The world in motion
| Autor(a) principal: | |
|---|---|
| Data de Publicação: | 2009 |
| Tipo de documento: | Artigo |
| Idioma: | por |
| Título da fonte: | Signótica (Online) |
| Texto Completo: | https://revistas.ufg.br/sig/article/view/7116 |
Resumo: | This study is supposed to be a comment on the analysed text, not a substitutefor it. Without any false modesty, it intends to help the reader (is it not thefunction of criticism after all?) to read São Bernardo, by Graciliano Ramos.That is why it follows the novel so closely, as it was done by the old critics, inwhich this work is inspired and, at the same time, aims to surpass. It is not only– or it is almost never – the factual datum which attracts, sometimes betrays,the critic’s attention, but rather the movement of the text itself. |
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Signótica (Online) |
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|
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The world in motionO mundo em movimentoThis study is supposed to be a comment on the analysed text, not a substitutefor it. Without any false modesty, it intends to help the reader (is it not thefunction of criticism after all?) to read São Bernardo, by Graciliano Ramos.That is why it follows the novel so closely, as it was done by the old critics, inwhich this work is inspired and, at the same time, aims to surpass. It is not only– or it is almost never – the factual datum which attracts, sometimes betrays,the critic’s attention, but rather the movement of the text itself.Este estudo pretende ser comentário ao texto analisado, não seu substituto.Sem falsa modéstia, coloca-se como auxiliar de leitura, quer ajudar o leitor a ler(não é esta a função da crítica, afinal?) São Bernardo, de Graciliano Ramos. Épor isso que acompanha esse romance tão de perto, como, aliás, faziam osantigos comentadores, em quem se inspira e que, por outro lado, busca superar.Não é só, ou quase nunca é, o dado factual que atrai, por vezes trai, a atençãodo comentador, mas o movimento do próprio texto que procura seguir.Universidade Federal de Goiás2009-09-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufg.br/sig/article/view/711610.5216/sig.v12i1.7116Signótica; Vol. 12 No. 1 (2000); 11-34Signótica; v. 12 n. 1 (2000); 11-342316-36900103-7250reponame:Signótica (Online)instname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/sig/article/view/7116/5037https://creativecommons.org/licenses/by-sa/4.0info:eu-repo/semantics/openAccessNeto, Anselmo Pessoa2023-11-29T19:47:14Zoai:ojs.revistas.ufg.br:article/7116Revistahttp://www.revistas.ufg.br/index.php/sig/indexPUBhttps://www.revistas.ufg.br/sig/oaisignotica@gmail.com2316-36900103-7250opendoar:2024-05-21T19:56:57.914699Signótica (Online) - Universidade Federal de Goiás (UFG)true |
| dc.title.none.fl_str_mv |
The world in motion O mundo em movimento |
| title |
The world in motion |
| spellingShingle |
The world in motion Neto, Anselmo Pessoa |
| title_short |
The world in motion |
| title_full |
The world in motion |
| title_fullStr |
The world in motion |
| title_full_unstemmed |
The world in motion |
| title_sort |
The world in motion |
| author |
Neto, Anselmo Pessoa |
| author_facet |
Neto, Anselmo Pessoa |
| author_role |
author |
| dc.contributor.author.fl_str_mv |
Neto, Anselmo Pessoa |
| description |
This study is supposed to be a comment on the analysed text, not a substitutefor it. Without any false modesty, it intends to help the reader (is it not thefunction of criticism after all?) to read São Bernardo, by Graciliano Ramos.That is why it follows the novel so closely, as it was done by the old critics, inwhich this work is inspired and, at the same time, aims to surpass. It is not only– or it is almost never – the factual datum which attracts, sometimes betrays,the critic’s attention, but rather the movement of the text itself. |
| publishDate |
2009 |
| dc.date.none.fl_str_mv |
2009-09-04 |
| dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
| format |
article |
| status_str |
publishedVersion |
| dc.identifier.uri.fl_str_mv |
https://revistas.ufg.br/sig/article/view/7116 10.5216/sig.v12i1.7116 |
| url |
https://revistas.ufg.br/sig/article/view/7116 |
| identifier_str_mv |
10.5216/sig.v12i1.7116 |
| dc.language.iso.fl_str_mv |
por |
| language |
por |
| dc.relation.none.fl_str_mv |
https://revistas.ufg.br/sig/article/view/7116/5037 |
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https://creativecommons.org/licenses/by-sa/4.0 info:eu-repo/semantics/openAccess |
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https://creativecommons.org/licenses/by-sa/4.0 |
| eu_rights_str_mv |
openAccess |
| dc.format.none.fl_str_mv |
application/pdf |
| dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
| publisher.none.fl_str_mv |
Universidade Federal de Goiás |
| dc.source.none.fl_str_mv |
Signótica; Vol. 12 No. 1 (2000); 11-34 Signótica; v. 12 n. 1 (2000); 11-34 2316-3690 0103-7250 reponame:Signótica (Online) instname:Universidade Federal de Goiás (UFG) instacron:UFG |
| instname_str |
Universidade Federal de Goiás (UFG) |
| instacron_str |
UFG |
| institution |
UFG |
| reponame_str |
Signótica (Online) |
| collection |
Signótica (Online) |
| repository.name.fl_str_mv |
Signótica (Online) - Universidade Federal de Goiás (UFG) |
| repository.mail.fl_str_mv |
signotica@gmail.com |
| _version_ |
1799875044286922752 |