The language of the absurd

Detalhes bibliográficos
Autor(a) principal: Foerste, Erineu
Data de Publicação: 2009
Tipo de documento: Artigo
Idioma: por
Título da fonte: Signótica (Online)
Texto Completo: https://revistas.ufg.br/sig/article/view/7348
Resumo: Clarice Lispector's aesthetics is analysed mainly from her short story "Amor", where "the language of absurd" is focused as the author's creative axis, which has the non-word as a fictional urge. The alienated human existence which searches for an urgent self-liberation is discussed, amid the chaos produced by the technical-scientific hypertrophy of modernity. The sign of "the being's absurd" heads. via a literary fruition, for a possible reconstruction of "the being-truth" by means of an expressed negation of fetish and by means of the crystallized conventional language of everyday life.
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spelling The language of the absurdA linguagem do absurdo Clarice Lispector's aesthetics is analysed mainly from her short story "Amor", where "the language of absurd" is focused as the author's creative axis, which has the non-word as a fictional urge. The alienated human existence which searches for an urgent self-liberation is discussed, amid the chaos produced by the technical-scientific hypertrophy of modernity. The sign of "the being's absurd" heads. via a literary fruition, for a possible reconstruction of "the being-truth" by means of an expressed negation of fetish and by means of the crystallized conventional language of everyday life. Partindo principalmente do conto "Amor" de Clarice Lispector, analisa-se a estética clariciana, destacando a linguagem do absurdo como eixo criador da autora, que tem na não-palavra seu impulso ficcional. Discute-se a existência humana alienada que busca uma urgente autolibertação, em meio ao caos produzido pela hipertrofia técnico-científica da modernidade. O signo do absurdo-do-Ser aponta, via a fruição literária, possibilidades à reconstrução do Ser-Verdade pela negação expressa do fetiche e da linguagem convencional-cristalizada do cotidiano.Universidade Federal de Goiás2009-09-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufg.br/sig/article/view/734810.5216/sig.v5i1.7348Signótica; Vol. 5 No. 1 (1993); 41-56Signótica; v. 5 n. 1 (1993); 41-562316-36900103-7250reponame:Signótica (Online)instname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/sig/article/view/7348/5213https://creativecommons.org/licenses/by-sa/4.0info:eu-repo/semantics/openAccessFoerste, Erineu2023-11-30T19:48:12Zoai:ojs.revistas.ufg.br:article/7348Revistahttp://www.revistas.ufg.br/index.php/sig/indexPUBhttps://www.revistas.ufg.br/sig/oaisignotica@gmail.com2316-36900103-7250opendoar:2024-05-21T19:57:03.270601Signótica (Online) - Universidade Federal de Goiás (UFG)true
dc.title.none.fl_str_mv The language of the absurd
A linguagem do absurdo
title The language of the absurd
spellingShingle The language of the absurd
Foerste, Erineu
title_short The language of the absurd
title_full The language of the absurd
title_fullStr The language of the absurd
title_full_unstemmed The language of the absurd
title_sort The language of the absurd
author Foerste, Erineu
author_facet Foerste, Erineu
author_role author
dc.contributor.author.fl_str_mv Foerste, Erineu
description Clarice Lispector's aesthetics is analysed mainly from her short story "Amor", where "the language of absurd" is focused as the author's creative axis, which has the non-word as a fictional urge. The alienated human existence which searches for an urgent self-liberation is discussed, amid the chaos produced by the technical-scientific hypertrophy of modernity. The sign of "the being's absurd" heads. via a literary fruition, for a possible reconstruction of "the being-truth" by means of an expressed negation of fetish and by means of the crystallized conventional language of everyday life.
publishDate 2009
dc.date.none.fl_str_mv 2009-09-11
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.ufg.br/sig/article/view/7348
10.5216/sig.v5i1.7348
url https://revistas.ufg.br/sig/article/view/7348
identifier_str_mv 10.5216/sig.v5i1.7348
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.ufg.br/sig/article/view/7348/5213
dc.rights.driver.fl_str_mv https://creativecommons.org/licenses/by-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Goiás
publisher.none.fl_str_mv Universidade Federal de Goiás
dc.source.none.fl_str_mv Signótica; Vol. 5 No. 1 (1993); 41-56
Signótica; v. 5 n. 1 (1993); 41-56
2316-3690
0103-7250
reponame:Signótica (Online)
instname:Universidade Federal de Goiás (UFG)
instacron:UFG
instname_str Universidade Federal de Goiás (UFG)
instacron_str UFG
institution UFG
reponame_str Signótica (Online)
collection Signótica (Online)
repository.name.fl_str_mv Signótica (Online) - Universidade Federal de Goiás (UFG)
repository.mail.fl_str_mv signotica@gmail.com
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