PAYSAGES post-utopiques
Autor(a) principal: | |
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Data de Publicação: | 2009 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Signótica (Online) |
Texto Completo: | https://revistas.ufg.br/sig/article/view/7313 |
Resumo: | This essay seeks to bring onto focus three different kinds of artistic manifestations in which searches (or hopes) for a meaningful future are "deconstructed" and made to overlap with or dissolve into imaginary constructs or "critical" (in both senses of the word) gestures. The works analyzed in this essay - which is an "interartistic study" in its own right - illustrate the essay's basic premise insofar as they suggest that quest for identity, both on the individual and national levels, ultimately results in the finding of the lack or in the indication of a loss. |
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Signótica (Online) |
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PAYSAGES post-utopiquesPaisagens pós-utópicas This essay seeks to bring onto focus three different kinds of artistic manifestations in which searches (or hopes) for a meaningful future are "deconstructed" and made to overlap with or dissolve into imaginary constructs or "critical" (in both senses of the word) gestures. The works analyzed in this essay - which is an "interartistic study" in its own right - illustrate the essay's basic premise insofar as they suggest that quest for identity, both on the individual and national levels, ultimately results in the finding of the lack or in the indication of a loss. Este ensaio procura enfocar três diferentes espécies de manifestações artísticas, nas quais as buscas (ou esperanças) de um futuro significativo são "desconstruídas" e feitas para se sobreporem a, ou se dissolverem em, construções imaginárias ou gestos "críticos" (em ambos os sentidos do termo).As obras analisadas neste ensaio - que é ele mesmo um estudo "interartístico" - ilustram a premissa básica do ensaio, na medida em que sugerem que a busca de identidade, tanto no nível individual, quanto no nacional, em última instância, resulta em encontrar uma falha ou em indicador uma perda.Universidade Federal de Goiás2009-09-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufg.br/sig/article/view/731310.5216/sig.v4i1.7313Signótica; Vol. 4 No. 1 (1992); 11-18Signótica; v. 4 n. 1 (1992); 11-182316-36900103-7250reponame:Signótica (Online)instname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/sig/article/view/7313/5179Souza, Eneida Maria deinfo:eu-repo/semantics/openAccess2018-02-20T15:43:55Zoai:ojs.revistas.ufg.br:article/7313Revistahttp://www.revistas.ufg.br/index.php/sig/indexPUBhttps://www.revistas.ufg.br/sig/oaisignotica@gmail.com2316-36900103-7250opendoar:2024-05-21T19:57:02.356630Signótica (Online) - Universidade Federal de Goiás (UFG)true |
dc.title.none.fl_str_mv |
PAYSAGES post-utopiques Paisagens pós-utópicas |
title |
PAYSAGES post-utopiques |
spellingShingle |
PAYSAGES post-utopiques Souza, Eneida Maria de |
title_short |
PAYSAGES post-utopiques |
title_full |
PAYSAGES post-utopiques |
title_fullStr |
PAYSAGES post-utopiques |
title_full_unstemmed |
PAYSAGES post-utopiques |
title_sort |
PAYSAGES post-utopiques |
author |
Souza, Eneida Maria de |
author_facet |
Souza, Eneida Maria de |
author_role |
author |
dc.contributor.author.fl_str_mv |
Souza, Eneida Maria de |
description |
This essay seeks to bring onto focus three different kinds of artistic manifestations in which searches (or hopes) for a meaningful future are "deconstructed" and made to overlap with or dissolve into imaginary constructs or "critical" (in both senses of the word) gestures. The works analyzed in this essay - which is an "interartistic study" in its own right - illustrate the essay's basic premise insofar as they suggest that quest for identity, both on the individual and national levels, ultimately results in the finding of the lack or in the indication of a loss. |
publishDate |
2009 |
dc.date.none.fl_str_mv |
2009-09-10 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.ufg.br/sig/article/view/7313 10.5216/sig.v4i1.7313 |
url |
https://revistas.ufg.br/sig/article/view/7313 |
identifier_str_mv |
10.5216/sig.v4i1.7313 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.ufg.br/sig/article/view/7313/5179 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.source.none.fl_str_mv |
Signótica; Vol. 4 No. 1 (1992); 11-18 Signótica; v. 4 n. 1 (1992); 11-18 2316-3690 0103-7250 reponame:Signótica (Online) instname:Universidade Federal de Goiás (UFG) instacron:UFG |
instname_str |
Universidade Federal de Goiás (UFG) |
instacron_str |
UFG |
institution |
UFG |
reponame_str |
Signótica (Online) |
collection |
Signótica (Online) |
repository.name.fl_str_mv |
Signótica (Online) - Universidade Federal de Goiás (UFG) |
repository.mail.fl_str_mv |
signotica@gmail.com |
_version_ |
1799875044635049984 |