Territorialities of Road crazies in public spaces in João Pessoa/PB, Brazil

Detalhes bibliográficos
Autor(a) principal: Gomes, Mirelli Albertha de Oliveira
Data de Publicação: 2019
Outros Autores: Maia, Doralice Sátyro
Tipo de documento: Artigo
Idioma: por
Título da fonte: Ateliê Geográfico
Texto Completo: https://revistas.ufg.br/atelie/article/view/57621
Resumo: Popularly known as hippies, the nomadic craftsmen, who call themselves road crazies, express a culture that evolves entirely on the streets, are constantly changing from one city to another, and establish themselves as nomads. In every city they go, they settle in public spaces and create the Crazies Rock, a place where they make handicrafts and build their habitat. The purpose of this article is to characterize the Crazies Rock in João Pessoa/PB, located on the beach of Tambaú, a public space appropriated by road crazies. The ethnographic approach and the occupation’s cartography showed that the Crazies Rock is a territory, or more specifically, a nanoterritory (SOUZA, 2013). Although it has no buildings, the Crazies Rock has codes, trails, and invisible boundaries, which entails changes in meanings and expressions of the space, as well as the construction of the road crazies’ identity and values, also transforming the Crazies Rock into one Place. Keywords:  Road crazies. Appropriation.  Public urban space. Territory.
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spelling Territorialities of Road crazies in public spaces in João Pessoa/PB, BrazilLa territorialité des Fous de la Route dans des espaces publics à João Pessoa/PB, BrésilTerritorialidades dos malucos de estrada em espaços públicos de João Pessoa/PBPopularly known as hippies, the nomadic craftsmen, who call themselves road crazies, express a culture that evolves entirely on the streets, are constantly changing from one city to another, and establish themselves as nomads. In every city they go, they settle in public spaces and create the Crazies Rock, a place where they make handicrafts and build their habitat. The purpose of this article is to characterize the Crazies Rock in João Pessoa/PB, located on the beach of Tambaú, a public space appropriated by road crazies. The ethnographic approach and the occupation’s cartography showed that the Crazies Rock is a territory, or more specifically, a nanoterritory (SOUZA, 2013). Although it has no buildings, the Crazies Rock has codes, trails, and invisible boundaries, which entails changes in meanings and expressions of the space, as well as the construction of the road crazies’ identity and values, also transforming the Crazies Rock into one Place. Keywords:  Road crazies. Appropriation.  Public urban space. Territory.Populairement identifiés comme Hippies, les artisans nomades que s'appellent eux-mêmes les Fous de la Route, expriment une culture développée entièrement dans la rue, ils changent des villes régulièrement et sont établis comme des nomades. Dans chaque ville qu'ils passent, ils occupent les espaces publics et créent la Pierre des Fous, endroit où ils développent leur travaux artisanaux en liaison avec la construction de leur habitat. L'objectif de cet article scientifique est de caractériser la Pierre des Fous de João Pessoa-PB, Brésil, située sur la promenade de la plage de Tambaú, comme l'appropriation d'espace public par les Fous de la Route. À travers une approche ethnographique et de la cartographie d'action, il était possible d'observer que la Pierre des Fous peut être classée comme un territoire ou plus spécifiquement, comme un nanoterritoire. (SOUZA, 2013). Malgré de n'avoir rien édifié, l'espace est rempli de codes, de traces et de limites invisibles que donnent l'origine à la modification des significations et des expressions, ainsi comme la construction d'identité et des valeurs des Fous de la Route, ce qui transforme la Pierre de Fous aussi dans un Lieu. Mots-clés: Les Fous de la Route. Appropriation. Espace public. Territoire.Popularmente identificados como hippies, os artesãos nômades, que se autodenominam malucos de estrada, expressam uma cultura que se desenvolve inteiramente na rua, mudam constantemente de uma cidade para outra e estabelecem-se como nômades. Em cada cidade que passam, ocupam os espaços públicos e criam a Pedra de Maluco, local onde desenvolvem o trabalho do artesanato juntamente com a construção do habitat. Este artigo objetiva caracterizar a Pedra de Maluco de João Pessoa/PB, localizada na Orla de Tambaú, como apropriação do espaço público pelos malucos de estrada. Através da abordagem etnográfica e da cartografia da ação, observou-se que a Pedra de Maluco configura-se como um território, ou mais especificamente, um nanoterritório (SOUZA, 2013).  Ainda que nada tenha de edificado, está preenchida de códigos, rastros e limites invisíveis, o que implica na modificação dos significados e das expressões do espaço bem como na construção da identidade e dos valores dos malucos de estrada, transformando a Pedra de Maluco também em um Lugar. Palavras-chaves: Malucos de estrada. Apropriação. Espaço público. Território.Universidade Federal de Goiás2019-12-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufg.br/atelie/article/view/5762110.5216/ag.v13i3.57621Ateliê Geográfico Journal; Vol. 13 No. 3 (2019); 138-156Ateliê Geográfico; Vol. 13 Núm. 3 (2019); 138-156Ateliê Geográfico; v. 13 n. 3 (2019); 138-1561982-1956reponame:Ateliê Geográficoinstname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/atelie/article/view/57621/34212Copyright (c) 2019 Ateliê Geográficoinfo:eu-repo/semantics/openAccessGomes, Mirelli Albertha de OliveiraMaia, Doralice Sátyro2020-08-19T15:08:36Zoai:ojs.revistas.ufg.br:article/57621Revistahttps://www.revistas.ufg.br/ateliePUBhttps://www.revistas.ufg.br/atelie/oairevista.ateliegeografico@gmail.com || deniscastilho@hotmail.com || laracristineufg@yahoo.com.br1982-19561982-1956opendoar:2024-05-21T19:55:33.707266Ateliê Geográfico - Universidade Federal de Goiás (UFG)true
dc.title.none.fl_str_mv Territorialities of Road crazies in public spaces in João Pessoa/PB, Brazil
La territorialité des Fous de la Route dans des espaces publics à João Pessoa/PB, Brésil
Territorialidades dos malucos de estrada em espaços públicos de João Pessoa/PB
title Territorialities of Road crazies in public spaces in João Pessoa/PB, Brazil
spellingShingle Territorialities of Road crazies in public spaces in João Pessoa/PB, Brazil
Gomes, Mirelli Albertha de Oliveira
title_short Territorialities of Road crazies in public spaces in João Pessoa/PB, Brazil
title_full Territorialities of Road crazies in public spaces in João Pessoa/PB, Brazil
title_fullStr Territorialities of Road crazies in public spaces in João Pessoa/PB, Brazil
title_full_unstemmed Territorialities of Road crazies in public spaces in João Pessoa/PB, Brazil
title_sort Territorialities of Road crazies in public spaces in João Pessoa/PB, Brazil
author Gomes, Mirelli Albertha de Oliveira
author_facet Gomes, Mirelli Albertha de Oliveira
Maia, Doralice Sátyro
author_role author
author2 Maia, Doralice Sátyro
author2_role author
dc.contributor.author.fl_str_mv Gomes, Mirelli Albertha de Oliveira
Maia, Doralice Sátyro
description Popularly known as hippies, the nomadic craftsmen, who call themselves road crazies, express a culture that evolves entirely on the streets, are constantly changing from one city to another, and establish themselves as nomads. In every city they go, they settle in public spaces and create the Crazies Rock, a place where they make handicrafts and build their habitat. The purpose of this article is to characterize the Crazies Rock in João Pessoa/PB, located on the beach of Tambaú, a public space appropriated by road crazies. The ethnographic approach and the occupation’s cartography showed that the Crazies Rock is a territory, or more specifically, a nanoterritory (SOUZA, 2013). Although it has no buildings, the Crazies Rock has codes, trails, and invisible boundaries, which entails changes in meanings and expressions of the space, as well as the construction of the road crazies’ identity and values, also transforming the Crazies Rock into one Place. Keywords:  Road crazies. Appropriation.  Public urban space. Territory.
publishDate 2019
dc.date.none.fl_str_mv 2019-12-20
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.ufg.br/atelie/article/view/57621
10.5216/ag.v13i3.57621
url https://revistas.ufg.br/atelie/article/view/57621
identifier_str_mv 10.5216/ag.v13i3.57621
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.ufg.br/atelie/article/view/57621/34212
dc.rights.driver.fl_str_mv Copyright (c) 2019 Ateliê Geográfico
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Ateliê Geográfico
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Goiás
publisher.none.fl_str_mv Universidade Federal de Goiás
dc.source.none.fl_str_mv Ateliê Geográfico Journal; Vol. 13 No. 3 (2019); 138-156
Ateliê Geográfico; Vol. 13 Núm. 3 (2019); 138-156
Ateliê Geográfico; v. 13 n. 3 (2019); 138-156
1982-1956
reponame:Ateliê Geográfico
instname:Universidade Federal de Goiás (UFG)
instacron:UFG
instname_str Universidade Federal de Goiás (UFG)
instacron_str UFG
institution UFG
reponame_str Ateliê Geográfico
collection Ateliê Geográfico
repository.name.fl_str_mv Ateliê Geográfico - Universidade Federal de Goiás (UFG)
repository.mail.fl_str_mv revista.ateliegeografico@gmail.com || deniscastilho@hotmail.com || laracristineufg@yahoo.com.br
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