Alejandro Zambra’s multiple choices: comparative readings
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Signótica (Online) |
Texto Completo: | https://revistas.ufg.br/sig/article/view/69130 |
Resumo: | The article discusses the issue of the nonspecificity of the current narrative in the study of Múltipla escolha (2017), by Alejandro Zambra, reading it comparatively to some previous texts by the author and in dialogue with a text by Oswald de Andrade, from the Brazilian modernist tradition. The main theoretical framework starts with the dialogues developed by Florencia Garramuño – expanded art, (in)specificity of the literary and escape from the places of belonging – and Josefina Ludmer, and her theories on the concept of post-autonomous literature, to advance in reflections on Zambra’s hybrid writing. Balancing literary reading and theory, we will draw an overview of Zambra’s prose in a dialogical perspective with the modernist ideology. At the end of the article, we propose to understand Zambra’s prose within a poetics that reinvents and problematizes tradition, thus dialoguing with modern assumptions that, in a comparative example, we take to a work of Oswald de Andrade, a possible interlocutor. |
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Alejandro Zambra’s multiple choices: comparative readingsLas múltiples opciones de Alejandro Zambra: lecturas comparativasAs múltiplas escolhas de Alejandro Zambra: leituras comparadasAlejandro Zambra. Múltipla escolha. Fiction. Contemporary. Inespecificity.Alejandro Zambra. Facsímil. Ficçión. Tiempo contemporáneo. Inespecificidad.Alejandro Zambra. Múltipla escolha. Ficção. Contemporaneidade. Inespecificidade.The article discusses the issue of the nonspecificity of the current narrative in the study of Múltipla escolha (2017), by Alejandro Zambra, reading it comparatively to some previous texts by the author and in dialogue with a text by Oswald de Andrade, from the Brazilian modernist tradition. The main theoretical framework starts with the dialogues developed by Florencia Garramuño – expanded art, (in)specificity of the literary and escape from the places of belonging – and Josefina Ludmer, and her theories on the concept of post-autonomous literature, to advance in reflections on Zambra’s hybrid writing. Balancing literary reading and theory, we will draw an overview of Zambra’s prose in a dialogical perspective with the modernist ideology. At the end of the article, we propose to understand Zambra’s prose within a poetics that reinvents and problematizes tradition, thus dialoguing with modern assumptions that, in a comparative example, we take to a work of Oswald de Andrade, a possible interlocutor.El artículo aborda el tema de la inespecificidad de la narrativa actual en el estudio de Múltipla escolha (2017), de Alejandro Zambra, leyéndola frente a textos anteriores del autor y en diálogo con un texto de Oswald de Andrade, de la tradición modernista brasileña.. El marco teórico principal parte del diálogo con las problemáticas desarrolladas por Florencia Garramuño – arte expandido, (in) especificidad de lo literario y escape de los lugares de pertinência – y Josefina Ludmer, con sus teorías sobre el concepto de literatura post-autónoma, avanzar en las discusiones en torno a la escritura híbrida de Zambra. Equilibrando lectura literaria y teoría, trazaremos un repaso de la prosa de Zambra en una perspectiva dialógica con la ideología modernista. Al final del artículo, nos proponemos entender la prosa de Zambra dentro de una poética que reinventa y problematiza la tradición, dialogando así con los supuestos modernos que, como ejemplo comparativo, llevamos a la obra de Oswald de Andrade, un posible interlocutor.O artigo tematiza a questão da inespecificidade da narrativa atual no estudo de Múltipla escolha (2017), de Alejandro Zambra, lendo-a comparativamente a textos anteriores do autor e em diálogo com um texto de Oswald de Andrade, da tradição modernista brasileira. O referencial teórico principal parte do diálogo com as questões desenvolvidas por Florencia Garramuño – arte expandida, (in) especificidade do literário e fuga dos lugares de pertencimento – e Josefina Ludmer, com suas teorias acerca do conceito de literaturas pós-autônomas, para avançar nas discussões em torno da escrita híbrida de Zambra. Equilibrando leitura literária e teoria, traçaremos um panorama da prosa de Zambra em perspectiva dialógica com o ideário modernista. Ao final do artigo, propomos compreender a prosa de Zambra dentro de uma poética que reinventa e problematiza a tradição, com isso, dialogando com pressupostos modernos que, a título de exemplo comparativo, levamos à obra de Oswald de Andrade, um possível interlocutor.Universidade Federal de Goiás2022-01-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufg.br/sig/article/view/6913010.5216/sig.v33.69130Signótica; Vol. 33 (2021); e69130Signótica; v. 33 (2021); e691302316-36900103-7250reponame:Signótica (Online)instname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/sig/article/view/69130/37851Copyright (c) 2022 Signóticahttps://creativecommons.org/licenses/by-sa/4.0info:eu-repo/semantics/openAccessOliveira, Paulo Cesar Silva de2023-10-06T18:49:22Zoai:ojs.revistas.ufg.br:article/69130Revistahttp://www.revistas.ufg.br/index.php/sig/indexPUBhttps://www.revistas.ufg.br/sig/oaisignotica@gmail.com2316-36900103-7250opendoar:2024-05-21T19:57:31.388547Signótica (Online) - Universidade Federal de Goiás (UFG)true |
dc.title.none.fl_str_mv |
Alejandro Zambra’s multiple choices: comparative readings Las múltiples opciones de Alejandro Zambra: lecturas comparativas As múltiplas escolhas de Alejandro Zambra: leituras comparadas |
title |
Alejandro Zambra’s multiple choices: comparative readings |
spellingShingle |
Alejandro Zambra’s multiple choices: comparative readings Oliveira, Paulo Cesar Silva de Alejandro Zambra. Múltipla escolha. Fiction. Contemporary. Inespecificity. Alejandro Zambra. Facsímil. Ficçión. Tiempo contemporáneo. Inespecificidad. Alejandro Zambra. Múltipla escolha. Ficção. Contemporaneidade. Inespecificidade. |
title_short |
Alejandro Zambra’s multiple choices: comparative readings |
title_full |
Alejandro Zambra’s multiple choices: comparative readings |
title_fullStr |
Alejandro Zambra’s multiple choices: comparative readings |
title_full_unstemmed |
Alejandro Zambra’s multiple choices: comparative readings |
title_sort |
Alejandro Zambra’s multiple choices: comparative readings |
author |
Oliveira, Paulo Cesar Silva de |
author_facet |
Oliveira, Paulo Cesar Silva de |
author_role |
author |
dc.contributor.author.fl_str_mv |
Oliveira, Paulo Cesar Silva de |
dc.subject.por.fl_str_mv |
Alejandro Zambra. Múltipla escolha. Fiction. Contemporary. Inespecificity. Alejandro Zambra. Facsímil. Ficçión. Tiempo contemporáneo. Inespecificidad. Alejandro Zambra. Múltipla escolha. Ficção. Contemporaneidade. Inespecificidade. |
topic |
Alejandro Zambra. Múltipla escolha. Fiction. Contemporary. Inespecificity. Alejandro Zambra. Facsímil. Ficçión. Tiempo contemporáneo. Inespecificidad. Alejandro Zambra. Múltipla escolha. Ficção. Contemporaneidade. Inespecificidade. |
description |
The article discusses the issue of the nonspecificity of the current narrative in the study of Múltipla escolha (2017), by Alejandro Zambra, reading it comparatively to some previous texts by the author and in dialogue with a text by Oswald de Andrade, from the Brazilian modernist tradition. The main theoretical framework starts with the dialogues developed by Florencia Garramuño – expanded art, (in)specificity of the literary and escape from the places of belonging – and Josefina Ludmer, and her theories on the concept of post-autonomous literature, to advance in reflections on Zambra’s hybrid writing. Balancing literary reading and theory, we will draw an overview of Zambra’s prose in a dialogical perspective with the modernist ideology. At the end of the article, we propose to understand Zambra’s prose within a poetics that reinvents and problematizes tradition, thus dialoguing with modern assumptions that, in a comparative example, we take to a work of Oswald de Andrade, a possible interlocutor. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-01-06 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.ufg.br/sig/article/view/69130 10.5216/sig.v33.69130 |
url |
https://revistas.ufg.br/sig/article/view/69130 |
identifier_str_mv |
10.5216/sig.v33.69130 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.ufg.br/sig/article/view/69130/37851 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Signótica https://creativecommons.org/licenses/by-sa/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Signótica https://creativecommons.org/licenses/by-sa/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.source.none.fl_str_mv |
Signótica; Vol. 33 (2021); e69130 Signótica; v. 33 (2021); e69130 2316-3690 0103-7250 reponame:Signótica (Online) instname:Universidade Federal de Goiás (UFG) instacron:UFG |
instname_str |
Universidade Federal de Goiás (UFG) |
instacron_str |
UFG |
institution |
UFG |
reponame_str |
Signótica (Online) |
collection |
Signótica (Online) |
repository.name.fl_str_mv |
Signótica (Online) - Universidade Federal de Goiás (UFG) |
repository.mail.fl_str_mv |
signotica@gmail.com |
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1799875046762610688 |