The idea of authorship interlaced to the discourse of O irmão alemão

• Autor(a) principal: da Silva, Marli Teresinha
• Data de Publicação: 2022
• Outros Autores: Kunz, Marinês Andrea
• Tipo de documento: Artigo
• Idioma: por
• Título da fonte: Signótica (Online)
• Texto Completo: https://revistas.ufg.br/sig/article/view/68326
• topic: Autoria; Narração; O Irmão Alemão; Procedimento Estético-narrativo; Authorship. Narration. O Irmão Alemão. Aesthetic-narrative procedure.; Autoría. Narración. O Irmão Alemão. Procedimiento Estético Narrativo.

The game established by the narration in O irmão alemão,by Chico Buarque (2014), motivates the discussion about the aesthetic-narrative procedures that establish the enunciative ambiguity. For,we contextualize the notion of author, based on Chartier (1999), Sartre(1999), Darnton (2010) and Foucault (2009), to develop an analysis fromthe perspective of topics such as “author’s death” (BARTHES, 2012; COMPAGNON, 2010), “author-creator” (BAKHTIN, 2011) and “author function”(FOUCAULT, 2009). Studies by Lejeune (2014) and Ricouer (1993) supportthe debate about the intertwining of autobiographical and fictional aspects in the narrative plot. In the narrative plot, the writer becomes narrator and reader, co-author, modifying himself through the reading.