMANAS::HISTORIA |
dc.subject.eng.fl_str_mv |
Tragic drama Tragedy Origin German intellectual milieu Baroque |
dc.subject.cnpq.fl_str_mv |
CIENCIAS HUMANAS::HISTORIA |
description |
At the end of the 19th century and the beginning of the 20th century, authors and intellectuals from the philosophical, literary criticism and theory of history constituted an intellectual context in Germany. They were committed to thinking about issues involving the constitution of sciences, knowledge and aesthetics. It was in this environment that Walter Benjamin wrote one of his most complex works of youth, presented as the book Origin of German Tragic Drama. The book presents its hypotheses about the form of tragic drama present in the German Baroque theater, which is characterized by elements of modernity, constituting a historicity. For Benjamin, the concept of origin (Sprung) is a pre- and post-historical one, which in the Baroque period is linked to the constitution of the German nation, the Protestant Reformation, the 30 Years' War and the Napoleonic invasions. Therefore, considering the fractures caused by these events, the Baroque could not be thought of as a continuation of the Renaissance or of Greek tragedies for the consolidation of German culture in the way that intellectuals in Benjamin's context claimed. Therefore, we will seek in the study Origin of German Tragic Drama to understand how Benjamin used and analyzed the role of aesthetics to think about the theory of knowledge of history that dialogued with his contemporaries. We will thus discuss methodological and scientific issues from the debate on: Origin, method and knowledge, which will allow us to affirm that the tension between the aesthetic and the historical is constitutive of a modern time. |
publishDate |
2022 |
dc.date.issued.fl_str_mv |
2022-11-25 |
dc.date.accessioned.fl_str_mv |
2024-02-09T15:25:48Z |
dc.date.available.fl_str_mv |
2024-02-09T15:25:48Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
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masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
SANTOS, M. L. R. O barroco como problema estético e histórico: o contexto intelectual da origem do drama trágico alemão, de Walter Benjamin. 2022. 120 f. Dissertação (Mestrado em História) - Faculdade de História, Universidade Federal de Goiás, Goiânia, 2022. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/13256 |
dc.identifier.dark.fl_str_mv |
ark:/38995/0013000001hj9 |
identifier_str_mv |
SANTOS, M. L. R. O barroco como problema estético e histórico: o contexto intelectual da origem do drama trágico alemão, de Walter Benjamin. 2022. 120 f. Dissertação (Mestrado em História) - Faculdade de História, Universidade Federal de Goiás, Goiânia, 2022. ark:/38995/0013000001hj9 |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/13256 |
dc.language.iso.fl_str_mv |
por |
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por |
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Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
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Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
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Programa de Pós-graduação em História (FH) |
dc.publisher.initials.fl_str_mv |
UFG |
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Brasil |
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Faculdade de História - FH (RMG) |
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Universidade Federal de Goiás |
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